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Fascinated by the theoretical discussions concerning improvisation, composition and real-time composition, the author endeavours to conceive an interactive environment to induce controlled improvisation contexts, using real-time scores. Do Desenho e do Som makes use of real-time screen scores to facilitate the communication of formalised musical ideas, which due to their ambiguous graphical nature create an interesting interaction between a composer, an assistant and performers. It also grants a real-time control over form as the notation, and consequently the music, unfolds at runtime. With a focus on the underlying importance of listening, the author based this article on his own experience designing the Do Desenho e do Som software and using it for composition.<\/jats:p>","DOI":"10.1017\/s1355771814000211","type":"journal-article","created":{"date-parts":[[2014,11,13]],"date-time":"2014-11-13T08:51:42Z","timestamp":1415868702000},"page":"228-238","update-policy":"https:\/\/doi.org\/10.1017\/policypage","source":"Crossref","is-referenced-by-count":0,"title":["Do Desenho e do Som: Harmonising screen scores and listening"],"prefix":"10.1017","volume":"19","author":[{"given":"Filipe","family":"Lopes","sequence":"first","affiliation":[]}],"member":"56","published-online":{"date-parts":[[2014,11,13]]},"reference":[{"volume-title":"Music Notation: A Manual of Modern Practice","year":"1982","author":"Read","key":"S1355771814000211_ref10"},{"volume-title":"Electric Sound: The Past and Promise of Electronic Music","year":"1997","author":"Chadabe","key":"S1355771814000211_ref3"},{"key":"S1355771814000211_ref4","first-page":"63","volume-title":"Computer Music in Context","author":"Dannenberg","year":"1996"},{"doi-asserted-by":"publisher","key":"S1355771814000211_ref12","DOI":"10.1080\/07494467.2010.509598"},{"unstructured":"Barret R. 2002. 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Huddersfield.","key":"S1355771814000211_ref6"},{"volume-title":"The Psychology of Music","year":"1999","author":"Deutsch","key":"S1355771814000211_ref5"},{"key":"S1355771814000211_ref13","doi-asserted-by":"crossref","DOI":"10.4324\/9781315077895","volume-title":"On Sonic Art","author":"Wishart","year":"1996"},{"key":"S1355771814000211_ref14","first-page":"1967","volume-title":"Contemporary Composers on Contemporary Music","author":"Var\u00e8se","year":"1959"},{"unstructured":"Lopes F. 2009. \u00d5daiko: Real Time Score Generator. Master\u2019s thesis. The Hague.","key":"S1355771814000211_ref7"},{"unstructured":"Winkler G. 2004. The Real-Time-Score: A Missing Link Computer-Music Performance. Proceedings of the 2004 Sound and Music Computer Conference. Paris.","key":"S1355771814000211_ref11"}],"container-title":["Organised Sound"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/www.cambridge.org\/core\/services\/aop-cambridge-core\/content\/view\/S1355771814000211","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2019,4,21]],"date-time":"2019-04-21T17:45:09Z","timestamp":1555868709000},"score":1,"resource":{"primary":{"URL":"https:\/\/www.cambridge.org\/core\/product\/identifier\/S1355771814000211\/type\/journal_article"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2014,11,13]]},"references-count":14,"journal-issue":{"issue":"3","published-print":{"date-parts":[[2014,12]]}},"alternative-id":["S1355771814000211"],"URL":"https:\/\/doi.org\/10.1017\/s1355771814000211","relation":{},"ISSN":["1355-7718","1469-8153"],"issn-type":[{"type":"print","value":"1355-7718"},{"type":"electronic","value":"1469-8153"}],"subject":[],"published":{"date-parts":[[2014,11,13]]},"assertion":[{"value":"\u00a9 Cambridge University Press 2014\u00a0","name":"license","label":"License","group":{"name":"copyright_and_licensing","label":"Copyright and Licensing"}}]}}