{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,12,10]],"date-time":"2025-12-10T08:35:02Z","timestamp":1765355702109},"publisher-location":"London","reference-count":126,"publisher":"Springer London","isbn-type":[{"type":"print","value":"9781447129899"},{"type":"electronic","value":"9781447129905"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2013]]},"DOI":"10.1007\/978-1-4471-2990-5_1","type":"book-chapter","created":{"date-parts":[[2013,3,7]],"date-time":"2013-03-07T02:42:34Z","timestamp":1362624154000},"page":"1-28","source":"Crossref","is-referenced-by-count":9,"title":["Music Interaction: Understanding Music and Human-Computer Interaction"],"prefix":"10.1007","author":[{"given":"Simon","family":"Holland","sequence":"first","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Katie","family":"Wilkie","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Paul","family":"Mulholland","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Allan","family":"Seago","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"297","published-online":{"date-parts":[[2013,1,9]]},"reference":[{"key":"1_CR00011","doi-asserted-by":"crossref","unstructured":"Anderson, M. L. (2003). Embodied cognition: A field guide, artificial intelligence, 149(1), 91\u2013130, ISSN 0004-3702.","DOI":"10.1016\/S0004-3702(03)00054-7"},{"key":"1_CR00012","doi-asserted-by":"crossref","first-page":"1","DOI":"10.1080\/09298215.2012.718791","volume":"42","author":"V Angelis","year":"2013","unstructured":"Angelis, V., Holland, S., Clayton, M., & Upton, P. J. (2013). Journal of New Music Research, 42, 1.","journal-title":"Journal of New Music Research"},{"key":"1_CR00013","doi-asserted-by":"crossref","unstructured":"Aristotle (350 BCE). The Poetics (trans: Butcher, S.H.). Cambridge, MA: MIT Classics Archive. http:\/\/classics.mit.edu\/Aristotle\/poetics.html . Accessed 21 Jan 2013.","DOI":"10.1093\/oseo\/instance.00258601"},{"key":"1_CR00014","volume-title":"Musical structure and cognition","author":"J Baily","year":"1985","unstructured":"Baily, J. (1985). Music structure and human movement. In P. Howell, I. Cross, & R. West (Eds.), Musical structure and cognition. London: Academic."},{"key":"1_CR00015","volume-title":"The music instinct: How music works and why we can\u2019t do without it","author":"P Ball","year":"2010","unstructured":"Ball, P. (2010). The music instinct: How music works and why we can\u2019t do without it. London: Bodley Head."},{"key":"1_CR00016","unstructured":"Bau, O., Tanaka, A., & Mackay, W. E. (2008). The A20: Musical metaphors for interface design. In Proceedings of NIME 2008 (pp. 91\u201396). http:\/\/www.nime.org\/archive\/ , http:\/\/www.nime.org\/proceedings\/2008\/nime2008_091.pdf . Accessed 21 Jan 2013."},{"key":"1_CR00017","unstructured":"Bearman, N., & Brown, E. (2012). Who\u2019s sonifying data and how are they doing it? A comparison of ICAD and other venues since 2009. In Proceedings of the 18th international conference on auditory display (pp. 231\u2013232). Atlanta: Georgia Institute of Technology."},{"key":"1_CR00018","volume-title":"Multimedia interface design in education","author":"S Beckwith","year":"1992","unstructured":"Beckwith, S. (1992). Hunting musical knowledge in darkest medialand. In A. Edwards & S. Holland (Eds.), Multimedia interface design in education. Hiedelberg: Springer."},{"key":"1_CR00019","unstructured":"Biles (1994). GenJam: A genetic algorithm for generating jazz solos. In Proceedings of the 1994 international computer music conference. San Francisco: ICMA (The International Computer Music Association)."},{"key":"1_CR000110","unstructured":"Bird, J., Holland, S., Marshall, P., Rogers, Y., & Clark, A. (2008). Feel the force: Using tactile technologies to investigate the extended mind. In Proceedings of Devices that Alter Perception workshop (DAP 08), as part of Ubicomp 2008, Seoul, Korea (pp. 1\u20134)."},{"volume-title":"The anthropology of the body","year":"1977","key":"1_CR000111","unstructured":"Blacking, J. (Ed.). (1977). The anthropology of the body. London: Academic."},{"key":"1_CR000112","doi-asserted-by":"crossref","unstructured":"Blackwell, A. F., Britton, C., Cox, A., Green, T. R. G., Gurr, C., Kadoda, G., Kutar, M. S., Loomes, M., Nehaniv, C. L., Petre, M., Roast, C., Roe, C., Wong, A., & Young, R. M. (2001). Cognitive dimensions of notations: Design tools for cognitive technology. Cognitive technology: Instruments of mind (pp. 325\u2013341). Berlin\/New York: Springer","DOI":"10.1007\/3-540-44617-6_31"},{"key":"1_CR000113","volume-title":"Funology: From usability to enjoyment","author":"M Blythe","year":"2003","unstructured":"Blythe, M., Overbeeke, K., Monk, A., & Wright, P. (2003). Funology: From usability to enjoyment. New York: Springer."},{"key":"1_CR000114","unstructured":"Borchers, J. (1999, August 22\u201326). Designing interactive music systems: A pattern approach. In Proceeding of Human-Computer Interaction: Ergonomics and User Interfaces, Proceedings of HCI International \u201999 (the 8th International Conference on Human-Computer Interaction), Munich, Germany (Vol. 1)."