{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,10,7]],"date-time":"2026-10-07T16:00:47Z","timestamp":1791388847585,"version":"4.3.3"},"reference-count":38,"publisher":"Elsevier BV","issue":"2","license":[{"start":{"date-parts":[[2017,3,1]],"date-time":"2017-03-01T00:00:00Z","timestamp":1488326400000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/www.elsevier.com\/tdm\/userlicense\/1.0\/"}],"funder":[{"DOI":"10.13039\/501100003510","name":"Haridus- ja Teadusministeerium","doi-asserted-by":"publisher","award":["IUT12-1"],"award-info":[{"award-number":["IUT12-1"]}],"id":[{"id":"10.13039\/501100003510","id-type":"DOI","asserted-by":"publisher"}]},{"DOI":"10.13039\/501100008530","name":"European Regional Development Fund","doi-asserted-by":"publisher","id":[{"id":"10.13039\/501100008530","id-type":"DOI","asserted-by":"publisher"}]},{"DOI":"10.13039\/501100000780","name":"European Commission","doi-asserted-by":"publisher","id":[{"id":"10.13039\/501100000780","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Journal of Voice"],"published-print":{"date-parts":[[2017,3]]},"DOI":"10.1016\/j.jvoice.2016.06.018","type":"journal-article","created":{"date-parts":[[2016,7,27]],"date-time":"2016-07-27T05:23:21Z","timestamp":1469597001000},"page":"254.e17-254.e29","source":"Crossref","is-referenced-by-count":5,"title":["Phonatory Strategies of Male Vocalists in Singing Diatonic Scales With Various Dynamic Shapings"],"prefix":"10.1016","volume":"31","author":[{"given":"Allan","family":"Vurma","sequence":"first","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"78","reference":[{"key":"10.1016\/j.jvoice.2016.06.018_bib0010","series-title":"The Science of the Singing Voice","author":"Sundberg","year":"1987"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0015","series-title":"Psychology of Music","first-page":"69","article-title":"Perception of singing","author":"Sundberg","year":"2013"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0020","series-title":"Principles of Voice Production","author":"Titze","year":"1994"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0025","series-title":"The Phonetic Description of Voice Quality","author":"Laver","year":"1980"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0030","series-title":"Manual of Phonetics","first-page":"278","article-title":"Mechanism of the larynx and the laryngeal vibrations","author":"Van den Berg","year":"1968"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0035","series-title":"Research Potentials in Voice Physiology","first-page":"20","article-title":"Questions regarding the function of external laryngeal muscles","author":"Zenker","year":"1964"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0040","doi-asserted-by":"crossref","first-page":"424","DOI":"10.1016\/S0892-1997(98)80051-9","article-title":"Effects of lung volume on the glottal voice source","volume":"12","author":"Iwarsson","year":"1998","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0045","doi-asserted-by":"crossref","first-page":"2733","DOI":"10.1121\/1.2832337","article-title":"Nonlinear source-filter coupling in phonation: theory","volume":"123","author":"Titze","year":"2008","journal-title":"J Acoust Soc Am"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0050","doi-asserted-by":"crossref","first-page":"2864","DOI":"10.1121\/1.429284","article-title":"The closed quotient as a factor in the singing voice","volume":"107","author":"Miller","year":"2000","journal-title":"J Acoust Soc Am"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0055","doi-asserted-by":"crossref","first-page":"2936","DOI":"10.1121\/1.402929","article-title":"Vocal intensity in speakers and singers","volume":"91","author":"Titze","year":"1992","journal-title":"J Acoust Soc Am"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0060","doi-asserted-by":"crossref","first-page":"159","DOI":"10.1080\/14015430600576055","article-title":"Subglottal pressure and normalized amplitude quotient variation in classically trained baritone singers","volume":"31","author":"Bj\u00f6rkner","year":"2006","journal-title":"Logoped Phoniatr Vocol"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0065","series-title":"Vocology: The Science and Practice of Voice Habilitation","author":"Titze","year":"2012"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0070","doi-asserted-by":"crossref","first-page":"623","DOI":"10.1007\/s12046-011-0041-5","article-title":"Glottal inverse filtering analysis of human voice production\u2014a review of estimation and parameterization methods of the glottal excitation and their applications","volume":"36","author":"Alku","year":"2011","journal-title":"Sadhana"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0075","doi-asserted-by":"crossref","first-page":"556","DOI":"10.1044\/jshr.3203.556","article-title":"Spectral correlates of glottal voice source waveform characteristics","volume":"32","author":"Gauffin","year":"1989","journal-title":"J Speech Hear Res"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0080","doi-asserted-by":"crossref","first-page":"125","DOI":"10.1016\/S0167-6393(97)00017-4","article-title":"The voice source in connected speech","volume":"22","author":"Fant","year":"1997","journal-title":"Speech Commun"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0085","first-page":"21","article-title":"Notes on glottal flow interaction","volume":"2\u20133","author":"Fant","year":"1985","journal-title":"STL-QPSR"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0090","doi-asserted-by":"crossref","first-page":"1965","DOI":"10.1121\/1.426731","article-title":"Effects of subglottal pressure variation on professional baritone singer's voice sources","volume":"105","author":"Sundberg","year":"1999","journal-title":"J Acoust Soc Am"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0095","doi-asserted-by":"crossref","first-page":"701","DOI":"10.1121\/1.1490365","article-title":"Normalized