{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,29]],"date-time":"2026-04-29T15:41:55Z","timestamp":1777477315120,"version":"3.51.4"},"publisher-location":"Cham","reference-count":44,"publisher":"Springer International Publishing","isbn-type":[{"value":"9783030166663","type":"print"},{"value":"9783030166670","type":"electronic"}],"license":[{"start":{"date-parts":[[2019,1,1]],"date-time":"2019-01-01T00:00:00Z","timestamp":1546300800000},"content-version":"tdm","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2019]]},"DOI":"10.1007\/978-3-030-16667-0_3","type":"book-chapter","created":{"date-parts":[[2019,4,9]],"date-time":"2019-04-09T23:44:24Z","timestamp":1554853464000},"page":"35-50","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":123,"title":["Autonomy, Authenticity, Authorship and Intention in Computer Generated Art"],"prefix":"10.1007","author":[{"ORCID":"https:\/\/orcid.org\/0000-0001-6328-5064","authenticated-orcid":false,"given":"Jon","family":"McCormack","sequence":"first","affiliation":[]},{"ORCID":"https:\/\/orcid.org\/0000-0002-9902-3362","authenticated-orcid":false,"given":"Toby","family":"Gifford","sequence":"additional","affiliation":[]},{"ORCID":"https:\/\/orcid.org\/0000-0001-8680-6969","authenticated-orcid":false,"given":"Patrick","family":"Hutchings","sequence":"additional","affiliation":[]}],"member":"297","reference":[{"key":"3_CR1","unstructured":"Is artificial intelligence set to become art\u2019s next medium? November 2018. https:\/\/www.christies.com\/features\/A-collaboration-between-two-artists-one-human-one-a-machine-9332-1.aspx. Accessed 07 Nov 2018"},{"key":"3_CR2","unstructured":"Obvious: Obvious, explained, February 2018. https:\/\/medium.com\/@hello.obvious\/ai-the-rise-of-a-new-art-movement-f6efe0a51f2e. Accessed 01 Nov 2018"},{"key":"3_CR3","unstructured":"Goodfellow, I., et al.: Generative adversarial nets. In: Advances in Neural Information Processing Systems, pp. 2672\u20132680 (2014)"},{"key":"3_CR4","unstructured":"Rea, N.: Has Artificial Intelligence Brought Us the Next Great Art Movement? Here Are 9 Pioneering Artists Who Are Exploring AI\u2019s Creative Potential, November 2018. https:\/\/news.artnet.com\/market\/9-artists-artificial-intelligence-1384207. Accessed 07 Nov 2018"},{"key":"3_CR5","unstructured":"Radford, A., Metz, L., Chintala, S.: Unsupervised representation learning with deep convolutional generative adversarial networks. Preprint, arXiv:1511.06434 (2015)"},{"key":"3_CR6","unstructured":"Menabrea, L.F.: Sketch of the analytical engine invented by Charles Babbage, No. 82, Biblioth\u00e8que Universelle de Gen\u00e8ve, October 1842. http:\/\/www.fourmilab.ch\/babbage\/sketch.html"},{"key":"3_CR7","first-page":"30","volume":"7","author":"J Burnham","year":"1968","unstructured":"Burnham, J.: Systems esthetics. Artforum 7, 30\u201335 (1968)","journal-title":"Artforum"},{"key":"3_CR8","first-page":"119","volume-title":"The Aesthetics of Intelligent Systems","author":"J Burnham","year":"1969","unstructured":"Burnham, J.: On the future of art. In: Fry, E.F. (ed.) The Aesthetics of Intelligent Systems, p. 119. The Viking Press, New York (1969)"},{"key":"3_CR9","volume-title":"The Computer in Art","author":"J Reichardt","year":"1971","unstructured":"Reichardt, J.: The Computer in Art. Studio Vista; Van Nostrand Reinhold, London, New York (1971)"},{"key":"3_CR10","volume-title":"Art and the Future","author":"D Davis","year":"1973","unstructured":"Davis, D.: Art and the Future. Praeger, New York (1973)"},{"key":"3_CR11","volume-title":"Artist and Computer","author":"R Leavitt","year":"1976","unstructured":"Leavitt, R.: Artist and Computer. Harmony Books, New York (1976)"},{"key":"3_CR12","unstructured":"Dietrich, F., Tanner, P.: Artists interfacing with technology: basic concepts of digital creation, July 1983"},{"key":"3_CR13","volume-title":"Aaron\u2019s Code: Meta-art, Artificial Intelligence and the Work of Harold Cohen","author":"P McCorduck","year":"1990","unstructured":"McCorduck, P.: Aaron\u2019s Code: Meta-art, Artificial Intelligence and the Work of Harold Cohen. W.H. Freeman, New York (1990)"},{"key":"3_CR14","doi-asserted-by":"publisher","first-page":"143","DOI":"10.1017\/S1358246100007335","volume":"38","author":"A O\u2019Hear","year":"1995","unstructured":"O\u2019Hear, A.: Art and technology: an old tension. R. Inst. Philos. Suppl. 