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Rhys Roberts, Mineola NY, book III, paragraph 7, p. 129 (350 B.C.) (2004)"},{"key":"64_CR2","unstructured":"Aristotle: Poetics, translated by S. H. Butcher, Mineola NY, Part XXII (350 B.C.) (1997)"},{"key":"64_CR3","unstructured":"Kant, I.: Critique of Judgement, translated with Introduction and Notes by J.H. Bernard, 2nd revised edn., London (1914), \n                    \n                      http:\/\/oll.libertyfund.org\/title\/1217\n                    \n                    \n                   (January 19th, 2014)"},{"key":"64_CR4","unstructured":"Moritz, K.P.: Vorbegriffe zu einer Theorie der Ornamente, Berlin (1793)"},{"key":"64_CR5","unstructured":"Semper, G.: Style in the technical and tectonic arts, or practical aethetics, translated by Harry Francis Mallgrave and Michael Robinson, Los Angeles (1879, 2004)"},{"key":"64_CR6","unstructured":"Riegl, A.: Problems of Style, translated by Jacqueline E. Jung, New York (2004)"},{"key":"64_CR7","unstructured":"Riegl, A.: Historical Grammar of the Visual Arts, translated by Evelyne Kain, Princeton (1993)"},{"key":"64_CR8","unstructured":"Loos, A.: Ornament and Crime, translated by Michael Mitchell, Riverside CA (1904, 1998)"},{"key":"64_CR9","doi-asserted-by":"crossref","unstructured":"Picon, A.: Ornament: The Politics of Architecture and Subjectivity, London (2013)","DOI":"10.1002\/9781118658321"},{"key":"64_CR10","doi-asserted-by":"crossref","unstructured":"Br\u00fcdelin, M.: Die abstrakte Kunst des 20. Jahrhunderts oder die Fortsetzung des Ornaments mit anderen Mitteln. Die Arabeske bei Runge \u2013 Van de Velde \u2013 Kandinsky \u2013 Matisse \u2013 Kupka \u2013 Mondrian \u2013 Pollock und Taaffe. In: Beyer, V., Spies, C. (eds.) Ornament. Motiv \u2013 Modus \u2013 Bild, M\u00fcnchen, pp. 349\u2013374 (2012)","DOI":"10.30965\/9783846751725_015"},{"key":"64_CR11","unstructured":"Kubler, G.: The Shape of Time. Remarks on the History of Things, New Haven\/London (1962)"},{"key":"64_CR12","unstructured":"McLuhan, M.: Understanding Media: The Extension of Men, Cambridge (1994)"},{"key":"64_CR13","unstructured":"DAM, Digital Art Museum (February 1, 2014), \n                    \n                      http:\/\/dam.org\/artists\/phase-one\/frieder-nake"},{"key":"64_CR14","unstructured":"Bense, M.: Aesthetica. Einf\u00fchrung in die neue Aesthetik, 2nd edn., Baden-Baden, p. 337 (1982)"},{"key":"64_CR15","unstructured":"Mandelbrot, M.: The Fractal Geometry of Nature, New York (1982)"},{"key":"64_CR16","unstructured":"Video-documentation of the exhibition \u201cGeorg Nees \u2013 The Great Temptation) at the ZKM Karlsruhe (2006), \n                    \n                      http:\/\/www.youtube.com\/watch?v=CRVCX2A_YUA\n                    \n                    \n                   (February 1, 2014)"},{"key":"64_CR17","first-page":"3","volume":"4","author":"M. Jerman","year":"1986","unstructured":"Jerman, M.: Wege zur Typographie. Swiss Typographic Magazine\u00a04, 3\u201318 (1986)","journal-title":"Swiss Typographic Magazine"},{"key":"64_CR18","unstructured":"For another typical example see: April Greiman, Design Quaterly 133, Does It Make Sense? 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