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The framework explicitly integrates environmental structures, cultural mediation, and embodied interpretation which are elements that can be encompassed by the broader categories illustrated in the present paper as internal and external knowledge. It provides a theoretical architecture for studying aesthetic experience as distributed across individuals and contexts\u2014closely aligning with accounts of internal and external knowledge as co-constitutive."},{"key":"10.1016\/j.copsyc.2026.102428_bib55a","unstructured":"This paper proposes a framework for understanding aesthetic experience through the interaction of affective and semiotic processes. Rather than treating aesthetic experience as the outcome of a single mechanism, Schino et al. argue that sense-making and emotional responses continuously shape one another during encounters with art. By emphasizing the dynamic and situated nature of aesthetic experience, the paper supports the interactionist perspective adopted in the present article. In particular, it provides a theoretical foundation for viewing knowledge as part of a broader system of interactions between perceiver, artwork, and context, thereby complementing our distinction between internal and external forms of knowledge."},{"key":"10.1016\/j.copsyc.2026.102428_bib56a","unstructured":"This paper shows it\u2019s important to not just take an interactionist perspective in theory, but also in practice\u2014i.e. how we statistically model and analyze our data, as these significantly impact both the results we find, as the way we interpret them."},{"key":"10.1016\/j.copsyc.2026.102428_bib57a","unstructured":"This phenomenological study examines how viewers describe arriving at understanding through engagement with artworks. The findings suggest that aesthetic experiences often involve active processes of interpretation in which personal histories, prior assumptions, emotional responses, and contextual cues become integrated into newly constructed meanings. Thus, providing empirical support for the idea that meaning emerges through the interaction of internally available knowledge and externally available information."},{"key":"10.1016\/j.copsyc.2026.102428_bib58a","unstructured":"This paper reviews how predictive processing can inform empirical aesthetics and proposes that aesthetic experience emerges through interactions between expectations and incoming sensory information. 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