{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,12,3]],"date-time":"2025-12-03T17:49:06Z","timestamp":1764784146256,"version":"3.40.3"},"publisher-location":"Cham","reference-count":58,"publisher":"Springer International Publishing","isbn-type":[{"type":"print","value":"9783030040277"},{"type":"electronic","value":"9783030040284"}],"license":[{"start":{"date-parts":[[2018,1,1]],"date-time":"2018-01-01T00:00:00Z","timestamp":1514764800000},"content-version":"tdm","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2018]]},"DOI":"10.1007\/978-3-030-04028-4_44","type":"book-chapter","created":{"date-parts":[[2018,11,20]],"date-time":"2018-11-20T10:22:20Z","timestamp":1542709340000},"page":"369-382","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":4,"title":["Partners: Human and Nonhuman Performers and Interactive Narrative in Postdigital Theater"],"prefix":"10.1007","author":[{"given":"Rebecca","family":"Rouse","sequence":"first","affiliation":[]}],"member":"297","published-online":{"date-parts":[[2018,11,21]]},"reference":[{"issue":"4","key":"44_CR1","doi-asserted-by":"publisher","first-page":"12","DOI":"10.1162\/014892600559489","volume":"24","author":"K Cascone","year":"2000","unstructured":"Cascone, K.: The aesthetics of failure: \u201cPost-digital\u201d tendencies in contemporary computer music. Comput. Music J. 24(4), 12\u201318 (2000)","journal-title":"Comput. Music J."},{"issue":"1","key":"44_CR2","doi-asserted-by":"publisher","first-page":"24","DOI":"10.3167\/armw.2013.010103","volume":"1","author":"R Parry","year":"2013","unstructured":"Parry, R.: The end of the beginning: normatively in the postdigital museum. Mus. World 1(1), 24\u201330 (2013)","journal-title":"Mus. World"},{"key":"44_CR3","doi-asserted-by":"publisher","first-page":"12","DOI":"10.1057\/9781137437204_2","volume-title":"Postdigital Aesthetics","author":"Florian Cramer","year":"2015","unstructured":"Cramer, F.: What is \u2018Post-Digital\u2019? In: Postdigital Aesthetics, pp. 12\u201316. Palgrave Macmillan, London (2015)"},{"key":"44_CR4","series-title":"Lecture Notes in Computer Science","doi-asserted-by":"publisher","first-page":"162","DOI":"10.1007\/978-3-319-75789-6_12","volume-title":"Advances in Digital Cultural Heritage","author":"L Holloway-Attaway","year":"2018","unstructured":"Holloway-Attaway, L., Rouse, R.: Designing postdigital curators: establishing an interdisciplinary games and mixed reality cultural heritage network. In: Ioannides, M., Martins, J., \u017darni\u0107, R., Lim, V. (eds.) Advances in Digital Cultural Heritage. LNCS, vol. 10754, pp. 162\u2013173. Springer, Cham (2018). https:\/\/doi.org\/10.1007\/978-3-319-75789-6_12"},{"issue":"3","key":"44_CR5","doi-asserted-by":"publisher","first-page":"427","DOI":"10.1353\/tj.2016.0074","volume":"68","author":"M Causey","year":"2016","unstructured":"Causey, M.: Postdigital performance. Theatr. J. 68(3), 427\u2013441 (2016)","journal-title":"Theatr. J."},{"key":"44_CR6","doi-asserted-by":"crossref","DOI":"10.2307\/j.ctv1nzfgns","volume-title":"The Work of Art in the Age of its Technological Reproducibility, and Other Writings on Media","author":"W Benjamin","year":"2008","unstructured":"Benjamin, W.: The Work of Art in the Age of its Technological Reproducibility, and Other Writings on Media. Harvard University Press, Cambridge (2008)"},{"key":"44_CR7","volume-title":"Perspective as Symbolic Form","author":"E Panofsky","year":"1991","unstructured":"Panofsky, E., Wood, C.S., Wood, C.: Perspective as Symbolic Form. Zone Books, New York (1991)"},{"key":"44_CR8","unstructured":"Berger, J.: Ways of Seeing. Penguin, UK (1972)"},{"issue":"3","key":"44_CR9","doi-asserted-by":"publisher","first-page":"81","DOI":"10.1162\/105420499760347342","volume":"43","author":"Mark Sussman","year":"1999","unstructured":"Sussman, M.: Performing the intelligent machine: Deception and enchantment in the life of the automaton chess player. TDR\/Drama Rev. 43(3), 1\u201396 (1999). 