{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,31]],"date-time":"2025-10-31T07:08:41Z","timestamp":1761894521397},"publisher-location":"Berlin, Heidelberg","reference-count":23,"publisher":"Springer Berlin Heidelberg","isbn-type":[{"type":"print","value":"9783540425670"},{"type":"electronic","value":"9783540448112"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2001]]},"DOI":"10.1007\/3-540-44811-x_13","type":"book-chapter","created":{"date-parts":[[2007,5,3]],"date-time":"2007-05-03T14:18:30Z","timestamp":1178201910000},"page":"133-142","source":"Crossref","is-referenced-by-count":28,"title":["Eden: An Evolutionary Sonic Ecosystem"],"prefix":"10.1007","author":[{"given":"Jon","family":"McCormack","sequence":"first","affiliation":[]}],"member":"297","published-online":{"date-parts":[[2001,8,30]]},"reference":[{"key":"13_CR1","unstructured":"Schlegel, F.V.: Lucinde and the Fragments, University of Minnesota Press (1971)"},{"key":"13_CR2","first-page":"291","volume-title":"Current Directions in Computer Music Research","author":"G. Loy","year":"1989","unstructured":"Loy, G.: Composing with Computers \u2014 a Survey of Some Compositional Formalisms and Music Programming Languages, In Current Directions in Computer Music Research. M.V. Matthews and J.R. Pierce, (eds.). MIT Press: Cambridge, MA. (1989) 291\u2013396"},{"key":"13_CR3","unstructured":"Xenakis, I.: Formalized Music: Thought and Mathematics in Composition, Indiana University Press (1971)"},{"key":"13_CR4","unstructured":"Johnson-Laird, P.N.: Human and Machine Thinking, Lawrence Eribaum Associates (1993)"},{"key":"13_CR5","first-page":"135","volume-title":"1984 International Computer Music Conference","author":"K. Ebcioglu","year":"1984","unstructured":"Ebcioglu, K.: An Expert System for Schenkerian Synthesis of Chorales in the Style of J.S. Bach. In 1984 International Computer Music Conference. San Francisco, ICMA, (1984) 135\u2013142"},{"key":"13_CR6","volume-title":"Musical Networks: Parallel Distributed Perception and Performance","author":"P.M. Todd","year":"1998","unstructured":"Todd, P.M. and G.M. Werner: Frankensteinian Methods for Evolutionary Music Composition, In Musical Networks: Parallel Distributed Perception and Performance. N. Griffith and P.M. Todd, (eds.). MIT Press\/Bradford Books: Cambridge, MA. (1998)"},{"key":"13_CR7","first-page":"1","volume-title":"Computational Learning Theory: Eurocolt\u2019 95","author":"R.J. Solomonoff","year":"1995","unstructured":"Solomonoff, R.J.: The Discovery of Algorithmic Probability: A Guide for the Programming of True Creativity., In Computational Learning Theory: Eurocolt\u2019 95. P. Vatanyi, (ed.). Springer-Verlag: Berlin. (1995) 1\u201322"},{"key":"13_CR8","unstructured":"Wolpert, D. and W. Mcready: No Free Lunch Theorms for Search, Technical Report SFITR-95-02-010, Santa Fe Institute. (1995)"},{"key":"13_CR9","unstructured":"Wiggins, G., et al.: Evolutionary Methods for Musical Composition. in Proceedings of the CASYS98 Workshop on Anticipation, Music & Cognition. (1999)"},{"key":"13_CR10","volume-title":"The Desent of Man, and Selection in Relation to Sex","author":"C.R. Darwin","year":"1871","unstructured":"Darwin, C.R.: The Desent of Man, and Selection in Relation to Sex. Reprinted 1981 by Princeton University Press ed.London, John Murray (1871)"},{"key":"13_CR11","doi-asserted-by":"crossref","DOI":"10.7551\/mitpress\/2867.001.0001","volume-title":"The Evolution of Communication","author":"M.D. Hauser","year":"1997","unstructured":"Hauser, M.D.: The Evolution of Communication. Cambridge, MA, MIT Press (1997)"},{"key":"13_CR12","unstructured":"Werner, G.M. and M.G. Dyer: Evolution of Communication in Artifical Systems, In Artificial Life II. C.G. Langton, (ed.). Addison-Wesley (1991) 659\u2013682"},{"key":"13_CR13","unstructured":"Holland, J.H.: Hidden Order: How Adaption Builds Complexity, Helix Books (1995)"},{"key":"13_CR14","first-page":"56","volume-title":"First