{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,2,2]],"date-time":"2026-02-02T14:52:59Z","timestamp":1770043979779,"version":"3.49.0"},"publisher-location":"Cham","reference-count":35,"publisher":"Springer International Publishing","isbn-type":[{"value":"9783319045092","type":"print"},{"value":"9783319045108","type":"electronic"}],"license":[{"start":{"date-parts":[[2014,1,1]],"date-time":"2014-01-01T00:00:00Z","timestamp":1388534400000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/www.springernature.com\/gp\/researchers\/text-and-data-mining"},{"start":{"date-parts":[[2014,1,1]],"date-time":"2014-01-01T00:00:00Z","timestamp":1388534400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.springernature.com\/gp\/researchers\/text-and-data-mining"}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2014]]},"DOI":"10.1007\/978-3-319-04510-8_7","type":"book-chapter","created":{"date-parts":[[2014,3,28]],"date-time":"2014-03-28T20:31:24Z","timestamp":1396038684000},"page":"91-108","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":21,"title":["Intimate Aesthetics and Facilitated Interaction"],"prefix":"10.1007","author":[{"given":"Lian","family":"Loke","sequence":"first","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"George Poonkhin","family":"Khut","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"297","published-online":{"date-parts":[[2014,2,14]]},"reference":[{"key":"7_CR1","volume-title":"Marina Abramovic: public body: installation and objects, 1965\u20132001","author":"M Abramovic","year":"2001","unstructured":"Abramovic M, Celant G (2001) Marina Abramovic: public body: installation and objects, 1965\u20132001. Charta, New York\/Milan"},{"key":"7_CR2","doi-asserted-by":"crossref","unstructured":"Benford S, Giannachi G, Koleva B, Rodden T (2009) From interaction to trajectories: designing coherent journeys through user experiences. In: Proceedings of the SIGCHI conference on human factors in computing systems (CHI\u201909). ACM, New York, pp 709\u2013718","DOI":"10.1145\/1518701.1518812"},{"issue":"4","key":"7_CR3","doi-asserted-by":"publisher","first-page":"225","DOI":"10.1080\/15710880601008026","volume":"2","author":"Z Bilda","year":"2006","unstructured":"Bilda Z, Costello B, Amitani S (2006) Collaborative analysis framework for evaluating interactive art experience. J CoDesign 2(4):225\u2013238, Taylor and Francis","journal-title":"J CoDesign"},{"key":"7_CR004","doi-asserted-by":"crossref","unstructured":"Biserna E (2012) Exhibition reviews: \u2018The Abramovi\u0107 Method\u2019, PAC Padiglione d\u2019Arte Contemporanea, Milan (March-June 2012), NECSUS. Eur J Media Stud 1(2):338\u2013346","DOI":"10.5117\/NECSUS2012.2.BISE"},{"key":"7_CR4","volume-title":"Participation","year":"2006","unstructured":"Bishop C (ed) (2006) Participation. Whitechapel Gallery\/MIT Press, London\/Cambridge, MA"},{"key":"7_CR5","unstructured":"Bourriaud N (2002) Relational aesthetics. Les presses du reel (English trans), Djon"},{"key":"7_CR6","doi-asserted-by":"crossref","unstructured":"Candy L (2014) Evaluation and experience in art. In: Candy L, Ferguson S (eds) Interactive experience in the digital age: evaluating new art practice. Springer, London, pp 25\u201348","DOI":"10.1007\/978-3-319-04510-8_3"},{"key":"7_CR08","unstructured":"De Looz PA (2011) Pedro Reyes Brings Sanity to Brooklyn. In: Art in America, June 2011"},{"key":"7_CR8","volume-title":"Art as experience","author":"J Dewey","year":"1934","unstructured":"Dewey J (1934) Art as experience. Capricorn Books, New York"},{"issue":"4","key":"7_CR9","doi-asserted-by":"publisher","first-page":"257","DOI":"10.1080\/14626268.2010.556347","volume":"21","author":"E Edmonds","year":"2010","unstructured":"Edmonds E (2010) The art of interaction. Digit Creat 21(4):257\u2013264","journal-title":"Digit Creat"},{"key":"7_CR10","doi-asserted-by":"crossref","unstructured":"Edmonds E (2014) Human computer interaction, experience and art. In: Candy L, Ferguson S (eds) Interactive experience in the