8\u00a0pp.","journal-title":"TDR\/The Drama Review"},{"key":"44_CR10","unstructured":"de La Mettrie, J.O.: L\u2019Homme machine \u2026(par La Mettrie). De l\u2019imp. de\u2019Elie Luzac, fils (1748)"},{"key":"44_CR11","doi-asserted-by":"crossref","unstructured":"Ferro-Murray, A., Murray, T.: Technologies of performance: machinic staging and corporeal choreographies. In: A Cultural History of Theatre in the Modern Age, vol. 6. Bloomsbury, New York (2017)","DOI":"10.5040\/9781474208178.ch-009"},{"key":"44_CR12","volume-title":"Understanding Media: The Extensions of Man","author":"M McLuhan","year":"1994","unstructured":"McLuhan, M., Lapham, L.H.: Understanding Media: The Extensions of Man. MIT Press, Cambridge (1994)"},{"key":"44_CR13","first-page":"65","volume":"80","author":"D Haraway","year":"1985","unstructured":"Haraway, D.: Manifesto for cyborgs: science, technology and socialist feminism in the 1980s. Social. Rev. 80, 65\u2013108 (1985)","journal-title":"Social. Rev."},{"key":"44_CR14","doi-asserted-by":"publisher","DOI":"10.1215\/9780822373780","volume-title":"Staying with the Trouble: Making kin in the Chthulucene","author":"D Haraway","year":"2016","unstructured":"Haraway, D.: Staying with the Trouble: Making kin in the Chthulucene. Duke University Press, Durham (2016)"},{"key":"44_CR15","volume-title":"Unmarked: the Politics of Performance","author":"P Phelan","year":"1993","unstructured":"Phelan, P.: Unmarked: the Politics of Performance. Routledge, New York (1993)"},{"key":"44_CR16","volume-title":"Liveness: Performance in a Mediated Culture","author":"P Auslander","year":"1999","unstructured":"Auslander, P.: Liveness: Performance in a Mediated Culture. Psychology Press, New York (1999)"},{"issue":"3","key":"44_CR17","doi-asserted-by":"publisher","first-page":"6","DOI":"10.1093\/screen\/16.3.6","volume":"16","author":"L Mulvey","year":"1975","unstructured":"Mulvey, L.: Visual pleasure and narrative cinema. Screen 16(3), 6\u201318 (1975)","journal-title":"Screen"},{"key":"44_CR18","unstructured":"Schneider, A.: After. Live performance in EMPAC, Troy, NY, 10 April 2017"},{"issue":"2","key":"44_CR19","doi-asserted-by":"publisher","first-page":"123","DOI":"10.2307\/3205717","volume":"22","author":"J Burian","year":"1970","unstructured":"Burian, J.: Josef Svoboda: theatre artist in an age of science. Educ. Theatr. J. 22(2), 123\u2013145 (1970)","journal-title":"Educ. Theatr. J."},{"key":"44_CR20","unstructured":"Bolter, J.D.: The Digital Plenitude and the End of Art. Address presented at ISEA: international symposium on electronic art, Istanbul Turkey, 18 September 2011"},{"key":"44_CR21","volume-title":"A Source Book in Theatrical History: Twenty-five Centuries of Stage History in More Than 300 Basic Documents and other Primary Material","author":"AM Nagler","year":"1959","unstructured":"Nagler, A.M.: A Source Book in Theatrical History: Twenty-five Centuries of Stage History in More Than 300 Basic Documents and other Primary Material. Dover Publications, New York (1959)"},{"key":"44_CR22","volume-title":"History of the Theatre","year":"2007","unstructured":"Brockett, O.G., Hilda, F.J. (eds.): History of the Theatre, 10th edn. Pearson, New York (2007)","edition":"10"},{"key":"44_CR23","doi-asserted-by":"publisher","DOI":"10.3998\/mpub.5582757","volume-title":"Performance and Media: Taxonomies for a Changing Field","author":"S