{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,2,7]],"date-time":"2026-02-07T23:18:27Z","timestamp":1770506307991,"version":"3.49.0"},"publisher-location":"Berlin, Heidelberg","reference-count":68,"publisher":"Springer Berlin Heidelberg","isbn-type":[{"value":"9783642025174","type":"print"},{"value":"9783642025181","type":"electronic"}],"license":[{"start":{"date-parts":[[2009,1,1]],"date-time":"2009-01-01T00:00:00Z","timestamp":1230768000000},"content-version":"unspecified","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2009]]},"DOI":"10.1007\/978-3-642-02518-1_2","type":"book-chapter","created":{"date-parts":[[2009,6,6]],"date-time":"2009-06-06T05:34:12Z","timestamp":1244266452000},"page":"18-44","source":"Crossref","is-referenced-by-count":7,"title":["Perception of Harmonic and Inharmonic Sounds: Results from Ear Models"],"prefix":"10.1007","author":[{"given":"Albrecht","family":"Schneider","sequence":"first","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Klaus","family":"Frieler","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"297","reference":[{"key":"2_CR1","volume-title":"Signalanalyse. Grundlagen und mathematische Verfahren","author":"W. Bachmann","year":"1992","unstructured":"Bachmann, W.: Signalanalyse. Grundlagen und mathematische Verfahren. Vieweg, Braunschweig (1992)"},{"key":"2_CR2","doi-asserted-by":"publisher","first-page":"2621","DOI":"10.1121\/1.4785350","volume":"116","author":"R. Bader","year":"2004","unstructured":"Bader, R.: Additional modes in transients of a Balinese gender dasa plate. Journal of the Acoust. Soc. of America\u00a0116, 2621 (2004) (abstract)","journal-title":"Journal of the Acoust. Soc. of America"},{"key":"2_CR3","volume-title":"Computational Mechanics of the classical guitar","author":"R. Bader","year":"2005","unstructured":"Bader, R.: Computational Mechanics of the classical guitar. Springer, Berlin (2005)"},{"key":"2_CR4","volume-title":"Understanding Music with AI: Perspectives on Music cognition","author":"M. Balaban","year":"1992","unstructured":"Balaban, M., Ebcioglu, K., Laske, O.: Understanding Music with AI: Perspectives on Music cognition. The AAAI Pr.\/MIT Pr., Menlo Park\/Cambridge (1992)"},{"key":"2_CR5","first-page":"97","volume":"17","author":"P. Boersma","year":"1993","unstructured":"Boersma, P.: Accurate short-term analysis of the fundamental frequency and the harmonics-to-noise-ratio of sampled sound. Proc. of the Inst. of Phonetic Sciences\u00a017, 97\u2013110 (1993)","journal-title":"Proc. of the Inst. of Phonetic Sciences"},{"key":"2_CR6","unstructured":"Boersma, P., Weenink, D.: Praat: doing phonetics by computer. Version 5.038 (2008)"},{"key":"2_CR7","volume-title":"The perceptual organization of sound","author":"A. Bregman","year":"1990","unstructured":"Bregman, A.: Auditory Scene Analysis. In: The perceptual organization of sound. MIT Pr., Cambridge (1990)"},{"key":"2_CR8","doi-asserted-by":"crossref","first-page":"1698","DOI":"10.1152\/jn.1996.76.3.1698","volume":"76","author":"P. Cariani","year":"1996","unstructured":"Cariani, P., Delgutte, B.: Neural Correlates of the pitch of complex tones. I: Pitch and pitch salience. Journal of Neurophysiology\u00a076, 1698\u20131716 (1996)","journal-title":"Journal of