},{"key":"1_CR000115","first-page":"XXX","volume-title":"Music and human computer interaction","author":"A Bouwer","year":"2013","unstructured":"Bouwer, A., Holland, S., & Dalgleish, M. (2013a). The haptic bracelets: Learning multi-limb rhythm skills from haptic stimuli while reading. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 101\u2013122). London: Springer."},{"key":"1_CR000116","first-page":"XXX","volume-title":"Music and human computer interaction","author":"A Bouwer","year":"2013","unstructured":"Bouwer, A., Holland, S., & Dalgleish, M. (2013b). Song Walker harmony space: Embodied interaction design for complex musical skills. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 207\u2013222). London: Springer."},{"key":"1_CR000117","first-page":"XXX","volume-title":"Music and human computer interaction","author":"A Bramwell-Dicks","year":"2013","unstructured":"Bramwell-Dicks, A., Petrie, H., Edwards, A. D. N., & Power, C. (2013). Affective musical interaction: Influencing users\u2019 behaviour and experiences with music. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 67\u201384). London: Springer."},{"key":"1_CR000118","unstructured":"Brewster, S. A., Wright, P. C., & Edwards, A. D. N. (1993). An evaluation of earcons for use in auditory human-computer interfaces. In Proceedings of the INTERACT \u201993 and CHI \u201993 conference on human factors in computing systems (CHI \u201993) (pp. 222\u2013227). New York: ACM."},{"key":"1_CR000119","first-page":"75","volume-title":"Conductive education occasional papers","author":"M Brown","year":"2002","unstructured":"Brown, M. (2002). Conductive education and the use of rhythmical intention for people with Parkinson\u2019s disease. In I. Kozma & E. Balogh (Eds.), Conductive education occasional papers (Vol. 8, pp. 75\u201380). Budapest: International Peto Institute."},{"issue":"2","key":"1_CR000120","doi-asserted-by":"crossref","first-page":"101","DOI":"10.1080\/01449290903377103","volume":"31","author":"N. Bryan-Kinns","year":"2009","unstructured":"Bryan-Kinns, N., & Hamilton, F. (2009). Identifying mutual engagement. Behaviour & Information Technology, 31(2), 101\u2013125, 201 pp.","journal-title":"Behaviour & Information Technology"},{"key":"1_CR000121","first-page":"7","volume-title":"HCI remixed: Reflections on works that have influenced the HCI community","author":"W Buxton","year":"2008","unstructured":"Buxton, W. (2008). My vision isn\u2019t my vision: Making a career out of getting back to where I started. In T. Erickson & D. McDonald (Eds.), HCI remixed: Reflections on works that have influenced the HCI community (pp. 7\u201312). Cambridge, MA: MIT Press."},{"issue":"4","key":"1_CR000122","first-page":"14","volume":"3","author":"W. Buxton","year":"1979","unstructured":"Buxton, W., Sniderman, R., Reeves, W., Patel, S., & Baecker, R. (1979). The evolution of the SSSP score editing tools. Computer Music Journal, 3(4), 14\u201325+60.","journal-title":"Computer Music Journal"},{"key":"1_CR000123","doi-asserted-by":"publisher","first-page":"1","DOI":"10.1080\/07494469300640451","volume":"9","author":"EF Clarke","year":"1993","unstructured":"Clarke, E. F. (1993). Generativity, mimesis and the human body in music performance. Contemporary Music Review, 9, 1\u20132.","journal-title":"Contemporary Music Review"},{"issue":"3","key":"1_CR000124","doi-asserted-by":"publisher","first-page":"237","DOI":"10.1017\/S1355771808000332","volume":"13","author":"N Collins","year":"2008","unstructured":"Collins, N. (2008). The analysis of generative music programs. Organised Sound, 13(3), 237\u2013248.","journal-title":"Organised Sound"},{"key":"1_CR000125","unstructured":"Coughlan, T., & Johnson, P. (2006). Interaction in creative tasks: Ideation, representation and evaluation in composition. In R. Grinter, T. Rodden, P. Aoki, Ed Cutrell, R. Jeffries, and G. Olson (Eds.), Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI \u201906) (pp. 531\u2013540). New York: ACM."},{"issue":"1","key":"1_CR000126","doi-asserted-by":"publisher","first-page":"95","DOI":"10.1177\/0305735601291007","volume":"29","author":"I Cross","year":"2001","unstructured":"Cross, I. (2001). Music, mind and evolution. Psychology of Music, 29(1), 95\u2013102.","journal-title":"Psychology of Music"},{"key":"1_CR000127","volume-title":"Flow: The psychology of optimal experience","author":"M Csikszentmihalyi","year":"1991","unstructured":"Csikszentmihalyi, M. (1991). Flow: The psychology of optimal experience. New York: Harper Collins."},{"key":"1_CR000128","unstructured":"Desain, P., & Honing, H. (1996). Modeling continuous aspects of music performance: Vibrato and Portamento. In B. Pennycook & E. Costa-Giomi (Eds.), Proceedings of the international music perception and cognition conference, Montreal: McGill University."