38, 143\u2013158 (1995)","journal-title":"R. Inst. Philos. Suppl."},{"key":"3_CR15","first-page":"141","volume":"4","author":"H Cohen","year":"1995","unstructured":"Cohen, H.: The further exploits of Aaron, painter. Stanford Humanit. Rev. 4, 141\u2013158 (1995). http:\/\/www.stanford.edu\/group\/SHR\/4-2\/text\/cohen.html","journal-title":"Stanford Humanit. Rev."},{"key":"3_CR16","series-title":"Lecture Notes in Computer Science (Lecture Notes in Artificial Intelligence)","doi-asserted-by":"publisher","first-page":"254","DOI":"10.1007\/978-3-642-21314-4_32","volume-title":"Advances in Artificial Life. Darwin Meets von Neumann","author":"O Bown","year":"2011","unstructured":"Bown, O., McCormack, J.: Creative agency: a clearer goal for artificial life in the arts. In: Kampis, G., Karsai, I., Szathm\u00e1ry, E. (eds.) ECAL 2009. LNCS (LNAI), vol. 5778, pp. 254\u2013261. Springer, Heidelberg (2011). https:\/\/doi.org\/10.1007\/978-3-642-21314-4_32"},{"key":"3_CR17","volume-title":"Creativity and Art: Three Roads to Surprise","author":"MA Boden","year":"2010","unstructured":"Boden, M.A.: Creativity and Art: Three Roads to Surprise. Oxford University Press, Oxford (2010)"},{"key":"3_CR18","series-title":"Lecture Notes in Computer Science","doi-asserted-by":"publisher","first-page":"1","DOI":"10.1007\/978-3-642-36955-1_1","volume-title":"Evolutionary and Biologically Inspired Music, Sound, Art and Design","author":"J McCormack","year":"2013","unstructured":"McCormack, J.: Aesthetics, art, evolution. In: Machado, P., McDermott, J., Carballal, A. (eds.) EvoMUSART 2013. LNCS, vol. 7834, pp. 1\u201312. Springer, Heidelberg (2013). https:\/\/doi.org\/10.1007\/978-3-642-36955-1_1"},{"issue":"2","key":"3_CR19","doi-asserted-by":"publisher","first-page":"135","DOI":"10.1162\/LEON_a_00533","volume":"47","author":"J McCormack","year":"2014","unstructured":"McCormack, J., Bown, O., Dorin, A., McCabe, J., Monro, G., Whitelaw, M.: Ten questions concerning generative computer art. Leonardo 47(2), 135\u2013141 (2014)","journal-title":"Leonardo"},{"key":"3_CR20","unstructured":"d\u2019Inverno, M., McCormack, J.: Heroic vs collaborative AI for the arts. In: Yang, Q., Wooldridge, M. (eds.) Proceedings of the Twenty-Fourth International Joint Conference on Artificial Intelligence (IJCAI 2015), pp. 2438\u20132444. AAAI Press (2015)"},{"key":"3_CR21","volume-title":"Seven Days in the Art World","author":"S Thornton","year":"2009","unstructured":"Thornton, S.: Seven Days in the Art World. Granta, London (2009)"},{"key":"3_CR22","volume-title":"Art as Experience","author":"J Dewey","year":"1934","unstructured":"Dewey, J.: Art as Experience. Capricorn Books, New York (1934)"},{"key":"3_CR23","unstructured":"McCormack, J.: Working with generative systems: an artistic perspective. In: Bowen, J., Lambert, N., Diprose, G. (eds.) Electronic Visualisation and the Arts (EVA 2017), pp. 213\u2013218. Electronic Workshops in Computing (eWiC), BCS Learning and Development Ltd., London, July 2017"},{"key":"3_CR24","first-page":"313","volume-title":"Musical Networks: Parallel Distributed Perception and Performance","author":"PM Todd","year":"1999","unstructured":"Todd, P.M., Werner, G.M.: Frankensteinian methods for evolutionary music composition. In: Griffith, N., Todd, P.M. (eds.) Musical Networks: Parallel Distributed Perception and Performance, pp. 313\u2013339. The MIT Press\/Bradford Books, Cambridge (1999)"},{"key":"3_CR25","doi-asserted-by":"publisher","first-page":"35","DOI":"10.1145\/142920.134003","volume":"26","author":"T Beier","year":"1992","unstructured":"Beier, T., Neely, S.: Feature-based image metamorphosis. Comput. Graph. 26, 35\u201342 (1992)","journal-title":"Comput. Graph."