{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,3,27]],"date-time":"2025-03-27T10:14:01Z","timestamp":1743070441201,"version":"3.40.3"},"publisher-location":"Cham","reference-count":36,"publisher":"Springer Nature Switzerland","isbn-type":[{"type":"print","value":"9783031538643"},{"type":"electronic","value":"9783031538650"}],"license":[{"start":{"date-parts":[[2024,1,1]],"date-time":"2024-01-01T00:00:00Z","timestamp":1704067200000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/www.springernature.com\/gp\/researchers\/text-and-data-mining"},{"start":{"date-parts":[[2024,1,1]],"date-time":"2024-01-01T00:00:00Z","timestamp":1704067200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.springernature.com\/gp\/researchers\/text-and-data-mining"}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2024]]},"DOI":"10.1007\/978-3-031-53865-0_14","type":"book-chapter","created":{"date-parts":[[2024,6,27]],"date-time":"2024-06-27T11:02:44Z","timestamp":1719486164000},"page":"349-371","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":0,"title":["Performance and Virtual Reality: The Stage as a Multidimensional Environment"],"prefix":"10.1007","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-4837-4282","authenticated-orcid":false,"given":"Leslie","family":"Deere","sequence":"first","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"297","published-online":{"date-parts":[[2024,6,28]]},"reference":[{"key":"14_CR1","unstructured":"ADiE (2019) Per\/forming futures: investigating artistic doctorates in dance & performance. Middlesex University London, 11\u201313 Apr 2019. Artistic Doctorates in Europe, 29 July 2019. https:\/\/www.artisticdoctorates.com\/2019\/07\/29\/per-forming-futures\/. Accessed 27 Jan 2024"},{"key":"14_CR2","unstructured":"Ames A (2017) Review: Jacolby Satterwhite\u2019s virtual reality performance at SFMOMA imagines a black, Queer, S&M Future. Artspace. 31 Mar 2017. https:\/\/www.artspace.com\/magazine\/interviews_features\/close_look\/review-jacolby-satterwhites-virtual-reality-performance-at-sfmoma-imagines-a-black-queer-sm-54680. Accessed 21 Jul 2022"},{"key":"14_CR3","unstructured":"Athens Biennale (2021) Huntrezz Janos. 7th Athens Biennale, 24 Oct\u201328 Nov 2021. https:\/\/eclipse.athensbiennale.org\/en\/artists\/huntrezz-janos. Accessed 27 Jan 2024"},{"key":"14_CR4","unstructured":"Bachelard G (1964) The poetics of space. Beacon Press"},{"key":"14_CR5","volume-title":"The ecstasy of communication","author":"J Baudrillard","year":"1988","unstructured":"Baudrillard J (1988) The ecstasy of communication. Autonomedia, New York"},{"key":"14_CR6","doi-asserted-by":"publisher","DOI":"10.2307\/j.ctv12101zq","volume-title":"Meeting the Universe Halfway: quantum physics and the entanglement of matter and meaning","author":"KM Barad","year":"2007","unstructured":"Barad KM (2007) Meeting the Universe Halfway: quantum physics and the entanglement of matter and meaning. Duke University Press, Durham"},{"key":"14_CR7","unstructured":"Catherine A, Ti D (2016) Operator. https:\/\/www.operator.la. Accessed 27 Jan 2024"},{"key":"14_CR8","unstructured":"Ciciliani M (2017) Audiovisual works: Kilgore. Marko Ciciliani. https:\/\/www.ciciliani.com\/kilgore.html"},{"key":"14_CR9","unstructured":"Clarke A (2023) The London open 2022: the underlying, Ami Clarke. https:\/\/www.amiclarke.com\/the-underlying-ami-clarke. Accessed 27 Jan 2024"},{"key":"14_CR10","unstructured":"Davies C (2002) Changing