{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,14]],"date-time":"2026-04-14T20:59:01Z","timestamp":1776200341964,"version":"3.50.1"},"reference-count":49,"publisher":"Springer Science and Business Media LLC","issue":"1","license":[{"start":{"date-parts":[[2023,9,16]],"date-time":"2023-09-16T00:00:00Z","timestamp":1694822400000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/www.springernature.com\/gp\/researchers\/text-and-data-mining"},{"start":{"date-parts":[[2023,9,16]],"date-time":"2023-09-16T00:00:00Z","timestamp":1694822400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.springernature.com\/gp\/researchers\/text-and-data-mining"}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":["AI &amp; Soc"],"published-print":{"date-parts":[[2024,2]]},"DOI":"10.1007\/s00146-023-01768-0","type":"journal-article","created":{"date-parts":[[2023,9,16]],"date-time":"2023-09-16T05:02:00Z","timestamp":1694840520000},"page":"29-41","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":14,"title":["Art histories from nowhere: on the coloniality of experiments in art and artificial intelligence"],"prefix":"10.1007","volume":"39","author":[{"given":"Mashinka Firunts","family":"Hakopian","sequence":"first","affiliation":[]}],"member":"297","published-online":{"date-parts":[[2023,9,16]]},"reference":[{"issue":"1","key":"1768_CR1","doi-asserted-by":"publisher","first-page":"16","DOI":"10.1111\/1467-8365.12490","volume":"43","author":"N Beckwith","year":"2000","unstructured":"Beckwith N (2000) Decolonizing art history. Art Hist 43(1):16\u201317. https:\/\/doi.org\/10.1111\/1467-8365.12490","journal-title":"Art Hist"},{"key":"1768_CR2","volume-title":"Race after technology: abolitionist tools for the New Jim Code","author":"R Benjamin","year":"2019","unstructured":"Benjamin R (2019) Race after technology: abolitionist tools for the New Jim Code. Polity, Cambridge"},{"key":"1768_CR3","unstructured":"Bennett T (1988) The exhibitionary complex. New Form 4: 73-102"},{"key":"1768_CR4","unstructured":"Bogost I (2019) The art-AI gold rush is here. Atlantic. https:\/\/www.theatlantic.com\/ technology\/archive\/2019\/03\/ai-created-art-invades-chelsea-gallery-scene\/584134"},{"key":"1768_CR5","first-page":"1","volume":"81","author":"J Buolamwini","year":"2018","unstructured":"Buolamwini J, Gebru T (2018) Gender shades: intersectional accuracy disparities in commercial gender classification. Proc of Mach Learn Res 81:1\u201315","journal-title":"Proc of Mach Learn Res"},{"key":"1768_CR6","volume-title":"The Italian Renaissance nude","author":"J Burke","year":"2018","unstructured":"Burke J (2018) The Italian Renaissance nude. Yale University Press, New Haven"},{"issue":"1","key":"1768_CR7","doi-asserted-by":"publisher","first-page":"17","DOI":"10.1111\/1467-8365.12490","volume":"43","author":"J Burke","year":"2020","unstructured":"Burke J (2020) Decolonizing art history. Art Hist 43(1):17\u201318. https:\/\/doi.org\/10.1111\/1467-8365.12490","journal-title":"Art Hist"},{"key":"1768_CR8","unstructured":"Cascone S (2016) New Rembrandt artwork created via 168,263 \u2018painting fragments\u2019.\u201d Artnet. https:\/\/news.artnet.com\/art-world\/new-rembrandt-through-data-analysis-466517"},{"key":"1768_CR9","unstructured":"Cocotle B C (2019) We promise to decolonize the museum: a critical view of contemporary museum policies. Afterall. https:\/\/www.afterall.org\/article\/we-promise-to-decolonize-the- museum-a-critical-view-of-contemporary-museum-policies"},{"key":"1768_CR10","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/12255.001.0001","volume-title":"Design justice: community-led practices to build the worlds we need","author":"S Costanza-Chock","year":"2020","unstructured":"Costanza-Chock S (2020) Design justice: community-led practices to build the worlds we need. MIT Press, Cambridge"},{"key":"1768_CR11","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/11805.001.0001","volume-title":"Data feminism","author":"C D\u2019Ignazio","year":"2020","unstructured":"D\u2019Ignazio C, Klein L (2020) Data feminism. MIT