{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,5,9]],"date-time":"2025-05-09T09:09:50Z","timestamp":1746781790697,"version":"3.40.3"},"publisher-location":"Cham","reference-count":36,"publisher":"Springer International Publishing","isbn-type":[{"type":"print","value":"9783319920689"},{"type":"electronic","value":"9783319920696"}],"license":[{"start":{"date-parts":[[2019,1,1]],"date-time":"2019-01-01T00:00:00Z","timestamp":1546300800000},"content-version":"tdm","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2019]]},"DOI":"10.1007\/978-3-319-92069-6_8","type":"book-chapter","created":{"date-parts":[[2019,2,6]],"date-time":"2019-02-06T17:00:32Z","timestamp":1549472432000},"page":"123-133","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":8,"title":["Material-Oriented Musical Interactions"],"prefix":"10.1007","author":[{"given":"Tom","family":"Mudd","sequence":"first","affiliation":[]}],"member":"297","published-online":{"date-parts":[[2019,2,7]]},"reference":[{"key":"8_CR1","volume-title":"Improvisation: its nature and practice in music","author":"D Bailey","year":"1992","unstructured":"Bailey D (1992) Improvisation: its nature and practice in music. Da Capo Press, New York"},{"key":"8_CR2","doi-asserted-by":"crossref","unstructured":"Barad K (2007) Meeting the universe halfway: quantum physics and the entanglement of matter and meaning. Duke University Press","DOI":"10.1215\/9780822388128"},{"key":"8_CR3","unstructured":"Bowers J, Richards J, Shaw T, Frize J, Freeth B, Topley S, Spowage N, Jones S, Patel A, Rui L, Edmondes W (2016) One knob to rule them all: reductionist interfaces for expansionist research. In: Proceedings of the 2016 conference on new interfaces for musical expression (NIME 2016), pp 43\u201349"},{"key":"8_CR4","unstructured":"Cox C, Warner D (2004) Audio cultures: readings in modern music. Continuum International Publishing Group Ltd"},{"key":"8_CR6","unstructured":"Eigenlabs (n.d.) About eigenlabs http:\/\/eigenlabs.com\/about\/ . Accessed 2 Jun 2017"},{"key":"8_CR7","doi-asserted-by":"crossref","unstructured":"Feenberg A (2002) Transforming technology\u2014a critical theory revisited. Oxford University Press","DOI":"10.1093\/oso\/9780195146158.001.0001"},{"key":"8_CR8","unstructured":"Fell M (2013) Collateral damage. Wire Mag"},{"key":"8_CR9","volume-title":"Reverse practice as technologically constituted critical aformalism in fowler and youngs\u2019 \u2018strategies\u2019","author":"M Fell","year":"2015","unstructured":"Fell M (2015) Reverse practice as technologically constituted critical aformalism in fowler and youngs\u2019 \u2018strategies\u2019. Sleevenotes for Research Musics, Richard Youngs and Luke Fowler, EN\/OF"},{"key":"8_CR11","unstructured":"Frabetti F (2017) An interview with Mark Fell. Cesura\/\/Acceso 2. Cesura\/\/Acceso"},{"key":"8_CR02","unstructured":"Green O (2008) Pondering value in the performance ecosystem. eContact! 10, no 4 http:\/\/econtact.ca\/10_4\/green_ecosystem.html. Accessed 21 May 2017"},{"key":"8_CR12","unstructured":"Griffiths P (1995) Modern music and after: directions since 1945. Oxford University Press"},{"key":"8_CR13","doi-asserted-by":"crossref","unstructured":"Gurevich M, Trevi\u00f1o J (2007) Expression and its discontents: toward an ecology of musical creation. In: Proceedings of the international conference on new interfaces for musical expression (NIME), pp 106\u2013111","DOI":"10.1145\/1279740.1279759"},{"key":"8_CR14","unstructured":"Gurevich M, Trevi\u00f1o J (2017) Author commentary: discontent in retrospect. In: Jensenius AR, Lyons MJ (eds) NIME reader: fifteen years of new interfaces for musical expression. Springer"},{"key":"8_CR15","unstructured":"Hamman M (2002) From technical to technological: the imperative of technology in experimental music composition. Perspect New Music 40(1)"},{"issue":"1","key":"8_CR16","doi-asserted-by":"publisher","first-page":"41","DOI":"10.1162\/COMJ_a_00284","volume":"39","author":"C Haworth","year":"2015","unstructured":"Haworth C (2015) Sound synthesis procedures as texts: an ontological politics in electroacoustic and computer music. Comput Music J 39(1):41\u201358","journal-title":"Comput Music J"},{"key":"8_CR17","doi-asserted-by":"crossref","unstructured":"Holmes T (2012) Electronic and experimental music: technology, music, and culture. Routledge","DOI":"10.4324\/9780203128428"},{"key":"8_CR18","unstructured":"Ihde D (1990) Technology and the lifeworld: from garden to earth. Indiana University Press"},{"key":"8_CR19","unstructured":"Keep A (2009) Improvising with sounding objects in experimental music. In: The Ashgate research companion to experimental music, pp 113\u2013130. Ashgate Publishing