{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,12,10]],"date-time":"2025-12-10T08:51:00Z","timestamp":1765356660776,"version":"3.37.3"},"reference-count":105,"publisher":"Springer Science and Business Media LLC","issue":"1-2","license":[{"start":{"date-parts":[[2020,2,6]],"date-time":"2020-02-06T00:00:00Z","timestamp":1580947200000},"content-version":"tdm","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"},{"start":{"date-parts":[[2020,2,6]],"date-time":"2020-02-06T00:00:00Z","timestamp":1580947200000},"content-version":"vor","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"}],"funder":[{"DOI":"10.13039\/501100001602","name":"Science Foundation Ireland","doi-asserted-by":"publisher","award":["13\/IA\/1850"],"award-info":[{"award-number":["13\/IA\/1850"]}],"id":[{"id":"10.13039\/501100001602","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":["Genet Program Evolvable Mach"],"published-print":{"date-parts":[[2020,6]]},"DOI":"10.1007\/s10710-020-09380-7","type":"journal-article","created":{"date-parts":[[2020,2,6]],"date-time":"2020-02-06T16:07:01Z","timestamp":1581005221000},"page":"55-85","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":22,"title":["Evolutionary music: applying evolutionary computation to the art of creating music"],"prefix":"10.1007","volume":"21","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-0974-7106","authenticated-orcid":false,"given":"R\u00f3is\u00edn","family":"Loughran","sequence":"first","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Michael","family":"O\u2019Neill","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"297","published-online":{"date-parts":[[2020,2,6]]},"reference":[{"issue":"2","key":"9380_CR1","doi-asserted-by":"crossref","first-page":"48","DOI":"10.1162\/comj.2009.33.2.48","volume":"33","author":"C Ariza","year":"2009","unstructured":"C. Ariza, The interrogator as critic: the turing test and the evaluation of generative music systems. Comput. Music J. 33(2), 48\u201370 (2009)","journal-title":"Comput. Music J."},{"key":"9380_CR2","unstructured":"Association for computational creativity. http:\/\/computationalcreativity.net\/"},{"key":"9380_CR3","unstructured":"J. Biles, GenJam: a genetic algorithm for generating jazz solos, in Proceedings of the International Computer Music Conference (International Computer Music Association, 1994), pp. 131\u2013131"},{"key":"9380_CR4","unstructured":"J.A. Biles, Straight-ahead jazz with GenJam: a quick demonstration, in MUME 2013 Workshop (2013)"},{"key":"9380_CR5","unstructured":"J. Biles, P. Anderson, L. Loggi, Neural network fitness functions for a musical iga.\u00a0Accessed from https:\/\/scholarworks.rit.edu\/other\/184 (1996)"},{"key":"9380_CR6","doi-asserted-by":"crossref","unstructured":"T. Blackwell, J. Branke, Multi-swarm optimization in dynamic environments, in Workshops on Applications of Evolutionary Computation (Springer, 2004), pp. 489\u2013500","DOI":"10.1007\/978-3-540-24653-4_50"},{"issue":"1","key":"9380_CR7","doi-asserted-by":"crossref","first-page":"347","DOI":"10.1016\/S0004-3702(98)00055-1","volume":"103","author":"MA Boden","year":"1998","unstructured":"M.A. Boden, Creativity and artificial intelligence. Artif. Intel. 103(1), 347\u2013356 (1998)","journal-title":"Artif. Intel."},{"key":"9380_CR8","doi-asserted-by":"crossref","DOI":"10.4324\/9780203508527","volume-title":"The Creative Mind: Myths and Mechanisms","author":"MA Boden","year":"2004","unstructured":"M.A. Boden, The Creative Mind: Myths and Mechanisms (Psychology Press, London, 2004)"},{"issue":"3","key":"9380_CR9","doi-asserted-by":"crossref","first-page":"23","DOI":"10.1609\/aimag.v30i3.2254","volume":"30","author":"MA Boden","year":"2009","unstructured":"M.A. Boden, Computer models of creativity. AI Mag. 30(3), 23 (2009)","journal-title":"AI Mag."