Press, Cambridge"},{"issue":"2","key":"1768_CR12","doi-asserted-by":"publisher","first-page":"294","DOI":"10.1353\/asa.2019.0022","volume":"4","author":"S Dinkins","year":"2019","unstructured":"Dinkins S (2019) \u00bfHuman \u00f7 (automation + culture) = partner? Asap\/journal 4(2):294\u2013297","journal-title":"Asap\/journal"},{"key":"1768_CR13","unstructured":"Dinkins S, Martinez T (2020) Towards an equitable ecosystem of artificial intelligence. The Broadcast. https:\/\/pioneerworks.org\/broadcast\/stephanie-dinkins-towards-an-equitable-ecosystem-of-ai\/"},{"key":"1768_CR14","unstructured":"Doherty S J (2019) Art in the age of artificial intelligence. Esse.https:\/\/esse.ca\/en\/lart-a-lere-de-lintelligence-artificielle"},{"key":"1768_CR15","doi-asserted-by":"publisher","unstructured":"Elgammal A, Liu B, Elhoseiny M, Mazzone M (2017) CAN: creative adversarial networks, generating \u201cart\u201d by learning about styles and deviating from style norms. Doi: https:\/\/doi.org\/10.48550\/arXiv.1706.07068","DOI":"10.48550\/arXiv.1706.07068"},{"key":"1768_CR16","unstructured":"Elgammal A (2018) 75% of people think this AI artist is human. Fast Co. https:\/\/www.fastcompany.com\/90253470\/75-of-people-think-this-ai-artist-is-human"},{"key":"1768_CR17","doi-asserted-by":"crossref","unstructured":"Elgammal A (2019) AI is blurring the definition of artist. Am Sci. https:\/\/www.americanscientist.org\/article\/ai-is-blurring-the-definition-of-artist","DOI":"10.1511\/2019.107.1.18"},{"issue":"1","key":"1768_CR18","doi-asserted-by":"publisher","first-page":"143","DOI":"10.2307\/1146361","volume":"37","author":"C Fusco","year":"1994","unstructured":"Fusco C (1994) The other history of intercultural performance. TDR 37(1):143\u2013167","journal-title":"TDR"},{"issue":"1","key":"1768_CR19","doi-asserted-by":"publisher","first-page":"8","DOI":"10.1111\/1467-8365.12490","volume":"43","author":"CD GrantPrice","year":"2000","unstructured":"GrantPrice CD (2000) Decolonizing art history. Art Hist 43(1):8\u201366. https:\/\/doi.org\/10.1111\/1467-8365.12490","journal-title":"Art Hist"},{"key":"1768_CR20","first-page":"36","volume-title":"Performing the body\/performing the text","author":"A Jones","year":"1999","unstructured":"Jones A (1999) Art history\/art criticism: performing meaning. In: Jones A, Stephenson A (eds) Performing the body\/performing the text. Routledge, London, pp 36\u201351"},{"key":"1768_CR21","doi-asserted-by":"publisher","DOI":"10.7312\/katz19490","volume-title":"Artificial whiteness: politics and ideology in artificial intelligence","author":"Y Katz","year":"2020","unstructured":"Katz Y (2020) Artificial whiteness: politics and ideology in artificial intelligence. Columbia University Press, New York"},{"key":"1768_CR22","unstructured":"Kite, S, Stover C, Janis M S, Benesiinaabandan S (2020) How to build anything ethically. In: Lewis JE (ed) The Indigenous protocol and artificial intelligence position paperThe Initiative for Indigenous Futures and the Canadian Institute for Advanced Research (CIFAR), Honolulu, pp. 75\u201384."},{"key":"1768_CR23","volume-title":"Gardner\u2019s art through the ages: a concise Western history","author":"F Kleiner","year":"2014","unstructured":"Kleiner F (2014) Gardner\u2019s art through the ages: a concise Western history. Wadsworth Cengage Learning, Boston"},{"key":"1768_CR24","doi-asserted-by":"publisher","unstructured":"Lewis JE (2020) The Indigenous protocol and artificial intelligence position paper. The Initiative for Indigenous Futures and the Canadian Institute for Advanced Research (CIFAR) Honolulu. Doi: https:\/\/doi.org\/10.11573\/spectrum.library.concordia.ca.00986506","DOI":"10.11573\/spectrum.library.concordia.ca.00986506"},{"key":"1768_CR25","unstructured":"Lewis J E (2021) From impoverished intelligence to abundant intelligences. Medium. https:\/\/jasonedwardlewis.medium.com\/from-impoverished-intelligence-to-abundant-intelligences-90559f718e7f"},{"key":"1768_CR26","doi-asserted-by":"publisher","DOI":"10.21428\/bfafd97b","author":"JE Lewis","year":"2018","unstructured":"Lewis JE, Arista N, Pechawis A, Kite S (2018) Making kin with the machines. J Des Sci. https:\/\/doi.org\/10.21428\/bfafd97b","journal-title":"J Des Sci"},{"key":"1768_CR27","volume-title":"Decolonizing museums: representing Native America in national and tribal museums","author":"A Lonetree","year":"2012","unstructured":"Lonetree A (2012) Decolonizing museums: representing Native America in national and tribal museums. University of North Carolina Press, Chapel Hill"},{"key":"1768_CR28","unstructured":"Lugones M (2010) The coloniality of gender. In Mignolo W D, Escobar A (eds) Globalization and the decolonial option. Routledge, London, pp 369\u2013390"},{"issue":"26","key":"1768_CR29","doi-asserted-by":"publisher","first-page":"1","DOI":"10.3390\/arts8010026","volume":"8","author":"M Mazzone","year":"2019","unstructured":"Mazzone M, Elgammal A (2019) Art, creativity, and the potential of artificial intelligence. Arts 8(26):1\u20139. https:\/\/doi.org\/10.3390\/arts8010026","journal-title":"Arts"},{"issue":"7\u20138","key":"1768_CR30","doi-asserted-by":"publisher","first-page":"159","DOI":"10.1177\/0263276409349275","volume":"26","author":"WD Mignolo","year":"2009","unstructured":"Mignolo WD (2009) Epistemic disobedience, independent thought and decolonial freedom. Theor Cult & Soc 26(7\u20138):159\u2013181. https:\/\/doi.org\/10.1177\/0263276409349275","journal-title":"Theor Cult & Soc"},{"key":"1768_CR31","unstructured":"Mignolo W, V\u00e1zquez R (2013) Decolonial aestheSis: colonial wounds\/decolonial healings. Soc Text: Periscope. http:\/\/socialtextjournal.org\/periscope_article\/decolonial-aesthesis-colonial-woundsdecolonial-healings"},{"key":"1768_CR32","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/11585.001.0001","volume-title":"The artist in the machine: the world of AI-powered creativity","author":"AI Miller","year":"2019","unstructured":"Miller AI (2019) The artist in the machine: the world of AI-powered creativity. MIT Press, Cambridge"},{"key":"1768_CR33","first-page":"442","volume-title":"Grasping the world: the idea of the museum","author":"T Mitchell","year":"2004","unstructured":"Mitchell T (2004) Orientalism and the exhibitionary order. In: Preziosi D, Farago CJ (eds) Grasping the world: the idea of the museum. Ashgate Publishing, Aldershot, pp 442\u2013461"},{"key":"1768_CR34","doi-asserted-by":"publisher","first-page":"1","DOI":"10.48550\/arXiv.2007.04068","volume":"405","author":"S Mohamed","year":"2020","unstructured":"Mohamed S, Png M-T, Isaac W (2020) Decolonial AI: decolonial theory as sociotechnical foresight in artificial intelligence. Philos and Technol 405:1\u201328. https:\/\/doi.org\/10.48550\/arXiv.2007.04068","journal-title":"Philos and Technol"},{"key":"1768_CR35","doi-asserted-by":"publisher","DOI":"10.18574\/nyu\/9781479833641.001.0001","volume-title":"Algorithms of oppression: how search engines reinforce racism","author":"SU Noble","year":"2018","unstructured":"Noble SU (2018) Algorithms of oppression: how search engines reinforce racism. New York University Press, New York"},{"key":"1768_CR36","unstructured":"Linda Nochlin (2015) From 1971: Why have there been no great women artists? ARTNews. https:\/\/www.artnews.com\/art-news\/retrospective\/why-have-there-been-no-great-women-artists-4201\/"},{"key":"1768_CR37","unstructured":"Nugent C (2018) The painter behind these artworks is an AI program. do they still count as Art?. Time. https:\/\/time.com\/5357221\/obvious-artificial-intelligence-art\/"},{"key":"1768_CR38","unstructured":"\u1eccn\u1ee5\u1ecdha M (2018) On missing datasets. GitHub. https:\/\/github.com\/MimiOnuoha\/missing-datasets"},{"key":"1768_CR39","volume-title":"The stanze of Angelo Poliziano, trans","author":"A Poliziano","year":"1993","unstructured":"Poliziano A (1993) The stanze of Angelo Poliziano, trans. Pennsylvania State University Press, University Park, David Quint"},{"issue":"3","key":"1768_CR40","first-page":"533","volume":"1","author":"A Quijano","year":"2000","unstructured":"Quijano A (2000) Coloniality of power, Eurocentrism, and Latin America. Nepantla Views from South 1(3):533\u2013580","journal-title":"Nepantla