{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,29]],"date-time":"2025-10-29T03:22:22Z","timestamp":1761708142355},"publisher-location":"London","reference-count":25,"publisher":"Springer London","isbn-type":[{"type":"print","value":"9781846289262"},{"type":"electronic","value":"9781846289279"}],"license":[{"start":{"date-parts":[[2008,1,1]],"date-time":"2008-01-01T00:00:00Z","timestamp":1199145600000},"content-version":"tdm","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2008]]},"DOI":"10.1007\/978-1-84628-927-9_22","type":"book-chapter","created":{"date-parts":[[2007,10,25]],"date-time":"2007-10-25T16:05:19Z","timestamp":1193328319000},"page":"405-414","source":"Crossref","is-referenced-by-count":2,"title":["The Role of \u201cCraft Language\u201d in Learning \u201cWaza\u201d"],"prefix":"10.1007","author":[{"given":"Kumiko","family":"Ikuta","sequence":"first","affiliation":[]}],"member":"297","reference":[{"key":"22_CR1","unstructured":"The oldest extant professional theatre; a form of musical dance-drama originating in the 14th century. E. O. Reishauer et al. (eds.) Encyclopedia JAPAN (1983), Kodanshav International Ltd, Tokyo."},{"key":"22_CR2","unstructured":"One of the three major classical theatres of Japan, together with the Noh and puppet theatre (Bunraku)(ibid.),"},{"key":"22_CR3","unstructured":"Art of self-defence that uses no weapons and relies instead on arm strides (uchi), thrusts (tsuki) and kicks (keri)(ibid.)."},{"key":"22_CR4","unstructured":"A form of unarmed combat that stresses agile motions, astute mental judgment, and rigorous form, rather than sheer physical strength (ibid.)."},{"key":"22_CR5","unstructured":"Japanese fencing based on the techniques of the two-handed sword of the samurai (ibid.)."},{"key":"22_CR6","unstructured":"Singleton, J. (1989). Japanese folkcraft pottery apprenticeship: cultural patterns of an educational institution. In Anthropological Approaches to the Study of Apprenticeship,Michael Coy (ed.), Sunny Press."},{"key":"22_CR7","unstructured":"Mauss, M. (1950). Sociologie et Anthropologie, Presses Universitaires de France, pp. 368-369."},{"key":"22_CR8","unstructured":"Ryle, G. (1949). The Concept of Mind, Hutchinson, p. 44."},{"key":"22_CR9","unstructured":"Ibid., p. 44."},{"key":"22_CR10","unstructured":"The brilliant actor, playwright, and critic who established Noh (sarugaku) as a classic theatrical art (1363-1443) (E. O. Reishauer et al.(eds) Encyclopedia JAPAN, Kodansha International Ltd, Tokyo, 1983)."},{"key":"22_CR11","unstructured":"Zeami, \u201cHanakagami\u201d, Shinchosha, 1976, pp. 103-104."},{"key":"22_CR12","unstructured":"Kabuki actor (1865-1940)."},{"key":"22_CR13","unstructured":"Kabuki actor (1838-1903)."},{"key":"22_CR14","unstructured":"Nakamura, Utaernon, Nihon no Geidan 2, Kugei Publishing Company 1979, p. 192."},{"key":"22_CR15","unstructured":"Kabuki actor (1911-1988)."},{"key":"22_CR16","unstructured":"Kabuki actor (1885-1949)."},{"key":"22_CR17","unstructured":"The popular 18th-century kabuki play. A tale of revenge based on \u201cthe forty-seven ronin incident\u201d, is a famous play shown even now in near entirety. (E. O. Reishauer, et al. (eds.) Encyclopedia JAPAN, Kodansha International Ltd, Tokyo, 1983)."},{"key":"22_CR18","unstructured":"The ramp extending into the audience toward the left side of the theatre, which serves both as a secondary stage and as the means by which the actors often make their dramatic entrances and exits (ibid.)."},{"key":"22_CR19","unstructured":"Seki, Yoko (1985). Nakamura Kanzaburo Gakuya-banashi, Bungeishunju Publishing Company, pp. 45-46."},{"key":"22_CR20","unstructured":"Howard, V. (1982). Artistry, Hacket Publishing Company, pp. 46-47."},{"key":"22_CR21","unstructured":"Ibid., pp. 47-48."},{"key":"22_CR22","unstructured":"Petrie, H. (1979). \u201cMetaphor and Learning\u201d. In Metaphor and Thought, Cambridge University Press, p. 443."},{"key":"22_CR23","unstructured":"Dreyfus, H. and Dreyfus, S. Mind over Machine(1986), The Free Press, p. 53."},{"key":"22_CR24","unstructured":"Ibid., p. 54."},{"key":"22_CR25","unstructured":"For the further argument on this problem, see Kumiko Ikuta (1987), Waza kara shiru(Learning from Skill), Tokyo University Press."}],"container-title":["Human-Computer Interaction Series","Cognition, Communication and Interaction"],"original-title":[],"language":"en","link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/978-1-84628-927-9_22","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2019,5,16]],"date-time":"2019-05-16T03:16:21Z","timestamp":1557976581000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/978-1-84628-927-9_22"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2008]]},"ISBN":["9781846289262","9781846289279"],"references-count":25,"URL":"https:\/\/doi.org\/10.1007\/978-1-84628-927-9_22","relation":{},"ISSN":["1571-5035"],"issn-type":[{"type":"print","value":"1571-5035"}],"subject":[],"published":{"date-parts":[[2008]]}}}