Iteration: a conference on generative systems in the electronic arts","author":"P. Dahlstedt","year":"1999","unstructured":"Dahlstedt, P. and M.G. Nordahl: Living Melodies: Coevolution of Sonic Communication. In First Iteration: a conference on generative systems in the electronic arts. In: A. Dorin and J. McCormack (eds.): Melbourne, Australia, Centre for Electronic Media Art, (1999) 56\u201366"},{"key":"13_CR15","unstructured":"Ulam, S.: Random Processes and Transformations. In Proceedings of the International Congress on Mathematics (1952) 264\u2013275"},{"key":"13_CR16","doi-asserted-by":"publisher","first-page":"393","DOI":"10.1016\/0022-5193(70)90077-9","volume":"28","author":"M. Conrad","year":"1970","unstructured":"Conrad, M. and H.H. Pattee: Evolution Experiments with an Artificial Ecosystem. Journal of Theoretical Biology, 28 (1970) 393\u2013401","journal-title":"Journal of Theoretical Biology"},{"key":"13_CR17","first-page":"141","volume-title":"Artificial Life, SFI Studies in the Sciences of Complexity","author":"N.H. Packard","year":"1988","unstructured":"Packard, N.H.: Intrinsic Adaption in a Simple Model for Evolution. In C.G. Langton (ed.) Artificial Life, SFI Studies in the Sciences of Complexity. Los Alamos, NM, Addison-Wesley, (1988)141\u2013155"},{"key":"13_CR18","first-page":"284","volume":"35B","author":"A.J. Watson","year":"1983","unstructured":"Watson, A.J. and J.E. Lovelock: Biological Homeostasis of the Global Environment: The Parable of Daisyworld. Tellus, 35B (1983) 284\u2013289","journal-title":"Biological Homeostasis of the Global Environment: The Parable of Daisyworld"},{"key":"13_CR19","doi-asserted-by":"crossref","DOI":"10.1007\/978-1-4615-9981-4","volume-title":"Introduction to the Physics and Psychophysics of Music","author":"J. Roederer","year":"1975","unstructured":"Roederer, J.: Introduction to the Physics and Psychophysics of Music. Second ed. New York, Springer-Verlag (1975)","edition":"Second ed"},{"key":"13_CR20","volume-title":"The Computer Music Tutorial","author":"C. Roads","year":"1996","unstructured":"Roads, C.: The Computer Music Tutorial. Cambridge, Mass., MIT Press (1996)"},{"key":"13_CR21","doi-asserted-by":"crossref","DOI":"10.7551\/mitpress\/1090.001.0001","volume-title":"Adaption in Natural and Artificial Systems: An Introductory Analysis with Applications to Biology, Control, and Artificial Intelligence","author":"J.H. Holland","year":"1992","unstructured":"Holland, J.H.: Adaption in Natural and Artificial Systems: An Introductory Analysis with Applications to Biology, Control, and Artificial Intelligence. Second ed. MIT Press Cambridge, MA (1992)","edition":"Second ed."},{"key":"13_CR22","first-page":"188","volume-title":"Keywords in Evolutionary Biology","author":"P.J. Bowler","year":"1992","unstructured":"Bowler, P.J.: Lamarckism, In Keywords in Evolutionary Biology. E.F. Keller and E.A. Lloyd, (eds.). Harvard University Press, Cambridge, MA. (1992) 188\u2013193"},{"key":"13_CR23","volume-title":"The Visual Mind: Art and Mathematics","author":"B. Gr\u00fcnbaum","year":"1993","unstructured":"Gr\u00fcnbaum, B. and G.C. Shephard: Interlace Patterns in Islamic and Moorish Art. In The Visual Mind: Art and Mathematics. M. Emmer, (ed.). MIT Press: Cambridge, MA. (1993)."}],"container-title":["Lecture Notes in Computer Science","Advances in Artificial Life"],"original-title":[],"link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/3-540-44811-X_13","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2020,4,21]],"date-time":"2020-04-21T14:27:16Z","timestamp":1587479236000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/3-540-44811-X_13"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2001]]},"ISBN":["9783540425670","9783540448112"],"references-count":23,"URL":"https:\/\/doi.org\/10.1007\/3-540-44811-x_13","relation":{},"ISSN":["0302-9743"],"issn-type":[{"type":"print","value":"0302-9743"}],"subject":[],"published":{"date-parts":[[2001]]}}}