{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,1,23]],"date-time":"2026-01-23T20:58:51Z","timestamp":1769201931384,"version":"3.49.0"},"publisher-location":"Cham","reference-count":17,"publisher":"Springer International Publishing","isbn-type":[{"value":"9783319718262","type":"print"},{"value":"9783319718279","type":"electronic"}],"license":[{"start":{"date-parts":[[2017,1,1]],"date-time":"2017-01-01T00:00:00Z","timestamp":1483228800000},"content-version":"unspecified","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2017]]},"DOI":"10.1007\/978-3-319-71827-9_12","type":"book-chapter","created":{"date-parts":[[2017,11,17]],"date-time":"2017-11-17T08:43:07Z","timestamp":1510908187000},"page":"151-166","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":6,"title":["Interval Content vs. DFT"],"prefix":"10.1007","author":[{"given":"Emmanuel","family":"Amiot","sequence":"first","affiliation":[]}],"member":"297","published-online":{"date-parts":[[2017,11,18]]},"reference":[{"issue":"1","key":"12_CR1","doi-asserted-by":"crossref","first-page":"1","DOI":"10.2307\/843663","volume":"33","author":"E Agmon","year":"1989","unstructured":"Agmon, E.: A mathematical model of the diatonic system. J. Music Theor. 33(1), 1\u201325 (1989)","journal-title":"J. Music Theor."},{"issue":"3","key":"12_CR2","first-page":"157","volume":"1","author":"E Amiot","year":"2007","unstructured":"Amiot, E.: David Lewin and maximally even sets. JMM 1(3), 157\u2013172 (2007)","journal-title":"JMM"},{"key":"12_CR3","doi-asserted-by":"crossref","DOI":"10.1007\/978-3-319-45581-5","volume-title":"Music Through Fourier Space","author":"E Amiot","year":"2016","unstructured":"Amiot, E.: Music Through Fourier Space. Springer, Cham (2016)"},{"key":"12_CR4","doi-asserted-by":"crossref","first-page":"2","DOI":"10.1215\/00222909-2009-004","volume":"51","author":"C Callender","year":"2007","unstructured":"Callender, C.: Continuous harmonic spaces. J. Music Theor. 51, 2 (2007)","journal-title":"J. Music Theor."},{"key":"12_CR5","doi-asserted-by":"crossref","first-page":"93","DOI":"10.2307\/843811","volume":"35","author":"J Clough","year":"1991","unstructured":"Clough, J., Douthett, J.: Maximally even sets. J. Music Theor. 35, 93\u2013173 (1991)","journal-title":"J. Music Theor."},{"key":"12_CR6","doi-asserted-by":"crossref","first-page":"136","DOI":"10.2307\/843079","volume":"8","author":"A Forte","year":"1964","unstructured":"Forte, A.: A theory of set-complexes for music. J. Music Theor. 8, 136\u2013184 (1964)","journal-title":"J. Music Theor."},{"key":"12_CR7","series-title":"Lecture Notes in Computer Science","doi-asserted-by":"publisher","first-page":"346","DOI":"10.1007\/978-3-642-21590-2_30","volume-title":"Mathematics and Computation in Music","author":"A Honingh","year":"2011","unstructured":"Honingh, A., Bod, R.: Clustering and classification of music by interval categories. In: Agon, C., Andreatta, M., Assayag, G., Amiot, E., Bresson, J., Mandereau, J. (eds.) MCM 2011. LNCS, vol. 6726, pp. 346\u2013349. Springer, Heidelberg (2011). \nhttps:\/\/doi.org\/10.1007\/978-3-642-21590-2_30"},{"key":"12_CR8","unstructured":"Honingh, A., Bod, R.: Pitch class set categories as analysis tools for degree of tonality. In: Proceedings of ISMIR, Utrecht, Netherlands"},{"key":"12_CR9","unstructured":"Quinn, I.: General equal-tempered harmony. Pers. New Music 44(2), 114\u2013118 (2006). 45(1) (2007)"},{"key":"12_CR10","volume-title":"Topos of Music","author":"G Mazzola","year":"2004","unstructured":"Mazzola, G.: Topos of Music. Birkhauser, Boston (2004)"},{"issue":"1","key":"12_CR11","first-page":"185","volume":"25","author":"D Tymoczko","year":"2003","unstructured":"Tymoczko, D.: Colloquy: Stravinsky and the octatonic: octatonicism reconsidered again. Music Theor. Spect. 25(1), 185\u2013202 (2003)","journal-title":"Music Theor. Spect."},{"key":"12_CR12","unstructured":"Vier\u00f9, A.: Un regard r\u00e9trospectif sur la th\u00e9orie des modes. The Book of Modes. Editura Muzicala, Bucarest, pp. 48 sqq (1993)"},{"key":"12_CR13","doi-asserted-by":"crossref","first-page":"121","DOI":"10.1215\/00222909-2863409","volume":"59","author":"J Yust","year":"2015","unstructured":"Yust, J.: Schubert\u2019s harmonic language and Fourier phase space. J. Music Theor. 59, 121\u2013181 (2015)","journal-title":"J. Music Theor."},{"key":"12_CR14","doi-asserted-by":"publisher","unstructured":"Yust, J.: Restoring the structural status of keys through DFT phase space. In: Pareyon, G., Pina-Romero, S., Agust\u00edn-Aquino, O., Lluis-Puebla, E. (eds.) The Musical-Mathematical Mind. Computational Music Science. Springer, Cham (2017). \nhttps:\/\/doi.org\/10.1007\/978-3-319-47337-6_32","DOI":"10.1007\/978-3-319-47337-6_32"},{"key":"12_CR15","series-title":"Lecture Notes in Computer Science","doi-asserted-by":"publisher","first-page":"207","DOI":"10.1007\/978-3-319-20603-5_22","volume-title":"Mathematics and Computation in Music","author":"J Yust","year":"2015","unstructured":"Yust, J.: Applications of DFT to the theory of twentieth-century harmony. In: Collins, T., Meredith, D., Volk, A. (eds.) MCM 2015. LNCS, vol. 9110, pp. 207\u2013218. Springer, Cham (2015). \nhttps:\/\/doi.org\/10.1007\/978-3-319-20603-5_22"},{"key":"12_CR16","volume-title":"Analysis of twentieth-century music using the Fourier transform","author":"J Yust","year":"2015","unstructured":"Yust, J.: Analysis of twentieth-century music using the Fourier transform. Music Theory Society of New York State, Binghamton (2015)"},{"issue":"2","key":"12_CR17","doi-asserted-by":"crossref","first-page":"213","DOI":"10.1215\/00222909-3651886","volume":"60","author":"J Yust","year":"2016","unstructured":"Yust, J.: Special collections: renewing set theory. J. Music Theor. 60(2), 213\u2013262 (2016)","journal-title":"J. Music Theor."}],"container-title":["Lecture Notes in Computer Science","Mathematics and Computation in Music"],"original-title":[],"link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-319-71827-9_12","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2017,11,17]],"date-time":"2017-11-17T08:45:38Z","timestamp":1510908338000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/978-3-319-71827-9_12"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2017]]},"ISBN":["9783319718262","9783319718279"],"references-count":17,"URL":"https:\/\/doi.org\/10.1007\/978-3-319-71827-9_12","relation":{},"ISSN":["0302-9743","1611-3349"],"issn-type":[{"value":"0302-9743","type":"print"},{"value":"1611-3349","type":"electronic"}],"subject":[],"published":{"date-parts":[[2017]]}}}