{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,9,19]],"date-time":"2026-09-19T02:57:41Z","timestamp":1789786661313,"version":"4.0.1"},"reference-count":0,"publisher":"Cambridge University Press (CUP)","issue":"2","license":[{"start":{"date-parts":[[2026,4,29]],"date-time":"2026-04-29T00:00:00Z","timestamp":1777420800000},"content-version":"unspecified","delay-in-days":0,"URL":"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0"}],"content-domain":{"domain":["cambridge.org"],"crossmark-restriction":true},"short-container-title":["Br J Hist Sci"],"published-print":{"date-parts":[[2026,6]]},"abstract":"<jats:title>Abstract<\/jats:title>\n                  <jats:p>This article examines a controversy over a nuclear-energy gallery at the Science Museum, London, in the early 1980s. It uses this case to explore the wider politicization of museums at this time, and thus the politicization of the display of science and technology. It argues that cultural changes in train since the 1960s, coupled with a museological turn towards \u2018social history\u2019 as the proper vehicle for exhibiting science and technology, led to the museum becoming newly subject to widespread critical scrutiny. That scrutiny had contradictory effects. On the one hand, it reinforced the image of the museum as a bastion of official culture and knowledge. On the other, it undermined this image, by exposing the ideological nature of the museum\u2019s authority. This double movement laid the groundwork for the crisis of confidence that culminated in the \u2018New Museology\u2019 of the later part of the decade. Attending to this controversy thus suggests a need to revise prevailing scholarship on the \u2018politics of display\u2019, which often takes for granted an overly straightforward connection between museums and power.<\/jats:p>","DOI":"10.1017\/s0007087426101952","type":"journal-article","created":{"date-parts":[[2026,4,29]],"date-time":"2026-04-29T04:24:07Z","timestamp":1777436647000},"page":"195-209","update-policy":"https:\/\/doi.org\/10.1017\/policypage","source":"Crossref","is-referenced-by-count":1,"title":["The politics of \u2018the politics of display\u2019: a nuclear-energy gallery, a science museum in the 1980s and a debate about patronage"],"prefix":"10.1017","volume":"59","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-2864-6869","authenticated-orcid":false,"given":"Harry","family":"Parker","sequence":"first","affiliation":[{"id":[{"id":"https:\/\/ror.org\/024mrxd33","id-type":"ROR","asserted-by":"publisher"}],"name":"University of Leeds"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"56","published-online":{"date-parts":[[2026,4,29]]},"container-title":["The British Journal for the History of Science"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/www.cambridge.org\/core\/services\/aop-cambridge-core\/content\/view\/S0007087426101952","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2026,6,9]],"date-time":"2026-06-09T11:08:02Z","timestamp":1781003282000},"score":1,"resource":{"primary":{"URL":"https:\/\/www.cambridge.org\/core\/product\/identifier\/S0007087426101952\/type\/journal_article"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2026,4,29]]},"references-count":0,"journal-issue":{"issue":"2","published-print":{"date-parts":[[2026,6]]}},"alternative-id":["S0007087426101952"],"URL":"https:\/\/doi.org\/10.1017\/s0007087426101952","relation":{},"ISSN":["0007-0874","1474-001X"],"issn-type":[{"value":"0007-0874","type":"print"},{"value":"1474-001X","type":"electronic"}],"subject":[],"published":{"date-parts":[[2026,4,29]]},"assertion":[{"value":"\u00a9 The Author(s), 2026. Published by Cambridge University Press on behalf of British Society for the History of Science.","name":"copyright","label":"Copyright","group":{"name":"copyright_and_licensing","label":"Copyright and Licensing"}},{"value":"This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (http:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0), which permits non-commercial re-use, distribution, and reproduction in any medium, provided that no alterations are made and the original article is properly cited. The written permission of Cambridge University Press or the rights holder(s) must be obtained prior to any commercial use and\/or adaptation of the article.","name":"license","label":"License","group":{"name":"copyright_and_licensing","label":"Copyright and Licensing"}},{"value":"This content has been made available to all.","name":"free","label":"Free to read"}]}}