Bay-Cheng","year":"2015","unstructured":"Bay-Cheng, S., Parker-Starbuck, J., Saltz, D.Z.: Performance and Media: Taxonomies for a Changing Field. University of Michigan Press, Ann Arbor MI (2015)"},{"key":"44_CR24","doi-asserted-by":"publisher","DOI":"10.4324\/9780203088104","volume-title":"Postdramatic Theatre","author":"HT Lehmann","year":"2006","unstructured":"Lehmann, H.T.: Postdramatic Theatre. Routledge, London (2006)"},{"issue":"1","key":"44_CR25","doi-asserted-by":"publisher","first-page":"14","DOI":"10.1017\/S0266464X0800002X","volume":"24","author":"D Barnett","year":"2008","unstructured":"Barnett, D.: When is a play not a drama? two examples of post dramatic theatre texts. New Theatr. Q. 24(1), 14\u201323 (2008)","journal-title":"New Theatr. Q."},{"issue":"3","key":"44_CR26","first-page":"15","volume":"43","author":"J Bell","year":"1999","unstructured":"Bell, J.: Puppets, masks, and performing objects at the end of the century. TDR\/Drama Rev. 43(3), 15\u201327 (1999)","journal-title":"TDR\/Drama Rev."},{"key":"44_CR27","volume-title":"The Theater of the Bauhaus","author":"O Schlemmer","year":"1961","unstructured":"Schlemmer, O., Moholy-Nagy, L., Molnar, F.: The Theater of the Bauhaus. Wesleyan UP, Middletown (1961)"},{"key":"44_CR28","unstructured":"Winner, L. Do Artifacts have politics? Daedalus, pp. 121\u2013136 (1980)"},{"issue":"3","key":"44_CR29","doi-asserted-by":"publisher","first-page":"97","DOI":"10.1162\/105420499760347351","volume":"43","author":"P Bogatyrev","year":"1999","unstructured":"Bogatyrev, P.: Czech puppet theatre and Russian folk theatre. TDR\/ Drama Rev. 43(3), 97\u2013114 (1999)","journal-title":"TDR\/ Drama Rev."},{"key":"44_CR30","volume-title":"Sincerity Forever","author":"M Wellman","year":"1990","unstructured":"Wellman, M.: Sincerity Forever. Broadway Play Publishing Inc., New York (1990)"},{"key":"44_CR31","volume-title":"The Glass Menagerie","author":"T Williams","year":"1944","unstructured":"Williams, T.: The Glass Menagerie. New Directions, New York (1944)"},{"key":"44_CR32","doi-asserted-by":"publisher","DOI":"10.1017\/CBO9780511619717","volume-title":"The Making of American Audiences: from Stage to Television 1750-1990","author":"R Butsch","year":"2000","unstructured":"Butsch, R.: The Making of American Audiences: from Stage to Television 1750-1990. Cambridge UP, Cambridge (2000)"},{"key":"44_CR33","unstructured":"Hampton, A.: The Extra People. Live performance in EMPAC, Troy, NY, September 10 (2015)"},{"key":"44_CR34","unstructured":"Stamer, P., Laue, J., Franco, A.: 26 Letters to Deleuze. Live performance in EMPAC, Troy NY, 22 March 2014"},{"key":"44_CR35","volume-title":"Fefu and Her Friends","author":"MI Fornes","year":"1977","unstructured":"Fornes, M.I.: Fefu and Her Friends. PAJ Publications, New York (1977)"},{"key":"44_CR36","unstructured":"Brecht, B.: Emphasis on sport. In: Brecht on Theatre: The Development of an Aesthetic, pp. 6\u20139 (1964)"},{"key":"44_CR37","unstructured":"Saltz, D.Z.: Sharing the stage with media: a taxonomy of performer-media interaction. In: Performance and Media: Taxonomies for a Changing Field, pp. 93\u2013125. University of Michigan Press, Ann Arbor MI (2015)"},{"key":"44_CR38","unstructured":"O\u2019Hare, M.: Points of Contact: An Actor-Centered Approach for the Design of Interactive Environments for Theatre Performance. Doctoral Dissertation, Department of Electronic Arts, Rensselaer Polytechnic Institute (2018)"},{"issue":"3","key":"44_CR39","doi-asserted-by":"publisher","first-page":"182","DOI":"10.1162\/105420499760347405","volume":"43","author":"S Tillis","year":"1999","unstructured":"Tillis, S.: The art of puppetry in the age of media production. TDR\/ Drama Rev. 43(3), 182\u2013195 (1999)","journal-title":"TDR\/ Drama Rev."