{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T04:02:09Z","timestamp":1750132929624,"version":"3.41.0"},"edition-number":"1","reference-count":52,"publisher":"Wiley","isbn-type":[{"type":"print","value":"9781118784044"},{"type":"electronic","value":"9781118783764"}],"license":[{"start":{"date-parts":[[2017,3,8]],"date-time":"2017-03-08T00:00:00Z","timestamp":1488931200000},"content-version":"tdm","delay-in-days":0,"URL":"http:\/\/doi.wiley.com\/10.1002\/tdm_license_1.1"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"abstract":"<jats:title>Abstract<\/jats:title><jats:p>In this entry the main paradigms and studies of feminist film theory are outlined, particularly with regard to the discussion concerning masculinities, femininities, and sexualities. The exponential increase in the research conducted in recent years shows that this is an area characterized by dynamism, but also by the complexity of epistemological positions, theoretical approaches, methodologies, and analyses. This diversity raises many challenges for the field, which must be addressed according to a situated and interdisciplinary approach.<\/jats:p>","DOI":"10.1002\/9781118783764.wbieme0112","type":"other","created":{"date-parts":[[2017,3,9]],"date-time":"2017-03-09T02:59:54Z","timestamp":1489028394000},"page":"1-9","source":"Crossref","is-referenced-by-count":0,"title":["Feminist Film Analysis"],"prefix":"10.1002","author":[{"given":"Carla","family":"Cerqueira","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2017,3,8]]},"reference":[{"volume-title":"O segundo sexo [Second sex]","year":"1949","author":"Beauvoir S.","key":"e_1_2_7_1_2_1"},{"volume-title":"Queer cinema: The film reader","year":"2004","author":"Benshoff H.","key":"e_1_2_7_1_3_1"},{"volume-title":"Critical readings in media and gender","year":"2004","author":"Carter C.","key":"e_1_2_7_1_4_1"},{"volume-title":"Cinema Journal","year":"1997","author":"Chandler D.","key":"e_1_2_7_1_5_1"},{"key":"e_1_2_7_1_6_1","doi-asserted-by":"publisher","DOI":"10.4324\/9780203357026"},{"key":"e_1_2_7_1_7_1","doi-asserted-by":"publisher","DOI":"10.1093\/screen\/23.3-4.39"},{"key":"e_1_2_7_1_8_1","doi-asserted-by":"publisher","DOI":"10.2307\/1229039"},{"key":"e_1_2_7_1_9_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-1-349-17495-9"},{"key":"e_1_2_7_1_10_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-1-349-19737-8"},{"volume-title":"Pre\u2010code Hollywood: Sex, immorality, and insurrection in American cinema, 1930\u20131934","year":"1999","author":"Doherty T.","key":"e_1_2_7_1_11_1"},{"key":"e_1_2_7_1_12_1","doi-asserted-by":"publisher","DOI":"10.1111\/j.1460-2466.2005.tb02681.x"},{"key":"e_1_2_7_1_13_1","doi-asserted-by":"publisher","DOI":"10.1177\/1350506806062750"},{"key":"e_1_2_7_1_14_1","doi-asserted-by":"publisher","DOI":"10.1093\/screen\/23.3-4.61"},{"volume-title":"White: Essays on race and culture","year":"1997","author":"Dyer R.","key":"e_1_2_7_1_15_1"},{"key":"e_1_2_7_1_16_1","first-page":"xv","volume-title":"Issues in feminist film criticism","author":"Erens P.","year":"1990"},{"key":"e_1_2_7_1_17_1","unstructured":"FIA(2010).Handbook of good practices to combat gender stereotypes and promote equal opportunities in film television and theatre in Europe. 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