{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,1,18]],"date-time":"2026-01-18T11:53:10Z","timestamp":1768737190545,"version":"3.49.0"},"reference-count":50,"publisher":"Springer Science and Business Media LLC","issue":"5","license":[{"start":{"date-parts":[[2020,10,20]],"date-time":"2020-10-20T00:00:00Z","timestamp":1603152000000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/www.springer.com\/tdm"},{"start":{"date-parts":[[2020,10,20]],"date-time":"2020-10-20T00:00:00Z","timestamp":1603152000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.springer.com\/tdm"}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":["Multimed Tools Appl"],"published-print":{"date-parts":[[2021,2]]},"DOI":"10.1007\/s11042-020-10007-3","type":"journal-article","created":{"date-parts":[[2020,10,20]],"date-time":"2020-10-20T07:02:41Z","timestamp":1603177361000},"page":"6711-6736","update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":8,"title":["Studying and designing emotions in live interactions with the audience"],"prefix":"10.1007","volume":"80","author":[{"ORCID":"https:\/\/orcid.org\/0000-0001-9866-2843","authenticated-orcid":false,"given":"Rossana","family":"Damiano","sequence":"first","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Vincenzo","family":"Lombardo","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Giulia","family":"Monticone","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Antonio","family":"Pizzo","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"297","published-online":{"date-parts":[[2020,10,20]]},"reference":[{"key":"10007_CR1","doi-asserted-by":"crossref","unstructured":"Alrutz M, Listengarten J, Wood MVD (2011) Playing with theory in theatre practice, palgrave macmillan","DOI":"10.1007\/978-0-230-36410-3"},{"key":"10007_CR2","unstructured":"Arriaga O, Valdenegro-Toro M, Pl\u00f6ger P (2017) Real-time convolutional neural networks for emotion and gender classification. arXiv:1710.07557"},{"key":"10007_CR3","doi-asserted-by":"crossref","unstructured":"Aylett R, Louchart S (2013) I contain multitudes: creativity and emergent narrative. In: Proceedings of the 9th ACM Conference on Creativity & Cognition, ACM, pp 337\u2013340","DOI":"10.1145\/2466627.2466659"},{"key":"10007_CR4","doi-asserted-by":"crossref","unstructured":"Aylett RS, Louchart S, Dias J, Paiva A, Vala M (2005) Fearnot!\u2013an experiment in emergent narrative. In: International Workshop on Intelligent Virtual Agents, Springer, pp 305\u2013316","DOI":"10.1007\/11550617_26"},{"key":"10007_CR5","unstructured":"B\u00e4nziger T, Scherer KR (2010) Introducing the geneva multimodal emotion portrayal gemep corpus, blueprint for affective computing., 271\u2013294"},{"key":"10007_CR6","unstructured":"Battaglino C, Damiano R, Lesmo L (2013) Emotional range in value-sensitive deliberation. In: AAMAS International conference on Autonomous Agents and Multi-Agent Systems, IFAAMAS, vol 2 , pp 769\u2013776"},{"key":"10007_CR7","doi-asserted-by":"crossref","unstructured":"Baumer A, Magerko B (2009) Narrative development in improvisational theatre. In: Int. Conf. on Interactive Digital Storytelling, Springer, pp 140\u2013151","DOI":"10.1007\/978-3-642-10643-9_19"},{"key":"10007_CR8","doi-asserted-by":"crossref","unstructured":"Benford S, Greenhalgh C, Giannachi G, Walker B, Marshall J, Rodden T (2012) Uncomfortable interactions. In: Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, ACM, pp 2005\u20132014","DOI":"10.1145\/2207676.2208347"},{"key":"10007_CR9","doi-asserted-by":"crossref","unstructured":"Benford S, Greenhalgh C, Giannachi G, Walker B, Marshall J, Tennent P, Rodden T (2018) Discomfortthe