{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,31]],"date-time":"2025-10-31T07:54:26Z","timestamp":1761897266687,"version":"3.37.3"},"reference-count":65,"publisher":"Springer Science and Business Media LLC","issue":"4","license":[{"start":{"date-parts":[[2020,4,2]],"date-time":"2020-04-02T00:00:00Z","timestamp":1585785600000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0"},{"start":{"date-parts":[[2020,4,2]],"date-time":"2020-04-02T00:00:00Z","timestamp":1585785600000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0"}],"funder":[{"DOI":"10.13039\/501100001314","name":"University of Durham","doi-asserted-by":"crossref","id":[{"id":"10.13039\/501100001314","id-type":"DOI","asserted-by":"crossref"}]}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":["Pers Ubiquit Comput"],"published-print":{"date-parts":[[2021,8]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>Several computer systems have been designed for music emotion research that aim to identify how different structural or expressive cues of music influence the emotions conveyed by the music. However, most systems either operate offline by pre-rendering different variations of the music or operate in real-time but focus mostly on structural cues. We present a new interactive system called<jats:italic>EmoteControl<\/jats:italic>, which allows users to make changes to both structural and expressive cues (tempo, pitch, dynamics, articulation, brightness, and mode) of music in real-time. The purpose is to allow scholars to probe a variety of cues of emotional expression from non-expert participants who are unable to articulate or perform their expression of music in other ways. The benefits of the interactive system are particularly important in this topic as it offers a massive parameter space of emotion cues and levels for each emotion which is challenging to exhaustively explore without a dynamic system. A brief overview of previous work is given, followed by a detailed explanation of<jats:italic>EmoteControl<\/jats:italic>\u2019s interface design and structure. A portable version of the system is also described, and specifications for the music inputted in the system are outlined. Several use-cases of the interface are discussed, and a formal interface evaluation study is reported. Results suggested that the elements controlling the cues were easy to use and understood by the users. The majority of users were satisfied with the way the system allowed them to express different emotions in music and found it a useful tool for research.<\/jats:p>","DOI":"10.1007\/s00779-020-01390-7","type":"journal-article","created":{"date-parts":[[2020,4,2]],"date-time":"2020-04-02T20:03:55Z","timestamp":1585857835000},"page":"677-689","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":6,"title":["EmoteControl: an interactive system for real-time control of emotional expression in music"],"prefix":"10.1007","volume":"25","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-4772-0983","authenticated-orcid":false,"given":"Annaliese","family":"Micallef Grimaud","sequence":"first","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Tuomas","family":"Eerola","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"297","published-online":{"date-parts":[[2020,4,2]]},"reference":[{"key":"1390_CR1","doi-asserted-by":"publisher","first-page":"383","DOI":"10.2307\/40285731","volume":"14","author":"PN Juslin","year":"1997","unstructured":"Juslin PN (1997) Emotional communication in music performance: a functionalist perspective and some data. Music Percept 14:383\u2013418. https:\/\/doi.org\/10.2307\/40285731","journal-title":"Music Percept"},{"key":"1390_CR2","first-page":"123","volume":"2001-2002","author":"A