{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,1,18]],"date-time":"2026-01-18T06:22:41Z","timestamp":1768717361421,"version":"3.49.0"},"publisher-location":"Cham","reference-count":85,"publisher":"Springer International Publishing","isbn-type":[{"value":"9783319920689","type":"print"},{"value":"9783319920696","type":"electronic"}],"license":[{"start":{"date-parts":[[2019,1,1]],"date-time":"2019-01-01T00:00:00Z","timestamp":1546300800000},"content-version":"tdm","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2019]]},"DOI":"10.1007\/978-3-319-92069-6_1","type":"book-chapter","created":{"date-parts":[[2019,2,6]],"date-time":"2019-02-06T17:00:32Z","timestamp":1549472432000},"page":"1-20","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":9,"title":["Understanding Music Interaction, and Why It Matters"],"prefix":"10.1007","author":[{"given":"Simon","family":"Holland","sequence":"first","affiliation":[]},{"given":"Tom","family":"Mudd","sequence":"additional","affiliation":[]},{"given":"Katie","family":"Wilkie-McKenna","sequence":"additional","affiliation":[]},{"given":"Andrew","family":"McPherson","sequence":"additional","affiliation":[]},{"given":"Marcelo M.","family":"Wanderley","sequence":"additional","affiliation":[]}],"member":"297","published-online":{"date-parts":[[2019,2,7]]},"reference":[{"issue":"1","key":"1_CR01","doi-asserted-by":"publisher","first-page":"47","DOI":"10.1080\/09298215.2012.718791","volume":"42","author":"Vassilis Angelis","year":"2013","unstructured":"Angelis V, Holland S, Clayton M, Upton PJ (2013) Testing a computational model of rhythm perception using polyrhythmic stimuli. J New Music Res 42(1)","journal-title":"Journal of New Music Research"},{"key":"1_CR1","doi-asserted-by":"publisher","DOI":"10.1017\/CBO9780511518317","volume-title":"African polyphony and polyrhythm: musical structure and methodology","author":"S Arom","year":"1991","unstructured":"Arom S (1991) African polyphony and polyrhythm: musical structure and methodology. Cambridge University Press, Cambridge"},{"key":"1_CR2","doi-asserted-by":"crossref","unstructured":"Baecker R (1969) Picture driven animation. In: Proceedings of the AFIPS spring joint computer conference, vol 34, pp 273\u2013288","DOI":"10.1145\/1476793.1476838"},{"issue":"4","key":"1_CR3","doi-asserted-by":"publisher","first-page":"66","DOI":"10.2307\/3679467","volume":"4","author":"Gerald J. Balzano","year":"1980","unstructured":"Balzano GJ (1980) The group-theoretic description of 12-fold and microtonal pitch systems. Comput Music J 4(4). Winter 1980","journal-title":"Computer Music Journal"},{"key":"1_CR4","doi-asserted-by":"crossref","unstructured":"Beaudouin-Lafon M (2000) Instrumental Interaction: an interaction model for designing post-WIMP user interfaces. In: Proceedings ACM CHI \u201800, pp 446\u2013453","DOI":"10.1145\/332040.332473"},{"issue":"2","key":"1_CR5","doi-asserted-by":"publisher","first-page":"35","DOI":"10.1145\/91394.91409","volume":"24","author":"Chuck Blanchard","year":"1990","unstructured":"Blanchard C, Burgess S, Harvill Y, Lanier J, Lasko A, Oberman M, Teitel M (1990) Reality built for two: a virtual reality tool. ACM SIGGRAPH Comput Graph\u00a024(2):35\u201336. ACM","journal-title":"ACM SIGGRAPH Computer Graphics"},{"key":"1_CR6","unstructured":"Bongers B (2000) Physical interfaces in the electronic arts.\u00a0Trends in gestural control of music, pp 41\u201370"},{"key":"1_CR02","doi-asserted-by":"publisher","first-page":"101","DOI":"10.1007\/978-1-4471-2990-5_6","volume-title":"Music and Human-Computer Interaction","author":"Anders Bouwer","year":"2013","unstructured":"Bouwer A, Holland S, Dalgleish M (2013) The haptic bracelets: learning multi-limb rhythm skills from haptic stimuli while reading. In: Holland S, Wilkie K, Mulholland P, Seago A (eds) Music and human-computer interaction. Cultural Computing. Springer, London"},{"key":"1_CR7","volume-title":"Human universals","author":"DE Brown","year":"1991","unstructured":"Brown DE (1991) Human universals. McGraw-Hill, New York"},{"key":"1_CR8","unstructured":"Brown C, Paine G (2019) A case study in collaborative learning via DMIs for participatory music: interactive Tango Milonga. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6"},{"key":"1_CR9","doi-asserted-by":"publisher","first-page":"2033","DOI":"10.1097\/00001756-200409150-00008","volume":"15","author":"S Brown","year":"2004","unstructured":"Brown S, Martinez MJ, Parsons LM (2004) Passive music listening spontaneously engages limbic and paralimbic systems. NeuroReport 15:2033\u20132037","journal-title":"NeuroReport"},{"key":"1_CR10","first-page":"7","volume-title":"HCI remixed: reflections on works that have influenced the HCI community","author":"W Buxton","year":"2008","unstructured":"Buxton W (2008) My vision isn\u2019t my vision: making a career out of getting back to where I started. In: Erickson T, McDonald D (eds) HCI remixed: reflections on works that have influenced the HCI community. MIT Press, Cambridge, MA, pp 7\u201312"},{"key":"1_CR11","unstructured":"Camci A, Cakmak C, Forbes AG (2019) Applying game mechanics to networked music HCI applications. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6"},{"key":"1_CR03","unstructured":"Church L, Nash C, Blackwell A (2010) Liveness in notation use: from music to programming. Psychology of Programming Interest Group PPIG 2010"},{"key":"1_CR12","unstructured":"Cross I (2016) The nature of music and its evolution. In: Hallam S, Cross I, Thaut M (eds) Oxford handbook of music psychology, 2nd edn. Oxford, Oxford University Press, pp 3\u201317"},{"issue":"1","key":"1_CR13","doi-asserted-by":"publisher","first-page":"2","DOI":"10.1093\/jmt\/43.1.2","volume":"43","author":"A.-A. Darrow","year":"2006","unstructured":"Darrow A (2006) The role of music in deaf culture: deaf students\u2019 perception of emotion in music. J Music Ther 43(1):2\u201315. 1 March 2006, https:\/\/doi.org\/10.1093\/jmt\/43.1.2","journal-title":"Journal of Music Therapy"},{"key":"1_CR14","unstructured":"D\u02bcErrico F, Henshilwood C, Lawson G, Vanhaeren M, Tillier A-M, Soressi M et al (2003) Archaeological evidence for the emergence of language, symbolism, and music\u2014an alternative multidisciplinary perspective. J World Prehistory 17(1):1\u201370"},{"key":"1_CR15","unstructured":"Dourish P (2004) Where the action is: the foundations of embodied interaction. MIT Press"},{"issue":"126","key":"1_CR16","doi-asserted-by":"publisher","first-page":"3","DOI":"10.2307\/927207","volume":"49","author":"M. Duchesne-Guillemin","year":"1963","unstructured":"Duchesne-Guillemin M (1963) D\u00e9couverte D\u2019une Gamme Babylonienne. Revue De Musicologie 49(126):3\u201317","journal-title":"Revue de musicologie"},{"key":"1_CR17","unstructured":"Engelbart DC, English WK (1968) A research center for augmenting human intellect. In: Proceedings of the December 9\u201311, 1968, fall joint computer conference, part I (AFIPS \u201868 (Fall, part I)). ACM, New York, NY, USA, pp 395\u2013410"},{"key":"1_CR18","doi-asserted-by":"publisher","unstructured":"Fallman D (2003) Design-oriented human-computer Interaction. In: Proceedings of the SIGCHI conference on human factors in computing systems, CHI \u201903. ACM, New York, NY, USA, pp 225\u2013232. https:\/\/doi.org\/10.1145\/642611.642652","DOI":"10.1145\/642611.642652"},{"key":"1_CR19","unstructured":"Fenichel E (2002) The musical lives of babies and families. Zero Three 23(1). National Center for Infants, Toddlers and Families, Washington