},{"key":"9380_CR10","doi-asserted-by":"crossref","DOI":"10.1007\/978-3-662-43631-8","volume-title":"Natural Computing Algorithms","author":"A Brabazon","year":"2015","unstructured":"A. Brabazon, M. O\u2019Neill, S. McGarraghy, Natural Computing Algorithms (Springer, Berlin, 2015)"},{"key":"9380_CR11","doi-asserted-by":"crossref","first-page":"215","DOI":"10.1007\/978-94-010-0105-2_12","volume-title":"The Turing Test","author":"S Bringsjord","year":"2003","unstructured":"S. Bringsjord, P. Bello, D. Ferrucci, Creativity, the turing test, and the (better) lovelace test, in The Turing Test, ed. by J.H. Moor (Springer, Berlin, 2003), pp. 215\u2013239"},{"issue":"1","key":"9380_CR12","doi-asserted-by":"crossref","first-page":"17","DOI":"10.1080\/07494460802663991","volume":"28","author":"AR Brown","year":"2009","unstructured":"A.R. Brown, A. Sorensen, Interacting with generative music through live coding. Contemp. Music Rev. 28(1), 17\u201329 (2009)","journal-title":"Contemp. Music Rev."},{"key":"9380_CR13","doi-asserted-by":"crossref","first-page":"219","DOI":"10.1007\/978-3-7091-6492-1_48","volume-title":"Artificial Neural Nets and Genetic Algorithms","author":"AR Burton","year":"1998","unstructured":"A.R. Burton, T. Vladimirova, Genetic algorithm utilising neural network fitness evaluation for musical composition, in Artificial Neural Nets and Genetic Algorithms, ed. by G.D. Smith, et al. (Springer, Berlin, 1998), pp. 219\u2013223"},{"issue":"4","key":"9380_CR14","doi-asserted-by":"crossref","first-page":"59","DOI":"10.1162\/014892699560001","volume":"23","author":"AR Burton","year":"1999","unstructured":"A.R. Burton, T. Vladimirova, Generation of musical sequences with genetic techniques. Comput. Music J. 23(4), 59\u201373 (1999)","journal-title":"Comput. Music J."},{"issue":"3","key":"9380_CR15","doi-asserted-by":"crossref","first-page":"15","DOI":"10.1609\/aimag.v30i3.2252","volume":"30","author":"A Cardoso","year":"2009","unstructured":"A. Cardoso, T. Veale, G.A. Wiggins, Converging on the divergent: the history (and future) of the international joint workshops in computational creativity. AI Mag. 30(3), 15 (2009)","journal-title":"AI Mag."},{"key":"9380_CR16","volume-title":"Glitch Free FM Vocal Synthesis. Center for Computer Research in Music and Acoustics","author":"C Chafe","year":"2013","unstructured":"C. Chafe, Glitch Free FM Vocal Synthesis. Center for Computer Research in Music and Acoustics (Stanford University, Stanford, 2013)"},{"key":"9380_CR17","unstructured":"S. Colton, Creativity versus the perception of creativity in computational systems, in AAAI Spring Symposium: Creative Intelligent Systems (2008), pp. 14\u201320"},{"key":"9380_CR18","first-page":"21","volume":"12","author":"S Colton","year":"2012","unstructured":"S. Colton, G.A. Wiggins et al., Computational creativity: The final frontier? ECAI 12, 21\u201326 (2012)","journal-title":"ECAI"},{"key":"9380_CR19","unstructured":"P. Dahlstedt, Autonomous evolution of complete piano pieces and performances, in Proceedings of Music AL Workshop (Citeseer, 2007)"},{"key":"9380_CR20","volume-title":"Sounds Unheard of: Evolutionary Algorithms as Creative Tools for the Contemporary Composer","author":"P Dahlstedt","year":"2004","unstructured":"P. Dahlstedt, Sounds Unheard of: Evolutionary Algorithms as Creative Tools for the Contemporary Composer (Chalmers University of Technology, Goteborg, 2004)"},{"key":"9380_CR21","unstructured":"R. Dawkins, The blind watchmaker: why the evidence of evolution reveals a universe without design (reissued in 2006 and 1996) (1996)"},{"key":"9380_CR22","doi-asserted-by":"crossref","unstructured":"A.R. de\u00a0Freitas, F.G. Guimar\u00e3es, Originality and diversity in the artificial evolution of melodies, in Proceedings of the 13th Annual Conference on Genetic and Evolutionary Computation (ACM, 2011), pp. 419\u2013426","DOI":"10.1145\/2001576.2001634"},{"key":"9380_CR23","unstructured":"A.R. de\u00a0Freitas, F.G. Guimaraes, R.V. Barbosa, Ideas in automatic evaluation methods for melodies in algorithmic composition, in Sound and Music Computing Conference (2012)"},{"key":"9380_CR24","doi-asserted-by":"crossref","unstructured":"A.O. de\u00a0la Puente, R.S. Alfonso, M.A. Moreno, Automatic composition of music by means of grammatical evolution. in ACM SIGAPL APL Quote Quad vol.