{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,7,25]],"date-time":"2025-07-25T10:52:48Z","timestamp":1753440768658,"version":"3.40.3"},"publisher-location":"Cham","reference-count":54,"publisher":"Springer International Publishing","isbn-type":[{"type":"print","value":"9783319462813"},{"type":"electronic","value":"9783319462820"}],"license":[{"start":{"date-parts":[[2016,1,1]],"date-time":"2016-01-01T00:00:00Z","timestamp":1451606400000},"content-version":"tdm","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2016]]},"DOI":"10.1007\/978-3-319-46282-0_23","type":"book-chapter","created":{"date-parts":[[2016,9,22]],"date-time":"2016-09-22T10:30:34Z","timestamp":1474540234000},"page":"358-370","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":8,"title":["A New Look at Musical Expectancy: The Veridical Versus the General in the Mental Organization of Music"],"prefix":"10.1007","author":[{"given":"Emery","family":"Schubert","sequence":"first","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Marcus","family":"Pearce","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"297","published-online":{"date-parts":[[2016,9,23]]},"reference":[{"key":"23_CR1","doi-asserted-by":"crossref","first-page":"131","DOI":"10.1016\/j.cognition.2005.11.008","volume":"100","author":"J Bharucha","year":"2006","unstructured":"Bharucha, J., Curtis, M., Paroo, K.: Varieties of musical experience. Cognition 100, 131\u2013172 (2006)","journal-title":"Cognition"},{"key":"23_CR2","first-page":"213","volume-title":"Musical Perceptions","author":"JJ Bharucha","year":"1994","unstructured":"Bharucha, J.J.: Tonality and expectation. In: Aiello, R., Sloboda, J.A. (eds.) Musical Perceptions, pp. 213\u2013239. Oxford University Press, London (1994)"},{"key":"23_CR3","doi-asserted-by":"crossref","first-page":"44","DOI":"10.2307\/3679552","volume":"13","author":"JJ Bharucha","year":"1989","unstructured":"Bharucha, J.J., Todd, P.M.: Modeling the perception of tonal structure with neural nets. Comput. Music J. 13, 44\u201353 (1989)","journal-title":"Comput. Music J."},{"key":"23_CR4","doi-asserted-by":"crossref","first-page":"1","DOI":"10.2307\/40285384","volume":"5","author":"JJ Bharucha","year":"1987","unstructured":"Bharucha, J.J.: Music cognition and perceptual facilitation: a connectionist framework. Music Percept. 5, 1\u201330 (1987)","journal-title":"Music Percept."},{"key":"23_CR5","doi-asserted-by":"crossref","first-page":"367","DOI":"10.1080\/0929821052000343840","volume":"33","author":"MT Pearce","year":"2004","unstructured":"Pearce, M.T., Wiggins, G.A.: Improved methods for statistical modelling of monophonic music. J. New Music Res. 33, 367\u2013385 (2004)","journal-title":"J. New Music Res."},{"key":"23_CR6","doi-asserted-by":"crossref","first-page":"377","DOI":"10.1525\/mp.2006.23.5.377","volume":"23","author":"MT Pearce","year":"2006","unstructured":"Pearce, M.T., Wiggins, G.A.: Expectation in melody: the influence of context and learning. Music Percept. 23, 377\u2013405 (2006)","journal-title":"Music Percept."},{"key":"23_CR7","first-page":"383","volume-title":"Oxford Handbook of Computer Music and Digital Sound Culture","author":"GA Wiggins","year":"2009","unstructured":"Wiggins, G.A., Pearce, M.T., M\u00fcllensiefen, D.: Computational modelling of music cognition and musical creativity. In: Dean, R. (ed.) Oxford Handbook of Computer Music and Digital Sound Culture, pp. 383\u2013420. Oxford University Press, Oxford (2009)"},{"key":"23_CR8","volume-title":"The Cognition of Basic Musical Structures","author":"D Temperley","year":"2001","unstructured":"Temperley, D.: The Cognition of Basic Musical Structures. MIT Press, Cambridge (2001)"},{"key":"23_CR9","doi-asserted-by":"crossref","first-page":"418","DOI":"10.1080\/03640210701864089","volume":"32","author":"D Temperley","year":"2008","unstructured":"Temperley, D.: A probabilistic model of melody perception. Cogn. Sci. 32, 418\u2013444 (2008)","journal-title":"Cogn. Sci."