},{"issue":"2","key":"1_CR000129","doi-asserted-by":"publisher","first-page":"159","DOI":"10.1080\/08098130109478029","volume":"10","author":"E Dissanayake","year":"2001","unstructured":"Dissanayake, E. (2001). An ethological view of music and its relevance to music therapy. Nordic Journal of Music Therapy, 10(2), 159\u2013175.","journal-title":"Nordic Journal of Music Therapy"},{"issue":"1","key":"1_CR000130","doi-asserted-by":"publisher","first-page":"130","DOI":"10.1179\/175975309X452012","volume":"52","author":"M Doffman","year":"2009","unstructured":"Doffman, M. (2009). Making it groove! Entrainment, participation and discrepancy in the \u2018conversation\u2019 of a Jazz Trio. Language & History, 52(1), 130\u2013147.","journal-title":"Language & History"},{"key":"1_CR000131","doi-asserted-by":"crossref","DOI":"10.7551\/mitpress\/7221.001.0001","volume-title":"Where the action is: The foundations of embodied interaction","author":"P Dourish","year":"2001","unstructured":"Dourish, P. (2001). Where the action is: The foundations of embodied interaction. Cambridge: MIT Press."},{"key":"1_CR000132","unstructured":"Engelbart, D., & English, W. (1968). A research centre for augmenting human intellect. In Proceedings of the fall joint computer conference (pp. 395\u2013410). San Francisco. http:\/\/sloan.stanford.edu\/mousesite\/Archive\/ResearchCenter1968\/ResearchCenter1968.html . Accessed 21 Jan 2013."},{"key":"1_CR000133","volume-title":"How we think: Conceptual blending and the mind\u2019s hidden complexities","author":"G Fauconnier","year":"2002","unstructured":"Fauconnier, G., & Turner, M. (2002). How we think: Conceptual blending and the mind\u2019s hidden complexities. New York: Basic Books."},{"key":"1_CR000134","first-page":"XXX","volume-title":"Music and human computer interaction","author":"R Fencott","year":"2013","unstructured":"Fencott, R., & Bryan-Kinns, N. (2013). Computer musicking: HCI, CSCW and collaborative digital musical interaction. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 189\u2013206). London: Springer."},{"key":"1_CR000135","unstructured":"Gaver, W. W., Beaver, J., & Benford, S. (2003). Ambiguity as a resource for design. In Proceedings of the SIGCHI conference on human factors in computing systems (CHI \u201903) (pp. 233\u2013240). New York: ACM Press."},{"issue":"8","key":"1_CR000136","doi-asserted-by":"publisher","first-page":"70","DOI":"10.1145\/232014.232032","volume":"39","author":"D Gentner","year":"1996","unstructured":"Gentner, D., & Nielsen, J. (1996). The Anti-Mac interface. Communications of the ACM, 39(8), 70\u201382.","journal-title":"Communications of the ACM"},{"key":"1_CR000137","first-page":"XXX","volume-title":"Music and human computer interaction","author":"T Gifford","year":"2013","unstructured":"Gifford, T. (2013). Appropriate and complementary rhythmic improvisation in an interactive music system. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 271\u2013286). London: Springer."},{"key":"1_CR000138","volume-title":"Discovery of grounded theory: Strategies for qualitative research","author":"BG Glaser","year":"1967","unstructured":"Glaser, B. G., & Strauss, A. L. (1967). Discovery of grounded theory: Strategies for qualitative research. Chicago: AldineTransaction."},{"key":"1_CR000139","unstructured":"Goebl, W., Bresin, R., & Galembo, A. (2004). Once again: The perception of piano touch and tone. Can touch audibly change piano sound independently of intensity? In Proceedings of the International Symposium on Musical Acoustics. Nara, Japan."},{"key":"1_CR000140","unstructured":"Graham, P. (2011) Rarely asked questions. http:\/\/paulgraham.com\/raq.html . Accessed 8 Oct 2011."},{"key":"1_CR000141","unstructured":"Harrison, S., Tatar, D., & Sengers, P. (2007). The three paradigms of HCI. In Proceedings of Alt. Chi. session at the SIGCHI conference on human factors in computing systems. San Jose, California, USA."},{"issue":"2","key":"1_CR000142","doi-asserted-by":"publisher","first-page":"91","DOI":"10.1080\/01449290500330331","volume":"25","author":"M Hassenzahl","year":"2006","unstructured":"Hassenzahl, M., & Tractinsky, N. (2006). User experience\u2014a research agenda. Behavior & Information Technology, 25(2), 91\u201397.","journal-title":"Behavior & Information Technology"},{"key":"1_CR000143","volume-title":"Video in qualitative research","author":"C Heath","year":"2010","unstructured":"Heath, C., Hindmarsh, J., & Luff, P. (2010). Video in qualitative research. London: Sage."},{"issue":"4","key":"1_CR000144","doi-asserted-by":"publisher","first-page":"45","DOI":"10.1162\/comj.2007.31.4.47","volume":"31","author":"P Hill","year":"2007","unstructured":"Hill, P., Holland, S., & Laney, R. (2007). An introduction to aspect-oriented music representation. Computer Music Journal, 31(4), 45\u201356.","journal-title":"Computer Music Journal"},{"key":"1_CR000145","unstructured":"Holland, S. (1989). Artificial intelligence, education and music: The use of artificial intelligence to encourage and facilitate music composition by novices. PhD thesis, IET, Open University, UK, pp. 28\u201362."},{"key":"1_CR000146a","volume-title":"Guided discovery tutoring","author":"S Holland","year":"1990","unstructured":"Holland, S., & Elsom-Cook, M. (1990). Architecture of a knowledge-based tutor. In M. Elsom-Cook (Ed.), Guided discovery tutoring. London: Paul Chapman Publishing Ltd."},{"key":"1_CR000146","volume-title":"Multimedia interface design in education","author":"S Holland","year":"1992","unstructured":"Holland, S. (1992). Interface design for empowerment: A case study from music. In S. Holland & A. Edwards (Eds.), Multimedia interface design in education. Hiedelberg: Springer."