DC"},{"key":"1_CR20","doi-asserted-by":"publisher","first-page":"173","DOI":"10.1016\/j.cognition.2005.11.009","volume":"100","author":"WT Fitch","year":"2006","unstructured":"Fitch WT (2006) The biology and evolution of music: a comparative perspective. Cognition 100:173\u2013215","journal-title":"Cognition"},{"key":"1_CR21","doi-asserted-by":"crossref","unstructured":"Garcia J, Tsandilas T, Agon C, Mackay W (2012) Interactive paper substrates to support musical creation. In: Proceedings of the SIGCHI conference on human factors in computing systems. ACM, pp 1825\u20131828","DOI":"10.1145\/2207676.2208316"},{"key":"1_CR22","doi-asserted-by":"crossref","unstructured":"Hamilton R (2019) Mediated musical interactions in virtual environments. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_15"},{"key":"1_CR23","doi-asserted-by":"crossref","DOI":"10.1093\/oso\/9780198523840.001.0001","volume-title":"The social psychology of music","author":"D Hargreaves","year":"1997","unstructured":"Hargreaves D, North A (1997) The social psychology of music. Oxford University Press, Oxford"},{"key":"1_CR24","unstructured":"Harrison S, Tatar D, Sengers P (2007) The three paradigms of HCI. In: Alt. Chi. session at the SIGCHI conference on human factors in computing systems, San Jose, California, USA, pp 1\u201318"},{"key":"1_CR25","doi-asserted-by":"crossref","unstructured":"Hein E, Srinivasan S (2019) The Groove Pizza. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_5"},{"key":"1_CR26","doi-asserted-by":"crossref","unstructured":"H\u00f6dl O, Kayali F, Fitzpatrick G, Holland S (2019) TMAP design cards for technology-mediated audience participation in live music. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_3"},{"key":"1_CR27","unstructured":"Holland S (1989) Artificial intelligence, education and music. PhD thesis, The Open University, Milton Keynes, UK"},{"key":"1_CR28","unstructured":"Holland S (2000) Artificial intelligence in music education: a critical review, pp 239\u2013274. In: Miranda ER (ed) Artificial intelligence in music education: a critical review. Readings in music and artificial intelligence. Routledge, pp 249\u2013284"},{"key":"1_CR30","doi-asserted-by":"crossref","unstructured":"Holland S, Fiebrink R (2019) Machine learning, music and creativity: an interview with Rebecca Fiebrink. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_16"},{"key":"1_CR04","doi-asserted-by":"publisher","first-page":"19","DOI":"10.1007\/978-0-85729-433-3_3","volume-title":"Whole Body Interaction","author":"Simon Holland","year":"2011","unstructured":"Holland S, Wilkie K, Bouwer A, Dalgleish M, Mulholland P (2011) Whole body interaction in abstract domains. In: England D (ed) Whole body interaction. Human\u2013computer interaction series, Springer Verlag, London. ISBN 978-0-85729-432-6"},{"key":"1_CR31","doi-asserted-by":"publisher","first-page":"1","DOI":"10.1007\/978-1-4471-2990-5","volume-title":"Music and Human-Computer Interaction","author":"Simon Holland","year":"2013","unstructured":"Holland S, Wilkie K, Mulholland P, Seago A (2013) Music interaction: understanding music and human-computer interaction. In: Holland S, Wilkie K, Mulholland P, Seago A (eds) Music and human-computer interaction, pp 1\u201328"},{"key":"1_CR05","unstructured":"Holland S, Wright RL, Wing A, Crevoisier T, H\u00f6dl O, Canelli M (2014) A Gait Rehabilitatin pilot study using tactile cueing following Hemiparetic Stroke. In: Proceedings of the 8th International Conference on Pervasive Computing Technologies for Healthcare Pervasive Health 2014, pp 402\u2013405"},{"key":"1_CR06","doi-asserted-by":"crossref","unstructured":"Holland S, McPherson AP, Mackay WE, Wanderley MM, Gurevich MD, Mudd TW, O\u2019Modhrain S, Wilkie KL, Malloch J, Garcia J, Johnston A (2016) Music and HCI. In: Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems (CHI EA\u201916). ACM, New York, NY, USA, 3339\u20133346","DOI":"10.1145\/2851581.2856479"},{"key":"1_CR32","doi-asserted-by":"crossref","unstructured":"Holland S, Bouwer A, H\u00f6dl O (2018) Haptics for the development of fundamental rhythm skills, including multi-limb coordination. In: Papetti S, Saitis C (eds) Musical haptics. Springer series on touch and haptic systems. Springer International Publishing, pp 215\u2013237","DOI":"10.1007\/978-3-319-58316-7_11"},{"key":"1_CR33","doi-asserted-by":"publisher","first-page":"93","DOI":"10.1111\/j.1749-6632.2009.04761.x","volume":"1169","author":"H Honing","year":"2009","unstructured":"Honing H, Ladinig O, Winkler I, H\u00e1den G (2009) Is beat induction innate or learned? Probing emergent meter perception in adults and newborns using event-related brain potentials (ERP). Ann N Y Acad Sci 1169:93\u201396","journal-title":"Ann N Y Acad Sci"},{"key":"1_CR34","doi-asserted-by":"crossref","first-page":"2771","DOI":"10.1145\/2212776.2212717","volume-title":"CHI \u201812 extended abstracts on human factors in computing systems (CHI EA \u201812)","author":"J Hook","year":"2012","unstructured":"Hook J, Schofield G, Taylor R, Bartindale T, McCarthy J, Wright P (2012) Exploring HCI\u2019s relationship with liveness. CHI \u201812 extended abstracts on human factors in computing systems (CHI EA \u201812). ACM, New York, NY, USA, pp 2771\u20132774"},{"key":"1_CR35","unstructured":"Hunt A, Wanderley MM, Kirk R (2000) Towards a model for instrumental mapping in expert musical interaction. In:\u00a0ICMC"},{"key":"1_CR36","doi-asserted-by":"crossref","unstructured":"Hutchinson H, Mackay W, Westerlund B, Bederson BB, Druin A, Plaisant C, Beaudouin-Lafon M et al (2003) Technology probes: inspiring design for and with families. In: Proceedings of the SIGCHI conference on human factors in computing systems. ACM, pp 17\u201324","DOI":"10.1145\/642611.642616"},{"key":"1_CR37","doi-asserted-by":"crossref","unstructured":"Justus T, Jamshed B (2002) Music perception and cognition. In: Stevens\u2019 handbook of experimental psychology. Wiley, pp 453\u2013492","DOI":"10.1002\/0471214426.pas0111"},{"key":"1_CR38","doi-asserted-by":"publisher","first-page":"589","DOI":"10.1016\/S0094-114X(01)00005-2","volume":"36","author":"T Koetsier","year":"2001","unstructured":"Koetsier T (2001) On the prehistory of programmable machines: musical automata, looms, calculators. Mech Mach Theory 36:589\u2013603","journal-title":"Mech Mach Theory"},{"key":"1_CR39","unstructured":"Lanier J (1989) Personal communication with Simon Holland and other attendees at 1989. In: Nato advanced research workshop on multimedia interface design in education, Lucca, Italy"},{"key":"1_CR40","doi-asserted-by":"publisher","first-page":"646","DOI":"10.1038\/263646a0","volume":"263","author":"HC Longuet-Higgins","year":"1976","unstructured":"Longuet-Higgins HC (1976) Perception of melodies. Nature 263:646\u2013653","journal-title":"Nature"},{"issue":"1","key":"1_CR41","first-page":"177","volume":"30","author":"WE Mackay","year":"2000","unstructured":"Mackay WE (2000) Responding to cognitive overload: co-adaptation between users and technology. Intellectica 30(1):177\u2013193","journal-title":"Intellectica"},{"issue":"4","key":"1_CR42","doi-asserted-by":"publisher","first-page":"62","DOI":"10.1162\/COMJ_a_00026","volume":"34","author":"T Magnusson","year":"2010","unstructured":"Magnusson T (2010) Designing constraints: composing and performing with digital musical systems. Comput Music J 34(4):62\u201373","journal-title":"Comput Music J"},{"key":"1_CR43","doi-asserted-by":"crossref","unstructured":"Malloch J, Garcia J, Wanderley MM, Mackay WE, Beaudouin-Lafon M, Huot S (2019) A design WorkBench for interactive music systems. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_2"},{"key":"1_CR44","unstructured":"Martin CP, Gardner H (2019) Free-improvised rehearsal-as-research for musical HCI. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6"},{"key":"1_CR46","doi-asserted-by":"crossref","unstructured":"McPherson A, Benford S (2019) Music, design and ethnography: an interview with Steve Benford. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_13"},{"key":"1_CR47","doi-asserted-by":"crossref","unstructured":"McPherson A, Verplank B (2019) The poetry of strange connections: an interview with Bill Verplank. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_4"},{"key":"1_CR48","doi-asserted-by":"crossref","unstructured":"McPherson A, Morreale F, Harrison J (2019) Musical instruments for novices: comparing NIME, HCI and Crowdfunding approaches. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_12"},{"key":"1_CR49","doi-asserted-by":"publisher","first-page":"486","DOI":"10.1177\/0956797615626691","volume":"27","author":"SA Mehr","year":"2016","unstructured":"Mehr SA et al (2016) For 5-month olds melodies are social. Psychol Sci 27:486\u2013501","journal-title":"Psychol Sci"},{"key":"1_CR50","doi-asserted-by":"crossref","unstructured":"Milne A (2019) XronoMorph: investigating paths through rhythmic space. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_6"},{"issue":"1","key":"1_CR07","doi-asserted-by":"publisher","first-page":"59","DOI":"10.1080\/17459737.2016.1152517","volume":"10","author":"Andrew J. Milne","year":"2016","unstructured":"Milne AJ, Holland S (2016) Empirically testing Tonnetz, voice-leading, and spectral models of perceived triadic distance. J Math Music 10(1):59\u201385","journal-title":"Journal of Mathematics and Music"},{"key":"1_CR51","doi-asserted-by":"publisher","first-page":"180","DOI":"10.1007\/978-3-642-21590-2_14","volume-title":"Mathematics and Computation in Music","author":"Andrew J. Milne","year":"2011","unstructured":"Milne AJ, Carl\u00e9 M, Sethares WA, Noll T, Holland S (2011) Scratching the scale labyrinth. International conference on mathematics and computation in music. Springer, Berlin, Heidelberg, pp 180\u2013195"},{"key":"1_CR52","doi-asserted-by":"publisher","first-page":"97","DOI":"10.1017\/S0959774306000060","volume":"16","author":"S Mithen","year":"2006","unstructured":"Mithen S (2006) The \u2018Singing Neanderthals\u2019: the origins of music, language, mind and body. Camb Archaeol J 16:97\u2013112","journal-title":"Camb Archaeol J"},{"key":"1_CR53","doi-asserted-by":"crossref","unstructured":"Mudd T (2019) Material-oriented musical interactions. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_8"},{"key":"1_CR54","doi-asserted-by":"crossref","unstructured":"Mudd T, Andersen K (2019) Making as research: an interview with Kristina Andersen. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_10"},{"key":"1_CR55","unstructured":"NRC (1970) From handel to haydn to the headless musician, science dimension 2(3), June 1970. http:\/\/ieee.ca\/millennium\/electronic_music\/em_headless.html"},{"key":"1_CR56","unstructured":"NRC (1971). The music machine. 11 minute 16\u00a0mm film produced by the National Research Council of Canada. http:\/\/www.billbuxton.com"},{"issue":"2","key":"1_CR57","doi-asserted-by":"publisher","first-page":"267","DOI":"10.1145\/4468.4470","volume":"17","author":"BW Pennycook","year":"1985","unstructured":"Pennycook BW (1985) Computer-music interfaces: a survey. ACM Comput Surv 17(2):267\u2013289","journal-title":"ACM Comput Surv"},{"key":"1_CR58","doi-asserted-by":"crossref","unstructured":"Poupyrev I, Lyons MJ, Fels S, Blaine TB (2001) New interfaces for musical expression. In: Workshop proposal for SIGCHI 