{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2024,9,4]],"date-time":"2024-09-04T22:13:37Z","timestamp":1725488017990},"publisher-location":"Berlin, Heidelberg","reference-count":16,"publisher":"Springer Berlin Heidelberg","isbn-type":[{"type":"print","value":"9783540647805"},{"type":"electronic","value":"9783540686866"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[1998]]},"DOI":"10.1007\/3-540-68686-x_38","type":"book-chapter","created":{"date-parts":[[2007,8,3]],"date-time":"2007-08-03T16:28:51Z","timestamp":1186158531000},"page":"394-405","source":"Crossref","is-referenced-by-count":0,"title":["Zeuxis vs RealityEngine: Digital Realism and Virtual Worlds"],"prefix":"10.1007","author":[{"given":"Lev","family":"Manovich","sequence":"first","affiliation":[]}],"member":"297","published-online":{"date-parts":[[1998,6,18]]},"reference":[{"key":"38_CR1","unstructured":"\u201cWhat Is Digital Cinema?\u201d in The Digital Dialectics, ed. Peter Lunenfeld (Cambridge: MIT Press., forthcoming); \u201cArcheology of a Computer Screen\u201d (German), in Kunstforum International 132 (November 1995\u2013January 1996); \u201cParadoxes of Digital Photography,\u201d in Photography after Photography, ed. Hubertus von Amelunxen, Stefan Iglahut, and Florian R\u00f6tzer (Berlin: Verlag der Kunst, 1995); \u201cTo Lie and to Act: Potemkin\u2019s Villages, Cinema and Telepresence,\u201d in Mythos Information-Welcome to the Wired World: Ars Electronica 95, ed. Karl Gebel and Peter Weibel (Vienna and New York: Springler-Verlag, 1995); \u201cAssembling Reality: Myths of Computer Graphics,\u201d Afterimage 20, no. 2 (September 1992); \u201c\u2018Real\u2019 Wars: Esthetics and Professionalism in Computer Animation,\u201d Design Issues 6, no. 1 (Fall 1991)."},{"key":"38_CR2","unstructured":"Barbara Robertson, \u201cThose Amazing Flying Machines,\u201d Computer Graphics World (May 1992), 69."},{"key":"38_CR3","unstructured":"Michael Baxandall, Painting and Experience in Fifteenth-Century Italy, 2nd ed. (Oxford: Oxford University Press), 8."},{"key":"38_CR4","first-page":"43","volume-title":"Snow Crash","author":"N. Stephenson","year":"1992","unstructured":"Neal Stephenson, Snow Crash (New York: Bantam Books, 1992), 43, 37."},{"key":"38_CR5","unstructured":"http:\/\/www.viewpoint.com"},{"key":"38_CR6","volume-title":"Art and Illusion","author":"E. H. Gombrich","year":"1960","unstructured":"E. H. Gombrich, Art and Illusion (Princeton: Princeton University Press, 1960); Roland Barthes, \u201cThe Death of the Author,\u201d Image, Music, Text, ed. Stephen Heath (New York: Farrar Straus and Giroux, 1977), 142."},{"key":"38_CR7","unstructured":"Bulat Galeyev, Soviet Faust: Lev Theremin-Pioneer Of Electronic Art (Russian) (Kazan, 1995), 19."},{"key":"38_CR8","unstructured":"For a more detailed analysis of realism in 3-D computer graphics see Lev Manovich, \u201cAssembling Reality: Myths of Computer Graphics,\u201d Afterimage 20, no. 2 (September 1992)."},{"key":"38_CR9","unstructured":"http:\/\/www.ubique.com\/places\/gallery.html"},{"key":"38_CR10","unstructured":"http:\/\/www.virtpark.com\/factinfo.html"},{"key":"38_CR11","volume-title":"Closing Statement: Linguistics and Poetics","author":"R. Jakobson","year":"1960","unstructured":"Roman Jakobson, \u201cClosing Statement: Linguistics and Poetics,\u201d Style In Language, ed. Thomas Sebeok (Cambridge: MIT Press, 1960)."},{"key":"38_CR12","volume-title":"The Work of Art in the Age of Mechanical Reproduction","author":"W. Benjamin","year":"1969","unstructured":"Walter Benjamin, \u201cThe Work of Art in the Age of Mechanical Reproduction,\u201d Illuminations, ed. Hannah Arendt (New York: Schocken Books, 1969)."},{"key":"38_CR13","unstructured":"Private communication. St. Petersburg, September 1995."},{"key":"38_CR14","volume-title":"The Subject of Semiotics","author":"K. Silverman","year":"1983","unstructured":"On theories of suture in relation to cinema see Kaja Silverman, The Subject of Semiotics (New York: Oxford University Press, 1983), chap. 5.17. Lev Manovich, \u201cMapping Space: Perspective, Radar and Computer Graphics,\u201d in SIGGRAPH\u2019 93 Visual Proceedings, ed. Thomas Linehan (New York: ACM, 1993.)"},{"key":"38_CR15","first-page":"xxvi","volume-title":"Tekstura: Russian Essays on Visual Culture","author":"A. Efimova","year":"1993","unstructured":"Quoted in Alla Efimova and Lev Manovich, \u201cObject, Space, Culture: Introduction,\u201d in Tekstura: Russian Essays on Visual Culture, eds. Alla Efimova and Lev Manovich (Chicago: University of Chicago Press, 1993), xxvi."},{"key":"38_CR16","volume-title":"Narrative, Apparatus, Ideology","author":"J.-L. Baudry","year":"1986","unstructured":"Jean-Louis Baudry, \u201cThe Apparatus: Metapsychological Approaches to the Impression of Reality in the Cinema,\u201d in Narrative, Apparatus, Ideology, ed. Philip Rosen (New York: Columbia University Press, 1986)."}],"container-title":["Lecture Notes in Computer Science","Virtual Worlds"],"original-title":[],"link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/3-540-68686-X_38","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2019,2,20]],"date-time":"2019-02-20T14:39:01Z","timestamp":1550673541000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/3-540-68686-X_38"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[1998]]},"ISBN":["9783540647805","9783540686866"],"references-count":16,"URL":"https:\/\/doi.org\/10.1007\/3-540-68686-x_38","relation":{},"ISSN":["0302-9743"],"issn-type":[{"type":"print","value":"0302-9743"}],"subject":[],"published":{"date-parts":[[1998]]}}}