},{"key":"1_CR000147","first-page":"239","volume-title":"Readings in music and artificial intelligence, contemporary music studies","author":"S Holland","year":"2000","unstructured":"Holland, S. (2000). Artificial intelligence in music education: A critical review. In E. Miranda (Ed.), Readings in music and artificial intelligence, contemporary music studies (Vol. 20, pp. 239\u2013274). Amsterdam: Harwood Academic Publishers."},{"key":"1_CR000148","unstructured":"Holland, S., Marshall, P., Bird, J., Dalton, S. N., Morris, R., Pantidi, N., Rogers, Y., & Clark, A. (2009). Running up Blueberry Hill: Prototyping whole body interaction in harmony space. In Proceedings of the third conference on tangible and embodied interaction (pp. 92\u201398). New York: ACM."},{"key":"1_CR000149","doi-asserted-by":"crossref","unstructured":"Holland, S., Bouwer, A., Dalgleish, M., & Hurtig, T. (2010). Feeling the beat where it counts: Fostering multi-limb rhythm skills with the Haptic Drum Kit. In Proceedings of the TEI 2010, Boston, Cambridge, MA.","DOI":"10.1145\/1709886.1709892"},{"key":"1_CR000150","volume-title":"Whole body interaction","author":"S Holland","year":"2011","unstructured":"Holland, S., Wilkie, K., Bouwer, A., Dalgleish, M., & Mulholland, P. (2011). Whole body interaction in abstract domains. In D. England (Ed.), Whole body interaction. London: Springer."},{"issue":"2","key":"1_CR000151","doi-asserted-by":"publisher","first-page":"19","DOI":"10.1145\/1925820.1925826","volume":"18","author":"E Hornecker","year":"2011","unstructured":"Hornecker, E. (2011). The role of physicality in tangible and embodied interactions. Interactions, 18(2), 19\u201323.","journal-title":"Interactions"},{"key":"1_CR000152","unstructured":"Hsu, W., & Sosnick, M. (2009). Evaluating interactive music systems: An HCI approach. In Proceedings of New Interfaces for Musical Expression (NIME) 2009. New York: NIME."},{"key":"1_CR000153","unstructured":"Huang, K., Starner, T., Do, E., Weiberg, G., Kohlsdorf, D., Ahlrichs, C., & Leibrandt, R. (2010). Mobile music touch: Mobile tactile stimulation for passive learning. In Proceedings of the 28th international conference on human factors in computing systems (CHI \u201810) (pp. 791\u2013800). New York: ACM."},{"key":"1_CR000154","unstructured":"Hughes, T. S. (2003). Groove and flow: Six analytical essays on the music of Stevie Wonder. PhD thesis, University of Washington, Seattle."},{"key":"1_CR000155","unstructured":"Hurtienne, J., & Blessing, L. (2007). Design for intuitive use \u2013 testing image schema theory for user interface design. In Proceedings of the 16th international conference on engineering design, Paris, France (pp. 1\u201312)."},{"key":"1_CR000156","doi-asserted-by":"publisher","first-page":"15","DOI":"10.1515\/9783110197532.1.15","volume-title":"From perception to meaning: Image schemas in cognitive linguistics","author":"M Johnson","year":"2005","unstructured":"Johnson, M. (2005). The philosophical significance of image schemas. In B. Hampe & J. Grady (Eds.), From perception to meaning: Image schemas in cognitive linguistics (pp. 15\u201333). Berlin\/New York: Mouton de Gruyter."},{"key":"1_CR000157","unstructured":"Jord\u00e0, S. (2005). Digital Lutherie. Universitat Pompeu Fabra. PhD Thesis."},{"key":"1_CR000158","unstructured":"Jord\u00e0, S., Kaltenbrunner, M., Geiger, G., & Alonso, M. (2006). The reacTable: A tangible tabletop musical instrument and collaborative workbench. In ACM SIGGRAPH 2006 Sketches (SIGGRAPH \u201806). New York: ACM."},{"issue":"1","key":"1_CR000159","doi-asserted-by":"publisher","first-page":"39","DOI":"10.1207\/s15327809jls0401_2","volume":"4","author":"B Jordan","year":"1995","unstructured":"Jordan, B., & Henderson, A. (1995). Interaction analysis: Foundations and practice. The Journal of the Learning Sciences, 4(1), 39\u2013103.","journal-title":"The Journal of the Learning Sciences"},{"key":"1_CR000160","unstructured":"Juntunen, M. L. (2004). Embodiment in Dalcroze Eurhythmics. PhD thesis, University of Oulu, Finland."},{"key":"1_CR000161","unstructured":"Kiefer, C., Collins, N., Fitzpatrick, G. (2008). HCI methodology for evaluating musical controllers. A case study. In Proceedings of the international conference on New Interfaces for Musical Expression (NIME\u201908) (pp. 87\u201390). University of Sussex."},{"issue":"1","key":"1_CR000162","doi-asserted-by":"publisher","first-page":"1","DOI":"10.1145\/1592451.1592454","volume":"42","author":"A Kirke","year":"2009","unstructured":"Kirke, A., & Miranda, E. (2009). A survey of computer systems for expressive music performance. ACM Surveys, 42(1), 1\u201341.","journal-title":"ACM Surveys"},{"key":"1_CR000163","first-page":"XXX","volume-title":"Music and human computer interaction","author":"A Kirke","year":"2013","unstructured":"Kirke, A., & Miranda, E. (2013). Pulsed melodic processing \u2013 The use of melodies in affective computations for increased processing transparency. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 171\u2013188). London: Springer."