\u00a032 (ACM, 2002), pp. 148\u2013155","DOI":"10.1145\/604444.602249"},{"key":"9380_CR25","doi-asserted-by":"crossref","unstructured":"R. De\u00a0Prisco, G. Zaccagnino, R. Zaccagnino, Evobasscomposer: a multi-objective genetic algorithm for 4-voice compositions, in Proceedings of the 12th Annual Conference on Genetic and Evolutionary Computation (ACM, 2010), pp. 817\u2013818","DOI":"10.1145\/1830483.1830627"},{"issue":"2","key":"9380_CR26","doi-asserted-by":"crossref","first-page":"182","DOI":"10.1109\/4235.996017","volume":"6","author":"K Deb","year":"2002","unstructured":"K. Deb, A. Pratap, S. Agarwal, T. Meyarivan, A fast and elitist multiobjective genetic algorithm: Nsga-ii. IEEE Trans. Evol. Comput. 6(2), 182\u2013197 (2002)","journal-title":"IEEE Trans. Evol. Comput."},{"key":"9380_CR27","doi-asserted-by":"crossref","first-page":"13","DOI":"10.1162\/LMJ_a_00053","volume":"21","author":"G Diaz-Jerez","year":"2011","unstructured":"G. Diaz-Jerez, Composing with melomics: delving into the computational world for musical inspiration. Leonardo Music J. 21, 13\u201314 (2011)","journal-title":"Leonardo Music J."},{"key":"9380_CR28","doi-asserted-by":"crossref","unstructured":"P. Donnelly, J. Sheppard, Evolving four-part harmony using genetic algorithms, in European Conference on the Applications of Evolutionary Computation (Springer, Berlin, Heidelberg, 2011), pp. 273\u2013282","DOI":"10.1007\/978-3-642-20520-0_28"},{"key":"9380_CR29","unstructured":"A. Eigenfeldt, O. Bown, A.R. Brown, T. Gifford, Flexible generation of musical form: beyond mere generation, in Proceedings of the Seventh International Conference on Computational Creativity (2016)"},{"key":"9380_CR30","doi-asserted-by":"crossref","unstructured":"A. Eigenfeldt, P. Pasquier, Populations of populations: composing with multiple evolutionary algorithms, in Evolutionary and Biologically Inspired Music, Sound, Art and Design (Springer, Berlin, 2012), pp. 72\u201383","DOI":"10.1007\/978-3-642-29142-5_7"},{"key":"9380_CR31","doi-asserted-by":"crossref","unstructured":"A. Gartland-Jones, Musicblox: A real-time algorithmic composition system incorporating a distributed interactive genetic algorithm, in Workshops on Applications of Evolutionary Computation (Springer, 2003), pp. 490\u2013501","DOI":"10.1007\/3-540-36605-9_45"},{"issue":"3","key":"9380_CR32","doi-asserted-by":"crossref","first-page":"43","DOI":"10.1080\/0749446032000150870","volume":"22","author":"A Gartland-Jones","year":"2003","unstructured":"A. Gartland-Jones, P. Copley, The suitability of genetic algorithms for musical composition. Contemp. Music Rev. 22(3), 43\u201355 (2003)","journal-title":"Contemp. Music Rev."},{"key":"9380_CR33","unstructured":"P. Gibson, J. Byrne, Neurogen, musical composition using genetic algorithms and cooperating neural networks, in Second International Conference on Artificial Neural Networks (IET, 1991), pp. 309\u2013313"},{"key":"9380_CR34","doi-asserted-by":"crossref","unstructured":"S. Hickinbotham, S. Stepney, Augmenting live coding with evolved patterns, in International Conference on Evolutionary and Biologically Inspired Music and Art (Springer, 2016), pp. 31\u201346","DOI":"10.1007\/978-3-319-31008-4_3"},{"key":"9380_CR35","doi-asserted-by":"crossref","unstructured":"L.A. Hiller\u00a0Jr, L.M. Isaacson, Musical composition with a high speed digital computer, in Audio Engineering Society Convention, vol 9 (Audio Engineering Society, 1957)","DOI":"10.7551\/mitpress\/4360.003.0004"},{"key":"9380_CR36","doi-asserted-by":"crossref","unstructured":"D.M. Hofmann, A genetic programming approach to generating musical compositions, in International Conference on Evolutionary and Biologically Inspired Music and Art (Springer, 2015), pp. 89\u2013100","DOI":"10.1007\/978-3-319-16498-4_9"},{"key":"9380_CR37","doi-asserted-by":"crossref","unstructured":"A.K. Hoover, M.P. Rosario, K.O. Stanley, Scaffolding for interactively evolving novel drum tracks for existing songs, in Workshops on Applications of Evolutionary Computation (Springer, 2008), pp. 412\u2013422","DOI":"10.1007\/978-3-540-78761-7_44"},{"issue":"61801","key":"9380_CR38","first-page":"437","volume":"51","author":"A Horner","year":"1991","unstructured":"A. Horner, D.E. Goldberg, Genetic