},{"key":"23_CR10","doi-asserted-by":"crossref","DOI":"10.7551\/mitpress\/6575.001.0001","volume-title":"Sweet Anticipation: Music and the Psychology of Expectation","author":"D Huron","year":"2006","unstructured":"Huron, D.: Sweet Anticipation: Music and the Psychology of Expectation. MIT Press, Cambridge (2006)"},{"key":"23_CR11","first-page":"193","volume-title":"Musical Imaginations","author":"G Folkestad","year":"2012","unstructured":"Folkestad, G.: Digital tools and discourse in music: the ecology of composition. In: Hargreaves, D.J., Miell, D.E., MacDonald, R.A.R. (eds.) Musical Imaginations, pp. 193\u2013205. Oxford University Press, Oxford (2012)"},{"key":"23_CR12","doi-asserted-by":"crossref","first-page":"539","DOI":"10.1177\/0305735612444893","volume":"40","author":"DJ Hargreaves","year":"2012","unstructured":"Hargreaves, D.J.: Musical imagination: perception and production, beauty and creativity. Psychol. Music 40, 539\u2013557 (2012)","journal-title":"Psychol. Music"},{"key":"23_CR13","first-page":"462","volume-title":"The Oxford Handbook of Music Psychology","author":"RA MacDonald","year":"2009","unstructured":"MacDonald, R.A., Hargreaves, D.J., Miell, D.: Musical identities. In: Hallam, S., Cross, I., Thaut, M. (eds.) The Oxford Handbook of Music Psychology, pp. 462\u2013470. Oxford University Press, Oxford (2009)"},{"key":"23_CR14","doi-asserted-by":"crossref","first-page":"41","DOI":"10.1093\/oso\/9780198509325.003.0003","volume-title":"Musical Identities","author":"A Lamont","year":"2002","unstructured":"Lamont, A.: Musical identities and the school environment. In: MacDonald, R.A.R., Hargreaves, D.J., Miell, D. (eds.) Musical Identities, pp. 41\u201359. Oxford University Press, Oxford, UK (2002)"},{"key":"23_CR15","doi-asserted-by":"crossref","first-page":"93","DOI":"10.1080\/09298210802479268","volume":"37","author":"RO Gjerdingen","year":"2008","unstructured":"Gjerdingen, R.O., Perrott, D.: Scanning the dial: the rapid recognition of music genres. J. New Music Res. 37, 93\u2013100 (2008)","journal-title":"J. New Music Res."},{"key":"23_CR16","doi-asserted-by":"crossref","first-page":"29","DOI":"10.1177\/1029864910391455","volume":"15","author":"J Plazak","year":"2011","unstructured":"Plazak, J., Huron, D.: The first three seconds. Musicae Sci. 15, 29\u201344 (2011)","journal-title":"Musicae Sci."},{"key":"23_CR17","doi-asserted-by":"crossref","first-page":"641","DOI":"10.3758\/BF03212973","volume":"6","author":"EG Schellenberg","year":"1999","unstructured":"Schellenberg, E.G., Iverson, P., Mckinnon, M.C.: Name that tune: identifying popular recordings from brief excerpts. Psychon. Bull. Rev. 6, 641\u2013646 (1999)","journal-title":"Psychon. Bull. Rev."},{"unstructured":"Schubert, E.: Reconsidering expectancy and implication in music: the veridical chaining hypothesis. In: Ginsborg, J., Lamont, A. (eds.) Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, RNCM, Manchester, UK (2015)","key":"23_CR18"},{"key":"23_CR19","doi-asserted-by":"crossref","first-page":"1","DOI":"10.2307\/40286156","volume":"9","author":"E Narmour","year":"1991","unstructured":"Narmour, E.: The top-down and bottom-up systems of musical implication: building on Meyer\u2019s theory of emotional syntax. Music Percept. 9, 1\u201326 (1991)","journal-title":"Music Percept."},{"key":"23_CR20","volume-title":"Emotion and Meaning in Music","author":"LB Meyer","year":"1956","unstructured":"Meyer, L.B.: Emotion and Meaning in Music. University of Chicago Press, Chicago (1956)"},{"key":"23_CR21","doi-asserted-by":"crossref","first-page":"18","DOI":"10.1177\/0305735696241003","volume":"24","author":"E Schubert","year":"1996","unstructured":"Schubert, E.: Enjoyment of negative emotions in music: an associative network explanation. Psychol. Music 24, 18\u201328 (1996)","journal-title":"Psychol. Music"},{"key":"23_CR22","doi-asserted-by":"crossref","first-page":"11","DOI":"10.1177\/1029864912461321","volume":"17","author":"E Schubert","year":"2013","unstructured":"Schubert, E.: Loved music can make a listener feel negative emotions. Musicae Sci. 17, 11\u201326 (2013)","journal-title":"Musicae Sci."