2001, Seattle, WA. http:\/\/www.nime.org\/2001\/docs\/proposal.pdf","DOI":"10.1145\/634342.634348"},{"issue":"1","key":"1_CR59","doi-asserted-by":"publisher","first-page":"42","DOI":"10.1162\/COMJ_a_00104","volume":"36","author":"A Prechtl","year":"2009","unstructured":"Prechtl A, Milne AJ, Holland S, Laney R, Sharp DB (2009) A midi sequencer that widens access to the compositional possibilities of novel tunings. Comput Music J 36(1):42\u201354","journal-title":"Comput Music J"},{"key":"1_CR60","volume-title":"Information processing and human-machine interaction: an approach to cognitive engineering","author":"J Rasmussen","year":"1986","unstructured":"Rasmussen J (1986) Information processing and human-machine interaction: an approach to cognitive engineering. Elsevier Science Inc, New York, USA"},{"key":"1_CR61","doi-asserted-by":"publisher","first-page":"216","DOI":"10.1126\/science.1231059","volume":"340","author":"VN Salimpoor","year":"2013","unstructured":"Salimpoor VN et al (2013) Interactions between the nucleus accumbens and auditory cortices predict music reward value. Science 340:216\u2013219","journal-title":"Science"},{"issue":"Supplement 1","key":"1_CR62","doi-asserted-by":"publisher","first-page":"Fa52","DOI":"10.1136\/archdischild.2011.300164.118","volume":"96","author":"J. M. Standley","year":"2011","unstructured":"Standley JM (2011) Efficacy of music therapy for premature infants in the neonatal intensive care unit: a meta-analysis. Arch Dis Childhood Fetal Neonatal Ed 96:Fa52","journal-title":"Archives of Disease in Childhood - Fetal and Neonatal Edition"},{"key":"1_CR63","doi-asserted-by":"crossref","unstructured":"Sutherland IE (1964) Sketch pad a man-machine graphical communication system. In: Proceedings of the SHARE design automation workshop. ACM, pp 6\u2013329","DOI":"10.1145\/800265.810742"},{"issue":"389\u2013405","key":"1_CR64","first-page":"284","volume":"13","author":"A Tanaka","year":"2000","unstructured":"Tanaka A (2000) Musical performance practice on sensor-based instruments. Trends Gestural Control Music 13(389\u2013405):284","journal-title":"Trends Gestural Control Music"},{"key":"1_CR65","doi-asserted-by":"crossref","unstructured":"Tanaka A (2019) Embodied musical interaction: body physiology, cross modality, and sonic experience. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_9"},{"issue":"2","key":"1_CR66","doi-asserted-by":"publisher","first-page":"127","DOI":"10.1016\/S1045-926X(05)80012-6","volume":"1","author":"SL Tanimoto","year":"1990","unstructured":"Tanimoto SL (1990) VIVA: a visual language for image processing. J Vis Lang Comput 1(2):127\u2013139","journal-title":"J Vis Lang Comput"},{"key":"1_CR67","volume-title":"The geometry of musical rhythm: what makes a \u201cGood\u201d rhythm good?","author":"GT Toussaint","year":"2013","unstructured":"Toussaint GT (2013) The geometry of musical rhythm: what makes a \u201cGood\u201d rhythm good?. CRC Press, Boca Raton"},{"issue":"4","key":"1_CR68","first-page":"494","volume":"29","author":"K Tuuri","year":"2017","unstructured":"Tuuri K, Jaana P, Pirhonen A (2017) Who controls who? Embodied control within human\u2013technology choreographies. Interact Comput 29(4):494\u2013511","journal-title":"Interact Comput"},{"key":"1_CR69","unstructured":"Ungvary T, Vertegaal R (2000) Cognition and physicality in musical cyberinstruments.