Gabrielsson","year":"2002","unstructured":"Gabrielsson A (2002) Emotion perceived and emotion felt: same or different? Music Sci VO - Spec Issue 2001-2002:123\u2013147","journal-title":"Music Sci VO - Spec Issue"},{"key":"1390_CR3","unstructured":"Livingstone SR, Brown AR (2005) Dynamic response: real-time adaptation for music emotion. In: 2nd Australasian conference on interactive entertainment. pp 105\u2013111"},{"key":"1390_CR4","doi-asserted-by":"publisher","first-page":"41","DOI":"10.1162\/comj.2010.34.1.41","volume":"34","author":"SR Livingstone","year":"2010","unstructured":"Livingstone SR, Muhlberger R, Brown AR, Thompson WF (2010) Changing musical emotion: a computational rule system for modifying score and performance. Comput Music J 34:41\u201364. https:\/\/doi.org\/10.1162\/comj.2010.34.1.41","journal-title":"Comput Music J"},{"key":"1390_CR5","doi-asserted-by":"crossref","unstructured":"Friberg A, Battel GU (2002) Structural communication. In: Parncutt R, McPherson GE (eds) The Science & Psychology of music performance: creative strategies for teaching and learning","DOI":"10.1093\/acprof:oso\/9780195138108.003.0013"},{"key":"1390_CR6","first-page":"141","volume-title":"The Oxford handbook of music psychology","author":"A Gabrielsson","year":"2008","unstructured":"Gabrielsson A (2008) The relationship between musical structure and perceived expression. In: Hallam S, Cross I, Thaut M (eds) The Oxford handbook of music psychology, 1st edn. Oxford University Press, New York, pp 141\u2013150","edition":"1"},{"key":"1390_CR7","doi-asserted-by":"publisher","first-page":"103","DOI":"10.2307\/1416710","volume":"47","author":"K Hevner","year":"1935","unstructured":"Hevner K (1935) The affective character of the major and minor modes in music. Am J Psychol 47:103\u2013118","journal-title":"Am J Psychol"},{"key":"1390_CR8","doi-asserted-by":"publisher","first-page":"621","DOI":"10.2307\/1416385","volume":"49","author":"K Hevner","year":"1937","unstructured":"Hevner K (1937) The affective value of pitch and tempo in music. Am J Psychol 49:621\u2013630","journal-title":"Am J Psychol"},{"key":"1390_CR9","doi-asserted-by":"publisher","first-page":"79","DOI":"10.2190\/NBNY-AKDK-GW58-MTEL","volume":"10","author":"WF Thompson","year":"1992","unstructured":"Thompson WF, Robitaille B (1992) Can composers express emotions through music? Empir Stud Arts 10:79\u201389","journal-title":"Empir Stud Arts"},{"key":"1390_CR10","doi-asserted-by":"publisher","first-page":"561","DOI":"10.1525\/mp.2004.21.4.561","volume":"21","author":"E Schubert","year":"2004","unstructured":"Schubert E (2004) Modeling perceived emotion with continuous musical features. Music Percept 21:561\u2013585. https:\/\/doi.org\/10.1525\/mp.2004.21.4.561","journal-title":"Music Percept"},{"key":"1390_CR11","doi-asserted-by":"publisher","first-page":"1797","DOI":"10.1037\/\/0096-1523.26.6.1797","volume":"26","author":"PN Juslin","year":"2000","unstructured":"Juslin PN (2000) Cue utilization in communication of emotion in music performance: relating performance to perception. J Exp Psychol Hum Percept Perform 26:1797\u20131813. https:\/\/doi.org\/10.1037\/\/0096-1523.26.6.1797","journal-title":"J Exp Psychol Hum Percept Perform"},{"key":"1390_CR12","doi-asserted-by":"publisher","first-page":"1","DOI":"10.3389\/fpsyg.2013.00184","volume":"4","author":"L Quinto","year":"2013","unstructured":"Quinto L, Thompson WF, Keating FL (2013) Emotional communication in speech and music: the role of melodic and rhythmic contrasts. Front Psychol 4:1\u20138. https:\/\/doi.org\/10.3389\/fpsyg.2013.00184","journal-title":"Front Psychol"},{"key":"1390_CR13","volume-title":"Introduction