{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,9,26]],"date-time":"2026-09-26T19:30:03Z","timestamp":1790451003122,"version":"4.1.0"},"reference-count":54,"publisher":"Elsevier BV","issue":"3","license":[{"start":{"date-parts":[[2018,5,1]],"date-time":"2018-05-01T00:00:00Z","timestamp":1525132800000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/www.elsevier.com\/tdm\/userlicense\/1.0\/"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Journal of Voice"],"published-print":{"date-parts":[[2018,5]]},"DOI":"10.1016\/j.jvoice.2017.06.009","type":"journal-article","created":{"date-parts":[[2017,7,12]],"date-time":"2017-07-12T14:34:15Z","timestamp":1499870055000},"page":"340-346","source":"Crossref","is-referenced-by-count":22,"title":["Common Vocal Effects and Partial Glottal Vibration in Professional Nonclassical Singers"],"prefix":"10.1016","volume":"32","author":[{"given":"Philipp P.","family":"Caffier","sequence":"first","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Ahmed","family":"Ibrahim Nasr","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Maria del Mar","family":"Ropero Rendon","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Sascha","family":"Wienhausen","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Eleanor","family":"Forbes","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Wolfram","family":"Seidner","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Tadeus","family":"Nawka","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"78","reference":[{"key":"10.1016\/j.jvoice.2017.06.009_bib0010","first-page":"77","article-title":"Observational study of differences in head position for high notes in famous classical and non-classical male singers","volume":"41","author":"Amarante Andrade","year":"2016","journal-title":"Logoped Phoniatr Vocol"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0015","doi-asserted-by":"crossref","first-page":"314","DOI":"10.1016\/j.jvoice.2008.10.003","article-title":"Closed quotient and spectral measures of female adolescent singers in different singing styles","volume":"24","author":"Barlow","year":"2010","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0020","doi-asserted-by":"crossref","first-page":"549","DOI":"10.1288\/00005537-198605000-00015","article-title":"Acoustical analysis of the underlying voice differences between two groups of professional singers: opera and country and western","volume":"96","author":"Burns","year":"1986","journal-title":"Laryngoscope"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0025","doi-asserted-by":"crossref","first-page":"155","DOI":"10.1097\/MOO.0b013e32832af11b","article-title":"Acoustics of the trained versus untrained singing voice","volume":"17","author":"Howard","year":"2009","journal-title":"Curr Opin Otolaryngol Head Neck Surg"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0030","article-title":"Investigating the voce faringea: physiological and acoustic characteristics of the bel canto tenor's forgotten singing practice","author":"Mayr","year":"2016","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0035","doi-asserted-by":"crossref","first-page":"198","DOI":"10.1016\/j.jvoice.2014.11.009","article-title":"Effects of bel canto training on acoustic and aerodynamic characteristics of the singing voice","volume":"30","author":"McHenry","year":"2016","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0040","doi-asserted-by":"crossref","first-page":"179","DOI":"10.21091\/mppa.2016.3032","article-title":"Contribution of glottic insufficiency to perceived breathiness in classically trained singers","volume":"31","author":"Graham","year":"2016","journal-title":"Med Probl Perform Art"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0045","doi-asserted-by":"crossref","first-page":"678","DOI":"10.1016\/j.jvoice.2010.09.003","article-title":"The acoustic effects of vowel equalization training in singers","volume":"25","author":"Dromey","year":"2011","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0050","doi-asserted-by":"crossref","first-page":"391","DOI":"10.1016\/j.jvoice.2014.08.009","article-title":"Glottal adduction and subglottal pressure in singing","volume":"29","author":"Herbst","year":"2015","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0055","doi-asserted-by":"crossref","first-page":"236","DOI":"10.1016\/j.jvoice.2003.05.001","article-title":"Effects of a professional solo singer education on auditory and kinesthetic feedback\u2014a longitudinal study of singers' pitch control","volume":"18","author":"M\u00fcrbe","year":"2004","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0060","doi-asserted-by":"crossref","first-page":"683","DOI":"10.1016\/j.jvoice.2006.06.002","article-title":"Effects