{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,2,21]],"date-time":"2025-02-21T00:49:43Z","timestamp":1740098983856,"version":"3.37.3"},"publisher-location":"Cham","reference-count":19,"publisher":"Springer International Publishing","isbn-type":[{"type":"print","value":"9783319718262"},{"type":"electronic","value":"9783319718279"}],"license":[{"start":{"date-parts":[[2017,1,1]],"date-time":"2017-01-01T00:00:00Z","timestamp":1483228800000},"content-version":"unspecified","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2017]]},"DOI":"10.1007\/978-3-319-71827-9_9","type":"book-chapter","created":{"date-parts":[[2017,11,17]],"date-time":"2017-11-17T08:43:07Z","timestamp":1510908187000},"page":"104-116","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":0,"title":["Using Inharmonic Strings in Musical Instruments"],"prefix":"10.1007","author":[{"given":"Kevin","family":"Hobby","sequence":"first","affiliation":[]},{"given":"William A.","family":"Sethares","sequence":"additional","affiliation":[]},{"given":"Zhenyu","family":"Zhang","sequence":"additional","affiliation":[]}],"member":"297","published-online":{"date-parts":[[2017,11,18]]},"reference":[{"key":"9_CR1","first-page":"76","volume":"39","author":"H Bohlen","year":"1978","unstructured":"Bohlen, H.: 13 tonstufen in der duodezeme. Acustica 39, 76\u201386 (1978)","journal-title":"Acustica"},{"issue":"1","key":"9_CR2","doi-asserted-by":"crossref","first-page":"3","DOI":"10.1016\/0003-682X(95)93949-I","volume":"46","author":"G Caldersmith","year":"1995","unstructured":"Caldersmith, G.: Designing a guitar family. Appl. Acoust. 46(1), 3\u201317 (1995)","journal-title":"Appl. Acoust."},{"key":"9_CR3","first-page":"12","volume-title":"Techniques of the Contemporary Composer","author":"D Cope","year":"1997","unstructured":"Cope, D.: Techniques of the Contemporary Composer, p. 12. Schirmer Books, NY (1997)"},{"key":"9_CR4","doi-asserted-by":"crossref","first-page":"317","DOI":"10.1016\/j.apacoust.2016.07.029","volume":"114","author":"K Hobby","year":"2016","unstructured":"Hobby, K., Sethares, W.A.: Inharmonic strings and the hyperpiano. Appl. Acoust. 114, 317\u2013327 (2016). \nhttp:\/\/sethares.engr.wisc.edu\/papers\/hyperOctave.html","journal-title":"Appl. Acoust."},{"key":"9_CR5","first-page":"20","volume":"76","author":"TM Kalotas","year":"1992","unstructured":"Kalotas, T.M., Lee, A.R.: The transverse modes of a string with variable mass density. Acustica 76, 20\u201326 (1992)","journal-title":"Acustica"},{"key":"9_CR6","first-page":"22","volume-title":"Fundamentals of Acoustics","author":"LE Kinsler","year":"1999","unstructured":"Kinsler, L.E., Frey, A.R., Coppens, A.B., Sanders, J.V.: Fundamentals of Acoustics, 4th edn, pp. 22\u201345. Wiley, Hoboken (1999)","edition":"4"},{"key":"9_CR7","unstructured":"Mathews, M.V., Pierce, J.R., Reeves, A., Roberts, L.A.: Harmony and new scales. In: Sundberg, J. (ed.) Harmony and Tonality, Royal Swedish Academy of Music, Stockholm (1987)"},{"key":"9_CR8","doi-asserted-by":"crossref","first-page":"1214","DOI":"10.1121\/1.396622","volume":"84","author":"MV Mathews","year":"1988","unstructured":"Mathews, M.V., Pierce, J.R., Reeves, A., Roberts, L.A.: Theoretical and experimental explorations of the bohlen-pierce scale. J. Acoust. Soc. Am. 84, 1214\u20131222 (1988)","journal-title":"J. Acoust. Soc. Am."