},{"key":"1_CR000165","unstructured":"Klemmer, S. R., Hartmann, B., & Takayama, L. (2006). How bodies matter: Five themes for interaction design. In Proceedings of the 6th conference on Designing Interactive Systems (DIS \u201906) (pp. 140\u2013149). New York: ACM."},{"issue":"4","key":"1_CR000166","doi-asserted-by":"publisher","first-page":"728","DOI":"10.1111\/j.1532-5415.2005.53228_2.x","volume":"53","author":"RW Kressig","year":"2005","unstructured":"Kressig, R. W., Allali, G., & Beauchet, O. (2005). Long-term practice of Jaques-Dalcroze eurhythmics prevents age-related increase of gait variability under a dual task. Letter to Journal of the American Geriatrics Society, 53(4), 728\u2013729.","journal-title":"Letter to Journal of the American Geriatrics Society"},{"key":"1_CR000167","volume-title":"Where mathematics comes from","author":"G Lakoff","year":"2000","unstructured":"Lakoff, G., & N\u00fa\u00f1ez, R. E. (2000). Where mathematics comes from. New York: Basic Books."},{"key":"1_CR000168","unstructured":"Lanier, J. (1989). Personal communication with Simon Holland and other attendees at 1989. Nato advanced reasearch workshop on multimedia interface design in education, Lucca, Italy."},{"key":"1_CR000169","first-page":"189","volume-title":"The psychology of time","author":"EW Large","year":"2008","unstructured":"Large, E. W. (2008). Resonating to musical rhythm: Theory and experiment. In S. Grondin (Ed.), The psychology of time (pp. 189\u2013231). Bingley: Emerald."},{"key":"1_CR000170","volume-title":"Research methods in human-computer interaction","author":"J Lazar","year":"2009","unstructured":"Lazar, J., Feng, J. H., & Hochheiser, H. (2009). Research methods in human-computer interaction. Chichester: Wiley."},{"key":"1_CR000171","doi-asserted-by":"crossref","DOI":"10.7551\/mitpress\/7476.001.0001","volume-title":"Embodied music cognition and mediation technology","author":"M Leman","year":"2007","unstructured":"Leman, M. (2007). Embodied music cognition and mediation technology. Cambridge, MA: MIT Press."},{"key":"1_CR000172","volume-title":"A generative theory of tonal music","author":"F Lerdahl","year":"1983","unstructured":"Lerdahl, F., & Jackendoff, R. (1983). A generative theory of tonal music. Cambridge: MIT Press."},{"key":"1_CR000173","unstructured":"Linson, A. (2011). Unnecessary constraints: A challenge to some assumptions of digital musical instrument design. In International computer music conference 2011. Huddersfield: University of Huddersfield."},{"key":"1_CR000174","doi-asserted-by":"crossref","unstructured":"MacCallum, R. M., Mauch, M., Burt, A., Leroi, A. M. (2012). Evolution of music by public choice. In R. E. Lenski (Ed.), Proceedings of the National Academy of Sciences of the United States of America, 109(30), 12081\u201312086. doi:10.1073\/pnas.1203182109.","DOI":"10.1073\/pnas.1203182109"},{"key":"1_CR000175","volume-title":"Human factors in computer systems","author":"T Malone","year":"1984","unstructured":"Malone, T. (1984). Heuristics for designing enjoyable user interfaces: Lessons from computer games. In J. C. Thomas & M. L. Schneider (Eds.), Human factors in computer systems. Norwood: Ablex."},{"key":"1_CR000176","volume-title":"Motivation and personality","author":"A Maslow","year":"1970","unstructured":"Maslow, A. (1970). Motivation and personality. New York: Harper and Rowe."},{"key":"1_CR000177","first-page":"547","volume-title":"Applications of evolutionary computing","author":"J McDermott","year":"2007","unstructured":"McDermott, J., Griffith, N. J. L., & O\u2019Neill, M. (2007). Evolutionary GUIs for sound synthesis. In M. Giacobini (Ed.), Applications of evolutionary computing (Vol. 4448, pp. 547\u2013556). Heidelberg: Springer."},{"key":"1_CR000178","first-page":"XXX","volume-title":"Music and human computer interaction","author":"J McDermott","year":"2013","unstructured":"McDermott, J., Gifford, T., Bouwer, A., & Wagy, M. (2013a). Should music interaction be easy? In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 29\u201348). London: Springer."},{"key":"1_CR000179","first-page":"XXX","volume-title":"Music and human computer interaction","author":"J McDermott","year":"2013","unstructured":"McDermott, J., Sherry, D., & O\u2019Reilly, U. (2013b). Evolutionary and generative music informs music HCI\u2014and vice versa. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 223\u2013240). London: Springer."},{"key":"1_CR000180","first-page":"XXX","volume-title":"Music and human computer interaction","author":"AP McPherson","year":"2013","unstructured":"McPherson, A. P., & Kim, Y. E. (2013). Piano technique as a case study in expressive gestural interaction. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human-computer interaction (pp. 123\u2013138). London: Springer."},{"key":"1_CR000181","volume-title":"Emotion and meaning in music","author":"L Meyer","year":"1956","unstructured":"Meyer, L. (1956). Emotion and meaning in music. Chicago: Chicago University Press."},{"key":"1_CR000182","unstructured":"Mills, R. (2010). Dislocated sound: A survey of improvisation in networked audio platforms. In Proceedings of the NIME 2010. http:\/\/www.nime.org\/proceedings\/2010\/nime2010_186.pdf . Accessed 14 Jan 2012."