of professional singing education on vocal vibrato\u2014a longitudinal study","volume":"21","author":"M\u00fcrbe","year":"2007","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0065","doi-asserted-by":"crossref","DOI":"10.1371\/journal.pone.0155084","article-title":"Breathing and singing: objective characterization of breathing patterns in classical singers","volume":"11","author":"Salomoni","year":"2016","journal-title":"PLoS ONE"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0070","doi-asserted-by":"crossref","first-page":"e15","DOI":"10.1016\/j.jvoice.2009.10.006","article-title":"Listener perception of the effect of abdominal kinematic directives on respiratory behavior in female classical singing","volume":"25","author":"Collyer","year":"2011","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0075","doi-asserted-by":"crossref","first-page":"523","DOI":"10.1016\/j.jvoice.2013.01.013","article-title":"Change in messa di voce characteristics during 3 years of classical singing training at the tertiary level","volume":"27","author":"Ferguson","year":"2013","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0080","doi-asserted-by":"crossref","first-page":"165","DOI":"10.21091\/mppa.2012.3029","article-title":"Voice rest and phonotrauma in singers","volume":"27","author":"Haben","year":"2012","journal-title":"Med Probl Perform Art"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0085","doi-asserted-by":"crossref","first-page":"495","DOI":"10.1067\/S0892-1997(03)00009-2","article-title":"Change in singing voice production, objectively measured","volume":"17","author":"Schutte","year":"2003","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0090","article-title":"Soul and musical theater: a comparison of two vocal styles","author":"Hallqvist","year":"2016","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0095","article-title":"Can genre be \u201cheard\u201d in scale as well as song tasks? An exploratory study of female singing in western lyric and musical theater styles","author":"Kayes","year":"2016","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0100","doi-asserted-by":"crossref","first-page":"188","DOI":"10.3109\/14015439.2013.825640","article-title":"Therapeutic consequences from changing voice ideals (clear to harsh, pleasant to jarring): summarizing report on a round-table discussion at the 5th World Voice Congress, Luxor, Egypt, 27\u201331 October 2012","volume":"39","author":"Wendler","year":"2014","journal-title":"Logoped Phoniatr Vocol"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0105","doi-asserted-by":"crossref","first-page":"130","DOI":"10.1016\/j.jvoice.2014.05.004","article-title":"Laryngoscopic and spectral analysis of laryngeal and pharyngeal configuration in non-classical singing styles","volume":"29","author":"Guzman","year":"2015","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0110","doi-asserted-by":"crossref","first-page":"248","DOI":"10.1159\/000357707","article-title":"Laryngoscopic, acoustic, perceptual, and functional assessment of voice in rock singers","volume":"65","author":"Guzman","year":"2013","journal-title":"Folia Phoniatr Logop"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0115","doi-asserted-by":"crossref","first-page":"82","DOI":"10.1080\/140154301753207458","article-title":"Describing different styles of singing: a comparison of a female singer's voice source in \u201cclassical\u201d, \u201cpop\u201d, \u201cjazz\u201d and \u201cblues\u201d","volume":"26","author":"Thal\u00e9n","year":"2001","journal-title":"Logoped Phoniatr Vocol"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0120","doi-asserted-by":"crossref","first-page":"769.e9","DOI":"10.1016\/j.jvoice.2015.11.001","article-title":"Physiology and acoustics of inspiratory phonation","volume":"30","author":"Vanhecke","year":"2016","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0125","doi-asserted-by":"crossref","first-page":"328","DOI":"10.1016\/j.jvoice.2013.11.007","article-title":"Functional endoscopic analysis of beatbox performers","volume":"28","author":"Sapthavee","year":"2014","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib9000","series-title":"Complete Vocal Technique","author":"Sadolin","year":"2010"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0130","doi-asserted-by":"crossref","first-page":"610","DOI":"10.1121\/1.4954751","article-title":"Physiological and acoustic characteristics of the male music theatre voice","volume":"140","author":"Bourne","year":"2016","journal-title":"J Acoust Soc Am"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0135","doi-asserted-by":"crossref","first-page":"678","DOI":"10.1016\/j.jvoice.2009.02.004","article-title":"Perceptual