},{"unstructured":"Schubert, E., North, A.C., Hargreaves, D.J.: Toward a theory of music aesthetics: the affect-space framework. Psychology of Aesthetics, Creativity, and the Arts (submitted)","key":"23_CR23"},{"key":"23_CR24","doi-asserted-by":"crossref","first-page":"661","DOI":"10.1037\/0096-1523.14.4.661","volume":"14","author":"C Martindale","year":"1988","unstructured":"Martindale, C., Moore, K.: Priming, prototypicality, and preference. J. Exp. Psychol. Hum. Percept. Perform. 14, 661\u2013670 (1988)","journal-title":"J. Exp. Psychol. Hum. Percept. Perform."},{"unstructured":"Martindale, C.: Aesthetics, psychobiology, and cognition. In: Farley, F.H., Neperud, R.W. (eds.) The foundations of Aesthetics, Art, & Art Education, pp. 7\u201342 (1988)","key":"23_CR25"},{"key":"23_CR26","first-page":"49","volume":"5","author":"C Martindale","year":"1984","unstructured":"Martindale, C.: The pleasures of thought: a theory of cognitive hedonics. J. Mind Behav. 5, 49\u201380 (1984)","journal-title":"J. Mind Behav."},{"key":"23_CR27","first-page":"A138","volume":"36","author":"A West","year":"1983","unstructured":"West, A., Moore, K., Martindale, C., Rosen, K.: Prototypicality and preference. Bullet. Br. Psychol. Soc. 36, A138\u2013A138 (1983)","journal-title":"Bullet. Br. Psychol. Soc."},{"key":"23_CR28","doi-asserted-by":"crossref","first-page":"38","DOI":"10.3389\/fpsyg.2014.00038","volume":"5","author":"E Schubert","year":"2014","unstructured":"Schubert, E., Hargreaves, D.J., North, A.C.: A dynamically minimalist cognitive explanation of musical preference: is familiarity everything? Front. Psychol. 5, 38 (2014)","journal-title":"Front. Psychol."},{"doi-asserted-by":"crossref","unstructured":"Schubert, E.: The fundamental function of music. Musicae Sci. 13, 63\u201381 (2009\u20132010)","key":"23_CR29","DOI":"10.1177\/1029864909013002051"},{"key":"23_CR30","doi-asserted-by":"crossref","DOI":"10.7591\/9781501733987","volume-title":"Musical Meaning and Expression","author":"S Davies","year":"1994","unstructured":"Davies, S.: Musical Meaning and Expression. Cornell University Press, Ithaca (1994)"},{"key":"23_CR31","doi-asserted-by":"crossref","first-page":"245","DOI":"10.1007\/978-1-4615-3172-2_7","volume-title":"Foundations of Knowledge Acquisition: Cognitive Models of Complex Learning","author":"KJ Hammond","year":"1993","unstructured":"Hammond, K.J., Seifert, C.M.: A cognitive science approach to case-based planning. In: Chipman, S., Meyrowitz, A.L. (eds.) Foundations of Knowledge Acquisition: Cognitive Models of Complex Learning, vol. 194, pp. 245\u2013267. Springer, Berlin (1993)"},{"unstructured":"Tomkins, S.S.: Script theory: differential magnification of affects. In: Howe, H.E., Dienstbier, R.A. (eds.) Nebraska Symposium on Motivation, vol. 26, pp. 201\u2013236. University of Nebraska Press, Lincoln (1979)","key":"23_CR32"},{"key":"23_CR33","volume-title":"Scripts, Plans, Goals and Understanding: An Inquiry into Human Knowledge Structures","author":"RC Schank","year":"1977","unstructured":"Schank, R.C., Abelson, R.P.: Scripts, Plans, Goals and Understanding: An Inquiry into Human Knowledge Structures. Lawrence Erlbaum, Hillsdale (1977)"},{"key":"23_CR34","volume-title":"Inside Case-Based Reasoning","author":"CK Riesbeck","year":"1989","unstructured":"Riesbeck, C.K., Schank, R.C.: Inside Case-Based Reasoning. Lawrence Erlbaum Associates, Hillsdale (1989)"},{"key":"23_CR35","volume-title":"Case-Based Reasoning","author":"J Kolodner","year":"1993","unstructured":"Kolodner, J.: Case-Based Reasoning. Morgan Kaufmann, San Mateo (1993)"},{"key":"23_CR36","doi-asserted-by":"crossref","first-page":"31","DOI":"10.1075\/btl.35.06som","volume-title":"Computers and Translation: A Translator\u2019s Guide","author":"H Somers","year":"2003","unstructured":"Somers, H.: Translation memory systems. In: Somers, H. (ed.) Computers and Translation: A Translator\u2019s Guide, pp. 31\u201348. Benjamins, Amsterdam (2003)"},{"key":"23_CR37","first-page":"1","volume":"102","author":"L Finn\u00e4s","year":"1989","unstructured":"Finn\u00e4s, L.: How can musical preferences be modified - a research review. Bullet. Counc. Res. Music Educ. 102, 1\u201358 (1989)","journal-title":"Bullet. Counc. Res. Music Educ."