{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2023,2,15]],"date-time":"2023-02-15T17:55:19Z","timestamp":1676483719829},"reference-count":25,"publisher":"Springer Science and Business Media LLC","issue":"2","license":[{"start":{"date-parts":[[1990,4,1]],"date-time":"1990-04-01T00:00:00Z","timestamp":638928000000},"content-version":"tdm","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["AI & Soc"],"published-print":{"date-parts":[[1990,4]]},"DOI":"10.1007\/bf01889640","type":"journal-article","created":{"date-parts":[[2005,7,5]],"date-time":"2005-07-05T13:23:03Z","timestamp":1120569783000},"page":"137-146","source":"Crossref","is-referenced-by-count":8,"title":["The role of \u201ccraft language\u201d in learning \u201cWaza\u201d"],"prefix":"10.1007","volume":"4","author":[{"given":"Kumiko","family":"Ikuta","sequence":"first","affiliation":[]}],"member":"297","reference":[{"key":"BF01889640_CR1","volume-title":"Encyclopedia JAPAN","year":"1983","unstructured":"The oldest extant professional theatre; a form of musical dance-drama originating in the 14th century. E. O. Reishaueret al. (eds.)Encyclopedia JAPAN (1983), Kodansha International Ltd, Tokyo."},{"key":"BF01889640_CR2","unstructured":"One of the three major classical theatres of Japan, together with the Noh and puppet theatre (Bunraku) (ibid.)."},{"key":"BF01889640_CR3","unstructured":"Art of self-defence that uses no weapons and relies instead on arm strides (uchi), thrusts (tsuki) and kicks (keri) (ibid.)."},{"key":"BF01889640_CR4","unstructured":"A form of unarmed combat that stresses agile motions, astute mental judgment, and rigorous form, rather than sheer physical strength (ibid.)."},{"key":"BF01889640_CR5","unstructured":"Japanese fencing based on the techniques of the two-handed sword of the samurai (ibid.)."},{"key":"BF01889640_CR6","unstructured":"Singleton, J. (1989). Japanese folkcraft pottery apprenticeship: cultural patterns of an educational institution. InAnthropological Approaches to the Study of Apprenticeship, Michael Coy (ed.), Sunny Press."},{"key":"BF01889640_CR7","unstructured":"Mauss, M. (1950).Sociologie et Anthropologie, Presses Universitaires de France, pp. 368\u2013369."},{"key":"BF01889640_CR8","unstructured":"Ryle, G. (1949).The Concept of Mind, Hutchinson, p. 44."},{"key":"BF01889640_CR9","unstructured":"Ibid., p. 44."},{"key":"BF01889640_CR10","volume-title":"Encyclopedia JAPAN","year":"1983","unstructured":"The brilliant actor, playwright, and critic who established Noh (sarugaku) as a classic theatrical art (1363\u20131443) (E. O. Reishaueret al. (eds)Encyclopedia JAPAN, Kodansha International Ltd, Tokyo, 1983)."},{"key":"BF01889640_CR11","unstructured":"Zeami, \u201cHanakagami\u201d,Shinchosha, 1976, pp. 103\u2013104."},{"key":"BF01889640_CR12","unstructured":"Kabuki actor (1865\u20131940)."},{"key":"BF01889640_CR13","unstructured":"Kabuki actor (1838\u20131903)."},{"key":"BF01889640_CR14","unstructured":"Nakamura, Utaemon,Nihon no Geidan 2, Kugei Publishing Company 1979, p. 192."},{"key":"BF01889640_CR15","unstructured":"Kabuki actor (1911\u20131988)."},{"key":"BF01889640_CR16","unstructured":"Kabuki actor (1885\u20131949)."},{"key":"BF01889640_CR17","volume-title":"Encyclopedia JAPAN","year":"1983","unstructured":"The popular 18th-centurykabuki play. A tale of revenge based on \u201cthe forty-seven ronin incident\u201d, is a famous play shown even now in near entirety. (E. O. Reishauer,et al. (eds.)Encyclopedia JAPAN, Kodansha International Ltd, Tokyo, 1983)."},{"key":"BF01889640_CR18","unstructured":"The ramp extending into the audience toward the left side of the theatre, which serves both as a secondary stage and as the means by which the actors often make their dramatic entrances and exits (ibid.)."},{"key":"BF01889640_CR19","unstructured":"Seki, Yoko (1985).Nakamura Kanzaburo Gakuya-banashi, Bungeishunju Publishing Company, pp. 45\u201346."},{"key":"BF01889640_CR20","unstructured":"Howard, V. (1982).Artistry, Hacket Publishing Company, pp. 46\u201347."},{"key":"BF01889640_CR21","unstructured":"Ibid., pp. 47\u201348."},{"key":"BF01889640_CR22","unstructured":"Petrie, H. (1979). \u201cMetaphor and Learning\u201d. InMetaphor and Thought, Cambridge University Press, p. 443."},{"key":"BF01889640_CR23","unstructured":"Dreyfus, H. and Dreyfus, S.Mind over Machine (1986), The Free Press, p. 53."},{"key":"BF01889640_CR24","unstructured":"Ibid., p. 54."},{"key":"BF01889640_CR25","unstructured":"For the further argument on this problem, see Kumiko Ikuta (1987),Waza kara shiru (Learning from Skill), Tokyo University Press."}],"container-title":["AI & Society"],"original-title":[],"language":"en","link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/BF01889640.pdf","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"http:\/\/link.springer.com\/article\/10.1007\/BF01889640\/fulltext.html","content-type":"text\/html","content-version":"vor","intended-application":"text-mining"},{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/BF01889640","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2019,5,10]],"date-time":"2019-05-10T15:24:52Z","timestamp":1557501892000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/BF01889640"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[1990,4]]},"references-count":25,"journal-issue":{"issue":"2","published-print":{"date-parts":[[1990,4]]}},"alternative-id":["BF01889640"],"URL":"https:\/\/doi.org\/10.1007\/bf01889640","relation":{},"ISSN":["0951-5666","1435-5655"],"issn-type":[{"value":"0951-5666","type":"print"},{"value":"1435-5655","type":"electronic"}],"subject":[],"published":{"date-parts":[[1990,4]]}}}