findings on the broadway belt voice","volume":"24","author":"DeLeo LeBorgne","year":"2010","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0140","doi-asserted-by":"crossref","first-page":"159","DOI":"10.1016\/j.jvoice.2009.10.014","article-title":"Correlates of the belt voice: a broader examination","volume":"25","author":"Lebowitz","year":"2011","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0145","doi-asserted-by":"crossref","first-page":"653.e1","DOI":"10.1016\/j.jvoice.2014.01.011","article-title":"Vocal tract shapes in different singing functions used in musical theater singing\u2014a pilot study","volume":"28","author":"Echternach","year":"2014","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0150","doi-asserted-by":"crossref","first-page":"142","DOI":"10.1016\/S0892-1997(05)80344-3","article-title":"Belting and pop, nonclassical approaches to the female middle voice: some preliminary considerations","volume":"7","author":"Schutte","year":"1993","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0155","doi-asserted-by":"crossref","first-page":"128","DOI":"10.1016\/j.jvoice.2015.03.008","article-title":"Vocal qualities in music theater voice: perceptions of expert pedagogues","volume":"30","author":"Bourne","year":"2016","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0160","doi-asserted-by":"crossref","first-page":"301","DOI":"10.1016\/S0892-1997(05)80118-3","article-title":"Comparisons of pharynx, source, formant, and pressure characteristics in operatic and musical theatre singing","volume":"7","author":"Sundberg","year":"1993","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0165","doi-asserted-by":"crossref","first-page":"1586","DOI":"10.1121\/1.3675010","article-title":"Physiological and acoustic characteristics of the female music theater voice","volume":"131","author":"Bourne","year":"2012","journal-title":"J Acoust Soc Am"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0170","doi-asserted-by":"crossref","first-page":"639","DOI":"10.1016\/j.jvoice.2015.07.008","article-title":"The evolution of the female broadway belt voice: implications for teachers and singers","volume":"30","author":"Roll","year":"2016","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0175","doi-asserted-by":"crossref","first-page":"1528","DOI":"10.1121\/1.3299201","article-title":"Biomechanical modeling of register transitions and the role of vocal tract resonators","volume":"127","author":"Tokuda","year":"2010","journal-title":"J Acoust Soc Am"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0180","doi-asserted-by":"crossref","first-page":"363","DOI":"10.1016\/S0892-1997(00)80081-8","article-title":"Taxonomy of singers used as subjects in scientific research","volume":"14","author":"Bunch","year":"2000","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0185","doi-asserted-by":"crossref","first-page":"1729","DOI":"10.1002\/lary.23931","article-title":"A comparison of white light laryngostroboscopy versus autofluorescence endoscopy in the evaluation of vocal fold pathology","volume":"123","author":"Caffier","year":"2013","journal-title":"Laryngoscope"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0190","article-title":"Overdrive and edge as refiners of \u201cbelting\u201d?: an empirical study qualifying and categorizing \u201cbelting\u201d based on audio perception, laryngostroboscopic imaging, acoustics, LTAS, and EGG","author":"McGlashan","year":"2016","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0195","doi-asserted-by":"crossref","first-page":"458","DOI":"10.1097\/MOO.0b013e3283581feb","article-title":"Kymographic imaging of laryngeal vibrations","volume":"20","author":"Svec","year":"2012","journal-title":"Curr Opin Otolaryngol Head Neck Surg"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0200","doi-asserted-by":"crossref","first-page":"793","DOI":"10.1007\/s00106-005-1310-6","article-title":"On the auditory evaluation of voice quality","volume":"54","author":"Ptok","year":"2006","journal-title":"HNO"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0205","doi-asserted-by":"crossref","first-page":"538","DOI":"10.1016\/j.jvoice.2010.05.009","article-title":"Classification of the classical male singing voice using long-term average spectrum","volume":"25","author":"Johnson","year":"2011","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0210","first-page":"1","article-title":"Estill Voice Training and voice quality control in contemporary commercial singing: an exploratory study","author":"Fantini","year":"2016","journal-title":"Logoped Phoniatr