algorithms and computer-assisted music composition. Urbana 51(61801), 437\u2013441 (1991)","journal-title":"Urbana"},{"key":"9380_CR39","unstructured":"D. Horowitz, Generating rhythms with genetic algorithms, in AAAI vol\u00a094 (Cambridge, 1994), p. 1459"},{"key":"9380_CR40","doi-asserted-by":"crossref","unstructured":"S. Ianigro, O. Bown, Plecto: a low-level interactive genetic algorithm for the evolution of audio, in International Conference on Evolutionary and Biologically Inspired Music and Art (Springer, 2016), pp. 63\u201378","DOI":"10.1007\/978-3-319-31008-4_5"},{"key":"9380_CR41","unstructured":"International conference on computational intelligence in music, sounds, art and design (EvoMUSART). http:\/\/www.evostar.org\/2019\/"},{"key":"9380_CR42","unstructured":"B. Jacob, Composing with genetic algorithms, in International Computer Music Conference (ICMC), Banff Alberta (International Computer Music Association, 1995)"},{"issue":"3","key":"9380_CR43","doi-asserted-by":"crossref","first-page":"157","DOI":"10.1017\/S1355771896000222","volume":"1","author":"BL Jacob","year":"1996","unstructured":"B.L. Jacob, Algorithmic composition as a model of creativity. Organ. Sound 1(3), 157\u2013165 (1996)","journal-title":"Organ. Sound"},{"key":"9380_CR44","volume-title":"GP-Music: An Interactive Genetic Programming System for Music Generation with Automated Fitness Raters","author":"B Johanson","year":"1998","unstructured":"B. Johanson, R. Poli, GP-Music: An Interactive Genetic Programming System for Music Generation with Automated Fitness Raters (Citeseer, Princeton, 1998)"},{"key":"9380_CR45","doi-asserted-by":"crossref","unstructured":"C.G. Johnson, Fitness in evolutionary art and music: what has been used and what could be used?, in Evolutionary and Biologically Inspired Music, Sound, Art and Design (Springer,\u00a0Berlin, Heidelberg, 2012), pp. 129\u2013140","DOI":"10.1007\/978-3-642-29142-5_12"},{"key":"9380_CR46","doi-asserted-by":"crossref","unstructured":"C.G. Johnson, J.J.R. Cardalda, Genetic algorithms in visual art and music.\u00a0Leonardo 35(2), 175\u2013184\u00a0(2002)","DOI":"10.1162\/00240940252940559"},{"key":"9380_CR47","unstructured":"A. Jordanous, Evaluating evaluation: assessing progress in computational creativity research (2011)"},{"issue":"3","key":"9380_CR48","doi-asserted-by":"crossref","first-page":"246","DOI":"10.1007\/s12559-012-9156-1","volume":"4","author":"A Jordanous","year":"2012","unstructured":"A. Jordanous, A standardised procedure for evaluating creative systems: computational creativity evaluation based on what it is to be creative. Cognit. Comput. 4(3), 246\u2013279 (2012)","journal-title":"Cognit. Comput."},{"key":"9380_CR49","doi-asserted-by":"crossref","unstructured":"Y. Khalifa, B.K. Khan, J. Begovic, A. Wisdom, A.M. Wheeler, Evolutionary music composer integrating formal grammar, in Proceedings of the 9th Annual Conference Companion on Genetic and Evolutionary Computation (ACM, 2007), pp. 2519\u20132526","DOI":"10.1145\/1274000.1274020"},{"issue":"2","key":"9380_CR50","doi-asserted-by":"crossref","first-page":"310","DOI":"10.1016\/j.ejor.2007.06.028","volume":"190","author":"SO Kimbrough","year":"2008","unstructured":"S.O. Kimbrough, G.J. Koehler, M. Lu, D.H. Wood, On a feasible\u2013infeasible two-population (fi-2pop) genetic algorithm for constrained optimization: distance tracing and no free lunch. Eur. J. Oper. Res. 190(2), 310\u2013327 (2008)","journal-title":"Eur. J. Oper. Res."},{"key":"9380_CR51","unstructured":"K. Kunimatsu, Y. Ishikawa, M. Takata, K. Joe, A music composition model with genetic programming-a case study of chord progression and bassline, in Proceedings of the International Conference on Parallel and Distributed Processing Techniques and Applications (PDPTA). The Steering Committee of The World Congress in Computer Science, Computer Engineering and Applied Computing (WorldComp) (2015), p. 256"},{"key":"9380_CR52","unstructured":"P. Laine, M. Kuuskankare, Genetic algorithms in musical style oriented generation, in Evolutionary Computation, 1994. Proceedings of the First IEEE