},{"issue":"3","key":"44_CR40","doi-asserted-by":"publisher","first-page":"28","DOI":"10.1162\/105420499760347306","volume":"43","author":"S Kaplin","year":"1999","unstructured":"Kaplin, S.: A puppet tree: a model for the field of puppet theatre. TDR\/ Drama Rev. 43(3), 28\u201335 (1999)","journal-title":"TDR\/ Drama Rev."},{"issue":"1","key":"44_CR41","first-page":"48","volume":"43","author":"JF McDermott","year":"1949","unstructured":"McDermott, J.F.: Banvard\u2019s Mississippi panorama pamphlets. Pap. Bibliogr. Soc. Am. 43(1), 48\u201362 (1949)","journal-title":"Pap. Bibliogr. Soc. Am."},{"key":"44_CR42","unstructured":"Weller, M.P., Do, E.Y.: Architectural robotics: a new paradigm for the built environment. In: EuropIA, vol. 11, pp. 19\u201321 (2007)"},{"key":"44_CR43","volume-title":"The Theater of the Bauhaus","author":"W Gropius","year":"1961","unstructured":"Gropius, W., Wensinger, A.S., Schlemmer, O., Moholy-Nagy, L.: The Theater of the Bauhaus. Wesleyan University Press, Middletown (1961)"},{"issue":"3","key":"44_CR44","doi-asserted-by":"publisher","first-page":"127","DOI":"10.2307\/1144360","volume":"12","author":"Cedric Price","year":"1968","unstructured":"Price, C., Littlewood, J.: The fun palace. In: The Drama Review: TDR, pp. 127\u2013134 (1968)","journal-title":"The Drama Review: TDR"},{"key":"44_CR45","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/9228.001.0001","volume-title":"Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles","author":"E Huhtamo","year":"2013","unstructured":"Huhtamo, E.: Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles. MIT Press, Cambridge (2013)"},{"key":"44_CR46","doi-asserted-by":"publisher","first-page":"547","DOI":"10.1353\/tj.2007.0035","volume":"58","author":"G Waltz","year":"2006","unstructured":"Waltz, G.: Filmed scenery on the live stage. Theatr. J. 58, 547\u2013573 (2006)","journal-title":"Theatr. J."},{"key":"44_CR47","doi-asserted-by":"publisher","first-page":"595","DOI":"10.1353\/tj.2007.0032","volume":"58","author":"M Solomon","year":"2006","unstructured":"Solomon, M.: Up-to-date magic: theatrical conjuring and the trick film. Theatr. J. 58, 595\u2013615 (2006)","journal-title":"Theatr. J."},{"key":"44_CR48","volume-title":"Winsor McCay: His Life and Art","author":"J Canemaker","year":"2005","unstructured":"Canemaker, J.: Winsor McCay: His Life and Art. Harry Abrams, New York (2005)"},{"key":"44_CR49","doi-asserted-by":"crossref","unstructured":"Giesekam, G.: Staging the screen: the use of film and video in theatre. Macmillan International Higher Education (2007)","DOI":"10.1007\/978-1-137-09099-7"},{"key":"44_CR50","volume-title":"The political theatre: a history 1914-1929","author":"E Piscator","year":"1978","unstructured":"Piscator, E.: The political theatre: a history 1914-1929. Avon Books, New York (1978)"},{"issue":"4","key":"44_CR51","doi-asserted-by":"publisher","first-page":"83","DOI":"10.2307\/3181728","volume":"22","author":"C Innes","year":"1978","unstructured":"Innes, C.: Piscator\u2019s \u2018Rasputin\u2019. Drama Rev. TDR 22(4), 83\u201398 (1978)","journal-title":"Drama Rev. TDR"},{"key":"44_CR52","volume-title":"The Secret of Theatrical Space: The Memoirs of Josef Svoboda","author":"JM Burian","year":"1993","unstructured":"Burian, J.M.: The Secret of Theatrical Space: The Memoirs of Josef Svoboda. Applause, New York (1993)"},{"key":"44_CR53","series-title":"Lecture Notes in Computer Science","doi-asserted-by":"publisher","first-page":"117","DOI":"10.1007\/978-3-319-71027-3_10","volume-title":"Interactive Storytelling","author":"C