dark side of fun. In: Funology 2, Springer, 209\u2013224","DOI":"10.1007\/978-3-319-68213-6_13"},{"key":"10007_CR10","unstructured":"Borowski M, Sugiera M (2010) Worlds in words: Storytelling in contemporary theatre and playwriting, Cambridge Scholars Publishing"},{"key":"10007_CR11","doi-asserted-by":"crossref","unstructured":"Cerratto-Pargman T, Rossitto C, Barkhuus L (2014) Understanding audience participation in an interactive theater performance. In: Proceedings of the 8th Nordic Conference on Human-Computer Interaction: Fun, Fast, Foundational, ACM, pp 608\u2013617","DOI":"10.1145\/2639189.2641213"},{"key":"10007_CR12","doi-asserted-by":"crossref","unstructured":"Corness G, Carlson K, Schiphorst T (2011) Audience empathy: a phenomenological method for mediated performance. In: Proceedings of the 8th ACM conference on Creativity and cognition, ACM, pp 127\u2013136","DOI":"10.1145\/2069618.2069641"},{"key":"10007_CR13","doi-asserted-by":"crossref","unstructured":"Damiano R, Lombardo V, Monticone G, Pizzo A (2019) All about face. an experiment in face emotion recognition in interactive dramatic performance. In: 2019 8th International Conference on Affective Computing and Intelligent Interaction Workshops and Demos (ACIIW), IEEE, pp 1\u20137","DOI":"10.1109\/ACIIW.2019.8925032"},{"key":"10007_CR14","doi-asserted-by":"crossref","unstructured":"Damiano R, Lombardo V, Monticone G, Pizzo A (2019) Artificial intelligence for dramatic performance. In: Alviano M, Greco G, Scarcello F (eds) AI*IA 2019 \u2013 Advances in Artificial Intelligence. Springer International Publishing, Cham, pp 542\u2013557","DOI":"10.1007\/978-3-030-35166-3_38"},{"key":"10007_CR15","doi-asserted-by":"crossref","unstructured":"Damiano R, Lombardo V, Pizzo A (2017) Doppiogioco. playing with the audience in an interactive storytelling platform. In: Conference on Complex, Intelligent, and Software Intensive Systems, Springer, pp 287\u2013298","DOI":"10.1007\/978-3-319-61566-0_27"},{"key":"10007_CR16","doi-asserted-by":"crossref","unstructured":"Damiano R, Lombardo V, Pizzo A (2017) Thinning the fourth wall with intelligent prompt. In: International Conference on Interactive Digital Storytelling, Springer, pp 206\u2013218","DOI":"10.1007\/978-3-319-71027-3_17"},{"key":"10007_CR17","doi-asserted-by":"crossref","unstructured":"Fischer-Lichte E, Wihstutz B (2017) Transformative aesthetics, Routledge Advances in Theatre & Performance Studies, Taylor & Francis. https:\/\/books.google.it\/books?id=JJwuDwAAQBAJ","DOI":"10.4324\/9781315164991"},{"key":"10007_CR18","unstructured":"Foreman-Wernet L, Dervin B (2013) In the context of their lives: How audience members make sense of performing arts experiences, The Audience Experience: A critical analysis of audiences in the performing arts. Chicago: Intellect, 67\u201382"},{"issue":"2\/3","key":"10007_CR19","first-page":"163","volume":"9","author":"E Fuchs","year":"1985","unstructured":"Fuchs E (1985) Presence and the revenge of writing: Re-thinking theatre after derrida. PAJ: A Journal of Performance and Art 9(2\/3):163\u2013173","journal-title":"PAJ: A Journal of Performance and Art"},{"issue":"4","key":"10007_CR20","doi-asserted-by":"publisher","first-page":"5573","DOI":"10.1007\/s11042-016-3879-z","volume":"76","author":"E Geelhoed","year":"2017","unstructured":"Geelhoed E, Singh-Barmi K, Biscoe I, Cesar P, Jansen J, Wang C, Kaiser R (2017) Co-present and remote audience experiences: intensity and cohesion. Multimedia Tools and Applications 76(4):5573\u20135606","journal-title":"Multimedia Tools and Applications"},{"key":"10007_CR21","doi-asserted-by":"crossref","unstructured":"Giardina