Conference on IEEE World Congress on Computational Intelligence (IEEE, 1994), pp. 858\u2013862"},{"key":"9380_CR53","unstructured":"Library of Congress, 2009 national recording registry (2009) https:\/\/www.loc.gov\/item\/prn-10-116\/"},{"key":"9380_CR54","unstructured":"R. Loughran, J. McDermott, M. O\u2019Neill, Grammatical evolution with zipf\u2019s law based fitness for melodic composition, in Sound and Music Computing Conference, Maynooth (2015)"},{"key":"9380_CR55","doi-asserted-by":"crossref","unstructured":"R. Loughran, J. McDermott, M. O\u2019Neill, Grammatical music composition with dissimilarity driven hill climbing, in Evolutionary and Biologically Inspired Music, Sound, Art and Design. ed. by J. Correia, C. Johnson, V. Ciesielski (Springer, Berlin, 2016), pp. 110\u2013125","DOI":"10.1007\/978-3-319-31008-4_8"},{"key":"9380_CR56","doi-asserted-by":"crossref","unstructured":"R. Loughran, J. McDermott, M. O\u2019Neill, Tonality driven piano compositions with grammatical evolution, in 2015 IEEE Congress on Evolutionary Computation (CEC) (IEEE, 2015), pp. 2168\u20132175","DOI":"10.1109\/CEC.2015.7257152"},{"key":"9380_CR57","unstructured":"R. Loughran, M. O\u2019Neill, \u2018My Little Chucky\u2019: towards live-coding with grammatical evolution, in Musical Metacreation (MuMe) ed. by\u00a0P. Pasquier, O. Bown, A. Eigenfeldt (2017)"},{"key":"9380_CR58","doi-asserted-by":"crossref","unstructured":"R. Loughran, M. O\u2019Neill, Clustering agents for the evolution of autonomous musical fitness, in Evolutionary and Biologically Inspired Music, Sound, Art and Design (Springer, Berlin, 2017)","DOI":"10.1007\/978-3-319-55750-2_11"},{"key":"9380_CR59","unstructured":"R. Loughran, M. O\u2019Neill, The popular critic: evolving melodies with popularity driven fitness, in Musical Metacreation (MuMe), Paris (2016)"},{"key":"9380_CR60","first-page":"1","volume":"2","author":"R Loughran","year":"2017","unstructured":"R. Loughran, M. O\u2019Neill, Limitations from assumptions in generative music evaluation. J. Creat. Music Syst. 2, 1 (2017)","journal-title":"J. Creat. Music Syst."},{"issue":"30","key":"9380_CR61","doi-asserted-by":"crossref","first-page":"12081","DOI":"10.1073\/pnas.1203182109","volume":"109","author":"RM MacCallum","year":"2012","unstructured":"R.M. MacCallum, M. Mauch, A. Burt, A.M. Leroi, Evolution of music by public choice. Proc. Natl. Acad. Sci. 109(30), 12081\u201312086 (2012)","journal-title":"Proc. Natl. Acad. Sci."},{"key":"9380_CR62","unstructured":"P. Machado, A. Cardoso, Nevar-the assessment of an evolutionary art tool, in Proceedings of the AISB00 Symposium on Creative and Cultural Aspects and Applications of AI and Cognitive Science, vol 456 (Birmingham, UK, 2000)"},{"key":"9380_CR63","unstructured":"P. Machado, J. Tavares, A. Cardoso, F.B. Pereira, E. Costa, Evolving creativity, in First International Joint Workshop on Computational Creativity (Universidad Complutense de Madrid, Madrid, 2004), pp. 17\u201319"},{"key":"9380_CR64","unstructured":"B. Manaris, P. Roos, P. Machado, D. Krehbiel, L. Pellicoro, J. Romero, A corpus-based hybrid approach to music analysis and composition, in Proceedings of the National Conference on Artificial Intelligence, vol\u00a022 (MIT Press, Cambridge, 2007), p. 839"},{"key":"9380_CR65","doi-asserted-by":"crossref","unstructured":"B. Manaris, D. Vaughan, C. Wagner, J. Romero, R.B. Davis, Evolutionary music and the Zipf\u2013Mandelbrot law: developing fitness functions for pleasant music, in Applications of Evolutionary Computing (Springer, Berlin, 2003), pp. 522\u2013534","DOI":"10.1007\/3-540-36605-9_48"},{"issue":"1","key":"9380_CR66","doi-asserted-by":"crossref","first-page":"55","DOI":"10.1162\/comj.2005.29.1.55","volume":"29","author":"B Manaris","year":"2005","unstructured":"B. Manaris, J. Romero, P. Machado, D. Krehbiel, T. Hirzel, W. Pharr, R.B. Davis, Zipf\u2019s law, music classification, and aesthetics. Comput. Music J. 29(1), 55\u201369 (2005)","journal-title":"Comput. Music J."