Hales","year":"2017","unstructured":"Hales, C.: Cinelabyrinth: the pavilion of forking paths. In: Nunes, N., Oakley, I., Nisi, V. (eds.) ICIDS 2017. LNCS, vol. 10690, pp. 117\u2013125. Springer, Cham (2017). https:\/\/doi.org\/10.1007\/978-3-319-71027-3_10"},{"key":"44_CR54","unstructured":"Rouse, R.: A new dramaturgy for digital technology in narrative theater. Doctoral dissertation in Digital Media, School of Literature, Media and Communication, the Georgia Institute of Technology (2013)"},{"issue":"2","key":"44_CR55","doi-asserted-by":"publisher","first-page":"107","DOI":"10.1353\/tt.2001.0017","volume":"11","author":"DZ Saltz","year":"2001","unstructured":"Saltz, D.Z.: Live media: interactive technology and theatre. Theatr. Top. 11(2), 107\u2013130 (2001)","journal-title":"Theatr. Top."},{"key":"44_CR56","unstructured":"Wright, A.: What a mechanical performance! Bravo! In: The New York Times, Theater Section, 5 July 2012"},{"key":"44_CR57","volume-title":"Heddatron","author":"E Meriwether","year":"2006","unstructured":"Meriwether, E.: Heddatron. Playscripts, New York (2006)"},{"key":"44_CR58","doi-asserted-by":"publisher","DOI":"10.4324\/9780203819814","volume-title":"Towards a Poor Theatre","author":"Jerzy Grotowski","year":"2012","unstructured":"Grotowski, J. Towards a Poor Theatre. In: Towards a Poor Theatre, pp. 15\u201326, Routledge, New York (2012)"}],"container-title":["Lecture Notes in Computer Science","Interactive Storytelling"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-030-04028-4_44","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,3,7]],"date-time":"2024-03-07T17:38:16Z","timestamp":1709833096000},"score":1,"resource":{"primary":{"URL":"https:\/\/link.springer.com\/10.1007\/978-3-030-04028-4_44"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2018]]},"ISBN":["9783030040277","9783030040284"],"references-count":58,"URL":"https:\/\/doi.org\/10.1007\/978-3-030-04028-4_44","relation":{},"ISSN":["0302-9743","1611-3349"],"issn-type":[{"type":"print","value":"0302-9743"},{"type":"electronic","value":"1611-3349"}],"subject":[],"published":{"date-parts":[[2018]]},"assertion":[{"value":"21 November 2018","order":1,"name":"first_online","label":"First Online","group":{"name":"ChapterHistory","label":"Chapter History"}},{"value":"ICIDS","order":1,"name":"conference_acronym","label":"Conference Acronym","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"International Conference on Interactive Digital Storytelling","order":2,"name":"conference_name","label":"Conference Name","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"Dublin","order":3,"name":"conference_city","label":"Conference City","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"Ireland","order":4,"name":"conference_country","label":"Conference Country","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"2018","order":5,"name":"conference_year","label":"Conference Year","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"5 December 2018","order":7,"name":"conference_start_date","label":"Conference Start Date","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"8 December 2018","order":8,"name":"conference_end_date","label":"Conference End Date","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"11","order":9,"name":"conference_number","label":"Conference Number","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"icids2018","order":10,"name":"conference_id","label":"Conference ID","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"https:\/\/icids2018.scss.tcd.ie\/","order":11,"name":"conference_url","label":"Conference URL","group":{"name":"ConferenceInfo","label":"Conference Information"}}]}}