},{"key":"23_CR38","first-page":"156","volume-title":"Musical Imaginations: Multidisciplinary perspectives on creativity, performance and perception","author":"DJ Hargreaves","year":"2012","unstructured":"Hargreaves, D.J., Hargreaves, J.J., North, A.C.: Imagination and creativity in music listening. In: Hargreaves, D., Miell, D., MacDonald, R. (eds.) Musical Imaginations: Multidisciplinary perspectives on creativity, performance and perception, pp. 156\u2013172. Oxford University Press, Oxford (2012)"},{"key":"23_CR39","volume-title":"Music Cognition","author":"WJ Dowling","year":"1986","unstructured":"Dowling, W.J., Harwood, D.L.: Music Cognition. Academic Press, London (1986)"},{"key":"23_CR40","volume-title":"The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model","author":"E Narmour","year":"1990","unstructured":"Narmour, E.: The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model. University of Chicago Press, Chicago (1990)"},{"key":"23_CR41","doi-asserted-by":"crossref","first-page":"519","DOI":"10.3758\/BF03210486","volume":"41","author":"JJ Bharucha","year":"1987","unstructured":"Bharucha, J.J., Stoeckig, K.: Priming of chords: spreading activation or overlapping frequency spectra? Percept. Psychophys. 41, 519\u2013524 (1987)","journal-title":"Percept. Psychophys."},{"key":"23_CR42","doi-asserted-by":"crossref","first-page":"407","DOI":"10.1037\/0033-295X.82.6.407","volume":"82","author":"AM Collins","year":"1975","unstructured":"Collins, A.M., Loftus, E.F.: Spreading activation theory of semantic processing. Psychol. Rev. 82, 407\u2013428 (1975)","journal-title":"Psychol. Rev."},{"key":"23_CR43","doi-asserted-by":"crossref","first-page":"267","DOI":"10.1007\/BF00275687","volume":"15","author":"E Oja","year":"1982","unstructured":"Oja, E.: Simplified neuron model as a principal component analyzer. J. Math. Biol. 15, 267\u2013273 (1982)","journal-title":"J. Math. Biol."},{"key":"23_CR44","doi-asserted-by":"crossref","first-page":"1","DOI":"10.1037\/h0025848","volume":"9","author":"RB Zajonc","year":"1968","unstructured":"Zajonc, R.B.: Attitudinal effects of mere exposure. J. Pers. Soc. Psychol. 9, 1\u201327 (1968)","journal-title":"J. Pers. Soc. Psychol."},{"key":"23_CR45","doi-asserted-by":"crossref","first-page":"224","DOI":"10.1111\/1467-8721.00154","volume":"10","author":"RB Zajonc","year":"2001","unstructured":"Zajonc, R.B.: Mere exposure: a gateway to the subliminal. Curr. Dir. Psychol. Sci. 10, 224\u2013228 (2001)","journal-title":"Curr. Dir. Psychol. Sci."},{"key":"23_CR46","volume-title":"Calculus, Concepts and Contexts","author":"J Stewart","year":"2009","unstructured":"Stewart, J.: Calculus, Concepts and Contexts. Brooks, Brooks\/Cole, Belmont (2009)"},{"key":"23_CR47","doi-asserted-by":"crossref","first-page":"243","DOI":"10.1521\/soco.1990.8.3.243","volume":"8","author":"ER Smith","year":"1990","unstructured":"Smith, E.R., Zarate, M.A.: Exemplar and prototype use in social categorization. Soc. Cogn. 8, 243\u2013262 (1990)","journal-title":"Soc. Cogn."},{"unstructured":"Griffiths, T.L., Canini, K.R., Sanborn, A.N., Navarro, D.J.: Unifying rational models of categorization via the hierarchical Dirichlet process. In: Proceedings of the 29th Annual Conference of the Cognitive Science Society, pp. 323\u2013328 (2007)","key":"23_CR48"},{"unstructured":"Pearce, M.T.: The construction and evaluation of statistical models of melodic structure in music perception and composition. Doctoral dissertation, Department of Computing, City University, London, UK (2005)","key":"23_CR49"},{"issue":"2\/3","key":"23_CR50","doi-asserted-by":"crossref","first-page":"76","DOI":"10.1093\/comjnl\/40.2_and_3.76","volume":"40","author":"S Bunton","year":"1997","unstructured":"Bunton, S.: Semantically motivated improvements for PPM variants. Comput. J. 40(2\/3), 76\u201393 (1997)","journal-title":"Comput. J."