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Netw. Anal. Min."],"published-print":{"date-parts":[[2022,12]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>One of the key aspects that distinguish TikTok from other social media is the presence of challenges. A challenge is a kind of competition that starts when a user posts a video with certain actions and a certain hashtag and invites other users to replicate the same video in their own way. Most challenges are fun and harmless, but sometimes dangerous challenges are launched as well. The authors of these challenges use various tricks to bypass TikTok\u2019s controls. In this paper, we analyze the lifespans of some TikTok challenges and show how they are very different for non-dangerous and dangerous ones. Then, we deepen our analysis by identifying some time patterns that characterize the two types of challenges. Finally, we test the accuracy of the results obtained on a large set of challenges different from those used during the detection of time patterns. The focus of this paper is the detection of time patterns allowing the classification of challenges in dangerous and non-dangerous ones. This could represent a first step towards an approach for the early detection of dangerous challenges in TikTok.<\/jats:p>","DOI":"10.1007\/s13278-022-00893-w","type":"journal-article","created":{"date-parts":[[2022,6,16]],"date-time":"2022-06-16T19:35:52Z","timestamp":1655408152000},"update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":7,"title":["Extracting time patterns from the lifespans of TikTok challenges to characterize non-dangerous and dangerous ones"],"prefix":"10.1007","volume":"12","author":[{"given":"Gianluca","family":"Bonifazi","sequence":"first","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Silvia","family":"Cecchini","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Enrico","family":"Corradini","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Lorenzo","family":"Giuliani","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-1360-8499","authenticated-orcid":false,"given":"Domenico","family":"Ursino","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Luca","family":"Virgili","sequence":"additional","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"297","published-online":{"date-parts":[[2022,6,16]]},"reference":[{"key":"893_CR1","doi-asserted-by":"crossref","first-page":"65","DOI":"10.5565\/rev\/analisi.3411","volume":"64","author":"N Alonso-L\u00f3pez","year":"2021","unstructured":"Alonso-L\u00f3pez N, Sidorenko-Bautistal P, Giacomelli F (2021) Beyond challenges and viral dance moves: TikTok as a vehicle for disinformation and fact-checking in Spain, Portugal, Brazil, and the USA. 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