Neurophysiology"},{"key":"2_CR9","doi-asserted-by":"crossref","first-page":"1717","DOI":"10.1152\/jn.1996.76.3.1717","volume":"76","author":"P. Cariani","year":"1996","unstructured":"Cariani, P., Delgutte, B.: Neural Correlates of the pitch of complex tones. II: Pitch shift, pitch ambiguity, phase invariance, pitch circularity, and the dominance region for pitch. Journal of Neurophysiology\u00a076, 1717\u20131734 (1996)","journal-title":"Journal of Neurophysiology"},{"key":"2_CR10","doi-asserted-by":"publisher","DOI":"10.1093\/acprof:oso\/9780195151947.001.0001","volume-title":"Ways of Listening. A ecological approach to the perception of musical meaning","author":"E. Clarke","year":"2005","unstructured":"Clarke, E.: Ways of Listening. A ecological approach to the perception of musical meaning. Oxford U. Pr., London (2005)"},{"key":"2_CR11","doi-asserted-by":"publisher","first-page":"862","DOI":"10.1121\/1.413512","volume":"98","author":"M. Cohen","year":"1995","unstructured":"Cohen, M., Grossberg, S., Wyse, L.: A spectral network model of pitch perception. Journal of the Acoust. Soc. of America\u00a098, 862\u2013879 (1995)","journal-title":"Journal of the Acoust. Soc. of America"},{"key":"2_CR12","volume-title":"Handbook of Sensory physiology","author":"E. Boer de","year":"1976","unstructured":"de Boer, E.: On the \u201cResidue\u201d and auditory pitch perception. In: Keidel, W.D., Neff, W.D. (eds.) Handbook of Sensory physiology, ch. 13, vol.\u00a0V, 3. Springer, Berlin (1976)"},{"key":"2_CR13","doi-asserted-by":"crossref","unstructured":"de Cheveign\u00e9, A.: Pitch perception models. In: Plack, C., et al. (eds.) Pitch. Neural coding and perception, pp. 169\u2013233 (2005)","DOI":"10.1007\/0-387-28958-5_6"},{"key":"2_CR14","first-page":"317","volume-title":"The Central Auditory System","author":"F. Ribaupierre de","year":"1997","unstructured":"de Ribaupierre, F.: Acoustical information processing in the auditory thalamus and cerebral cortex. In: Ehret, G., Romand, R. (eds.) The Central Auditory System, ch.\u00a05, pp. 317\u2013388. Oxford U. Pr., Oxford (1997)"},{"key":"2_CR15","first-page":"259","volume-title":"The Central Auditory System","author":"G. Ehret","year":"1997","unstructured":"Ehret, G.: The auditory midbrain, a \u201cshunting yard\u201d of acoustical information processing. In: Ehret, G., Romand, R. (eds.) The Central Auditory System, ch.\u00a04, pp. 259\u2013316. Oxford U. Pr., Oxford (1997)"},{"key":"2_CR16","volume-title":"Listening. An Introduction to the perception of auditory events","author":"S. Handel","year":"1989","unstructured":"Handel, S.: Listening. An Introduction to the perception of auditory events. MIT Pr., Cambridge (1989)"},{"key":"2_CR17","volume-title":"Signals, Sound, and Sensation","author":"W. Hartmann","year":"1998","unstructured":"Hartmann, W.: Signals, Sound, and Sensation. Springer, New York (1998)"},{"key":"2_CR18","doi-asserted-by":"publisher","first-page":"257","DOI":"10.1121\/1.396427","volume":"83","author":"D. Hermes","year":"1988","unstructured":"Hermes, D.: Measurement of pitch by subharmonic matching. Journal of the Acoust. Soc. of America\u00a083, 257\u2013264 (1988)","journal-title":"Journal of the Acoust. Soc. of America"},{"key":"2_CR19","volume-title":"Die Wahrnehmung von Tonh\u00f6he und Klangfarbe als Problem der H\u00f6rtheorie","author":"H.-P. Hesse","year":"1972","unstructured":"Hesse, H.