digital age: evaluating new art practice. Springer, London, pp 11\u201323","DOI":"10.1007\/978-3-319-04510-8_2"},{"key":"7_CR11","doi-asserted-by":"crossref","unstructured":"Forlizzi J, Battarbee K (2004) Understanding experience in interactive systems. In: Proceedings of the 5th conference on Designing Interactive Systems: processes, practices, methods, and techniques (DIS \u201904). ACM, New York, pp 261\u2013268","DOI":"10.1145\/1013115.1013152"},{"key":"7_CR7","doi-asserted-by":"crossref","unstructured":"Grau O (2003) Charlotte Davies: Osmose. In: Virtual art, from illusion to immersion (Revised edition MIT Press, Cambridge, MA, pp 193\u2013211)","DOI":"10.7551\/mitpress\/7104.001.0001"},{"issue":"1","key":"7_CR12","doi-asserted-by":"publisher","first-page":"120","DOI":"10.1080\/10486801.2011.645233","volume":"22","author":"D Heddon","year":"2012","unstructured":"Heddon D, Iball H, Zerihan R (2012) Come closer: confessions of intimate spectators in one to one performance. Contemp Theatre Rev 22(1):120\u2013133, Special issue: live art in the UK, Taylor and Francis","journal-title":"Contemp Theatre Rev"},{"key":"7_CR13","doi-asserted-by":"crossref","unstructured":"H\u00f6\u00f6k K, Sengers P, Andersson G (2003) Sense and sensibility: evaluation and interactive art. In: Proceedings of the SIGCHI conference on human factors in computing systems (CHI\u201903). ACM, New York, pp 241\u2013248","DOI":"10.1145\/642611.642654"},{"key":"7_CR14","unstructured":"Khut G (2006) Interactive art as embodied enquiry: working with audience experience. In: Edmonds E, Muller L, Turnbull LD (eds) Engage: interaction, arts & audience experience. Creativity and Cognition Studios Press, Sydney, pp 156\u2013167"},{"key":"7_CR15","unstructured":"Khut G (2007) The heart library project. http:\/\/georgekhut.com\/heartlibrary\/"},{"key":"7_CR16","volume-title":"Vital signs: creative practice & new media now","author":"G Khut","year":"2005","unstructured":"Khut G, Muller L (2005) Evolving creative practice: a reflection on working with audience experience in cardiomorphologies. In: Anastasiou P, Smithies R, Trist K, Jones L (eds) Vital signs: creative practice & new media now. RMIT Publishing, Melbourne"},{"key":"7_CR17","doi-asserted-by":"crossref","unstructured":"Kortbek K, Gr\u00f8nb\u00e6k K (2008) Communicating art through interactive technology: new approaches for interaction design in art museums. In: Tollmar K, J\u00f6nsson B (eds) Proceedings of the 5th Nordic conference on human-computer interaction: building bridges. ACM international conference proceeding series, ACM, New York, vol 358, pp 229\u2013238","DOI":"10.1145\/1463160.1463185"},{"key":"7_CR18","doi-asserted-by":"crossref","unstructured":"Latulipe C, Carroll EA, Lottridge D (2011) Love, hate, arousal and engagement: exploring audience responses to performing arts. In: Proceedings of the SIGCHI conference on human factors in computing systems (CHI\u201911). ACM, New York, pp 1845\u20131854","DOI":"10.1145\/1978942.1979210"},{"key":"7_CR19","doi-asserted-by":"publisher","unstructured":"Loke L, Khut GP, Kocaballi AB (2012) Bodily experience and imagination: designing ritual interactions for participatory live-art contexts. In: Proceedings of the designing interactive systems conference (DIS \u201912). ACM, New York, pp 779\u2013788. doi: 10.1145\/2317956.2318073, http:\/\/doi.acm.org\/10.1145\/2317956.2318073","DOI":"10.1145\/2317956.2318073"},{"key":"7_CR20","unstructured":"Muller E, Robertson T, Edmonds E (2006a) The object of interaction \u2013 the role of artefacts in interaction design, experience workshops. In: Proceedings of workshop, OZCHI 2006, Sydney, Australia"},{"key":"7_CR21","doi-asserted-by":"crossref","unstructured":"Muller L, Turner G, Khut G, Edmonds E (2006b) Creating affective visualisations for a physiologically interactive artwork. IV 2006. Tenth international conference on information visualization, 2006, London. IEEE Computer Society, Washington, DC, pp 651\u2013657","DOI":"10.1109\/IV.2006.36"},{"key":"7_CR22","volume-title":"The