},{"key":"9380_CR67","doi-asserted-by":"crossref","unstructured":"J. McCormack, Facing the future: evolutionary possibilities for human\u2013machine creativity, in The Art of Artificial Evolution, ed. by J.J. Romero\u00a0(Springer, Berlin, 2008), pp. 417\u2013451","DOI":"10.1007\/978-3-540-72877-1_19"},{"key":"9380_CR68","doi-asserted-by":"crossref","unstructured":"J. McCormack, Open problems in evolutionary music and art, in Applications of evolutionary computing. (Springer, Berlin, 2005), pp. 428\u2013436","DOI":"10.1007\/978-3-540-32003-6_43"},{"key":"9380_CR69","doi-asserted-by":"crossref","unstructured":"J. McDermott, U.M. O\u2019Reilly, An executable graph representation for evolutionary generative music, in Proceedings of the 13th Annual Conference on Genetic and Evolutionary Computation (ACM, New York, USA, 2011), pp. 403\u2013410","DOI":"10.1145\/2001576.2001632"},{"key":"9380_CR70","unstructured":"L.F. Menabrea, A. Lovelace, Sketch of the analytical engine invented by charles babbage (1842)"},{"key":"9380_CR71","doi-asserted-by":"crossref","unstructured":"P. Meusburger, Milieus of creativity: the role of places, environments, and spatial contexts, in Milieus of Creativity (Springer, Berlin, 2009), pp. 97\u2013153","DOI":"10.1007\/978-1-4020-9877-2"},{"issue":"4","key":"9380_CR72","first-page":"3","volume":"3","author":"ML Minsky","year":"1982","unstructured":"M.L. Minsky, Why people think computers can\u2019t. AI Mag. 3(4), 3 (1982)","journal-title":"AI Mag."},{"issue":"1","key":"9380_CR73","doi-asserted-by":"crossref","first-page":"29","DOI":"10.1076\/digc.14.1.29.8812","volume":"14","author":"ER Miranda","year":"2003","unstructured":"E.R. Miranda, On the evolution of music in a society of self-taught digital creatures. Digit. Creat. 14(1), 29\u201342 (2003)","journal-title":"Digit. Creat."},{"key":"9380_CR74","doi-asserted-by":"crossref","DOI":"10.1007\/978-1-84628-600-1","volume-title":"Evolutionary Computer Music","author":"ER Miranda","year":"2007","unstructured":"E.R. Miranda, J. Al\u00a0Biles, Evolutionary Computer Music (Springer, Berlin, 2007)"},{"key":"9380_CR75","doi-asserted-by":"crossref","first-page":"49","DOI":"10.1162\/096112100570602","volume":"10","author":"A Moroni","year":"2000","unstructured":"A. Moroni, J. Manzolli, F. Von Zuben, R. Gudwin, Vox populi: an interactive evolutionary system for algorithmic music composition. Leonardo Music J. 10, 49\u201354 (2000)","journal-title":"Leonardo Music J."},{"issue":"1","key":"9380_CR76","doi-asserted-by":"crossref","first-page":"1","DOI":"10.1109\/TEVC.2014.2366871","volume":"20","author":"E Munoz","year":"2016","unstructured":"E. Munoz, J. Cadenas, Y.S. Ong, G. Acampora, Memetic music composition. IEEE Trans. Evol. Comput. 20(1), 1 (2016)","journal-title":"IEEE Trans. Evol. Comput."},{"key":"9380_CR77","unstructured":"Musical Metacreation (MuMe). http:\/\/musicalmetacreation.org"},{"key":"9380_CR78","doi-asserted-by":"crossref","unstructured":"O. Olseng, B. Gamb\u00e4ck, Co-evolving melodies and harmonization in evolutionary music composition, in International Conference on Computational Intelligence in Music, Sound, Art and Design (Springer, 2018), pp. 239\u2013255","DOI":"10.1007\/978-3-319-77583-8_16"},{"key":"9380_CR79","unstructured":"M. Pearce, G. Wiggins, Towards a framework for the evaluation of machine compositions, in Proceedings of the AISB\u201901 Symposium on Artificial Intelligence and Creativity in the Arts and Sciences (Citeseer, 2001), pp. 22\u201332"},{"key":"9380_CR80","doi-asserted-by":"crossref","unstructured":"S. Phon-Amnuaisuk, E.H.H. Law, H.C. Kuan, Evolving music generation with som-fitness genetic programming, in Workshops on Applications of Evolutionary Computation (Springer, 2007), pp. 557\u2013566","DOI":"10.1007\/978-3-540-71805-5_61"},{"key":"9380_CR81","unstructured":"A. Pirnia, J. McCormack, Compressed multidimensional trees for evolutionary music representation, in ICMC (2012)"},{"issue":"3","key":"9380_CR82","doi-asserted-by":"crossref","first-page":"99","DOI":"10.1609\/aimag.v34i3.2464","volume":"34","author":"CS Quintana","year":"2013","unstructured":"C.S. Quintana, F.M. Arcas, D.A. Molina, J.D.F. Rodriguez, F.J. Vico, Melomics: a case-study of ai in spain. AI Mag. 34(3), 99\u2013103 (2013)","journal-title":"AI Mag."