},{"issue":"2\/3","key":"23_CR51","doi-asserted-by":"crossref","first-page":"67","DOI":"10.1093\/comjnl\/40.2_and_3.67","volume":"40","author":"JG Cleary","year":"1997","unstructured":"Cleary, J.G., Teahan, W.J.: Unbounded length contexts for PPM. Comput. J. 40(2\/3), 67\u201375 (1997)","journal-title":"Comput. J."},{"issue":"3","key":"23_CR52","doi-asserted-by":"crossref","first-page":"249","DOI":"10.1007\/BF01206331","volume":"14","author":"E Ukkonen","year":"1995","unstructured":"Ukkonen, E.: On-line construction of suffix trees. Algorithmica 14(3), 249\u2013260 (1995)","journal-title":"Algorithmica"},{"key":"23_CR53","doi-asserted-by":"crossref","first-page":"1000","DOI":"10.1037\/0096-1523.27.4.1000","volume":"27","author":"TC Justus","year":"2001","unstructured":"Justus, T.C., Bharucha, J.J.: Modularity in musical processing: the automaticity of harmonic priming. J. Exp. Psychol. Hum. Percept. Perform. 27, 1000\u20131011 (2001)","journal-title":"J. Exp. Psychol. Hum. Percept. Perform."},{"key":"23_CR54","doi-asserted-by":"crossref","first-page":"33","DOI":"10.1177\/10298649100140S204","volume":"14","author":"B Tillmann","year":"2010","unstructured":"Tillmann, B., Bigand, E.: Musical structure processing after repeated listening: schematic expectations resist veridical expectations. Musicae Sci. 14, 33\u201347 (2010)","journal-title":"Musicae Sci."}],"container-title":["Lecture Notes in Computer Science","Music, Mind, and Embodiment"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-319-46282-0_23","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,11,13]],"date-time":"2023-11-13T01:10:27Z","timestamp":1699837827000},"score":1,"resource":{"primary":{"URL":"https:\/\/link.springer.com\/10.1007\/978-3-319-46282-0_23"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2016]]},"ISBN":["9783319462813","9783319462820"],"references-count":54,"URL":"https:\/\/doi.org\/10.1007\/978-3-319-46282-0_23","relation":{},"ISSN":["0302-9743","1611-3349"],"issn-type":[{"type":"print","value":"0302-9743"},{"type":"electronic","value":"1611-3349"}],"subject":[],"published":{"date-parts":[[2016]]},"assertion":[{"value":"23 September 2016","order":1,"name":"first_online","label":"First Online","group":{"name":"ChapterHistory","label":"Chapter History"}},{"value":"CMMR","order":1,"name":"conference_acronym","label":"Conference Acronym","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"International Symposium on Computer Music Multidisciplinary Research","order":2,"name":"conference_name","label":"Conference Name","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"Plymouth","order":3,"name":"conference_city","label":"Conference City","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"United Kingdom","order":4,"name":"conference_country","label":"Conference Country","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"2015","order":5,"name":"conference_year","label":"Conference Year","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"16 June 2015","order":7,"name":"conference_start_date","label":"Conference Start Date","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"19 June 2015","order":8,"name":"conference_end_date","label":"Conference End Date","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"11","order":9,"name":"conference_number","label":"Conference Number","group":{"name":"ConferenceInfo","label":"Conference Information"}},{"value":"cmmr2015","order":10,"name":"conference_id","label":"Conference ID","group":{"name":"ConferenceInfo","label":"Conference Information"}}]}}