body in contemporary art","author":"S O\u2019Reilly","year":"2009","unstructured":"O\u2019Reilly S (2009) The body in contemporary art. Thames & Hudson, London"},{"key":"7_CR23","doi-asserted-by":"publisher","first-page":"279","DOI":"10.2307\/1576475","volume":"30","author":"S Osthoff","year":"1997","unstructured":"Osthoff S (1997) Lygia Clark and H\u00e9lio Oiticica: a legacy of interactivity and participation for a telematic future. Leonardo 30:279\u2013289","journal-title":"Leonardo"},{"key":"7_CR24","doi-asserted-by":"crossref","first-page":"117","DOI":"10.1111\/1540_6245.jaac55.2.0117","volume":"55","author":"DZ Saltz","year":"1997","unstructured":"Saltz DZ (1997) The art of interaction: interactivity, performativity, and computers. J Aesthet Art Crit 55(2, Spring): 117\u2013127, Perspectives on the arts and technology","journal-title":"J Aesthet Art Crit"},{"key":"7_CR25","doi-asserted-by":"crossref","DOI":"10.4324\/9780203361887","volume-title":"Performance theory","author":"R Schechner","year":"2003","unstructured":"Schechner R (2003) Performance theory. Routledge Classics, London"},{"key":"7_CR26","doi-asserted-by":"crossref","DOI":"10.7591\/9781501718168","volume-title":"Performing live: aesthetic alternatives for the ends of art","author":"R Shusterman","year":"2000","unstructured":"Shusterman R (2000) Performing live: aesthetic alternatives for the ends of art. Cornell University Press, Ithaca"},{"key":"7_CR27","volume-title":"Virtual touch \u2013 a study of the user and experience of touch in artistic, multimodal and computer-based environments","author":"S Stenslie","year":"2010","unstructured":"Stenslie S (2010) Virtual touch \u2013 a study of the user and experience of touch in artistic, multimodal and computer-based environments. Oslo School of Architecture and Design, Oslo"},{"key":"7_CR28","unstructured":"Stenslie S (2010) The blind theatre \u2013 5 manifests for the female sensuality [Online]. Available: http:\/\/blindtheater.wordpress.com"},{"key":"7_CR29","volume-title":"From ritual to theatre: the human seriousness of play","author":"V Turner","year":"1982","unstructured":"Turner V (1982) From ritual to theatre: the human seriousness of play. PAJ Publications, New York"},{"key":"7_CR30","doi-asserted-by":"crossref","unstructured":"Van Gennep A (1960) The rites of passage. Routledge & Kegan Paul, London. Reprint 1977. Originally published 1960","DOI":"10.7208\/chicago\/9780226027180.001.0001"},{"key":"7_CR31","volume-title":"Body art and performance","author":"L Vergine","year":"2000","unstructured":"Vergine L (2000) Body art and performance. Skira Editore, Milan"},{"key":"7_CR32","volume-title":"The artist\u2019s body","author":"T Warr","year":"2000","unstructured":"Warr T, Jones A (2000) The artist\u2019s body. Phaidon Press Ltd., London"},{"key":"7_CR33","unstructured":"Zerihan R (2009) One to one performance: a study room guide. Live Art Development Agency, London. Available at: http:\/\/www.thisisliveart.co.uk\/resources\/catalogue\/rachel-zerihans-study-room-guide. Accessed 20 Feb 2014"}],"container-title":["Springer Series on Cultural Computing","Interactive Experience in the Digital Age"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-319-04510-8_7","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,5,2]],"date-time":"2025-05-02T05:51:46Z","timestamp":1746165106000},"score":1,"resource":{"primary":{"URL":"https:\/\/link.springer.com\/10.1007\/978-3-319-04510-8_7"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2014]]},"ISBN":["9783319045092","9783319045108"],"references-count":35,"URL":"https:\/\/doi.org\/10.1007\/978-3-319-04510-8_7","relation":{},"ISSN":["2195-9056","2195-9064"],"issn-type":[{"value":"2195-9056","type":"print"},{"value":"2195-9064","type":"electronic"}],"subject":[],"published":{"date-parts":[[2014]]},"assertion":[{"value":"14 February 2014","order":1,"name":"first_online","label":"First Online","group":{"name":"ChapterHistory","label":"Chapter History"}}]}}