to computer music","author":"N Collins","year":"2010","unstructured":"Collins N (2010) Introduction to computer music. John Wiley & Sons, West Sussex"},{"key":"1390_CR14","doi-asserted-by":"publisher","first-page":"23","DOI":"10.1162\/014892600559407","volume":"24","author":"A Friberg","year":"2000","unstructured":"Friberg A, Colombo V, Fryd\u00e9n L, Sundberg J (2000) Generating musical performances with director musices. Comput Music J 24:23\u201329. https:\/\/doi.org\/10.1162\/014892600559407","journal-title":"Comput Music J"},{"key":"1390_CR15","doi-asserted-by":"publisher","first-page":"145","DOI":"10.2478\/v10053-008-0052-x","volume":"2","author":"A Friberg","year":"2006","unstructured":"Friberg A, Bresin R, Sundberg J (2006) Overview of the KTH rule system for musical performance. Adv Cogn Psychol 2:145\u2013161","journal-title":"Adv Cogn Psychol"},{"key":"1390_CR16","doi-asserted-by":"publisher","first-page":"311","DOI":"10.1080\/09298215.2012.731071","volume":"41","author":"M Grachten","year":"2012","unstructured":"Grachten M, Widmer G (2012) Linear basis models for prediction and analysis of musical expression. J New Music Res 41:311\u2013322. https:\/\/doi.org\/10.1080\/09298215.2012.731071","journal-title":"J New Music Res"},{"key":"1390_CR17","volume-title":"Computational modeling of expressive music performance with linear and non-linear basis function models","author":"CE Cancino Chac\u00f3n","year":"2018","unstructured":"Cancino Chac\u00f3n CE (2018) Computational modeling of expressive music performance with linear and non-linear basis function models. Johannes Kepler University, Linz"},{"key":"1390_CR18","first-page":"86","volume-title":"Proceedings of 18th international Florida artificial intelligence research society conference","author":"R Ramirez","year":"2005","unstructured":"Ramirez R, Hazan A (2005) Modeling expressive performance in jazz. In: Proceedings of 18th international Florida artificial intelligence research society conference. Association for the Advancement of Artificial Intellifence Press, Menlo Park, pp 86\u201391"},{"key":"1390_CR19","doi-asserted-by":"crossref","unstructured":"Holland S, Wilkie K, Mulholland P, Seago A (2014) Open research online. Choice Rev Online 51:51\u20132973\u201351\u20132973","DOI":"10.5860\/CHOICE.51-2973"},{"key":"1390_CR20","doi-asserted-by":"publisher","first-page":"19","DOI":"10.1007\/978-0-85729-433-3_3","volume-title":"Whole body interaction","author":"S Holland","year":"2011","unstructured":"Holland S, Wilkie K, Bouwer A et al (2011) Whole body interaction in abstract domains. In: England D (ed) Whole body interaction. Human-Computer Interaction Series. Springer, London, pp 19\u201334"},{"key":"1390_CR21","doi-asserted-by":"publisher","first-page":"207","DOI":"10.1007\/978-1-4471-2990-5_12","volume-title":"Music and human-computer interaction","author":"A Bouwer","year":"2013","unstructured":"Bouwer A, Holland S, Dalgleish M (2013) Song walker harmony space: embodied interaction design for complex musical skills. In: Holland S, Wilkie K, Mulholland P, Seago A (eds) Music and human-computer interaction. Springer, London, pp 207\u2013221"},{"key":"1390_CR22","doi-asserted-by":"publisher","first-page":"271","DOI":"10.1007\/978-1-4471-2990-5_16","volume-title":"Music and human-computer interaction","author":"T Gifford","year":"2013","unstructured":"Gifford T (2013) Appropriate and complementary rhythmic improvisation in an interactive music system. In: Holland S, Wilkie K, Mulholland P, Seago A (eds) Music and human-computer interaction. Springer, London, pp 271\u2013286"},{"key":"1390_CR23","doi-asserted-by":"crossref","unstructured":"Wong EL, Yuen