Views from South"},{"key":"1768_CR41","unstructured":"Rainbow G (2019) Considering gender in the age of AICAN, the unhuman artist. Topical Cream. https:\/\/www.topicalcream.org\/features\/considering-gender-in-the-age-of-aican-the-unhuman-artist\/"},{"key":"1768_CR42","unstructured":"Schneider T, Rea N (2018) Has artificial intelligence given us the next great art movement? experts say slow down, the \u2018field is in its infancy\u2019. Artnet. https:\/\/news.artnet.com\/art-world\/ai-art-comes-to-market-is-it-worth-the-hype-1352011\/"},{"key":"1768_CR43","unstructured":"Simonite T (2018) How a teenager's code spawned a $432,500 piece of art. Wired. https:\/\/www.wired.com\/story\/teenagers-code-spawned-dollar-432500-piece-of-art\/"},{"key":"1768_CR44","unstructured":"Srinivasan R, Denton E, Famularo J, Rostamzadeh N, Diaz F, and Coleman B (2021) Artsheets for art datasets. NeurIPS Dataset & Benchmark Track: 1\u201330."},{"issue":"1145\/3442188","key":"1768_CR45","first-page":"3445869","volume":"10","author":"R Srinivasan","year":"2021","unstructured":"Srinivasan R, Uchino K (2021) Biases in generative art\u2014a causal look from the lens of art history. Associat Comput Machinery Doi 10(1145\/3442188):3445869","journal-title":"Associat Comput Machinery Doi"},{"key":"1768_CR46","unstructured":"Sung M (2019) The AI Renaissance portrait generator isn't great at painting people of color. Mashable. https:\/\/mashable.com\/article\/ai-portrait-generator-pocs\/"},{"key":"1768_CR47","volume-title":"The lives of the artists, trans","author":"G Vasari","year":"1998","unstructured":"Vasari G (1998) The lives of the artists, trans. Oxford University Press, Oxford, Julia Conaway Bondanella and Peter Bondanella"},{"key":"1768_CR48","volume-title":"The innovation delusion: how our obsession with the new has disrupted the work that matters most","author":"L Vinsel","year":"2020","unstructured":"Vinsel L, Russell AR (2020) The innovation delusion: how our obsession with the new has disrupted the work that matters most. Currency, New York"},{"key":"1768_CR49","volume-title":"The AI index 2021 annual report","author":"D Zhang","year":"2021","unstructured":"Zhang D, Mishra S, Brynjolfsson E, Etchemendy J, Ganguli D, Grosz B, Lyons T, Manyika J, Niebles JC, Sellitto M, Shoham Y, Clark J, Perrault R (2021) The AI index 2021 annual report. Stanford University, Stanford"}],"container-title":["AI &amp; SOCIETY"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/link.springer.com\/content\/pdf\/10.1007\/s00146-023-01768-0.pdf","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/link.springer.com\/article\/10.1007\/s00146-023-01768-0\/fulltext.html","content-type":"text\/html","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/link.springer.com\/content\/pdf\/10.1007\/s00146-023-01768-0.pdf","content-type":"application\/pdf","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,2,12]],"date-time":"2024-02-12T13:11:50Z","timestamp":1707743510000},"score":1,"resource":{"primary":{"URL":"https:\/\/link.springer.com\/10.1007\/s00146-023-01768-0"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2023,9,16]]},"references-count":49,"journal-issue":{"issue":"1","published-print":{"date-parts":[[2024,2]]}},"alternative-id":["1768"],"URL":"https:\/\/doi.org\/10.1007\/s00146-023-01768-0","relation":{},"ISSN":["0951-5666","1435-5655"],"issn-type":[{"value":"0951-5666","type":"print"},{"value":"1435-5655","type":"electronic"}],"subject":[],"published":{"date-parts":[[2023,9,16]]},"assertion":[{"value":"16 August 2023","order":1,"name":"accepted","label":"Accepted","group":{"name":"ArticleHistory","label":"Article History"}},{"value":"16 September 2023","order":2,"name":"first_online","label":"First Online","group":{"name":"ArticleHistory","label":"Article History"}},{"order":1,"name":"Ethics","group":{"name":"EthicsHeading","label":"Declarations"}},{"value":"On behalf of all the authors, the corresponding author states that there is no conflict of interest.","order":2,"name":"Ethics","group":{"name":"EthicsHeading","label":"Conflict of interest"}}]}}