Vocol"},{"key":"10.1016\/j.jvoice.2017.06.009_bib9005","article-title":"Curbing-The metallic mode in-between: an empirical study qualifying and categorizing restrained sounds known as Curbing based on audio perception, laryngostroboscopic imaging, acoustics, LTAS, and EGG","author":"Thuesen","year":"2017","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0215","first-page":"37","article-title":"Belting and classic voice quality: some physiological differences","volume":"3","author":"Estill","year":"1988","journal-title":"Med Probl Perform Art"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0220","doi-asserted-by":"crossref","first-page":"342","DOI":"10.1016\/S0892-1997(89)80057-8","article-title":"The contribution of aryepiglottic constriction to \u201cringing\u201d voice quality\u2014a videolaryngoscopic study with acoustic analysis","volume":"3","author":"Yanagisawa","year":"1989","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0225","doi-asserted-by":"crossref","first-page":"168","DOI":"10.3109\/14015439.2015.1079234","article-title":"Voice pedagogy\u2014what do we need?","volume":"41","author":"Gill","year":"2016","journal-title":"Logoped Phoniatr Vocol"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0230","doi-asserted-by":"crossref","first-page":"111.e19","DOI":"10.1016\/j.jvoice.2016.02.007","article-title":"Perceptions of voice teachers regarding students' vocal behaviors during singing and speaking","volume":"31","author":"Beeman","year":"2017","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0235","doi-asserted-by":"crossref","DOI":"10.1016\/j.jvoice.2016.11.018","article-title":"Vocal characteristics and laryngoscopic findings in future musical theater performers","author":"D'haeseleer","year":"2017","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0240","doi-asserted-by":"crossref","first-page":"130.e1","DOI":"10.1016\/j.jvoice.2015.12.002","article-title":"Validation and adaptation of the singing voice handicap index for egyptian singing voice","volume":"31","author":"Abou-Elsaad","year":"2017","journal-title":"J Voice"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0245","doi-asserted-by":"crossref","first-page":"3","DOI":"10.1080\/14015430600576253","article-title":"The contribution of supraglottic laryngeal adjustments to voice: phonetic evidence from Arabic","volume":"33","author":"Zeroual","year":"2008","journal-title":"Logoped Phoniatr Vocol"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0250","doi-asserted-by":"crossref","first-page":"71","DOI":"10.21091\/mppa.2015.2012","article-title":"The integration of voice and dance techniques in musical theatre: anatomical considerations","volume":"30","author":"Morton","year":"2015","journal-title":"Med Probl Perform Art"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0255","doi-asserted-by":"crossref","first-page":"1177","DOI":"10.1044\/jshr.3606.1177","article-title":"Effect of microphone type and placement on voice perturbation measurements","volume":"36","author":"Titze","year":"1993","journal-title":"J Speech Hear Res"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0260","doi-asserted-by":"crossref","first-page":"356","DOI":"10.1044\/1058-0360(2010\/09-0091)","article-title":"Guidelines for selecting microphones for human voice production research","volume":"19","author":"Svec","year":"2010","journal-title":"Am J Speech Lang Pathol"},{"key":"10.1016\/j.jvoice.2017.06.009_bib0265","doi-asserted-by":"crossref","first-page":"3179","DOI":"10.1121\/1.1572147","article-title":"Background noise in piezoresistive, electret condenser, and ceramic microphones","volume":"113","author":"Zuckerwar","year":"2003","journal-title":"J Acoust Soc Am"}],"container-title":["Journal of Voice"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/api.elsevier.com\/content\/article\/PII:S0892199717300711?httpAccept=text\/xml","content-type":"text\/xml","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/api.elsevier.com\/content\/article\/PII:S0892199717300711?httpAccept=text\/plain","content-type":"text\/plain","content-version":"vor","intended-application":"text-mining"}],"deposited":{"date-parts":[[2020,10,12]],"date-time":"2020-10-12T03:35:24Z","timestamp":1602473724000},"score":1,"resource":{"primary":{"URL":"https:\/\/linkinghub.elsevier.com\/retrieve\/pii\/S0892199717300711"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2018,5]]},"references-count":54,"journal-issue":{"issue":"3","published-print":{"date-parts":[[2018,5]]}},"alternative-id":["S0892199717300711"],"URL":"https:\/\/doi.org\/10.1016\/j.jvoice.2017.06.009","relation":{},"ISSN":["0892-1997"],"issn-type":[{"value":"0892-1997","type":"print"}],"subject":[],"published":{"date-parts":[[2018,5]]}}}