},{"key":"1_CR000183","unstructured":"Milne, A. J., Xamb\u00f3, A., Laney, R., Sharp, D. B., Prechtl, A., & Holland, S. (2011, May 30\u2013June 1). Hex Player\u2014A virtual musical controller. In The International Conference on New Interfaces for Musical Expression 2011 (NIME \u201911) (pp. 244\u2013247). Oslo, Norway."},{"key":"1_CR000184","doi-asserted-by":"crossref","unstructured":"Milne, A. J., Carl\u00e9, M., Sethares, W. A., Noll, T., & Holland, S. (2011b). Scratching the scale Labyrinth. In C. Agon, M. Andreatta, G. Assayag, E. Amiot, J. Bresson, & J. Mandereau (Eds.), Proceedings of mathematics and computation in music. LNCS Vol 6726 ISBN 978-3-642-21589-6, 180\u2013195","DOI":"10.1007\/978-3-642-21590-2_14"},{"key":"1_CR000185","volume-title":"The analysis and cognition of basic musical structures","author":"E Narmour","year":"1990","unstructured":"Narmour, E. (1990). The analysis and cognition of basic musical structures. Chicago: University of Chicago Press."},{"issue":"1","key":"1_CR000186","doi-asserted-by":"publisher","first-page":"28","DOI":"10.1162\/COMJ_a_00038","volume":"35","author":"S O\u2019Modhrain","year":"2011","unstructured":"O\u2019Modhrain, S. (2011). A framework for the evaluation of digital musical instruments. Computer Music Journal, 35(1), 28\u201342.","journal-title":"Computer Music Journal"},{"issue":"1","key":"1_CR000187","doi-asserted-by":"publisher","first-page":"34","DOI":"10.1006\/cogp.1997.0676","volume":"35","author":"KP O\u2019Hara","year":"1998","unstructured":"O\u2019Hara, K. P., & Payne, S. J. (1998). The effects of operator implementation cost on planfulness of problem solving and learning. Cognitive Psychology, 35(1), 34\u201370.","journal-title":"Cognitive Psychology"},{"key":"1_CR000188","unstructured":"Patten, J., Recht, B., & Ishii, H. (2002). Audiopad: A tag-based interface for musical performance. In Proceedings of the 2002 conference on New interfaces for musical expression (NIME \u201802). University of Singapore (pp. 1\u20136)."},{"key":"1_CR000189","unstructured":"Poupyrev, I., Lyons, M. J., Fels, S., & Blaine, T. (Bean). (2001). New interfaces for musical expression. In CHI \u201901 extended abstracts on human factors in computing systems (CHI EA \u201901) (pp. 491\u2013492). New York: ACM."},{"issue":"1","key":"1_CR000190","doi-asserted-by":"crossref","first-page":"42","DOI":"10.1162\/COMJ_a_00104","volume":"16","author":"A. Prechtl","year":"2012","unstructured":"Prechtl, A., Milne, A., Holland, S., Laney, R., & Sharp, D. (2012, Spring) A MIDI sequencer that widens access to the compositional possibilities of novel tunings. Computer Music Journal, 16(1), 42\u201354.","journal-title":"Computer Music Journal"},{"key":"1_CR000191","first-page":"375","volume-title":"Human-computer interaction","author":"J Preece","year":"1994","unstructured":"Preece, J., Rogers, Y., Sharp, H., Benyon, D., Holland, S., & Carey, T. (1994). Cooperative design. In Human-computer interaction (pp. 375\u2013379). England: Addison-Wesley."},{"issue":"3","key":"1_CR000192","doi-asserted-by":"publisher","first-page":"179","DOI":"10.1037\/1089-2680.8.3.179","volume":"8","author":"S Reiss","year":"2004","unstructured":"Reiss, S. (2004). Multifaceted nature of intrinsic motivation: The theory of 16 basic desires. Review of General Psychology, 8(3), 179\u2013193.","journal-title":"Review of General Psychology"},{"key":"1_CR000193","volume-title":"From perception to meaning: Image schemata in cognitive linguistics","author":"T Rohrer","year":"2005","unstructured":"Rohrer, T. (2005). Image schemata in the brain. In B. Hampe & J. Grady (Eds.), From perception to meaning: Image schemata in cognitive linguistics. Berlin: Walter de Gruyter."},{"key":"1_CR000194","first-page":"339","volume-title":"Body, language, and mind: Embodiment","author":"T Rohrer","year":"2007","unstructured":"Rohrer, T. (2007). The body in space: Dimensions of embodiment. In T. Ziemke, J. Zlatev, R. Frank, & R. Dirven (Eds.), Body, language, and mind: Embodiment (pp. 339\u2013378). Berlin: Walter de Gruyter."},{"key":"1_CR000195","volume-title":"Interactive music systems","author":"R Rowe","year":"1993","unstructured":"Rowe, R. (1993). Interactive music systems. Cambridge, MA: MIT Press."},{"issue":"1","key":"1_CR000196","doi-asserted-by":"publisher","first-page":"68","DOI":"10.1037\/0003-066X.55.1.68","volume":"55","author":"R Ryan","year":"2000","unstructured":"Ryan, R., & Deci, E. (2000). Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. American Psychologist, 55(1), 68\u201378.","journal-title":"American Psychologist"},{"issue":"2","key":"1_CR000197","doi-asserted-by":"publisher","first-page":"81","DOI":"10.1037\/a0013282","volume":"3","author":"RK Sawyer","year":"2009","unstructured":"Sawyer, R. K., & DeZutter, S. (2009). Distributed creativity: How collective creations emerge from collaboration. Psychology of Aesthetics, Creativity, and the Arts, 3(2), 81\u201392.","journal-title":"Psychology of Aesthetics, Creativity, and the Arts"},{"key":"1_CR000198","first-page":"XXX","volume-title":"Music and human computer interaction","author":"A Seago","year":"2013","unstructured":"Seago, A. (2013). A new interaction strategy for musical timbre design. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 153\u2013170). London: Springer."},{"key":"1_CR000199","unstructured":"Seago, A., Holland, S., & Mulholland, P. (2004). A critical analysis of synthesizer user interfaces for timbre, people and computers \u2013 XVIII proceedings of human computer interaction 2004 Sept 2004 (pp. 105\u2013106). London: Springer."},{"key":"1_CR0001100","unstructured":"Seago, A., Holland, S., & Mulholland, P. (2010). A novel user interface for musical timbre design. Audio Engineering Society AES, In Proceedings of 128th convention (pp. 22\u201325). London."},{"key":"1_CR0001101","unstructured":"Sengers, P. (2006). Must design become scientific? Paper presented at workshop on exploring design as a research activity, as part of Sixth Conference on Designing Interactive Systems. (DIS\u201806), University Park, PA."},{"key":"1_CR0001102","volume-title":"Musicking: The meanings of performing and listening","author":"C Small","year":"1998","unstructured":"Small, C. (1998). Musicking: The meanings of performing and listening. Hanover: Wesleyan University Press."},{"issue":"1","key":"1_CR0001103","doi-asserted-by":"publisher","first-page":"4","DOI":"10.1007\/s10055-006-0025-7","volume":"10","author":"TA Stoffregen","year":"2006","unstructured":"Stoffregen, T. A., Bardy, B. G., & Mantel, B. (2006). Affordances in the design of enactive systems. Virtual Reality, 10(1), 4\u201310.","journal-title":"Virtual Reality"},{"key":"1_CR0001104","first-page":"XXX","volume-title":"Music and human computer interaction","author":"D Stowell","year":"2013","unstructured":"Stowell, D., & McLean, A. (2013). Live music-making: A rich open task requires a rich open interface. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 139\u2013152). London: Springer. http:\/\/www.nime.org\/archive\/ , http:\/\/www.nime.org\/proceedings\/2008\/nime2008_081.pdf . Accessed 21 Jan 2013."},{"key":"1_CR0001105","unstructured":"Stowell, D., Plumbley, M. D., & Bryan-Kinns, N. (2008). Discourse analysis evaluation method for expressive musical interfaces. In Proceedings of the NIME\u201908 (pp. 81\u20138). http:\/\/www.nime.org\/archive\/ , http:\/\/www.nime.org\/proceedings\/2008\/nime2008_081.pdf . Accessed 21 Jan 2013."},{"key":"1_CR0001106","unstructured":"Sutherland, I. E. (1963). Sketchpad: A man-machine graphical communication system. PhD thesis, Massachusetts Institute of Technology (Published in 2003 as Technical Report No. 574). Cambridge: University of Cambridge. http:\/\/www.cl.cam.ac.uk\/techreports\/UCAM-CL-TR-574.pdf . Accessed 5 Jan 2013."},{"issue":"1","key":"1_CR0001107","doi-asserted-by":"publisher","first-page":"1","DOI":"10.1250\/ast.28.1","volume":"28","author":"H Suzuki","year":"2007","unstructured":"Suzuki, H. (2007). Spectrum analysis and tone quality evaluation of piano sounds with hard and soft touches. Acoustical Science and Technology, 28(1), 1\u20136.","journal-title":"Acoustical Science and Technology"},{"issue":"4","key":"1_CR0001108","doi-asserted-by":"publisher","first-page":"613","DOI":"10.1017\/S1041610206003206","volume":"18","author":"HB Svansdottir","year":"2006","unstructured":"Svansdottir, H. B., & Snaedal, J. (2006). Music therapy in moderate and severe dementia of Alzheimer\u2019s type: A case\u2013control study. International Psychogeriatrics, 18(4), 613\u2013621.","journal-title":"International Psychogeriatrics"},{"key":"1_CR0001109","first-page":"XXX","volume-title":"Music and human computer interaction","author":"B Swift","year":"2013","unstructured":"Swift, B. (2013). Chasing a feeling: Experience in computer supported jamming. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 85\u2013100). London: Springer."},{"issue":"9","key":"1_CR0001110","doi-asserted-by":"publisher","first-page":"1275","DOI":"10.1109\/5.949485","volume":"89","author":"H Takagi","year":"2001","unstructured":"Takagi, H. (2001). Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation. Proceedings of the IEEE, 89(9), 1275\u20131296.","journal-title":"Proceedings of the IEEE"},{"key":"1_CR0001111","volume-title":"The cognition of basic musical structures","author":"D Temperley","year":"2001","unstructured":"Temperley, D. (2001). The cognition of basic musical structures. Cambridge, MA: MIT Press."},{"key":"1_CR0001112","volume-title":"Rhythm music and the brain: Scientific foundations and clinical applications","author":"MH Thaut","year":"2005","unstructured":"Thaut, M. H. (2005). Rhythm music and the brain: Scientific foundations and clinical applications. New York: Routledge."},{"issue":"1","key":"1_CR0001113","first-page":"89","volume":"45","author":"V Tinto","year":"1975","unstructured":"Tinto, V. (1975). Dropout from higher education: A theoretical synthesis of recent research. The Review of Higher Education, 45(1), 89\u2013125.","journal-title":"The Review of Higher Education"},{"key":"1_CR0001114","doi-asserted-by":"publisher","first-page":"1","DOI":"10.1080\/07494468900640061","volume":"3","author":"N Todd","year":"1989","unstructured":"Todd, N. (1989). A computational model of rubato. Contemporary Music Review, 3, 1.","journal-title":"Contemporary Music Review"},{"key":"1_CR0001115","unstructured":"Waiswisz, M. (1985). The hands, a set of remote MIDI-controllers. In Proceedings of the 1985 international computer music conference (pp. 313\u2013318). San Francisco: International Computer Music Association."