},{"key":"9380_CR83","doi-asserted-by":"crossref","unstructured":"J. Reddin, J. McDermott, M. O\u2019Neill, Elevated pitch: automated grammatical evolution of short compositions, in Applications of Evolutionary Computing ed. by M. Giacobini, et al. (Springer, 2009), pp. 579\u2013584","DOI":"10.1007\/978-3-642-01129-0_65"},{"key":"9380_CR84","volume-title":"Cybernetics, art and ideas","author":"J Reichardt","year":"1971","unstructured":"J. Reichardt, J. Reichardt, Cybernetics, art and ideas (Studio Vista, London, 1971)"},{"key":"9380_CR85","doi-asserted-by":"publisher","unstructured":"J. Romero, P. Machado, A. Carballal, Guest editorial: special issue on biologically inspired music, sound, art and design.\u00a0Genet Program Evolvable Mach 14, 281 (2013). https:\/\/doi.org\/10.1007\/s10710-013-9191-z","DOI":"10.1007\/s10710-013-9191-z"},{"key":"9380_CR86","doi-asserted-by":"crossref","DOI":"10.1007\/978-3-540-72877-1","volume-title":"The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music","author":"JJ Romero","year":"2008","unstructured":"J.J. Romero, The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music (Springer, Berlin, 2008)"},{"issue":"1","key":"9380_CR87","doi-asserted-by":"crossref","first-page":"92","DOI":"10.1080\/10400419.2012.650092","volume":"24","author":"MA Runco","year":"2012","unstructured":"M.A. Runco, G.J. Jaeger, The standard definition of creativity. Creat. Res. J. 24(1), 92\u201396 (2012)","journal-title":"Creat. Res. J."},{"key":"9380_CR88","doi-asserted-by":"crossref","unstructured":"M. Scirea, P. Eklund, J. Togelius, S. Risi, Evolving in-game mood-expressive music with metacompose, in Audio Mostky 2018: Sound in Immerision and Emotion (AM\u201918), New York (2018)","DOI":"10.1145\/3243274.3243292"},{"key":"9380_CR89","doi-asserted-by":"crossref","unstructured":"M. Scirea, J. Togelius, P. Eklund, S. Risi, Metacompose: A compositional evolutionary music composer, in International Conference on Evolutionary and Biologically Inspired Music and Art (Springer, 2016), pp. 202\u2013217","DOI":"10.1007\/978-3-319-31008-4_14"},{"key":"9380_CR90","doi-asserted-by":"crossref","unstructured":"J. Shao, J. McDermott, O\u2019Neill, M., A. Brabazon, Jive: A generative, interactive, virtual, evolutionary music system, in Applications of Evolutionary Computation, ed. by\u00a0C. Di Chio et el. (Springer, Berlin, 2010), pp. 341\u2013350","DOI":"10.1007\/978-3-642-12242-2_35"},{"issue":"8","key":"9380_CR91","doi-asserted-by":"crossref","first-page":"466","DOI":"10.1007\/BF01888721","volume":"9","author":"K Sims","year":"1993","unstructured":"K. Sims, Interactive evolution of equations for procedural models. Vis. Comput. 9(8), 466\u2013476 (1993)","journal-title":"Vis. Comput."},{"key":"9380_CR92","unstructured":"L. Spector, A. Alpern, Criticism, culture, and the automatic generation of artworks, in AAAI (1994), pp. 3\u20138"},{"key":"9380_CR93","first-page":"20","volume":"95","author":"L Spector","year":"1995","unstructured":"L. Spector, A. Alpern, Induction and recapitulation of deep musical structure. Proc. Int. Jt. Conf. Artif. Intell. 95, 20\u201325 (1995)","journal-title":"Proc. Int. Jt. Conf. Artif. Intell."},{"issue":"2","key":"9380_CR94","doi-asserted-by":"crossref","first-page":"99","DOI":"10.1162\/106365602320169811","volume":"10","author":"KO Stanley","year":"2002","unstructured":"K.O. Stanley, R. Miikkulainen, Evolving neural networks through augmenting topologies. Evol. Comput. 10(2), 99\u2013127 (2002)","journal-title":"Evol. Comput."},{"key":"9380_CR95","unstructured":"C. Sulyok, A. McPherson, C. Harte, Corpus-taught evolutionary music composition, in Proceedings of the 13th European Conference on Artificial life, York, UK (2015), pp. 587\u2013594"},{"issue":"02","key":"9380_CR96","doi-asserted-by":"crossref","first-page":"127","DOI":"10.1017\/S1355771899002095","volume":"4","author":"K Thywissen","year":"1999","unstructured":"K. Thywissen, GeNotator: an environment for exploring the application of evolutionary techniques in computer-assisted composition. Organ. Sound 4(02), 127\u2013133 (1999)","journal-title":"Organ. Sound"},{"key":"9380_CR97","doi-asserted-by":"crossref","first-page":"1284","DOI":"10.1109\/JSYST.2015.2482602","volume":"11","author":"CK Ting","year":"2015","unstructured":"C.K. Ting, C.L. Wu, C.H. Liu, A novel automatic composition system using evolutionary algorithm and phrase imitation. IEEE Syst. J. 11, 1284 (2015)","journal-title":"IEEE Syst. J."