WYF, Choy CST (2008) Designing Wii controller: a powerful musical instrument in an interactive music performance system. In: MoMM","DOI":"10.1145\/1497185.1497205"},{"key":"1390_CR24","doi-asserted-by":"publisher","unstructured":"Morreale F, De Angeli A (2016) Collaborating with an autonomous agent to generate affective music. Comput Entertain 14. https:\/\/doi.org\/10.1145\/2967508","DOI":"10.1145\/2967508"},{"key":"1390_CR25","unstructured":"Morreale F, Masu R, Angeli A De (2013) Robin: an algorithmic composer for interactive scenarios. Sound mMusic Comput Conf 2013, SMC 2013 207\u2013212"},{"key":"1390_CR26","first-page":"150","volume":"ICCC-10","author":"AR Lopez","year":"2010","unstructured":"Lopez AR, Oliveira AP, Cardoso A (2010) Real-time emotion-driven music engine. Proc Int Conf Comput Creat ICCC-10:150\u2013154","journal-title":"Proc Int Conf Comput Creat"},{"key":"1390_CR27","unstructured":"Wallis I, Ingalls T, Campana E, Goodman J (2011) A rule-based generative music system controlled by desired valence and arousal"},{"key":"1390_CR28","unstructured":"Hoeberechts M, Shantz J (2009) Real time emotional adaptation in automated composition. Audio Most 1\u20138"},{"key":"1390_CR29","doi-asserted-by":"publisher","unstructured":"Legaspi R, Hashimoto Y, Moriyama K et al (2007) Music compositional intelligence with an affective flavor. Int Conf Intell User Interfaces, Proc IUI:216\u2013224. https:\/\/doi.org\/10.1145\/1216295.1216335","DOI":"10.1145\/1216295.1216335"},{"key":"1390_CR30","unstructured":"Wallis I, Ingalls T, Campana E, Goodman J (2011) A rule-based generative music system controlled by desired valence and arousal. Proc 8th Sound Music Comput Conf SMC 2011"},{"key":"1390_CR31","doi-asserted-by":"publisher","first-page":"37","DOI":"10.1162\/014892606776021308","volume":"30","author":"A Friberg","year":"2006","unstructured":"Friberg A (2006) pDM: an expressive sequencer with real-time control of the KTH music-performance rules. Comput Music J 30:37\u201348. https:\/\/doi.org\/10.1162\/014892606776021308","journal-title":"Comput Music J"},{"key":"1390_CR32","doi-asserted-by":"publisher","first-page":"1068","DOI":"10.1016\/j.cortex.2011.05.009","volume":"47","author":"R Bresin","year":"2011","unstructured":"Bresin R, Friberg A (2011) Emotion rendering in music : range and characteristic values of seven musical variables. CORTEX 47:1068\u20131081. https:\/\/doi.org\/10.1016\/j.cortex.2011.05.009","journal-title":"CORTEX"},{"key":"1390_CR33","doi-asserted-by":"publisher","first-page":"205920431983494","DOI":"10.1177\/2059204319834943","volume":"2","author":"HE Kragness","year":"2019","unstructured":"Kragness HE, Trainor LJ (2019) Nonmusicians express emotions in musical productions using conventional cues. Music Sci 2:205920431983494. https:\/\/doi.org\/10.1177\/2059204319834943","journal-title":"Music Sci"},{"key":"1390_CR34","doi-asserted-by":"publisher","first-page":"62","DOI":"10.1162\/014892602320582981","volume":"26","author":"M Wanderley","year":"2002","unstructured":"Wanderley M, Orio N (2002) Evaluation of input devices for musical expression: borrowing tools from HCI. Comput Music J 26:62\u201376. https:\/\/doi.org\/10.1162\/014892602320582981","journal-title":"Comput Music J"},{"key":"1390_CR35","unstructured":"Poepel C (2005) On Interface expressivity: a player-based study. In: Proceedings of the International Conference on New Interfaces for Musical Expression. pp 228\u2013231"},{"key":"1390_CR36","doi-asserted-by":"publisher","first-page":"1","DOI":"10.1016\/S0010-0277(00)00136-0","volume":"80","author":"S Dalla Bella","year":"2001","unstructured":"Dalla Bella S, Peretz I, Rousseau L, Gosselin N (2001) A