-P.: Die Wahrnehmung von Tonh\u00f6he und Klangfarbe als Problem der H\u00f6rtheorie. A. Volk, K\u00f6ln (1972)"},{"key":"2_CR20","doi-asserted-by":"publisher","first-page":"217","DOI":"10.1007\/978-1-4684-8917-0_11","volume-title":"Music, mind and brain","author":"H.-P. Hesse","year":"1982","unstructured":"Hesse, H.-P.: The Judgment of musical intervals. In: Clynes, M. (ed.) Music, mind and brain, pp. 217\u2013225. Plenum Pr., New York (1982)"},{"key":"2_CR21","doi-asserted-by":"publisher","first-page":"267","DOI":"10.1016\/B978-012505626-7\/50010-8","volume-title":"Hearing","author":"A. Houtsma","year":"1995","unstructured":"Houtsma, A.: Pitch perception. In: Moore, B. (ed.) Hearing, 2nd edn., pp. 267\u2013295. Academic Pr., London (1995)","edition":"2"},{"key":"2_CR22","volume-title":"Biokybernetik des Menschen","author":"W.-D. Keidel","year":"1989","unstructured":"Keidel, W.-D.: Biokybernetik des Menschen. Wiss. Buchges, Darmstadt (1989)"},{"key":"2_CR23","doi-asserted-by":"publisher","first-page":"300","DOI":"10.1007\/BF01138707","volume":"79","author":"W.-D. Keidel","year":"1992","unstructured":"Keidel, W.-D.: Das Ph\u00e4nomen des H\u00f6rens. Ein interdisziplin\u00e4rer Diskurs. Naturwissenschaften\u00a079, 300\u2013310, 347\u2013357 (1992)","journal-title":"Ein interdisziplin\u00e4rer Diskurs. Naturwissenschaften"},{"key":"2_CR24","first-page":"301","volume-title":"Proc. 6th Intern. Conf. on Digital Audio Effects DAFx 2003","author":"F. Keiler","year":"2003","unstructured":"Keiler, F., Karadogan, C., Z\u00f6lzer, U., Schneider, A.: Analysis of transient musical sounds by auto-regressive modeling. In: Proc. 6th Intern. Conf. on Digital Audio Effects DAFx 2003, pp. 301\u2013304. Queen Mary, Univ. of London, London (2003)"},{"key":"2_CR25","volume-title":"Cognitive Foundations of musical Pitch","author":"C. Krumhansl","year":"1998","unstructured":"Krumhansl, C.: Cognitive Foundations of musical Pitch. Oxford U. Pr., Oxford (1998)"},{"key":"2_CR26","first-page":"8","volume":"46","author":"G. Langner","year":"2007","unstructured":"Langner, G.: Die zeitliche Verarbeitung periodischer Signale im H\u00f6rsystem: Neuronale Repr\u00e4sentation von Tonh\u00f6he, Klang und Harmonizit\u00e4t. Zeitschrift f\u00fcr Audiologie\u00a046, 8\u201321 (2007)","journal-title":"Zeitschrift f\u00fcr Audiologie"},{"key":"2_CR27","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-642-85213-8","volume-title":"Music and Schema theory. Cognitive foundations of systematic musicology.","author":"M. Leman","year":"1995","unstructured":"Leman, M.: Music and Schema theory. Cognitive foundations of systematic musicology. Springer, Berlin (1995)"},{"key":"2_CR28","doi-asserted-by":"publisher","first-page":"7","DOI":"10.1016\/S0074-7742(05)70001-5","volume":"70","author":"E. Lopez-Poveda","year":"2005","unstructured":"Lopez-Poveda, E.: Spectral processing by the peripheral auditory system: facts and models. Intern. Rev. of Neurobiology\u00a070, 7\u201348 (2005)","journal-title":"Intern. Rev. of Neurobiology"},{"key":"2_CR29","doi-asserted-by":"publisher","first-page":"3107","DOI":"10.1121\/1.1416197","volume":"110","author":"E. Lopez-Poveda","year":"2001","unstructured":"Lopez-Poveda, E., Meddis, R.: A human nonlinear cochlear filterbank. Journal of the Acoust. Soc. of America\u00a0110, 3107\u20133118 (2001)","journal-title":"Journal of the Acoust. Soc. of America"},{"key":"2_CR30","doi-asserted-by":"publisher","first-page":"221","DOI":"10.1007\/978-1-4612-4070-9_6","volume-title":"Auditory Computation","author":"R. Lyon","year":"1996","unstructured":"Lyon, R., Shamma, S.: Auditory representations of timbre and pitch. In: Hawkins, H., McMullen, T., Popper, A., Fay, R. (eds.) Auditory Computation, ch.