{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,5,13]],"date-time":"2025-05-13T21:55:25Z","timestamp":1747173325993,"version":"3.40.5"},"reference-count":14,"publisher":"Cambridge University Press (CUP)","license":[{"start":{"date-parts":[[2020,5,28]],"date-time":"2020-05-28T00:00:00Z","timestamp":1590624000000},"content-version":"unspecified","delay-in-days":148,"URL":"https:\/\/www.cambridge.org\/core\/terms"}],"content-domain":{"domain":["cambridge.org"],"crossmark-restriction":true},"short-container-title":["Behav Brain Sci"],"published-print":{"date-parts":[[2020]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>Do we acquire culture through other minds, or do we get access to other minds through culture? Music culture is a practice as well as the people involved. Sounding music works as a script guiding action, as do, to varying degrees, many rituals and customs. Collective co-performance of the script enables inter-subjectivity, which arguably contributes to the formation of subcultures. Shared-emotional experiences give material to the narrative of who we are.<\/jats:p>","DOI":"10.1017\/s0140525x19002759","type":"journal-article","created":{"date-parts":[[2020,5,28]],"date-time":"2020-05-28T06:13:27Z","timestamp":1590646407000},"update-policy":"https:\/\/doi.org\/10.1017\/policypage","source":"Crossref","is-referenced-by-count":1,"title":["Participating in a musician's stream of consciousness"],"prefix":"10.1017","volume":"43","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-1434-0378","authenticated-orcid":false,"given":"Bj\u00f6rn","family":"Vickhoff","sequence":"first","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"56","published-online":{"date-parts":[[2020,5,28]]},"reference":[{"key":"S0140525X19002759_ref14","doi-asserted-by":"publisher","DOI":"10.1177\/1943862112436562"},{"key":"S0140525X19002759_ref13","doi-asserted-by":"publisher","DOI":"10.1523\/JNEUROSCI.2500-16.2017"},{"key":"S0140525X19002759_ref12","doi-asserted-by":"publisher","DOI":"10.1098\/rstb.2016.0007"},{"key":"S0140525X19002759_ref4","doi-asserted-by":"publisher","DOI":"10.3389\/fpsyg.2012.00130"},{"key":"S0140525X19002759_ref8","doi-asserted-by":"publisher","DOI":"10.3758\/s13423-012-0371-2"},{"key":"S0140525X19002759_ref11","unstructured":"Sch\u00fctz, A. (1951) Making music together: A study in social relationship. Social Research 76\u201397."},{"key":"S0140525X19002759_ref10","doi-asserted-by":"publisher","DOI":"10.1037\/0022-3514.38.2.311"},{"key":"S0140525X19002759_ref1","doi-asserted-by":"crossref","first-page":"135","DOI":"10.1093\/oso\/9780192631886.003.0006","volume-title":"Music and emotion: Theory and research","author":"Becker","year":"2001"},{"key":"S0140525X19002759_ref9","doi-asserted-by":"publisher","DOI":"10.3389\/fpsyg.2012.00398"},{"key":"S0140525X19002759_ref2","first-page":"599","article-title":"Subcultures or neo-tribes? Rethinking the relationship between youth, style and musical taste","volume":"33","author":"Bennett","year":"1999","journal-title":"Sociology"},{"key":"S0140525X19002759_ref6","doi-asserted-by":"publisher","DOI":"10.1371\/journal.pcbi.1003094"},{"key":"S0140525X19002759_ref3","doi-asserted-by":"publisher","DOI":"10.1007\/s00422-012-0512-8"},{"key":"S0140525X19002759_ref5","doi-asserted-by":"publisher","DOI":"10.1038\/srep38416"},{"key":"S0140525X19002759_ref7","doi-asserted-by":"publisher","DOI":"10.1016\/j.tics.2018.10.006"}],"container-title":["Behavioral and Brain Sciences"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/www.cambridge.org\/core\/services\/aop-cambridge-core\/content\/view\/S0140525X19002759","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,8,6]],"date-time":"2024-08-06T15:01:31Z","timestamp":1722956491000},"score":1,"resource":{"primary":{"URL":"https:\/\/www.cambridge.org\/core\/product\/identifier\/S0140525X19002759\/type\/journal_article"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2020]]},"references-count":14,"alternative-id":["S0140525X19002759"],"URL":"https:\/\/doi.org\/10.1017\/s0140525x19002759","relation":{},"ISSN":["0140-525X","1469-1825"],"issn-type":[{"type":"print","value":"0140-525X"},{"type":"electronic","value":"1469-1825"}],"subject":[],"published":{"date-parts":[[2020]]},"assertion":[{"value":"Copyright \u00a9 The Author(s), 2020. Published by Cambridge University Press","name":"copyright","label":"Copyright","group":{"name":"copyright_and_licensing","label":"Copyright and Licensing"}}],"article-number":"e117"}}