developmental study of the affective value of tempo and mode in music. Cognition 80:1\u201310","journal-title":"Cognition"},{"key":"1390_CR37","unstructured":"Morreale F, Masu R, Angeli A De, Fava P (2013) The effect of expertise in evaluating emotions in music. In: \u2026 on Music & Emotion (ICME3), \u2026"},{"key":"1390_CR38","doi-asserted-by":"publisher","first-page":"149","DOI":"10.1177\/0305735697252005","volume":"25","author":"SB Kamenetsky","year":"1997","unstructured":"Kamenetsky SB, Hill DS, Trehub SE (1997) Effect of tempo and dynamics on the perception of emotion in music. Psychol Music 25:149\u2013160. https:\/\/doi.org\/10.1177\/0305735697252005","journal-title":"Psychol Music"},{"key":"1390_CR39","doi-asserted-by":"publisher","first-page":"334","DOI":"10.1111\/j.1468-2249.2011.00323.x","volume":"29","author":"PN Juslin","year":"2010","unstructured":"Juslin PN, Lindstr\u00f6m E (2010) Musical expression of emotions: modelling listeners\u2019 judgements of composed and performed features. Music Anal 29:334\u2013364. https:\/\/doi.org\/10.1111\/j.1468-2249.2011.00323.x","journal-title":"Music Anal"},{"key":"1390_CR40","doi-asserted-by":"publisher","first-page":"503","DOI":"10.1177\/0305735613482023","volume":"42","author":"L Quinto","year":"2014","unstructured":"Quinto L, Thompson WF, Taylor A (2014) The contributions of compositional structure and performance expression to the communication of emotion in music. Psychol Music 42:503\u2013524. https:\/\/doi.org\/10.1177\/0305735613482023","journal-title":"Psychol Music"},{"key":"1390_CR41","doi-asserted-by":"publisher","first-page":"1","DOI":"10.1186\/s13612-014-0021-8","volume":"4","author":"S Saarikallio","year":"2014","unstructured":"Saarikallio S, Vuoskoski J, Luck G (2014) Adolescents\u2019 expression and perception of emotion in music reflects their broader abilities of emotional communication. Psychol Well Being 4:1\u201316. https:\/\/doi.org\/10.1186\/s13612-014-0021-8","journal-title":"Psychol Well Being"},{"key":"1390_CR42","doi-asserted-by":"publisher","first-page":"1","DOI":"10.3389\/fpsyg.2013.00487","volume":"4","author":"T Eerola","year":"2013","unstructured":"Eerola T, Friberg A, Bresin R (2013) Emotional expression in music : contribution , linearity , and additivity of primary musical cues. Front Psychol 4:1\u201312. https:\/\/doi.org\/10.3389\/fpsyg.2013.00487","journal-title":"Front Psychol"},{"key":"1390_CR43","doi-asserted-by":"publisher","first-page":"127","DOI":"10.3389\/fnsys.2013.00127","volume":"7","author":"M Cousineau","year":"2014","unstructured":"Cousineau M, Carcagno S, Demany L, Pressnitzer D (2014) What is a melody? On the relationship between pitch and brightness of timbre. Front Syst Neurosci 7:127","journal-title":"Front Syst Neurosci"},{"key":"1390_CR44","doi-asserted-by":"publisher","first-page":"43","DOI":"10.2307\/40285811","volume":"17","author":"L-L Balkwill","year":"1999","unstructured":"Balkwill L-L, Thompson WF (1999) A cross-cultural investigation of the perception of emotion in music: psychophysical and cultural cues. Music Percept An Interdiscip J 17:43\u201364. https:\/\/doi.org\/10.2307\/40285811","journal-title":"Music Percept An Interdiscip J"},{"key":"1390_CR45","doi-asserted-by":"publisher","first-page":"511","DOI":"10.1525\/mp.2013.30.5.511","volume":"30","author":"T Fritz","year":"2013","unstructured":"Fritz T (2013) The dock-in model of music culture and cross-cultural perception. Music Percept An Interdiscip J 30:511\u2013516","journal-title":"Music Percept An Interdiscip J"},{"key":"1390_CR46","doi-asserted-by":"publisher","first-page":"434","DOI":"10.1037\/a0031388","volume":"13","author":"P Laukka","year":"2013","unstructured":"Laukka