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The foregoing is somewhat advantageous for analysts, as these tools can provide more valuable results and help reduce bias in the results and conclusions provided. Therefore, the objective of this research was to examine research trends in the use of machine learning to predict artistic styles from a bibliometric review based on the PRISMA methodology. From the search equations, 268 documents were found, out of which, following the application of inclusion and exclusion criteria, 128 documents were analyzed. Through quantitative analysis, a growing research interest in the subject is evident, progressing from user perception approaches to the utilization of tools like deep learning for art studies. Among the main results, it is possible to identify that one of the most used techniques in the field has been neural networks for pattern recognition. Also, a large part of the research focuses on the use of design software for image creation and manipulation. Finally, it is found that the number of studies focused on contemporary modern art is still limited, this is due to the fact that a large part of the investigations has focused on historical artistic styles.<\/jats:p>","DOI":"10.1007\/s10462-024-10727-0","type":"journal-article","created":{"date-parts":[[2024,4,15]],"date-time":"2024-04-15T12:01:51Z","timestamp":1713182511000},"update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":23,"title":["Using machine learning to predict artistic styles: an analysis of trends and the research agenda"],"prefix":"10.1007","volume":"57","author":[{"given":"Jackeline","family":"Valencia","sequence":"first","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Geraldine Garc\u00eda","family":"Pineda","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Vanessa Garc\u00eda","family":"Pineda","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Alejandro","family":"Valencia-Arias","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Juan","family":"Arcila-Diaz","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Renata Teodori","family":"de la Puente","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"297","published-online":{"date-parts":[[2024,4,15]]},"reference":[{"key":"10727_CR1","doi-asserted-by":"publisher","unstructured":"Achlioptas P, Ovsjanikov M, Haydarov K, Elhoseiny M, Guibas LJ (2021) ArtEmis: affective language for visual art. 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