\u00a06, pp. 221\u2013270. Springer, New York (1996)"},{"key":"2_CR31","series-title":"The Cognitive psychology of human audition","volume-title":"Thinking in Sound","year":"1993","unstructured":"McAdams, S., Bigand, E. (eds.): Thinking in Sound. The Cognitive psychology of human audition. Clarendon Pr., Oxford (1993)"},{"key":"2_CR32","doi-asserted-by":"publisher","first-page":"2866","DOI":"10.1121\/1.400725","volume":"89","author":"R. Meddis","year":"1991","unstructured":"Meddis, R., Hewitt, M.: Virtual pitch and phase sensitivity of a computer model of the auditory periphery. I: Pitch identification. Journal of the Acoust. Soc. of America\u00a089, 2866\u20132882 (1991a)","journal-title":"Journal of the Acoust. Soc. of America"},{"key":"2_CR33","doi-asserted-by":"publisher","first-page":"2883","DOI":"10.1121\/1.400726","volume":"89","author":"R. Meddis","year":"1991","unstructured":"Meddis, R., Hewitt, M.: Virtual pitch and phase sensitivity of a computer model of the auditory periphery. II: Phase sensitivity. Journal of the Acoust. Soc. of America\u00a089, 2883\u20132894 (1991b)","journal-title":"Journal of the Acoust. Soc. of America"},{"key":"2_CR34","doi-asserted-by":"publisher","first-page":"1811","DOI":"10.1121\/1.420088","volume":"102","author":"R. Meddis","year":"1997","unstructured":"Meddis, R., O\u2019Mard, L.: A unitary model of pitch perception. Journal of the Acoust. Soc. of America\u00a0102, 1811\u20131820 (1997)","journal-title":"Journal of the Acoust. Soc. of America"},{"key":"2_CR35","volume-title":"AMS Tutorial (Version 2.3)","author":"R. Meddis","year":"2003","unstructured":"Meddis, R., O\u2019Mard, L.: AMS Tutorial (Version 2.3). Univ. of Essex, Dept. of Psychol., Colchester (2003)"},{"key":"2_CR36","doi-asserted-by":"publisher","first-page":"406","DOI":"10.1121\/1.2139628","volume":"119","author":"R. Meddis","year":"2006","unstructured":"Meddis, R.: Auditory-nerve first-spike latency and auditory absolute threshold: a computer model. Journal of the Acoust. Soc. of America\u00a0119, 406\u2013417 (2006)","journal-title":"Journal of the Acoust. Soc. of America"},{"issue":"40","key":"2_CR37","doi-asserted-by":"publisher","first-page":"15894","DOI":"10.1073\/pnas.0701498104","volume":"104","author":"G. Musacchia","year":"2007","unstructured":"Musacchia, G., Sams, M., Skoe, E., Kraus, N.: Musicians have enhanced subcortical auditory and audiovisual processing of speech and music. Proc. Nat. Acad. Science\u00a0104(40), 15894\u201315898 (2007)","journal-title":"Proc. Nat. Acad. Science"},{"key":"2_CR38","doi-asserted-by":"publisher","first-page":"1890","DOI":"10.1121\/1.414456","volume":"98","author":"R. Patterson","year":"1995","unstructured":"Patterson, R., Allerhand, M., Gigu\u00e8re, C.: Time-domain modeling of peripheral auditory processing: a modular architecture and a software platform. Journal of the Acoust. Soc. of America\u00a098, 