P, Eerola T, Thingujam NS, Yamasaki T, Beller G (2013) Universal and culture-specific factors in the recognition and performance of musical affect expressions. Emotion 13:434\u2013449. https:\/\/doi.org\/10.1037\/a0031388","journal-title":"Emotion"},{"key":"1390_CR47","doi-asserted-by":"publisher","first-page":"337","DOI":"10.1111\/j.1468-5584.2004.00265.x","volume":"46","author":"WF Thompson","year":"2004","unstructured":"Thompson WF, Matsunaga RIE, Balkwill L-L (2004) Recognition of emotion in Japanese, Western, and Hindustani music by Japanese listeners. Jpn Psychol Res 46:337\u2013349","journal-title":"Jpn Psychol Res"},{"key":"1390_CR48","doi-asserted-by":"publisher","first-page":"674","DOI":"10.1177\/0305735615589214","volume":"44","author":"H Argstatter","year":"2016","unstructured":"Argstatter H (2016) Perception of basic emotions in music: culture-specific or multicultural? Psychol Music 44:674\u2013690. https:\/\/doi.org\/10.1177\/0305735615589214","journal-title":"Psychol Music"},{"key":"1390_CR49","unstructured":"Ollen JE (2006) A criterion-related validity test of selected indicators of musical sophistication using expert ratings"},{"key":"1390_CR50","unstructured":"Carroll JM (2002) Introduction: human-computer interaction, the past and the present. In: Carroll JM (ed) Human-computer interaction in the new millenium. ACM press and Addison Wesley, New York, pp xxvii\u2013xxxvii"},{"key":"1390_CR51","doi-asserted-by":"publisher","first-page":"457","DOI":"10.1525\/MP.2019.36.5.457","volume":"36","author":"JD Zhang","year":"2019","unstructured":"Zhang JD, Schubert E (2019) A single item measure for identifying musician and nonmusician categories based on measures of musical sophistication. Music Percept 36:457\u2013467. https:\/\/doi.org\/10.1525\/MP.2019.36.5.457","journal-title":"Music Percept"},{"key":"1390_CR52","doi-asserted-by":"publisher","DOI":"10.1371\/journal.pone.0222380","volume":"14","author":"V Midya","year":"2019","unstructured":"Midya V, Valla J, Balasubramanian H et al (2019) Cultural differences in the use of acoustic cues for musical emotion experience. PLoS One 14:e0222380","journal-title":"PLoS One"},{"key":"1390_CR53","doi-asserted-by":"publisher","first-page":"3","DOI":"10.1080\/15401380801995068","volume":"3","author":"MJ Silverman","year":"2008","unstructured":"Silverman MJ (2008) Nonverbal communication, music therapy, and autism: a review of literature and case example. J Creat Ment Heal 3:3\u201319. https:\/\/doi.org\/10.1080\/15401380801995068","journal-title":"J Creat Ment Heal"},{"key":"1390_CR54","doi-asserted-by":"publisher","first-page":"596","DOI":"10.1080\/14613808.2019.1670150","volume":"21","author":"S Saarikallio","year":"2019","unstructured":"Saarikallio S, Tervaniemi M, Yrtti A, Huotilainen M (2019) Expression of emotion through musical parameters in 3- and 5-year-olds. Music Educ Res 21:596\u2013605. https:\/\/doi.org\/10.1080\/14613808.2019.1670150","journal-title":"Music Educ Res"},{"key":"1390_CR55","first-page":"92","volume":"39","author":"L von Ahn","year":"2006","unstructured":"von Ahn L (2006) Games with a purpose. Computer (Long Beach Calif) 39:92\u201394","journal-title":"Computer (Long Beach Calif)"},{"key":"1390_CR56","unstructured":"Fabiani M, Dubus G, Bresin R (2011) MoodifierLive: interactive and collaborative expressive music performance on mobile devices. In: Proceedings of NIME 11. pp 116\u2013119"},{"key":"1390_CR57","unstructured":"Bresin R, Friberg A, Dahl S (2001) Toward a new model for sound control. In: COST G-6 conference on digital audio effects. pp 1\u20135"},{"key":"1390_CR58","doi-asserted-by":"crossref","unstructured":"Lartillot O, Toiviainen