},{"volume-title":"The origins of music","year":"2000","key":"1_CR0001116","unstructured":"Wallin, N. L., Merker, B., & Brown, S. (Eds.). (2000). The origins of music. Cambridge: MIT Press."},{"key":"1_CR0001117","first-page":"XXX","volume-title":"Music and human computer interaction","author":"I Wallis","year":"2013","unstructured":"Wallis, I., Ingalls, T., Campana, E., & Vuong, C. (2013). Amateur musicians, long-term engagement, and HCI. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 49\u201366). London: Springer."},{"issue":"3","key":"1_CR0001118","doi-asserted-by":"publisher","first-page":"62","DOI":"10.1162\/014892602320582981","volume":"26","author":"MM Wanderley","year":"2002","unstructured":"Wanderley, M. M., & Orio, N. (2002). Evaluation of input devices for musical expression: Borrowing tools from HCI. Computer Music Journal, 26(3), 62\u201376.","journal-title":"Computer Music Journal"},{"issue":"3","key":"1_CR0001119","doi-asserted-by":"publisher","first-page":"11","DOI":"10.1162\/014892602320582945","volume":"26","author":"DL Wessel","year":"2002","unstructured":"Wessel, D. L., & Wright, M. (2002). Problems and prospects for intimate musical control of computers. Computer Music Journal, 26(3), 11\u201322.","journal-title":"Computer Music Journal"},{"issue":"4","key":"1_CR0001120","doi-asserted-by":"publisher","first-page":"34","DOI":"10.1162\/COMJ_a_00024","volume":"34","author":"K Wilkie","year":"2010","unstructured":"Wilkie, K., Holland, S., & Mulholland, P. (2010). What can the language of musicians tell us about music interaction design? Computer Music Journal, 34(4), 34\u201348.","journal-title":"Computer Music Journal"},{"key":"1_CR0001121","first-page":"XXX","volume-title":"Music and human computer interaction","author":"K Wilkie","year":"2013","unstructured":"Wilkie, K., Holland, S., & Mulholland, P. (2013). Towards a participatory approach for interaction design based on conceptual metaphor theory: A case study from music interaction. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 259\u2013270). London: Springer."},{"issue":"4","key":"1_CR0001122","doi-asserted-by":"publisher","first-page":"625","DOI":"10.3758\/BF03196322","volume":"9","author":"W Wilson","year":"2002","unstructured":"Wilson, W. (2002). Six views of embodied cognition. Psychonomic Bulletin and Review, 9(4), 625\u2013636.","journal-title":"Psychonomic Bulletin and Review"},{"key":"1_CR0001123","first-page":"XXX","volume-title":"Music and human computer interaction","author":"A Xamb\u00f3","year":"2013","unstructured":"Xamb\u00f3, A., Laney, R., Dobbyn, C., & Jord\u00e0, S. (2013). Video analysis for evaluating music interaction: Musical tabletops. In S. Holland, K. Wilkie, P. Mulholland, & A. Seago (Eds.), Music and human computer interaction (pp. 241\u2013258). London: Springer."},{"issue":"2","key":"1_CR0001125","doi-asserted-by":"publisher","first-page":"193","DOI":"10.2307\/843958","volume":"41","author":"LM Zbikowski","year":"1997","unstructured":"Zbikowski, L. M. (1997a). Conceptual models and cross-domain mapping: New perspective on 446 theories of music and hierarchy. Journal of Music Theory, 41(2), 193\u2013225.","journal-title":"Journal of Music Theory"},{"key":"1_CR0001126","first-page":"1","volume":"22\u201323","author":"LM Zbikowski","year":"1997","unstructured":"Zbikowski, L. M. (1997b). Des Herzraums Abschied: Mark Johnson\u2019s theory of embodied 448 knowledge and music theory. Theory and Practice, 22\u201323, 1\u201316.","journal-title":"Theory and Practice"},{"key":"1_CR0001124","first-page":"189","volume-title":"Proceedings of the SIGCH conference on human factors in computing systems (CHI \u201987)","author":"TG Zimmerman","year":"1986","unstructured":"Zimmerman, T. G., Lanier, J., Blanchard, C., Bryson, S., & Harvill, Y. (1986). A hand gesture interface device. In J. M. Carroll & P. P. Tanner (Eds.), Proceedings of the SIGCH conference on human factors in computing systems (CHI \u201987) (pp. 189\u2013192). New York: ACM."}],"container-title":["Springer Series on Cultural Computing","Music and Human-Computer Interaction"],"original-title":[],"link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/978-1-4471-2990-5_1","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2020,7,23]],"date-time":"2020-07-23T05:54:36Z","timestamp":1595483676000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/978-1-4471-2990-5_1"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2013]]},"ISBN":["9781447129899","9781447129905"],"references-count":126,"URL":"https:\/\/doi.org\/10.1007\/978-1-4471-2990-5_1","relation":{},"ISSN":["2195-9056","2195-9064"],"issn-type":[{"type":"print","value":"2195-9056"},{"type":"electronic","value":"2195-9064"}],"subject":[],"published":{"date-parts":[[2013]]}}}