Limited"},{"key":"8_CR20","doi-asserted-by":"crossref","unstructured":"Leman M (2008) Embodied music cognition and mediation technology. MIT Press","DOI":"10.7551\/mitpress\/7476.001.0001"},{"key":"8_CR21","doi-asserted-by":"crossref","unstructured":"Lewis GE (2000) Too many notes: computers, complexity and culture in voyager. Leonardo Music J 10. The MIT Press","DOI":"10.1162\/096112100570585"},{"key":"8_CR22","unstructured":"Linn R (2016) Keynote address at the 2016 audio developer conference. http:\/\/youtube.com\/watch?v=3bHGeSv37rU . Accessed 21 May 2017"},{"issue":"4","key":"8_CR23","doi-asserted-by":"publisher","first-page":"61","DOI":"10.1162\/014892602320991383","volume":"26","author":"James McCartney","year":"2002","unstructured":"McCartney J (2002) Rethinking the computer music language: SuperCollider. Comput Music J 26(4):61\u201368","journal-title":"Computer Music Journal"},{"key":"8_CR24","unstructured":"McPherson A, Morreale F, Harrison J (2019) Creating DMIs to allow non-musicians to create music. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6"},{"key":"8_CR25","unstructured":"Mudd T (2017) Nonlinear dynamics in musical interactions. PhD thesis, The Open University, Centre for Research in Computing"},{"key":"8_CR26","unstructured":"Roli (n.d.) We are changing the way people make music. http:\/\/roli.com\/about . Accessed 2 June 2017"},{"key":"8_CR27","volume-title":"Dialects, constraints, and systems within systems","author":"J Rohrhuber","year":"2011","unstructured":"Rohrhuber J, Hall T, Campo De (2011) Dialects, constraints, and systems within systems. MIT Press, Cambridge, MA"},{"key":"8_CR28","doi-asserted-by":"crossref","unstructured":"Rowe R, Garton B, Desain P, Honing H, Dannenberg R, Jacobs D, Pope ST, Puckette M, Lippe C, Settel Z, Lewis G (1993) Editor\u2019s notes: putting max in perspective. Comput Music J 17(2):3\u201311","DOI":"10.2307\/3680864"},{"key":"8_CR29","unstructured":"Rusche V, Harder H (2013) Alvin Lucier: no ideas but in things. Filmwerkstatt Kiel der Filmf\u00f6rderung Hamburg Schleswig-Holstein GmbH"},{"key":"8_CR30","unstructured":"Schafer RM (1994) The soundscape: our sonic environment and the tuning of the world.\u00a0Destiny Books"},{"key":"8_CR31","unstructured":"Sch\u00f6n D (1983) The reflective practitioner: how professionals think in action. Basic Books"},{"issue":"2","key":"8_CR32","doi-asserted-by":"publisher","first-page":"107","DOI":"10.1017\/S1355771897009059","volume":"2","author":"D Smalley","year":"1997","unstructured":"Smalley D (1997) Spectromorphology: explaining sound-shapes. Organ Sound 2(2):107\u2013126","journal-title":"Organ Sound"},{"key":"8_CR33","unstructured":"Suchman L (1985) Plans and situated actions: the problem of human-machine communication. Xerox"},{"key":"8_CR34","doi-asserted-by":"crossref","unstructured":"Suchman L (2007) Human-machine reconfigurations: plans and situated actions, 2nd edn. Cambridge University Press","DOI":"10.1017\/CBO9780511808418"},{"issue":"3","key":"8_CR35","doi-asserted-by":"publisher","first-page":"225","DOI":"10.1017\/S1355771801003089","volume":"6","author":"A Szepanski","year":"2001","unstructured":"Szepanski A (2001) A Mille Plateaux manifesto. Organ Sound 6(3):225\u2013228","journal-title":"Organ Sound"},{"key":"8_CR36","doi-asserted-by":"crossref","unstructured":"Tanaka A (2019) Embodied musical interaction: body physiology, cross modality, and sonic experience. In: Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM (eds) New directions in music and human-computer interaction. Springer, London. ISBN 978-3-319-92069-6","DOI":"10.1007\/978-3-319-92069-6_9"},{"key":"8_CR37","unstructured":"Worth P (2011) Technology and ontology in electronic music: Mego 1994-present. PhD thesis, The University of York, Music Research Centre"}],"container-title":["Springer Series on Cultural Computing","New Directions in Music and Human-Computer Interaction"],"original-title":[],"language":"en","link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-319-92069-6_8","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,7,14]],"date-time":"2024-07-14T15:53:55Z","timestamp":1720972435000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/978-3-319-92069-6_8"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2019]]},"ISBN":["9783319920689","9783319920696"],"references-count":36,"URL":"https:\/\/doi.org\/10.1007\/978-3-319-92069-6_8","relation":{},"ISSN":["2195-9056","2195-9064"],"issn-type":[{"type":"print","value":"2195-9056"},{"type":"electronic","value":"2195-9064"}],"subject":[],"published":{"date-parts":[[2019]]},"assertion":[{"value":"7 February 2019","order":1,"name":"first_online","label":"First Online","group":{"name":"ChapterHistory","label":"Chapter History"}}]}}