P, Eerola T (2008) A Matlab toolbox for music information retrieval. In: Preisach C, Burkhardt H, Schmidt-Thieme L, Decker R (eds) Data analysis, machine learning and applications. Springer Berlin Heidelberg, pp 261\u2013268","DOI":"10.1007\/978-3-540-78246-9_31"},{"key":"1390_CR59","first-page":"411","volume":"93","author":"A Friberg","year":"2007","unstructured":"Friberg A, Schoonderwaldt E, Juslin PN (2007) CUEX: an algorithm for automatic extraction of expressive tone parameters in music performance from acoustic signals. Acta Acust united with Acust 93:411\u2013420","journal-title":"Acta Acust united with Acust"},{"key":"1390_CR60","doi-asserted-by":"publisher","unstructured":"Cataltepe Z, Yaslan Y, Sonmez A (2007) Music genre classification using MIDI and audio features. EURASIP J Adv Signal Process 2007 . https:\/\/doi.org\/10.1155\/2007\/36409, 2007, 1, 8","DOI":"10.1155\/2007\/36409"},{"key":"1390_CR61","unstructured":"Friberg A (2004) A fuzzy analyzer of emotional expression in music performance and body motion. In: Sundberg J, Brunson B (eds) Proceedings of music and music science Stockholm. Stockholm"},{"key":"1390_CR62","unstructured":"Oliveira A, Cardoso A (2007) Control of affective content in music production"},{"key":"1390_CR63","unstructured":"Soydan AS (2018) Sonic matter: a real-time interactive music performance system"},{"key":"1390_CR64","unstructured":"van t Klooster A, Collins N (2014) In a state: live emotion detection and visualisation for music performance. In: Proceedings of the International Conference on New Interfaces for Musical Expression. pp 545\u2013548"},{"key":"1390_CR65","unstructured":"Rinman M-L, Friberg A, Kjellmo I, et al (2003) EPS - an interactive collaborative game using non-verbal communication. In: Proceedings of SMAC 03, of the Stockholm Music Acoustics Conference. pp 561\u2013563"}],"container-title":["Personal and Ubiquitous Computing"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/link.springer.com\/content\/pdf\/10.1007\/s00779-020-01390-7.pdf","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/link.springer.com\/article\/10.1007\/s00779-020-01390-7\/fulltext.html","content-type":"text\/html","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/link.springer.com\/content\/pdf\/10.1007\/s00779-020-01390-7.pdf","content-type":"application\/pdf","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2022,10,20]],"date-time":"2022-10-20T11:56:15Z","timestamp":1666266975000},"score":1,"resource":{"primary":{"URL":"https:\/\/link.springer.com\/10.1007\/s00779-020-01390-7"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2020,4,2]]},"references-count":65,"journal-issue":{"issue":"4","published-print":{"date-parts":[[2021,8]]}},"alternative-id":["1390"],"URL":"https:\/\/doi.org\/10.1007\/s00779-020-01390-7","relation":{},"ISSN":["1617-4909","1617-4917"],"issn-type":[{"type":"print","value":"1617-4909"},{"type":"electronic","value":"1617-4917"}],"subject":[],"published":{"date-parts":[[2020,4,2]]},"assertion":[{"value":"30 November 2019","order":1,"name":"received","label":"Received","group":{"name":"ArticleHistory","label":"Article History"}},{"value":"5 March 2020","order":2,"name":"accepted","label":"Accepted","group":{"name":"ArticleHistory","label":"Article History"}},{"value":"2 April 2020","order":3,"name":"first_online","label":"First Online","group":{"name":"ArticleHistory","label":"Article History"}},{"order":1,"name":"Ethics","group":{"name":"EthicsHeading","label":"Compliance with ethical standards"}},{"value":"The authors declare that they have no conflict of interest.","order":2,"name":"Ethics","group":{"name":"EthicsHeading","label":"Conflict of interest"}}]}}