M, Tramonte S, Gentile V, Vinanzi S, Chella A, Sorce S, Sorbello R (2017) Conveying audience emotions through humanoid robot gestures to an orchestra during a live musical exhibition. In: Conference on Complex, Intelligent, and Software Intensive Systems, Springer, pp 249\u2013261","DOI":"10.1007\/978-3-319-61566-0_24"},{"key":"10007_CR22","doi-asserted-by":"crossref","unstructured":"He L, Li H, Xue T, Sun D, Zhu S, Ding G (2018) Am i in the theater? usability study of live performance based virtual reality. In: Proceedings of the 24th ACM Symposium on Virtual Reality Software and Technology, pp 1\u201311","DOI":"10.1145\/3281505.3281508"},{"key":"10007_CR23","doi-asserted-by":"crossref","unstructured":"Latulipe C, Carroll EA, Lottridge D (2011) Love, hate, arousal and engagement: exploring audience responses to performing arts. In: Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, ACM, pp 1845\u20131854","DOI":"10.1145\/1978942.1979210"},{"key":"10007_CR24","doi-asserted-by":"crossref","unstructured":"Li B, Lee-Urban S, Johnston G, Riedl M (2013) Story generation with crowdsourced plot graphs.. In: AAAI","DOI":"10.1609\/aaai.v27i1.8649"},{"issue":"2","key":"10007_CR25","doi-asserted-by":"publisher","first-page":"119","DOI":"10.1080\/14626268.2013.808966","volume":"24","author":"C Lindinger","year":"2013","unstructured":"Lindinger C, Mara M, Obermaier K, Aigner R, Haring R, Pauser V (2013) The stage of participation: audience involvement in interactive performances. Digital Creativity 24(2):119\u2013129","journal-title":"Digital Creativity"},{"issue":"5","key":"10007_CR26","doi-asserted-by":"publisher","first-page":"503","DOI":"10.3233\/SW-140156","volume":"6","author":"V Lombardo","year":"2015","unstructured":"Lombardo V, Battaglino C, Pizzo A, Damiano R, Lieto A (2015) Coupling conceptual modeling and rules for the annotation of dramatic media. Semantic Web 6(5):503\u2013534","journal-title":"Semantic Web"},{"key":"10007_CR27","doi-asserted-by":"crossref","unstructured":"Lombardo V, Damiano R, Battaglino C, Pizzo A (2015) Automatic annotation of characters emotions in stories. In: International Conference on Interactive Digital Storytelling, Springer, pp 117\u2013129","DOI":"10.1007\/978-3-319-27036-4_11"},{"key":"10007_CR28","doi-asserted-by":"crossref","unstructured":"Louchart S, Truesdale J, Suttie N, Aylett R (2015) Emergent narrative: Past, present and future of an interactive storytelling approach. In: Interactive Digital Narrative. History, Theory and Practice, Routledge, pp 185\u2013199","DOI":"10.4324\/9781315769189-15"},{"issue":"3","key":"10007_CR29","first-page":"16","volume":"32","author":"B Marranca","year":"2010","unstructured":"Marranca B (2010) Performance as design: The mediaturgy of john jesurun\u2019s firefall. PAJ: A Journal of Performance and Art 32(3):16\u201324","journal-title":"PAJ: A Journal of Performance and Art"},{"key":"10007_CR30","unstructured":"Mateas M, Stern A (2003) Fa\u00e7ade: An experiment in building a fully-realized interactive drama. In: Game Developers Conference, 2"},{"key":"10007_CR31","doi-asserted-by":"crossref","unstructured":"Murray JT, Robinson R, Mateas M, Wardrip-Fruin N (2018) Comparing player responses to choice-based interactive narratives using facial expression analysis. In: International Conference on Interactive Digital Storytelling, Springer, pp 79\u201392","DOI":"10.1007\/978-3-030-04028-4_6"},{"key":"10007_CR32","doi-asserted-by":"crossref","unstructured":"Pitts SE, Price SM (2020) Understanding audience engagement in the contemporary arts, Routledge Research in the Creative and Cultural Industries