space: virtual reality as an arena of embodied being (1997). In: Packer R, Jordan K (eds) Multimedia: from Wagner to virtual reality (expanded edn). W.W. Norton & Company, New York, pp 293\u2013300. https:\/\/www.immersence.com\/publications\/char\/2002-CD-Multimedia-Wagn-VR.html. Accessed 27 Jan 2024"},{"key":"14_CR11","doi-asserted-by":"publisher","unstructured":"Deere L (2021) Experimental affect: gesture controlled audio-visual performance in VR. In: EVA London 2021: Electronic Visualisation and the Arts. BCS, eWiC, pp 120\u2013122. https:\/\/doi.org\/10.14236\/ewic\/EVA2021.19","DOI":"10.14236\/ewic\/EVA2021.19"},{"key":"14_CR12","doi-asserted-by":"publisher","unstructured":"Deere L (2022) Action at a distance: altered states through virtual gestures and audio-visuals. In: EVA London 2022: Electronic Visualisation and the Arts. BCS, eWiC, pp 185\u2013187. https:\/\/doi.org\/10.14236\/ewic\/EVA2022.34","DOI":"10.14236\/ewic\/EVA2022.34"},{"key":"14_CR13","unstructured":"Deere L (2023) PhD project\u2014array infinitive. Leslie Deere. https:\/\/lesliedeere.com\/VR.html. Accessed 27 Jan 2024"},{"key":"14_CR14","unstructured":"GAPPP (2019) Research questions. GAPPP: gamified audiovisual performance and performance practice. http:\/\/gappp.net\/english\/researchquestions.html. Accessed 27 Jan 2024"},{"key":"14_CR15","volume-title":"Virtual art: from illusion to immersion","author":"O Grau","year":"2003","unstructured":"Grau O (2003) Virtual art: from illusion to immersion. The MIT Press, Cambridge"},{"key":"14_CR16","unstructured":"Haraway DJ (1991) A cyborg manifesto: science, technology, and socialist-feminism in the late twentieth century. In: Simians, cyborgs, and women: the reinvention of nature. Routledge, New York"},{"key":"14_CR17","unstructured":"Immerscence (1998) Eph\u00e9m\u00e8re (1998). Immersence Inc. http:\/\/www.immersence.com\/ephemere. Accessed 27 Jan 2024"},{"volume-title":"Electronic superhighway: from experiments in art and technology to art after the internet. Exhibition catalogue","year":"2016","key":"14_CR18","unstructured":"Khoelif O (ed) (2016) Electronic superhighway: from experiments in art and technology to art after the internet. Exhibition catalogue. Whitechapel Gallery, London"},{"key":"14_CR19","unstructured":"K\u00fcnstlerhaus Bethanien (nd) Sophia Bulgakova, Ukraine\/Netherlands. K\u00fcnstlerhaus Bethanien. https:\/\/www.bethanien.de\/en\/artists\/sophia-bulgakova\/. Accessed 27 Jan 2024"},{"key":"14_CR20","unstructured":"La Cour J (2023) Bio + Statement. Jakob La Cour. https:\/\/jakoblacour.com\/bio-statement. Accessed 27 Jan 2024"},{"key":"14_CR21","doi-asserted-by":"crossref","unstructured":"Laurel B, Strickland R (1993) Brenda Laurel and Rachel Strickland: placeholder, 1993. Radiance: the international research platform for virtual reality experiences in art. https:\/\/www.radiancevr.co\/artists\/brenda-laurel-and-rachel-strickland. Accessed 7 Jul 2023","DOI":"10.1145\/192593.192637"},{"key":"14_CR22","unstructured":"Leonardo (nd) Telematic dreaming by Paul Sermon. The Leonardo Gallery. https:\/\/leonardo.info\/gallery\/gallery332\/sermon.html. Accessed 12 Feb 2023"},{"key":"14_CR23","unstructured":"Mars S (2022) \u2018Mirror Me\u2019\u2014by Sophie Mars. Exposed arts projects, 11\/13 Feb 2022. https:\/\/www.exposedartsprojects.com\/mirror-me. Accessed 27 Jan 2024"},{"key":"14_CR24","unstructured":"Mor\u00e1n Mor\u00e1n (nd) Jacolby Satterwhite. Mor\u00e1n Mor\u00e1n