amplitude quotient for parameterization of the glottal flow","volume":"112","author":"Alku","year":"2002","journal-title":"J Acoust Soc Am"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0100","doi-asserted-by":"crossref","first-page":"56","DOI":"10.1016\/j.jvoice.2003.05.006","article-title":"Estimating perceived phonatory pressedness in singing from flow glottograms","volume":"1","author":"Sundberg","year":"2004","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0105","doi-asserted-by":"crossref","first-page":"148","DOI":"10.1016\/j.jvoice.2014.07.005","article-title":"Contact quotient versus closed quotient: a comparative study on professional male singers","volume":"29","author":"La","year":"2015","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0110","doi-asserted-by":"crossref","first-page":"546","DOI":"10.1121\/1.2924146","article-title":"Relation between perceived voice register and flow glottogram parameters in males","volume":"124","author":"Salom\u00e3o","year":"2008","journal-title":"J Acoust Soc Am"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0115","doi-asserted-by":"crossref","first-page":"98","DOI":"10.1016\/S0892-1997(05)80123-7","article-title":"Electroglottography","volume":"6","author":"Baken","year":"1992","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0120","series-title":"The Structure of Singing: System and Art in Vocal Technique","author":"Miller","year":"1986"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0125","series-title":"On the Art of Singing","author":"Miller","year":"1996"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0130","series-title":"Principles of Musical Acoustics","author":"Hartmann","year":"2013"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0135","series-title":"Acoustics and the Performance of Music","author":"Meyer","year":"2009"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0145","series-title":"Grove's Dictionary of Music and Musicians","first-page":"43","article-title":"Voice training","author":"Kelsey","year":"1954"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0150","series-title":"NATS Bulletin","article-title":"Towards an objective vocabulary for voice pedagogy","author":"Van den Berg","year":"1959"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0155","series-title":"Die akustichen Grundlagen der Instrumentation","author":"Burghauser","year":"1971"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0160","doi-asserted-by":"crossref","first-page":"533","DOI":"10.1016\/j.jvoice.2006.12.007","article-title":"Musical theatre and opera singing\u2014why so different? A study of subglottal pressure, voice source, and formant frequency characteristics","volume":"22","author":"Bj\u00f6rkner","year":"2008","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0165","doi-asserted-by":"crossref","first-page":"26","DOI":"10.1080\/140154301300109107","article-title":"Voice source differences between falsetto and modal registers in counter tenors, tenors and baritones","volume":"26","author":"Sundberg","year":"2001","journal-title":"Logoped Phoniatr Vocol"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0170","first-page":"1","article-title":"Preliminaries to analysis of the human voice source","volume":"4","author":"Fant","year":"1982","journal-title":"STL-QPSR"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0175","doi-asserted-by":"crossref","first-page":"541","DOI":"10.1016\/j.jvoice.2006.04.002","article-title":"Phonation threshold pressure across the pitch range: preliminary test of the model","volume":"21","author":"Solomon","year":"2007","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0180","doi-asserted-by":"crossref","first-page":"410","DOI":"10.1016\/j.jvoice.2008.12.008","article-title":"The singer's voice range profile: female professional opera soloists","volume":"24","author":"Lamarche","year":"2010","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0185","doi-asserted-by":"crossref","first-page":"367","DOI":"10.1121\/1.1417526","article-title":"Regulating glottal airflow in phonation: application of the maximum power transfer theorem to a low dimensional phonation model","volume":"111","author":"Titze","year":"2002","journal-title":"J Acoust Soc Am"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0190","series-title":"Sonority in Singing","author":"Newton","year":"1984"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0195","series-title":"The Cambridge Companion to Singing","article-title":"Where does the sound come from?","author":"Sundberg","year":"2000"},{"key":"10.1016\/j.jvoice.2016.06.018_bib0200","doi-asserted-by":"crossref","first-page":"847","DOI":"10.1121\/1.396654","article-title":"The timbre of sung vowels","volume":"84","author":"Bloothooft","year":"1988","journal-title":"J Acoust Soc Am"}],"container-title":["Journal of Voice"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/api.elsevier.com\/content\/article\/PII:S0892199716301850?httpAccept=text\/plain","content-type":"text\/plain","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/api.elsevier.com\/content\/article\/PII:S0892199716301850?httpAccept=text\/xml","content-type":"text\/xml","content-version":"vor","intended-application":"text-mining"}],"deposited":{"date-parts":[[2022,7,2]],"date-time":"2022-07-02T23:51:53Z","timestamp":1656805913000},"score":1,"resource":{"primary":{"URL":"https:\/\/linkinghub.elsevier.com\/retrieve\/pii\/S0892199716301850"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2017,3]]},"references-count":38,"journal-issue":{"issue":"2","published-print":{"date-parts":[[2017,3]]}},"alternative-id":["S0892199716301850"],"URL":"https:\/\/doi.org\/10.1016\/j.jvoice.2016.06.018","relation":{},"ISSN":["0892-1997"],"issn-type":[{"value":"0892-1997","type":"print"}],"subject":[],"published":{"date-parts":[[2017,3]]}}}