Series, Taylor & Francis Group. https:\/\/books.google.it\/books?id=MFJuzQEACAAJ","DOI":"10.4324\/9780429342455"},{"issue":"4","key":"10007_CR33","doi-asserted-by":"publisher","first-page":"14","DOI":"10.1162\/dram_a_00872","volume":"63","author":"A Pizzo","year":"2019","unstructured":"Pizzo A, Lombardo V, Damiano R (2019) Algorithms and interoperability between drama and artificial intelligence. The Drama Review 63(4):14\u201332","journal-title":"The Drama Review"},{"key":"10007_CR34","unstructured":"Plutchik R (1980) Emotion: A psychoevolutionary synthesis, Harpercollins College Division"},{"key":"10007_CR35","doi-asserted-by":"crossref","unstructured":"Rao N, Chu SL, Faris RW, Ospina D (2019) The effects of interactive emotional priming on storytelling: An exploratory study. In: International Conference on Interactive Digital Storytelling, Springer , pp 395\u2013404","DOI":"10.1007\/978-3-030-33894-7_42"},{"issue":"1","key":"10007_CR36","doi-asserted-by":"publisher","first-page":"217","DOI":"10.1613\/jair.2989","volume":"39","author":"MO Riedl","year":"2010","unstructured":"Riedl MO, Young RM (2010) Narrative planning: balancing plot and character. J Artif Intell Res 39(1):217\u2013268","journal-title":"J Artif Intell Res"},{"issue":"2","key":"10007_CR37","doi-asserted-by":"publisher","first-page":"141","DOI":"10.1177\/1754073912469591","volume":"5","author":"IJ Roseman","year":"2013","unstructured":"Roseman IJ (2013) Appraisal in the emotion system: Coherence in strategies for coping. Emot Rev 5(2):141\u2013149","journal-title":"Emot Rev"},{"issue":"1","key":"10007_CR38","doi-asserted-by":"publisher","first-page":"145","DOI":"10.1037\/0033-295X.110.1.145","volume":"110","author":"JA Russell","year":"2003","unstructured":"Russell JA (2003) Core affect and the psychological construction of emotion. Psychological review 110(1):145","journal-title":"Psychological review"},{"key":"10007_CR39","doi-asserted-by":"crossref","unstructured":"Scherer KR (1999) Appraisal theory, Handbook of cognition and emotion, 637\u2013663","DOI":"10.1002\/0470013494.ch30"},{"issue":"6","key":"10007_CR40","doi-asserted-by":"publisher","first-page":"470","DOI":"10.1007\/s00530-002-0072-1","volume":"8","author":"NM Sgouros","year":"2003","unstructured":"Sgouros NM (2003) Analysis, management and indexing of distributed multimedia performances based on audience feedback. Multimedia systems 8(6):470\u2013481","journal-title":"Multimedia systems"},{"issue":"1","key":"10007_CR41","doi-asserted-by":"publisher","first-page":"48","DOI":"10.1037\/a0014632","volume":"3","author":"PJ Silvia","year":"2009","unstructured":"Silvia PJ (2009) Looking past pleasure: anger, confusion, disgust, pride, surprise, and other unusual aesthetic emotions. Psychology of Aesthetics, Creativity, and the Arts 3(1):48","journal-title":"Psychology of Aesthetics, Creativity, and the Arts"},{"key":"10007_CR42","unstructured":"Stevens C, Glass R, Schubert E, Chen J, Winskel H (2007) Methods for measuring audience reactions. In: Proceedings of the Inaugural International Conference on Music Communication Science, HCSNet, p 155"},{"key":"10007_CR43","doi-asserted-by":"crossref","unstructured":"Swartjes I, Theune M (2009) An experiment in improvised interactive drama. In: Intelligent Technologies for Interactive Entertainment, Springer, pp 234\u2013239","DOI":"10.1007\/978-3-642-02315-6_25"},{"key":"10007_CR44","unstructured":"Tanenbaum J (2013) How i learned to stop worrying and love the gamer: reframing subversive play in story-based games. In: Proceedings of DiGRA"},{"issue":"1","key":"10007_CR45","doi-asserted-by":"publisher","first-page":"96","DOI":"10.1037\/a0023845","volume":"6","author":"W