},{"key":"9_CR9","first-page":"487","volume-title":"Harmonic Experience: Tonal Harmony from its Natural Origins to its Modern Expression","author":"WA Mathieu","year":"1997","unstructured":"Mathieu, W.A.: Harmonic Experience: Tonal Harmony from its Natural Origins to its Modern Expression, p. 487. Rochester, Inner Traditions International (1997)"},{"key":"9_CR10","unstructured":"Max\/MSP. J. Acoust. Soc. Am. 115, 2565 (2004). \nhttps:\/\/cycling74.com\/\n\n. Accessed 21 Mar 2017"},{"issue":"1","key":"9_CR11","doi-asserted-by":"crossref","first-page":"1","DOI":"10.1080\/17459730701828677","volume":"2","author":"A Milne","year":"2008","unstructured":"Milne, A., Sethares, W.A., Plamondon, J.: Tuning continua and keyboard layouts. J. Math. Music. 2(1), 1\u201319 (2008)","journal-title":"J. Math. Music."},{"key":"9_CR12","first-page":"1","volume-title":"Genesis of a Music","author":"H Partch","year":"1974","unstructured":"Partch, H.: Genesis of a Music, pp. 1\u2013544. Da Capo Press, New York (1974)"},{"key":"9_CR13","volume-title":"Harmony","author":"W Piston","year":"1987","unstructured":"Piston, W.: Harmony, 5th edn. W. W. Norton & Co. Inc., New York (1987)","edition":"5"},{"key":"9_CR14","doi-asserted-by":"crossref","first-page":"548","DOI":"10.1121\/1.1909741","volume":"38","author":"R Plomp","year":"1965","unstructured":"Plomp, R., Levelt, W.J.M.: Tonal consonance and critical bandwidth. J. Acoust. Soc. Am. 38, 548\u2013560 (1965)","journal-title":"J. Acoust. Soc. Am."},{"issue":"3","key":"9_CR15","doi-asserted-by":"crossref","first-page":"1218","DOI":"10.1121\/1.408175","volume":"94","author":"WA Sethares","year":"1993","unstructured":"Sethares, W.A.: Local consonance and the relationship between timbre and scale. J. Acoust. Soc. Am. 94(3), 1218\u20131228 (1993)","journal-title":"J. Acoust. Soc. Am."},{"key":"9_CR16","doi-asserted-by":"publisher","first-page":"1","DOI":"10.1007\/978-1-4471-4177-8","volume-title":"Tuning, Timbre, Spectrum, Scale","author":"WA Sethares","year":"2004","unstructured":"Sethares, W.A.: Tuning, Timbre, Spectrum, Scale, 2nd edn, pp. 1\u2013426. Springer, Heidelberg (2004). \nhttps:\/\/doi.org\/10.1007\/978-1-4471-4177-8","edition":"2"},{"issue":"2","key":"9_CR17","doi-asserted-by":"crossref","first-page":"71","DOI":"10.1162\/comj.2009.33.2.71","volume":"33","author":"WA Sethares","year":"2009","unstructured":"Sethares, W.A., Milne, A., Tiedje, S., Prechtl, A., Plamondon, J.: Spectral tools for dynamic tonality and audio morphing. Comput. Music J. 33(2), 71\u201384 (2009)","journal-title":"Comput. Music J."},{"issue":"5","key":"9_CR18","doi-asserted-by":"crossref","first-page":"1061","DOI":"10.1121\/1.1914648","volume":"55","author":"E Terhardt","year":"1974","unstructured":"Terhardt, E.: Pitch, consonance, and harmony. J. Acoust. Soc. Am. 55(5), 1061\u20131069 (1974)","journal-title":"J. Acoust. Soc. Am."},{"key":"9_CR19","unstructured":"Website for \u201cInharmonic Strings and the Hyperpiano\u201d. \nhttp:\/\/sethares.engr.wisc.edu\/papers\/hyperInstruments.html\n\n. Accessed 21 Mar 2017"}],"container-title":["Lecture Notes in Computer Science","Mathematics and Computation in Music"],"original-title":[],"link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-319-71827-9_9","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2017,11,17]],"date-time":"2017-11-17T08:44:51Z","timestamp":1510908291000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/978-3-319-71827-9_9"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2017]]},"ISBN":["9783319718262","9783319718279"],"references-count":19,"URL":"https:\/\/doi.org\/10.1007\/978-3-319-71827-9_9","relation":{},"ISSN":["0302-9743","1611-3349"],"issn-type":[{"type":"print","value":"0302-9743"},{"type":"electronic","value":"1611-3349"}],"subject":[],"published":{"date-parts":[[2017]]}}}