{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,6,14]],"date-time":"2026-06-14T08:12:24Z","timestamp":1781424744253,"version":"3.54.1"},"publisher-location":"Berlin, Heidelberg","reference-count":16,"publisher":"Springer Berlin Heidelberg","isbn-type":[{"value":"9783642215896","type":"print"},{"value":"9783642215902","type":"electronic"}],"license":[{"start":{"date-parts":[[2011,1,1]],"date-time":"2011-01-01T00:00:00Z","timestamp":1293840000000},"content-version":"unspecified","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2011]]},"DOI":"10.1007\/978-3-642-21590-2_7","type":"book-chapter","created":{"date-parts":[[2011,6,18]],"date-time":"2011-06-18T01:57:52Z","timestamp":1308362272000},"page":"84-97","source":"Crossref","is-referenced-by-count":20,"title":["Spelled Heptachords"],"prefix":"10.1007","author":[{"given":"Julian","family":"Hook","sequence":"first","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"297","reference":[{"key":"7_CR1","volume-title":"The Structure of Atonal Music","author":"A. Forte","year":"1973","unstructured":"Forte, A.: The Structure of Atonal Music. Yale University Press, New Haven (1973)"},{"key":"7_CR2","doi-asserted-by":"publisher","first-page":"44","DOI":"10.2307\/746069","volume":"8","author":"A.R. Brinkman","year":"1986","unstructured":"Brinkman, A.R.: A Binomial Representation of Pitch for Computer Processing of Musical Data. Music Theory Spectrum\u00a08, 44\u201357 (1986)","journal-title":"Music Theory Spectrum"},{"key":"7_CR3","doi-asserted-by":"publisher","first-page":"1","DOI":"10.2307\/843663","volume":"33","author":"E. Agmon","year":"1989","unstructured":"Agmon, E.: A Mathematical Model of the Diatonic System. Journal of Music Theory\u00a033, 1\u201325 (1989)","journal-title":"Journal of Music Theory"},{"key":"7_CR4","series-title":"Communications in Computer and Information Science","doi-asserted-by":"publisher","first-page":"104","DOI":"10.1007\/978-3-642-02394-1_10","volume-title":"Mathematics and Computation in Music","author":"J. Douthett","year":"2009","unstructured":"Douthett, J., Hook, J.: Formal Diatonic Intervallic Notation. In: Chew, E., Childs, A., Chuan, C.-H. (eds.) MCM 2009. Communications in Computer and Information Science, vol.\u00a038, pp. 104\u2013114. Springer, Heidelberg (2009)"},{"key":"7_CR5","volume-title":"Pitch Notation and Equal Temperament: A Formal Study","author":"E. Regener","year":"1973","unstructured":"Regener, E.: Pitch Notation and Equal Temperament: A Formal Study. University of California Press, Berkeley (1973)"},{"key":"7_CR6","doi-asserted-by":"publisher","first-page":"153","DOI":"10.1111\/j.0262-5245.2004.00201.x","volume":"23","author":"A. Pople","year":"2004","unstructured":"Pople, A.: Using Complex Set Theory for Tonal Analysis: An Introduction to the Tonalities Project. Music Analysis\u00a023, 153\u2013194 (2004)","journal-title":"Music Analysis"},{"key":"7_CR7","doi-asserted-by":"publisher","first-page":"99","DOI":"10.1080\/17459730701374805","volume":"1","author":"J. Hook","year":"2007","unstructured":"Hook, J.: Enharmonic Systems: A Theory of Key Signatures, Enharmonic Equivalence and Diatonicism. Journal of Mathematics and Music\u00a01, 99\u2013120 (2007)","journal-title":"Journal of Mathematics and Music"},{"key":"7_CR8","series-title":"Communications in Computer and Information Science","doi-asserted-by":"publisher","first-page":"166","DOI":"10.1007\/978-3-642-02394-1_16","volume-title":"Mathematics and Computation in Music","author":"J. Junod","year":"2009","unstructured":"Junod, J., Aud\u00e9tat, P., Agon, C., Andreatta, M.: A Generalisation of Diatonicism and the Discrete Fourier Transform as a Mean for Classifying and Characterising Musical Scales. In: Chew, E., Childs, A., Chuan, C.-H. (eds.) MCM 2009. Communications in Computer and Information Science, vol.\u00a038, pp. 166\u2013179. Springer, Heidelberg (2009)"},{"key":"7_CR9","doi-asserted-by":"publisher","first-page":"289","DOI":"10.1111\/1468-2249.00122","volume":"19","author":"D. Temperley","year":"2000","unstructured":"Temperley, D.: The Line of Fifths. Music Analysis\u00a019, 289\u2013319 (2000)","journal-title":"Music Analysis"},{"key":"7_CR10","doi-asserted-by":"crossref","first-page":"137","DOI":"10.1017\/9781580467476.008","volume-title":"Music Theory and Mathematics: Chords, Collections, and Transformations","author":"J. Hook","year":"2008","unstructured":"Hook, J.: Signature Transformations. In: Douthett, J., Hyde, M.M., Smith, C.J. (eds.) Music Theory and Mathematics: Chords, Collections, and Transformations, pp. 137\u2013160. University of Rochester Press, Rochester (2008)"},{"key":"7_CR11","doi-asserted-by":"crossref","unstructured":"Tymoczko, D.: Voice Leadings as Generalized Key Signatures. Music Theory Online 11(4) (2005)","DOI":"10.30535\/mto.11.4.1"},{"key":"7_CR12","doi-asserted-by":"publisher","first-page":"1","DOI":"10.1111\/j.0262-5245.2004.00193.x","volume":"23","author":"M. Riley","year":"2004","unstructured":"Riley, M.: The \u2018Harmonic Major\u2019 Mode in Nineteenth-Century Theory and Practice. Music Analysis\u00a023, 1\u201326 (2004)","journal-title":"Music Analysis"},{"key":"7_CR13","unstructured":"Hook, J.: An Integrated Transformational Theory of Diatonic and Chromatic Harmony. Presented at: Society for Music Theory, Los Angeles (2006)"},{"key":"7_CR14","volume-title":"A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice","author":"D. Tymoczko","year":"2011","unstructured":"Tymoczko, D.: A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice. Oxford University Press, New York (2011)"},{"key":"7_CR15","doi-asserted-by":"publisher","first-page":"249","DOI":"10.2307\/843615","volume":"29","author":"J. Clough","year":"1985","unstructured":"Clough, J., Myerson, G.: Variety and Multiplicity in Diatonic Systems. Journal of Music Theory\u00a029, 249\u2013270 (1985)","journal-title":"Journal of Music Theory"},{"key":"7_CR16","unstructured":"Aud\u00e9tat, P., Junod, J.: The Diatonic Bell, http:\/\/www.cloche-diatonique.ch\/"}],"container-title":["Lecture Notes in Computer Science","Mathematics and Computation in Music"],"original-title":[],"link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-642-21590-2_7","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,4,7]],"date-time":"2024-04-07T18:43:32Z","timestamp":1712515412000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/978-3-642-21590-2_7"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2011]]},"ISBN":["9783642215896","9783642215902"],"references-count":16,"URL":"https:\/\/doi.org\/10.1007\/978-3-642-21590-2_7","relation":{},"ISSN":["0302-9743","1611-3349"],"issn-type":[{"value":"0302-9743","type":"print"},{"value":"1611-3349","type":"electronic"}],"subject":[],"published":{"date-parts":[[2011]]}}}