Gallery. https:\/\/moranmorangallery.com\/artists\/jacolby-satterwhite. Accessed 7 Jul 2021"},{"key":"14_CR25","unstructured":"Panjapop (2023) Zoe S\u00e9ance. Panjapop. https:\/\/www.panjapop.com\/interaction\/zoe-seance. Accessed 12 Sep 2023"},{"key":"14_CR26","unstructured":"PAA (2022) Assembly: February 16 \u2013 March 6, 2022. Park Avenue Armory, New York, USA. https:\/\/www.armoryonpark.org\/mobile\/event_detail\/assembly. Accessed 11 Jul 2023"},{"key":"14_CR27","unstructured":"Radiance (2018) BBB (Alla Pop and Alexander Sahm): fully accessible body, 2018. Radiance. https:\/\/www.radiancevr.co\/artists\/bbb\/. Accessed 7 Jul 2023"},{"key":"14_CR28","unstructured":"Ressi C (2019) Terrain study. In: GAPPP: gamified audiovisual performance and performance practice conference. Institut Elektronische Musik und Akustik der Kunstuni Graz, Austria, 29\u201331 Mar 2019"},{"key":"14_CR29","unstructured":"Sermon P (1992) Telematic dreaming\u2014statement. http:\/\/www.paulsermon.org\/dream. Accessed 27 Jan 2014"},{"key":"14_CR30","unstructured":"Sermon P (2021) Paul Sermon \u2018Telematic Dreaming\u2019 1992. Vimeo, 7 Oct 2021. https:\/\/vimeo.com\/625479778 . Accessed 27 Jan 2024"},{"key":"14_CR31","unstructured":"Sermon P (nd) Paul Sermon. http:\/\/www.paulsermon.org. Accessed 12 May 2022"},{"key":"14_CR32","unstructured":"Speed C (2019) Mutable VR. MA\/MF Computational Arts blog. Department of Computing, Goldsmiths University of London, UK. http:\/\/doc.gold.ac.uk\/compartsblog\/index.php\/work\/mutable-vr\/. Accessed 27 Jan 2024"},{"key":"14_CR33","unstructured":"The Modern (2023) I\u2019ll be your mirror: art and the digital screen, 12 Feb 2012\u201330 Apr 2023. The Modern Art Museum of Fort Worth, Texas, USA. https:\/\/www.themodern.org\/exhibition\/ill-be-your-mirror-art-and-digital-screen. Accessed 27 Jan 2024"},{"key":"14_CR34","unstructured":"van den Elzen H (2023) OTHERWORLDS by Sophia Bulgakova received a realization grant: FIBER and Sophia Bulgakova supported by Immerse\\Interact. FIBER, 17 Jan 2023. https:\/\/www.fiber-space.nl\/news\/otherworlds-by-sophia-bulgakova-received-immerseinteract\/. Accessed 20 Sept 2023"},{"key":"14_CR35","unstructured":"Whitechapel Gallery (2022) The London Open 2022. Whitechapel Gallery, London, UK, 12 May 2022. https:\/\/www.whitechapelgallery.org\/about\/press\/the-london-open-2022. Accessed 21 May 2023"},{"key":"14_CR36","unstructured":"Wise K (2018) Project exposure. Kerryn Wise, UK. https:\/\/kerrynwise.co.uk\/exposure.php. Accessed 27 Jan 2024"}],"container-title":["Springer Series on Cultural Computing","The Arts and Computational Culture: Real and Virtual Worlds"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-031-53865-0_14","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,6,27]],"date-time":"2024-06-27T11:08:27Z","timestamp":1719486507000},"score":1,"resource":{"primary":{"URL":"https:\/\/link.springer.com\/10.1007\/978-3-031-53865-0_14"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2024]]},"ISBN":["9783031538643","9783031538650"],"references-count":36,"URL":"https:\/\/doi.org\/10.1007\/978-3-031-53865-0_14","relation":{},"ISSN":["2195-9056","2195-9064"],"issn-type":[{"type":"print","value":"2195-9056"},{"type":"electronic","value":"2195-9064"}],"subject":[],"published":{"date-parts":[[2024]]},"assertion":[{"value":"28 June 2024","order":1,"name":"first_online","label":"First Online","group":{"name":"ChapterHistory","label":"Chapter History"}}]}}