{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,10,18]],"date-time":"2026-10-18T03:55:35Z","timestamp":1792295735561,"version":"4.4.0"},"reference-count":63,"publisher":"Wiley","issue":"8","license":[{"start":{"date-parts":[[2026,9,4]],"date-time":"2026-09-04T00:00:00Z","timestamp":1788480000000},"content-version":"vor","delay-in-days":3,"URL":"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/"},{"start":{"date-parts":[[2026,9,1]],"date-time":"2026-09-01T00:00:00Z","timestamp":1788220800000},"content-version":"tdm","delay-in-days":0,"URL":"http:\/\/doi.wiley.com\/10.1002\/tdm_license_1.1"}],"funder":[{"DOI":"10.13039\/501100000038","name":"Natural Sciences and Engineering Research Council of Canada","doi-asserted-by":"publisher","award":["244945"],"award-info":[{"award-number":["244945"]}],"id":[{"id":"10.13039\/501100000038","id-type":"DOI","asserted-by":"publisher"}]},{"DOI":"10.13039\/501100000038","name":"Natural Sciences and Engineering Research Council of Canada","doi-asserted-by":"publisher","award":["110_2024_2025_Q2_834"],"award-info":[{"award-number":["110_2024_2025_Q2_834"]}],"id":[{"id":"10.13039\/501100000038","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["European Journal of Pain"],"published-print":{"date-parts":[[2026,9]]},"abstract":"<jats:title>ABSTRACT<\/jats:title>\n                  <jats:sec>\n                    <jats:title>Background<\/jats:title>\n                    <jats:p>One explanation for the hypoalgesic effects of pleasant music is that these stimuli impact pain by eliciting positive emotion. However, it is not clear how much of this effect is due to attentional bias, as pleasant music may more effectively capture attention than neutral or aversive control conditions. As pain reduction by distraction and emotion represent distinct mechanistic pathways, differentiating the role of attention from that of emotion and mood is necessary to understand how pleasant music impacts pain.<\/jats:p>\n                  <\/jats:sec>\n                  <jats:sec>\n                    <jats:title>Methods<\/jats:title>\n                    <jats:p>If effects are due to attention, performing a challenging cognitive task during music listening should attenuate analgesia through competition for limited cognitive resources. We investigated this possible sub\u2010additive interaction using a within\u2010subject factorial design. Pain\u2010free, healthy participants received thermal stimulations as they completed easy and difficult tasks while listening to music, scrambled music, or silence. We then assessed an interaction effect between the effects of task and music condition to test whether the auditory manipulation's effect on pain varied with task difficulty.<\/jats:p>\n                  <\/jats:sec>\n                  <jats:sec>\n                    <jats:title>Results<\/jats:title>\n                    <jats:p>The type of auditory stimulation and type of task had independent effects on pain intensity and unpleasantness, where music reduced pain in comparison to scrambled music and the 2\u2010back reduced pain compared to an easier task. Tests for a possible interaction between the two factors did not support the hypothesis that music and cognitive tasks both reduce pain by demanding attention.<\/jats:p>\n                  <\/jats:sec>\n                  <jats:sec>\n                    <jats:title>Conclusions<\/jats:title>\n                    <jats:p>While listening to music involves attentional processes that facilitate distraction, our results suggest that the emotional impacts of music can operate independently of these processes.<\/jats:p>\n                  <\/jats:sec>\n                  <jats:sec>\n                    <jats:title>Significance Statement<\/jats:title>\n                    <jats:p>What makes music hypoalgesic, is it simply the distraction it provides? This study is the first to disentangle the role of attention from other mechanisms, finding that music can reduce pain independently of where attention is directed. These results have direct implications for music therapy, supporting the centrality of other mechanisms such as emotion in therapeutic frameworks and highlight the importance of examining both attentional and emotional pathways to pain relief in future mechanistic research.<\/jats:p>\n                  <\/jats:sec>","DOI":"10.1002\/ejp.70372","type":"journal-article","created":{"date-parts":[[2026,9,4]],"date-time":"2026-09-04T08:52:07Z","timestamp":1788511927000},"update-policy":"https:\/\/doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":2,"title":["The Hypoalgesic Effects of Pleasant Music Are Not Fully Explained by Distraction"],"prefix":"10.1002","volume":"30","author":[{"ORCID":"https:\/\/orcid.org\/0009-0005-4357-9547","authenticated-orcid":false,"given":"\u00c9lise","family":"Desbarats","sequence":"first","affiliation":[{"name":"Department of Psychology McGill University  Montr\u00e9al Quebec Canada"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Ajar","family":"Diushekeeva","sequence":"additional","affiliation":[{"name":"Department of Psychology Universit\u00e9 de Montr\u00e9al  Montr\u00e9al Quebec Canada"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-6947-0698","authenticated-orcid":false,"given":"Todd A.","family":"Vogel","sequence":"additional","affiliation":[{"name":"School of Psychology University of Birmingham  Birmingham UK"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Mathieu","family":"Roy","sequence":"additional","affiliation":[{"name":"Department of Psychology McGill University  Montr\u00e9al Quebec Canada"},{"name":"Alan Edwards Centre for Research on Pain McGill University  Montreal Quebec Canada"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"311","published-online":{"date-parts":[[2026,9,4]]},"reference":[{"key":"e_1_2_9_2_1","doi-asserted-by":"publisher","DOI":"10.1038\/s41598-025-86445-6"},{"key":"e_1_2_9_3_1","doi-asserted-by":"publisher","DOI":"10.3389\/fpsyg.2024.1361857"},{"key":"e_1_2_9_4_1","doi-asserted-by":"publisher","DOI":"10.1111\/ejn.12303"},{"key":"e_1_2_9_5_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.neubiorev.2011.06.005"},{"key":"e_1_2_9_6_1","doi-asserted-by":"publisher","DOI":"10.1002\/pon.70005"},{"key":"e_1_2_9_7_1","doi-asserted-by":"publisher","DOI":"10.1177\/0956797611427919"},{"key":"e_1_2_9_8_1","doi-asserted-by":"publisher","DOI":"10.4324\/9780203771587"},{"key":"e_1_2_9_9_1","doi-asserted-by":"publisher","DOI":"10.1080\/17437199.2019.1627897"},{"key":"e_1_2_9_10_1","unstructured":"Ellis D.2010.\u201cTime\u2010Domain Scrambling of Audio Signals (Version 1.1.0.0)\u201d [Computer software]. 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