{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,9,12]],"date-time":"2025-09-12T19:44:17Z","timestamp":1757706257552},"publisher-location":"Berlin, Heidelberg","reference-count":12,"publisher":"Springer Berlin Heidelberg","isbn-type":[{"type":"print","value":"9783540210726"},{"type":"electronic","value":"9783540245988"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2004]]},"DOI":"10.1007\/978-3-540-24598-8_44","type":"book-chapter","created":{"date-parts":[[2010,7,29]],"date-time":"2010-07-29T08:35:19Z","timestamp":1280392519000},"page":"479-486","source":"Crossref","is-referenced-by-count":17,"title":["Expressiveness of Musician\u2019s Body Movements in Performances on Marimba"],"prefix":"10.1007","author":[{"given":"Sofia","family":"Dahl","sequence":"first","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Anders","family":"Friberg","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"297","reference":[{"key":"44_CR1","doi-asserted-by":"publisher","first-page":"241","DOI":"10.1007\/3-540-47873-6_26","volume-title":"Gesture and sign language in Human-Computer Interaction","author":"M.M. Wanderley","year":"2002","unstructured":"Wanderley, M.M.: Quantitative Analysis of Non-Obvious Performer Gestures. In: Wachsmuth, I., Sowa, T. (eds.) Gesture and sign language in Human-Computer Interaction, pp. 241\u2013253. Springer, Heidelberg (2002)"},{"key":"44_CR2","series-title":"Creative strategies for teaching and learning","doi-asserted-by":"crossref","first-page":"237","DOI":"10.1093\/acprof:oso\/9780195138108.003.0015","volume-title":"The science and psychology of music performance","author":"J.W. Davidson","year":"2002","unstructured":"Davidson, J.W., Correia, J.S.: Body movement. In: Parncutt, R., McPherson, G.E. (eds.) The science and psychology of music performance. Creative strategies for teaching and learning, pp. 237\u2013250. Oxford University Press, Oxford (2002)"},{"key":"44_CR3","doi-asserted-by":"publisher","first-page":"103","DOI":"10.1177\/030573569302100201","volume":"21","author":"J.W. Davidson","year":"1993","unstructured":"Davidson, J.W.: Visual perception and performance manner in the movements of solo musicians. Psychology of Music\u00a021, 103\u2013113 (1993)","journal-title":"Psychology of Music"},{"key":"44_CR4","first-page":"279","volume":"6","author":"J.W. Davidson","year":"1994","unstructured":"Davidson, J.W.: What type of information is conveyed in the body movements of solo musician performers? Journal of Human Movement Studies\u00a06, 279\u2013301 (1994)","journal-title":"Journal of Human Movement Studies"},{"key":"44_CR5","doi-asserted-by":"crossref","unstructured":"Clarke, E.F., Davidson, J.W.: The body in performance. In: Thomas, W. (ed.) Composition-performance-reception, Aldershot, Ashgate, pp. 74\u201392 (1998)","DOI":"10.4324\/9781315095509-6"},{"key":"44_CR6","doi-asserted-by":"crossref","first-page":"105","DOI":"10.1007\/978-3-642-79327-1_11","volume-title":"Music and the mind machine: Psychophysiology and psychopathology of the sense of music","author":"J.W. Davidson","year":"1995","unstructured":"Davidson, J.W.: What does the visual information contained in music performances offer the observer? Some preliminary thoughts. In: Steinberg, R. (ed.) Music and the mind machine: Psychophysiology and psychopathology of the sense of music, pp. 105\u2013114. Springer, Heidelberg (1995)"},{"key":"44_CR7","unstructured":"S\u00f6rgjerd, M.: Auditory and visual recognition of emotional expression in performances of music. Unpublished thesis, Uppsala University, Dep. of Psychology, Uppsala Sweden (2000)"},{"key":"44_CR8","doi-asserted-by":"publisher","first-page":"68","DOI":"10.1177\/0305735696241007","volume":"24","author":"A. Gabrielsson","year":"1996","unstructured":"Gabrielsson, A., Juslin, P.N.: Emotional expression in music performance: Between the performer\u2019s intention and the listener\u2019s experience. Psychology of Music\u00a024, 68\u201391 (1996)","journal-title":"Psychology of Music"},{"key":"44_CR9","doi-asserted-by":"crossref","first-page":"309","DOI":"10.1093\/oso\/9780192631886.003.0014","volume-title":"Music and Emotion","author":"P.N. Juslin","year":"2001","unstructured":"Juslin, P.N.: Communicating emotion in music performance: A review and theoretical framework. In: Music and Emotion, pp. 309\u2013337. Oxford Unviersity Press, Oxford (2001); Journal of Experimental Psychology: Human Perception and Performance 26(6), 1797-1813 (2000)"},{"key":"44_CR10","doi-asserted-by":"crossref","first-page":"437","DOI":"10.3758\/BF03333870","volume":"22","author":"R.D. Walk","year":"1984","unstructured":"Walk, R.D., Homan, C.P.: Emotion and dance in dynamic light displays represented in dance. Bulletin of Psychonomic Society\u00a022, 437\u2013440 (1984)","journal-title":"Bulletin of Psychonomic Society"},{"key":"44_CR11","doi-asserted-by":"publisher","first-page":"727","DOI":"10.1068\/p250727","volume":"6","author":"W.H. Dittrich","year":"1996","unstructured":"Dittrich, W.H., Troscianko, T., Lea, S.E., Morgan, D.: Perception of emotion from dynamic point-light displays represented in dance. Perception\u00a06, 727\u2013738 (1996)","journal-title":"Perception"},{"key":"44_CR12","doi-asserted-by":"publisher","first-page":"213","DOI":"10.1016\/S1071-5819(03)00050-8","volume":"59","author":"A. Camurri","year":"2003","unstructured":"Camurri, A., Lagerl\u00f6f, I., Volpe, G.: Recognizing emotion from dance movements: Comparisons of spectator recognition and automated techniques. International Journal of Human-Computer Studies\u00a059, 213\u2013225 (2003)","journal-title":"International Journal of Human-Computer Studies"}],"container-title":["Lecture Notes in Computer Science","Gesture-Based Communication in Human-Computer Interaction"],"original-title":[],"link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-540-24598-8_44","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,3,28]],"date-time":"2024-03-28T21:48:39Z","timestamp":1711662519000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/978-3-540-24598-8_44"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2004]]},"ISBN":["9783540210726","9783540245988"],"references-count":12,"URL":"https:\/\/doi.org\/10.1007\/978-3-540-24598-8_44","relation":{},"ISSN":["0302-9743","1611-3349"],"issn-type":[{"type":"print","value":"0302-9743"},{"type":"electronic","value":"1611-3349"}],"subject":[],"published":{"date-parts":[[2004]]}}}