},{"key":"3_CR26","volume-title":"Natural Pollination of Orchids","author":"CH Dodson","year":"1961","unstructured":"Dodson, C.H., Frymire, G.P.: Natural Pollination of Orchids. Missouri Botanical Garden, St. Louis (1961)"},{"key":"3_CR27","doi-asserted-by":"crossref","unstructured":"Tan, W.R., Chan, C.S., Aguirre, H.E., Tanaka, K.: ArtGAN: artwork synthesis with conditional categorical GANs. In: 2017 IEEE International Conference on Image Processing (ICIP), pp. 3760\u20133764. IEEE (2017)","DOI":"10.1109\/ICIP.2017.8296985"},{"key":"3_CR28","doi-asserted-by":"crossref","unstructured":"He, B., Gao, F., Ma, D., Shi, B., Duan, L.Y.: ChipGAN: a generative adversarial network for Chinese ink wash painting style transfer. In: 2018 ACM Multimedia Conference on Multimedia Conference, pp. 1172\u20131180. ACM (2018)","DOI":"10.1145\/3240508.3240655"},{"key":"3_CR29","unstructured":"Zhang, H., Dana, K.: Multi-style generative network for real-time transfer. Preprint, arXiv:1703.06953 (2017)"},{"key":"3_CR30","unstructured":"Elgammal, A., Liu, B., Elhoseiny, M., Mazzone, M.: CAN: creative adversarial networks, generating \u201cart\u201d by learning about styles and deviating from style norms. Preprint, arXiv:1706.07068 (2017)"},{"key":"3_CR31","unstructured":"Keane, A.J., Brown, S.M.: The design of a satellite boom with enhanced vibration performance using genetic algorithm techniques. In: Parmee, I.C. (ed.) Conference on Adaptive Computing in Engineering Design and Control 96, pp. 107\u2013113. P.E.D.C. (1996)"},{"key":"3_CR32","unstructured":"Hobbes, T.: Leviathan. In: Molesworth, W. (ed.) Collected English Works of Thomas Hobbes. Routledge, London (1651\/1997)"},{"issue":"2","key":"3_CR33","doi-asserted-by":"publisher","first-page":"455","DOI":"10.2307\/1372734","volume":"40","author":"P Jaszi","year":"1991","unstructured":"Jaszi, P.: Toward a theory of copyright: the metamorphoses of authorship. Duke Law J. 40(2), 455 (1991)","journal-title":"Duke Law J."},{"key":"3_CR34","unstructured":"Veale, T.: Scoffing at mere generation (2015). http:\/\/prosecco-network.eu\/blog\/scoffing-mere-generation. Accessed 18 Aug 2015"},{"key":"3_CR35","unstructured":"Eigenfeldt, A., Bown, O., Brown, A.R., Gifford, T.: Flexible generation of musical form: beyond mere generation. In: Proceedings of the Seventh International Conference on Computational Creativity, pp. 264\u2013271 (2016)"},{"key":"3_CR36","first-page":"131","volume":"25","author":"AJ Wu","year":"1997","unstructured":"Wu, A.J.: From video games to artificial intelligence: assigning copyright ownership to works generated by increasingly sophisticated computer programs. AIPLA QJ 25, 131 (1997)","journal-title":"AIPLA QJ"},{"key":"3_CR37","unstructured":"Chamberlain, W.: Copyright catalog: the policeman\u2019s beard is half constructed: computer prose and poetry. https:\/\/cocatalog.loc.gov\/cgi-bin\/Pwebrecon.cgi?SC=Author&SA=Racter&PID=zQyq43DuiIh6HvQpRNEOeM8BmyRRN&BROWSE=1&HC=1&SID=2. Accessed 08 Nov 2018"},{"key":"3_CR38","volume-title":"Artificial Intelligence, Big Data and Intellectual Property: Protecting Computer-Generated Works in the United Kingdom","author":"R Abbott","year":"2017","unstructured":"Abbott, R.: Artificial Intelligence, Big Data and Intellectual Property: Protecting Computer-Generated Works in the United Kingdom. Edward Elgar Publishing Ltd., Cheltenham (2017)"},{"key":"3_CR39","unstructured":"Vincent, J.: How three French students used borrowed code to put the first AI portrait in Christie\u2019s (2018). https:\/\/www.theverge.com\/2018\/10\/23\/18013190\/ai-art-portrait-auction-christies-belamy-obvious-robbie-barrat-gans. Accessed 08 Nov 2018"},{"key":"3_CR40","unstructured":"Parikka, J.: Leonardo book review: the art of artificial evolution: a handbook on evolutionary art and music. http:\/\/www.leonardo.info\/reviews\/nov2008\/parikka_art.html. Accessed 08 Feb 2019"},{"key":"3_CR41","doi-asserted-by":"crossref","unstructured":"Manikonda, L., Kambhampati, S.: Tweeting AI: perceptions of lay versus expert twitterati. In: Proceedings of the Twelfth International AAAI Conference on Web and Social Media (ICWSM 2018), pp. 652\u2013655 (2018)","DOI":"10.1609\/icwsm.v12i1.15061"},{"key":"3_CR42","unstructured":"Gaines-Ross, L.: What do people - not techies, not companies - think about artificial intelligence? Harvard Bus. Rev. (2016). https:\/\/hbr.org\/2016\/10\/what-do-people-not-techies-not-companies-think-about-artificial-intelligence"},{"key":"3_CR43","volume-title":"The Intentional Stance","author":"DC Dennett","year":"1987","unstructured":"Dennett, D.C.: The Intentional Stance. MIT Press, Cambridge (1987)"},{"issue":"2","key":"3_CR44","doi-asserted-by":"publisher","first-page":"103","DOI":"10.2307\/1574794","volume":"16","author":"SL Sheridan","year":"1983","unstructured":"Sheridan, S.L.: Generative systems versus copy art: