{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,5,27]],"date-time":"2026-05-27T13:13:11Z","timestamp":1779887591892,"version":"3.53.1"},"publisher-location":"Berlin, Heidelberg","reference-count":16,"publisher":"Springer Berlin Heidelberg","isbn-type":[{"value":"9783540441458","type":"print"},{"value":"9783540457220","type":"electronic"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2002]]},"DOI":"10.1007\/3-540-45722-4_18","type":"book-chapter","created":{"date-parts":[[2007,6,7]],"date-time":"2007-06-07T19:03:58Z","timestamp":1181243038000},"page":"195-206","source":"Crossref","is-referenced-by-count":21,"title":["A Bayesian Approach to Key-Finding"],"prefix":"10.1007","author":[{"given":"David","family":"Temperley","sequence":"first","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"297","published-online":{"date-parts":[[2002,8,27]]},"reference":[{"key":"18_CR1","doi-asserted-by":"crossref","first-page":"1","DOI":"10.2307\/40285384","volume":"5","author":"J. J. Bharucha","year":"1987","unstructured":"Bharucha, J. J.: Music Cognition and Perceptual Facilitation: A Connectionist Framework.Music Perception 5 (1987) 1\u201330","journal-title":"Music Perception"},{"key":"18_CR2","doi-asserted-by":"crossref","first-page":"219","DOI":"10.2307\/40285588","volume":"6","author":"D. Butler","year":"1989","unstructured":"Butler, D.: Describing the Perception of Tonality in Music: A Critique of the Tonal Hierarchy Theory and a Proposal for a Theory of Intervallic Rivalry. Music Perception 6(1989) 219\u201342","journal-title":"Music Perception"},{"issue":"2","key":"18_CR3","doi-asserted-by":"publisher","first-page":"60","DOI":"10.1162\/014892600559218","volume":"24","author":"A. T. Cemgil","year":"2000","unstructured":"Cemgil, A. T., Desain, P., Kappen, B.: Rhythm Quantization for Transcription. Computer Music Journal 24(2) (2000) 60\u201376","journal-title":"Computer Music Journal"},{"key":"18_CR4","doi-asserted-by":"publisher","first-page":"259","DOI":"10.1080\/09298210008565462","volume":"29","author":"A. T. Cemgil","year":"2000","unstructured":"Cemgil, A. T., Desain, P., Kappen, B, Honing, H.: On Tempo Tracking: Tempogram Representation and Kalman Filtering. Journal of New Music Research 29 (2000) 259\u201373","journal-title":"Journal of New Music Research"},{"key":"18_CR5","unstructured":"Jurafsky, D., Martin, J. H.: Speech and Language Processing. Prentice-Hall, Upper Saddle River, NJ (2000)"},{"key":"18_CR6","unstructured":"Kostka, S.: Instructor\u2019s Manual to Accompany Tonal Harmony. McGraw-Hill, New York(1995)"},{"key":"18_CR7","unstructured":"Kostka, S., Payne, D.: Workbook for Tonal Harmony. McGraw-Hill, New York (1995)"},{"key":"18_CR8","unstructured":"Krumhansl, C.: Cognitive Foundations of Musical Pitch. Oxford University Press, Oxford(1990)"},{"key":"18_CR9","doi-asserted-by":"crossref","unstructured":"Leman, M.: Music and Schema Theory. Springer-Verlag, Berlin (1995)","DOI":"10.1007\/978-3-642-85213-8"},{"key":"18_CR10","unstructured":"Lerdahl, F., Jackendoff, R.: A Generative Theory of Tonal Music. MIT Press, Cambridge MA (1983)"},{"key":"18_CR11","first-page":"221","volume":"6","author":"C. Longuet-Higgins","year":"1971","unstructured":"Longuet-Higgins, C., Steedman, M.: On Interpreting Bach. Machine Intelligence 6 (1971) 221\u201341","journal-title":"Machine Intelligence"},{"key":"18_CR12","doi-asserted-by":"crossref","first-page":"109","DOI":"10.2307\/40285454","volume":"7","author":"M. Schmuckler","year":"1989","unstructured":"Schmuckler, M.: Expectation in Music: Investigation of Melodic and Harmonic Processes.Music Perception 7 (1989) 109\u201350","journal-title":"Music Perception"},{"key":"18_CR13","doi-asserted-by":"crossref","first-page":"65","DOI":"10.2307\/40285812","volume":"17","author":"D. Temperley","year":"1999","unstructured":"Temperley, D.: What\u2019s Key for Key? The Krumhansl-Schmuckler Key-Finding Algorithm Reconsidered. Music Perception 17 (1999) 65\u2013100","journal-title":"Music Perception"},{"key":"18_CR14","unstructured":"Temperley, D.: The Cognition of Basic Musical Structures. MIT Press, Cambridge MA (2001)"},{"issue":"1","key":"18_CR15","doi-asserted-by":"publisher","first-page":"10","DOI":"10.1162\/014892699559616","volume":"23","author":"D. Temperley","year":"1999","unstructured":"Temperley, D., Sleator, D.: Modeling Meter and Harmony: A Preference-Rule Approach. Computer Music Journal 23(1) (1999) 10\u201327","journal-title":"Computer Music Journal"},{"key":"18_CR16","doi-asserted-by":"crossref","first-page":"185","DOI":"10.2307\/40285717","volume":"14","author":"P. Vos","year":"1996","unstructured":"Vos, P., Van Geenen, E. W.: A Parallel-Processing Key-Finding Model. Music Perception14 (1996) 185\u2013224","journal-title":"Music Perception"}],"container-title":["Lecture Notes in Computer Science","Music and Artificial Intelligence"],"original-title":[],"link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/3-540-45722-4_18","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2019,2,17]],"date-time":"2019-02-17T07:27:20Z","timestamp":1550388440000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/3-540-45722-4_18"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2002]]},"ISBN":["9783540441458","9783540457220"],"references-count":16,"URL":"https:\/\/doi.org\/10.1007\/3-540-45722-4_18","relation":{},"ISSN":["0302-9743"],"issn-type":[{"value":"0302-9743","type":"print"}],"subject":[],"published":{"date-parts":[[2002]]}}}