1890\u20131894 (1995)","journal-title":"Journal of the Acoust. Soc. of America"},{"key":"2_CR39","first-page":"7","volume-title":"Pitch. Neural coding and perception","author":"C. Plack","year":"2005","unstructured":"Plack, C., Oxenham, A.: The Psychophysics of pitch. In: Plack, C., et al. (eds.) Pitch. Neural coding and perception, pp. 7\u201355. Springer, New York (2005)"},{"key":"2_CR40","volume-title":"Pitch. Neural Coding and Perception","year":"2005","unstructured":"Plack, C., Oxenham, A., Fay, R., Popper, A. (eds.): Pitch. Neural Coding and Perception. Springer, New York (2005)"},{"key":"2_CR41","volume-title":"The Mammalian Auditory Pathway: Neurophysiology","year":"1992","unstructured":"Popper, A., Fay, R. (eds.): The Mammalian Auditory Pathway: Neurophysiology. Springer, Berlin (1992)"},{"key":"2_CR42","unstructured":"Rameau, J.-P.: Trait\u00e9 de l\u2019harmonie. Ballard, Paris (1722)"},{"key":"2_CR43","unstructured":"Rameau, J.-P.: G\u00e9n\u00e9ration harmonique ou trait\u00e9 de musique th\u00e9orique et pratique. Prault fils, Paris (1737)"},{"key":"2_CR44","first-page":"945","volume":"91","author":"B. Roberts","year":"2005","unstructured":"Roberts, B.: Spectral pattern, grouping, and the pitches of complex tones and their components. Acta Acustica united with Acustica\u00a091, 945\u2013957 (2005)","journal-title":"Acta Acustica united with Acustica"},{"key":"2_CR45","series-title":"Studies in Cognitive and Systematic Musicology","first-page":"117","volume-title":"Music, Gestalt, and Computing.","author":"A. Schneider","year":"1997","unstructured":"Schneider, A.: Verschmelzung, tonal fusion, and consonance: Carl Stumpf revisited. In: Leman, M. (ed.) Music, Gestalt, and Computing. Studies in Cognitive and Systematic Musicology, pp. 117\u2013143. Springer, Berlin (1997a)"},{"key":"2_CR46","volume-title":"Tonh\u00f6he - Skala - Klang. Akustische, tonometrische und psychoakustische Studien auf vergleichender Grundlage","author":"A. Schneider","year":"1997","unstructured":"Schneider, A.: Tonh\u00f6he - Skala - Klang. Akustische, tonometrische und psychoakustische Studien auf vergleichender Grundlage. Orpheus-Verlag, Bonn (1997b)"},{"key":"2_CR47","doi-asserted-by":"publisher","first-page":"275","DOI":"10.1080\/09298210008565463","volume":"29","author":"A. Schneider","year":"2000","unstructured":"Schneider, A.: Inharmonic Sounds: implications as to \u2018Pitch\u2019, \u2018Timbre\u2019 and \u2018Consonance\u2019. Journal of New Music Research\u00a029, 275\u2013301 (2000a)","journal-title":"Journal of New Music Research"},{"key":"2_CR48","first-page":"397","volume-title":"Musik im virtuellen Raum. KlangArt-Kongre\u00df","author":"A. Schneider","year":"2000","unstructured":"Schneider, A.: Virtual Pitch and musical instrument acoustics: the case of idiophones. In: Enders, B., Stange-Elbe, J. (eds.) Musik im virtuellen Raum. KlangArt-Kongre\u00df, pp. 397\u2013417. Rasch, Osnabr\u00fcck (2000b)"},{"key":"2_CR49","first-page":"95","volume-title":"Musical Imagery","author":"A. Schneider","year":"2001","unstructured":"Schneider, A.: Complex inharmonic sounds, perceptual ambiguity, and musical imagery. In: God\u00f8y, R.I., J\u00f8rgensen, H. (eds.) Musical Imagery, pp. 95\u2013116. Swets & Zeitlinger, Lisse, Abingdon (2001a)"},{"key":"2_CR50","doi-asserted-by":"publisher","first-page":"489","DOI":"10.2307\/852868","volume":"45","author":"A. Schneider","year":"2001","unstructured":"Schneider, A.: Sound, Pitch, and Scale: From \u201cTone measurements\u201d to sonological analysis in ethnomusicology. Ethnomusicology\u00a045, 489\u2013519 (2001b)","journal-title":"Ethnomusicology"},{"key":"2_CR51","first-page":"11","volume-title":"Systematic and Comparative Musicology: concepts, methods, findings","author":"A. Schneider","year":"2008","unstructured":"Schneider, A.: Foundations of Systematic Musicology: a study in history and theory. In: Schneider, A. (ed.) Systematic and Comparative Musicology: concepts, methods, findings, pp. 11\u201361. P. Lang, Frankfurt\/M. (2008)"},{"key":"2_CR52","volume-title":"The quality of bells. Brugge Eurocarillon 2002 (=Proc. Of the 16th Meeting of the FWO Research Soc. on Foundations of Music research)","author":"A. Schneider","year":"2002","unstructured":"Schneider, A., Leman, M.: Sonological and psychoacoustic Characteristics of carillon bells. In: Leman, M. (ed.) The quality of bells. Brugge Eurocarillon 2002 (=Proc. Of the 16th Meeting of the FWO Research Soc. on Foundations of Music research). IPEM, Univ. of Ghent, Ghent (2002)"},{"key":"2_CR53","unstructured":"Schneider, A., Bader, R.: Akustische Grundlagen musikalischer Kl\u00e4nge. In: Mitteilungen der Math. Ges. in Hamburg Bd XXII, pp. 27\u201344 (2003)"},{"key":"2_CR54","first-page":"399","volume":"88","author":"H. Schulze","year":"2002","unstructured":"Schulze, H., Neubauer, H., Ohl, F., Hess, A., Scheich, H.: Representation of stimulus periodicity in the auditory cortex: recent findings and new perspectives. Acta Acustica united with Acustica\u00a088, 399\u2013407 (2002)","journal-title":"Acta Acustica united with Acustica"},{"key":"2_CR55","doi-asserted-by":"publisher","first-page":"371","DOI":"10.1016\/S0074-7742(05)70011-8","volume":"70","author":"D. Sinex","year":"2005","unstructured":"Sinex, D.: Spectral processing and sound source determination. International Review of Neurobiology\u00a070, 371\u2013398 (2005)","journal-title":"International Review of Neurobiology"},{"key":"2_CR56","volume-title":"The musical Mind. The Cognitive Psychology of Music","author":"J. Sloboda","year":"1985","unstructured":"Sloboda, J.: The musical Mind. The Cognitive Psychology of Music. Clarendon Pr., Oxford (1985)"},{"key":"2_CR57","volume-title":"Tonpsychologie, Bd 2","author":"C. Stumpf","year":"1890","unstructured":"Stumpf, C.: Tonpsychologie, Bd 2. J. Barth, Leipzig (1890)"},{"key":"2_CR58","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-662-33112-5","volume-title":"Die Sprachlaute","author":"C. Stumpf","year":"1926","unstructured":"Stumpf, C.: Die Sprachlaute. J. Springer, Berlin (1926)"},{"key":"2_CR59","doi-asserted-by":"publisher","first-page":"155","DOI":"10.1016\/0378-5955(79)90025-X","volume":"1","author":"E. Terhardt","year":"1989","unstructured":"Terhardt, E.: Calculating virtual pitch. Hearing Research\u00a01, 155\u2013182 (1989)","journal-title":"Hearing Research"},{"key":"2_CR60","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-642-58733-7","volume-title":"Akustische Kommunikation","author":"E. Terhardt","year":"1998","unstructured":"Terhardt, E.: Akustische Kommunikation. Springer, Berlin (1998)"},{"key":"2_CR61","doi-asserted-by":"publisher","first-page":"671","DOI":"10.1121\/1.387543","volume":"71","author":"E. Terhardt","year":"1982","unstructured":"Terhardt, E., Seewann, M.: Pitch of complex signals according to virtual-pitch theory: tests, examples, and predictions. Journal of the Acoust. Soc. of America\u00a071, 671\u2013678 (1982a)","journal-title":"Journal of the Acoust. Soc. of America"},{"key":"2_CR62","doi-asserted-by":"publisher","first-page":"679","DOI":"10.1121\/1.387544","volume":"71","author":"E. Terhardt","year":"1982","unstructured":"Terhardt, E., Seewann, M.: Algorithm for extraction of pitch salience from complex tonal signals. Journal of the Acoust. Soc. of America\u00a071, 679\u2013688 (1982b)","journal-title":"Journal of the Acoust. Soc. of America"},{"key":"2_CR63","first-page":"129","volume":"54","author":"E. Terhardt","year":"1984","unstructured":"Terhardt, E., Seewann, M.: Auditive und objektive Bestimmung der Schlagtonh\u00f6he von historischen Kirchenglocken. Acustica\u00a054, 129\u2013144 (1984)","journal-title":"Acustica"},{"key":"2_CR64","first-page":"92","volume-title":"The Biological Foundations of music (=Annals of the N.Y. Acad. of Sciences)","author":"M. Tramo","year":"2001","unstructured":"Tramo, M., Cariani, P., Delgutte, B., Braida, L.: Neurobiological Foundations for the theory of harmony in Western tonal music. In: Zatorre, R., Peretz, I. (eds.) The Biological Foundations of music (=Annals of the N.Y. Acad. of Sciences), vol.\u00a0930, pp. 92\u2013116. New York Acad. of Sciences, New York (2001)"},{"key":"2_CR65","volume-title":"Theory of hearing","author":"E. Wever","year":"1949","unstructured":"Wever, E.: Theory of hearing. Wiley, New York (1949)"},{"key":"2_CR66","doi-asserted-by":"publisher","DOI":"10.1037\/13140-000","volume-title":"Cybernetics or control and communication in the animal and in the machine","author":"N. Wiener","year":"1961","unstructured":"Wiener, N.: Cybernetics or control and communication in the animal and in the machine, 2nd edn. MIT Pr., New York (1961)","edition":"2"},{"key":"2_CR67","first-page":"385","volume-title":"The Cognitive Neurosciences","author":"W. Yost","year":"2004","unstructured":"Yost, W.: Determining an auditory scene. In: Gazzaniga, M. (ed.) The Cognitive Neurosciences, 3rd edn., ch.\u00a028, pp. 385\u2013396. MIT PR., Cambridge (2004)","edition":"3"},{"key":"2_CR68","volume-title":"Facts and Models","author":"E. Zwicker","year":"1999","unstructured":"Zwicker, E., Fastl, H.: Psychophysics. In: Facts and Models, 2nd edn. Springer, Berlin (1999)","edition":"2"}],"container-title":["Lecture Notes in Computer Science","Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music"],"original-title":[],"link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-642-02518-1_2","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2019,5,20]],"date-time":"2019-05-20T18:32:14Z","timestamp":1558377134000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/978-3-642-02518-1_2"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2009]]},"ISBN":["9783642025174","9783642025181"],"references-count":68,"URL":"https:\/\/doi.org\/10.1007\/978-3-642-02518-1_2","relation":{},"ISSN":["0302-9743","1611-3349"],"issn-type":[{"value":"0302-9743","type":"print"},{"value":"1611-3349","type":"electronic"}],"subject":[],"published":{"date-parts":[[2009]]}}}