},{"key":"9380_CR98","volume-title":"Musical Networks: Parallel Distributed Perception and Performace","author":"PM Todd","year":"1999","unstructured":"P.M. Todd, G.M. Werner, Frankensteinian methods for evolutionary music composition, in Musical Networks: Parallel Distributed Perception and Performace, ed. by N. Griffith, P.M. Todd (MIT Press, Cambridge, 1999)"},{"key":"9380_CR99","unstructured":"D. Ventura, How to build a CC system, in Proceedings of the 8th International Conference on Computational Creativity, Atlanta (2017)"},{"key":"9380_CR100","doi-asserted-by":"crossref","unstructured":"G. Wang, P.R. Cook, et\u00a0al., Chuck: a concurrent, on-the-fly, audio programming language, in ICMC (2003)","DOI":"10.1145\/1027527.1027716"},{"key":"9380_CR101","unstructured":"R. Waschka, Theories of evolutionary algorithms and a`new simplicity\u2019opera: making sappho\u2019s breath, in Artificial Life Models for Musical Applications (Cosenza, 2011), pp. 79\u201386"},{"key":"9380_CR102","doi-asserted-by":"crossref","first-page":"117","DOI":"10.1007\/978-1-84628-600-1_6","volume-title":"Evolutionary Computer Music","author":"R Waschka II","year":"2007","unstructured":"R. Waschka II, Composing with genetic algorithms: GenDash, in Evolutionary Computer Music, ed. by E.R. Miranda, J.A. Biles (Springer, Berlin, 2007), pp. 117\u2013136"},{"key":"9380_CR103","unstructured":"G. Wiggins, G. Papadopoulos, S. Phon-Amnuaisuk, A. Tuson, Evolutionary methods for musical composition. Dai Research Paper (1998)"},{"issue":"1 suppl","key":"9380_CR104","doi-asserted-by":"crossref","first-page":"231","DOI":"10.1177\/10298649100140S110","volume":"14","author":"GA Wiggins","year":"2010","unstructured":"G.A. Wiggins, D. M\u00fcllensiefen, M.T. Pearce, On the non-existence of music: why music theory is a figment of the imagination. Musicae Scientiae 14(1 suppl), 231\u2013255 (2010)","journal-title":"Musicae Scientiae"},{"key":"9380_CR105","volume-title":"Human behavior and the principle of least effort","author":"GK Zipf","year":"1949","unstructured":"G.K. Zipf, Human behavior and the principle of least effort (Addison-Wesley Press, Boston, 1949)"}],"container-title":["Genetic Programming and Evolvable Machines"],"original-title":[],"language":"en","link":[{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/s10710-020-09380-7.pdf","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"http:\/\/link.springer.com\/article\/10.1007\/s10710-020-09380-7\/fulltext.html","content-type":"text\/html","content-version":"vor","intended-application":"text-mining"},{"URL":"http:\/\/link.springer.com\/content\/pdf\/10.1007\/s10710-020-09380-7.pdf","content-type":"application\/pdf","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,7,31]],"date-time":"2024-07-31T04:09:24Z","timestamp":1722398964000},"score":1,"resource":{"primary":{"URL":"http:\/\/link.springer.com\/10.1007\/s10710-020-09380-7"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2020,2,6]]},"references-count":105,"journal-issue":{"issue":"1-2","published-print":{"date-parts":[[2020,6]]}},"alternative-id":["9380"],"URL":"https:\/\/doi.org\/10.1007\/s10710-020-09380-7","relation":{},"ISSN":["1389-2576","1573-7632"],"issn-type":[{"type":"print","value":"1389-2576"},{"type":"electronic","value":"1573-7632"}],"subject":[],"published":{"date-parts":[[2020,2,6]]},"assertion":[{"value":"20 October 2018","order":1,"name":"received","label":"Received","group":{"name":"ArticleHistory","label":"Article History"}},{"value":"8 August 2019","order":2,"name":"revised","label":"Revised","group":{"name":"ArticleHistory","label":"Article History"}},{"value":"6 February 2020","order":3,"name":"first_online","label":"First Online","group":{"name":"ArticleHistory","label":"Article History"}}]}}