{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2024,6,8]],"date-time":"2024-06-08T13:40:23Z","timestamp":1717854023409},"reference-count":53,"publisher":"Cambridge University Press (CUP)","issue":"1","license":[{"start":{"date-parts":[[2015,4,16]],"date-time":"2015-04-16T00:00:00Z","timestamp":1429142400000},"content-version":"unspecified","delay-in-days":15,"URL":"https:\/\/www.cambridge.org\/core\/terms"}],"content-domain":{"domain":["journals.cambridge.org"],"crossmark-restriction":true},"short-container-title":["Plainsong and Medieval Music"],"published-print":{"date-parts":[[2015,4]]},"abstract":"<jats:title>ABSTRACT<\/jats:title><jats:p>This article argues that the rhythmic meaning of the notation in the<jats:italic>Cantigas de Santa Maria<\/jats:italic>can be only understood by confronting it with different theoretical paradigms. Juli\u00e1n Ribera in 1922 defended an Arabic paradigm, to the exclusion of any other, but his access to Arabic historical writings was severely limited. Higinio Angl\u00e9s in 1943 and most modern musicologists have since adopted French mensural theory, but recognised that it does not fit many songs. The author has demonstrated elsewhere that songs that do not fit the French paradigm often fit the Arabic one. The applicability of both paradigms, including their superimposition, is systematically compared here. After comparison of general concepts (<jats:italic>ordo<\/jats:italic>and period), of even-time composition (modes V\u2013VI or conjunctive rhythm), of long\u2013short opposition in ternary time (modes I\u2013II or<jats:italic>Ramal<\/jats:italic>) and more complex patterns, the author provisionally concludes that very few patterns point unequivocally to French models, while in most cases (first and second mode and potential forms of the third mode) both French and Arabic paradigms could apply. In many other cases, encompassing both binary and ternary metre, the Arabic rhythmic paradigm is clearly either more fitting than the Parisian one, or the only one to apply.<\/jats:p>","DOI":"10.1017\/s0961137115000017","type":"journal-article","created":{"date-parts":[[2015,4,16]],"date-time":"2015-04-16T11:15:35Z","timestamp":1429182935000},"page":"1-24","update-policy":"http:\/\/dx.doi.org\/10.1017\/policypage","source":"Crossref","is-referenced-by-count":1,"title":["Rhythmic paradigms in the<i>Cantigas de Santa Maria:<\/i>French versus Arabic precedent"],"prefix":"10.1017","volume":"24","author":[{"given":"MANUEL PEDRO","family":"FERREIRA","sequence":"first","affiliation":[]}],"member":"56","published-online":{"date-parts":[[2015,4,16]]},"reference":[{"key":"S0961137115000017_ref049","first-page":"19","volume-title":"Proceedings of the Thirteenth Colloquium","author":"Parkinson","year":"2006"},{"key":"S0961137115000017_ref045","volume-title":"Miscel\u00e1nea en homenage a monse\u00f1or Higinio Angl\u00e9s","author":"Schneider","year":"1958"},{"key":"S0961137115000017_ref014","first-page":"180","volume-title":"Handbuch der Musikgeschichte","author":"Adler's","year":"1924"},{"key":"S0961137115000017_ref044","first-page":"21","volume":"1","author":"Roesner","year":"1988","journal-title":"Historical Performance: Journal of Early Music America"},{"key":"S0961137115000017_ref046","first-page":"357","volume-title":"Poes\u00eda L\u00edrica y Cancionero Musical","author":"del Encina","year":"1972"},{"key":"S0961137115000017_ref038","doi-asserted-by":"publisher","DOI":"10.2307\/20795086"},{"key":"S0961137115000017_ref036","first-page":"58","article-title":"The Stemma of the Marian Cantigas: Philological and Musical Evidence","volume":"6","author":"Ferreira","year":"1994","journal-title":"Cantigueiros"},{"key":"S0961137115000017_ref003","first-page":"595","volume-title":"Los instrumentos del P\u00f3rtico de la Gloria: Su reconstrucci\u00f3n y la m\u00fasica de su tiempo","author":"Ferreira","year":"1993"},{"key":"S0961137115000017_ref035","first-page":"144","volume-title":"The Owl and the Nightingale: Musical Life and Ideas in France 1100\u20131300","author":"Page","year":"1989"},{"key":"S0961137115000017_ref031","volume-title":"Actas del Congreso Internacional \u2018Espa\u00f1a en la m\u00fasica de Occidente\u2019","author":"Stevenson","year":"1987"},{"key":"S0961137115000017_ref051","first-page":"1","volume-title":"Johannes de Garlandia: De mensurabili musica","author":"Reimer","year":"1972"},{"key":"S0961137115000017_ref030","first-page":"280","volume-title":"Alfonso X el Sabio","author":"Jim\u00e9nez","year":"2004"},{"key":"S0961137115000017_ref041","first-page":"38","volume-title":"O Som de Martin Codax\/The Sound of Martin Codax","author":"Ferreira","year":"1986"},{"key":"S0961137115000017_ref001","doi-asserted-by":"publisher","DOI":"10.1017\/S0961137104000087"},{"key":"S0961137115000017_ref032","volume-title":"Juan Gil, Doctor y Maestro del Convento Franciscano de Zamora (ca. 1241\u20131318)","author":"Hern\u00e1ndez","year":"2006"},{"key":"S0961137115000017_ref029","first-page":"217","volume-title":"Alfonso X, El Sabio: una biograf\u00eda","author":"Mart\u00ednez","year":"2003"},{"key":"S0961137115000017_ref028","first-page":"167","article-title":"Relaciones de Alfonso X con Inglaterra y Francia","volume":"4","author":"Hern\u00e1ndez","year":"2004","journal-title":"Alcanate. 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