\u00a0In: Trends in gestural control of music, pp 371\u2013386"},{"key":"1_CR70","doi-asserted-by":"publisher","first-page":"212","DOI":"10.1111\/nyas.12676","volume":"1337","author":"P Vuilleumier","year":"2015","unstructured":"Vuilleumier P, Trost W (2015) Music and emotions: from enchantment to entrainment. Neurosci Mus V Cogn Stimul Rehabilit 1337:212\u2013222. https:\/\/doi.org\/10.1111\/nyas.12676","journal-title":"Neurosci Mus V Cogn Stimul Rehabilit"},{"key":"1_CR71","doi-asserted-by":"publisher","first-page":"49","DOI":"10.1007\/978-1-4471-2990-5_3","volume-title":"Music and Human-Computer Interaction","author":"Isaac Wallis","year":"2013","unstructured":"Wallis I, Ingalls T, Campana E, Vuong C (2013) Amateur musicians, long-term engagement, and HCI. In: Music and human-computer interaction. Springer, London, pp 49\u201366"},{"key":"1_CR72","unstructured":"Wanderley MM, Battier M (2000) Trends in gestural control of music. IRCAM, Centre Pompidou"},{"key":"1_CR73","unstructured":"Wanderley MM, Mackay W (2019) HCI, music and art: an interview with Wendy Mackay. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6"},{"key":"1_CR09","doi-asserted-by":"crossref","unstructured":"Wilkie K, Holland S, Mulholland P (2009) Evaluating musical software using conceptual metaphors. In: Blackwell A (ed) Proceedings of the 23rd British HCI group annual conference on people and computers. pp 232\u2013237. ISSN 1477-9358","DOI":"10.14236\/ewic\/HCI2009.27"},{"issue":"4","key":"1_CR08","doi-asserted-by":"publisher","first-page":"34","DOI":"10.1162\/COMJ_a_00024","volume":"34","author":"Katie Wilkie","year":"2010","unstructured":"Wilkie K, Holland S, Mulholland P (2010) What can the language of musicians tell us about music interaction design? Comput Music J Winter 34(4):34\u201348. Massachusetts Institute of Technology","journal-title":"Computer Music Journal"},{"key":"1_CR74","unstructured":"Xenakis I (1992) Formalized music: thought and mathematics in composition, second, revised English edition, with additional material translated by Sharon Kanach. Harmonologia Series No. 6. Pendragon Press, Stuyvesant, NY. ISBN 1-57647-079-2"},{"key":"1_CR75","doi-asserted-by":"crossref","unstructured":"Yuksel BF, Oleson KB, Chang R, Jacob RJK (2019) Detecting and adapting to users\u2019 cognitive and affective state to develop intelligent musical interfaces. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_11"},{"key":"1_CR76","doi-asserted-by":"publisher","first-page":"1","DOI":"10.1016\/j.arr.2016.12.003","volume":"35","author":"Yingshi Zhang","year":"2017","unstructured":"Zhang Y, Cai J, An L, Hui F, Ren T, Ma H et al (2017) Does music therapy enhance behavioral and cognitive function in elderly dementia patients? A systematic review and meta-analysis. Ageing Res Rev 35:1\u201311","journal-title":"Ageing Research Reviews"},{"key":"1_CR77","unstructured":"Zimmerman TG (1982) An optical flex sensor US patent 4542291 VPL Res Inc Redwood City California US"},{"key":"1_CR78","doi-asserted-by":"crossref","unstructured":"Zimmerman TG, Lanier J, Blanchard C, Bryson S, Harvill Y (1986) A hand gesture interface device. In: Carroll JM, Tanner PP (eds) Proceedings of the SIGCH conference on human factors in computing systems (CHI \u201987). ACM, New York, pp 189\u2013192","DOI":"10.1145\/30851.275628"}],"container-title":["Springer Series on Cultural Computing","New Directions in Music and Human-Computer Interaction"],"original-title":[],"language":"en","link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-319-92069-6_1","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,7,14]],"date-time":"2024-07-14T15:53:02Z","timestamp":1720972382000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/978-3-319-92069-6_1"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2019]]},"ISBN":["9783319920689","9783319920696"],"references-count":85,"URL":"https:\/\/doi.org\/10.1007\/978-3-319-92069-6_1","relation":{},"ISSN":["2195-9056","2195-9064"],"issn-type":[{"value":"2195-9056","type":"print"},{"value":"2195-9064","type":"electronic"}],"subject":[],"published":{"date-parts":[[2019]]},"assertion":[{"value":"7 February 2019","order":1,"name":"first_online","label":"First Online","group":{"name":"ChapterHistory","label":"Chapter History"}}]}}