Tschacher","year":"2012","unstructured":"Tschacher W, Greenwood S, Kirchberg V, Wintzerith S, van den Berg K, Tr\u00f6ndle M (2012) Physiological correlates of aesthetic perception of artworks in a museum. Psychology of Aesthetics, Creativity, and the Arts 6(1):96","journal-title":"Psychology of Aesthetics, Creativity, and the Arts"},{"key":"10007_CR46","unstructured":"Vicentini C (2012) Theory of acting. from antiquity to the eighteenth century, English translation by R. Bates ch. I-III and A. Weston Introduction, ch. IV-VIII and Epilogue, Marsilio, Venezia. https:\/\/www.actingarchives.it\/essays\/contenuti\/95-theory-of-acting-from-antiquity-to-the-eighteenth-century.html"},{"key":"10007_CR47","doi-asserted-by":"crossref","unstructured":"Walmsley B (2019) Audience engagement in the performing arts: A critical analysis, New Directions in Cultural Policy Research, Springer International Publishing. https:\/\/books.google.it\/books?id=8v-uDwAAQBAJ","DOI":"10.1007\/978-3-030-26653-0"},{"key":"10007_CR48","doi-asserted-by":"crossref","unstructured":"Wang C, Geelhoed EN, Stenton PP, Cesar P (2014) Sensing a live audience. In: Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, pp 1909\u20131912","DOI":"10.1145\/2556288.2557154"},{"key":"10007_CR49","doi-asserted-by":"crossref","unstructured":"Weallans A, Louchart S, Aylett R (2012) Distributed drama management: beyond double appraisal in emergent narrative, Interactive Storytelling, 132\u2013143","DOI":"10.1007\/978-3-642-34851-8_13"},{"key":"10007_CR50","doi-asserted-by":"crossref","unstructured":"Yan S, Ding G, Li H, Sun N, Wu Y, Guan Z, Zhang L, Huang T (2016) Enhancing audience engagement in performing arts through an adaptive virtual environment with a brain-computer interface. In: Proceedings of the 21st international conference on intelligent user interfaces, pp 306\u2013316","DOI":"10.1145\/2856767.2856768"}],"container-title":["Multimedia Tools and Applications"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/link.springer.com\/content\/pdf\/10.1007\/s11042-020-10007-3.pdf","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/link.springer.com\/article\/10.1007\/s11042-020-10007-3\/fulltext.html","content-type":"text\/html","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/link.springer.com\/content\/pdf\/10.1007\/s11042-020-10007-3.pdf","content-type":"application\/pdf","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2022,11,23]],"date-time":"2022-11-23T23:40:07Z","timestamp":1669246807000},"score":1,"resource":{"primary":{"URL":"https:\/\/link.springer.com\/10.1007\/s11042-020-10007-3"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2020,10,20]]},"references-count":50,"journal-issue":{"issue":"5","published-print":{"date-parts":[[2021,2]]}},"alternative-id":["10007"],"URL":"https:\/\/doi.org\/10.1007\/s11042-020-10007-3","relation":{},"ISSN":["1380-7501","1573-7721"],"issn-type":[{"value":"1380-7501","type":"print"},{"value":"1573-7721","type":"electronic"}],"subject":[],"published":{"date-parts":[[2020,10,20]]},"assertion":[{"value":"16 January 2020","order":1,"name":"received","label":"Received","group":{"name":"ArticleHistory","label":"Article History"}},{"value":"24 July 2020","order":2,"name":"revised","label":"Revised","group":{"name":"ArticleHistory","label":"Article History"}},{"value":"29 September 2020","order":3,"name":"accepted","label":"Accepted","group":{"name":"ArticleHistory","label":"Article History"}},{"value":"20 October 2020","order":4,"name":"first_online","label":"First Online","group":{"name":"ArticleHistory","label":"Article History"}}]}}