a clarification of terms and ideas. Leonardo 16(2), 103\u2013108 (1983)","journal-title":"Leonardo"}],"container-title":["Lecture Notes in Computer Science","Computational Intelligence in Music, Sound, Art and Design"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-030-16667-0_3","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,3,12]],"date-time":"2024-03-12T13:50:56Z","timestamp":1710251456000},"score":1,"resource":{"primary":{"URL":"https:\/\/link.springer.com\/10.1007\/978-3-030-16667-0_3"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2019]]},"ISBN":["9783030166663","9783030166670"],"references-count":44,"URL":"https:\/\/doi.org\/10.1007\/978-3-030-16667-0_3","relation":{},"ISSN":["0302-9743","1611-3349"],"issn-type":[{"value":"0302-9743","type":"print"},{"value":"1611-3349","type":"electronic"}],"subject":[],"published":{"date-parts":[[2019]]},"assertion":[{"value":"27 March 2019","order":1,"name":"first_online","label":"First Online","group":{"name":"ChapterHistory","label":"Chapter History"}},{"value":"EvoMUSART","order":1,"name":"conference_acronym","label":"Conference Acronym","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"International Conference on Computational Intelligence in Music, Sound, Art and Design (Part of EvoStar)","order":2,"name":"conference_name","label":"Conference Name","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"Leipzig","order":3,"name":"conference_city","label":"Conference City","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"Germany","order":4,"name":"conference_country","label":"Conference Country","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"2019","order":5,"name":"conference_year","label":"Conference Year","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"24 April 2019","order":7,"name":"conference_start_date","label":"Conference Start Date","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"26 April 2019","order":8,"name":"conference_end_date","label":"Conference End Date","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"8","order":9,"name":"conference_number","label":"Conference Number","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"evomusart2019","order":10,"name":"conference_id","label":"Conference ID","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"http:\/\/www.evostar.org\/2019\/cfp_evomusart.php","order":11,"name":"conference_url","label":"Conference URL","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"Double-blind","order":1,"name":"type","label":"Type","group":{"name":"ConfEventPeerReviewInformation","label":"Peer Review Information"}},{"value":"MyReview","order":2,"name":"conference_management_system","label":"Conference Management System","group":{"name":"ConfEventPeerReviewInformation","label":"Peer Review Information"}},{"value":"24","order":3,"name":"number_of_submissions_sent_for_review","label":"Number of Submissions Sent for Review","group":{"name":"ConfEventPeerReviewInformation","label":"Peer Review Information"}},{"value":"16","order":4,"name":"number_of_full_papers_accepted","label":"Number of Full Papers Accepted","group":{"name":"ConfEventPeerReviewInformation","label":"Peer Review Information"}},{"value":"0","order":5,"name":"number_of_short_papers_accepted","label":"Number of Short Papers Accepted","group":{"name":"ConfEventPeerReviewInformation","label":"Peer Review Information"}},{"value":"67% - The value is computed by the equation \"Number of Full Papers Accepted \/ Number of Submissions Sent for Review * 100\" and then rounded to a whole number.","order":6,"name":"acceptance_rate_of_full_papers","label":"Acceptance Rate of Full Papers","group":{"name":"ConfEventPeerReviewInformation","label":"Peer Review Information"}},{"value":"3.3","order":7,"name":"average_number_of_reviews_per_paper","label":"Average Number of Reviews per Paper","group":{"name":"ConfEventPeerReviewInformation","label":"Peer Review Information"}},{"value":"3","order":8,"name":"average_number_of_papers_per_reviewer","label":"Average Number of Papers per Reviewer","group":{"name":"ConfEventPeerReviewInformation","label":"Peer Review Information"}},{"value":"No","order":9,"name":"external_reviewers_involved","label":"External Reviewers Involved","group":{"name":"ConfEventPeerReviewInformation","label":"Peer Review Information"}}]}}