{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,5,9]],"date-time":"2025-05-09T16:21:49Z","timestamp":1746807709207,"version":"3.40.5"},"reference-count":13,"publisher":"Cambridge University Press (CUP)","issue":"1","license":[{"start":{"date-parts":[[2019,5,30]],"date-time":"2019-05-30T00:00:00Z","timestamp":1559174400000},"content-version":"unspecified","delay-in-days":59,"URL":"https:\/\/www.cambridge.org\/core\/terms"}],"content-domain":{"domain":["www.cambridge.org"],"crossmark-restriction":true},"short-container-title":["Org. Sound"],"published-print":{"date-parts":[[2019,4]]},"abstract":"<jats:p>This article aims to reflect on the main constraints encountered in recovering music-theatre works that involve a variety of diverse aspects that are relevant to their performance. As well as the score, scripts or other additional documents, the works considered here also include electroacoustics recorded on magnetic tape, consequently requiring specific approaches in order to preserve such kinds of works. Video recordings of concerts are important for understanding, documenting and eventually restaging these works. This idea is not new; audio-video recordings have for many years served as sources for documenting live performances (music-theatre or art performances). However, it is still important to discuss just how and with which tools these very important documents might be preserved and exploited. Hence, the study of the structure of <jats:italic>Molly Bloom<\/jats:italic> and <jats:italic>FE\u2026DE\u2026RI\u2026CO\u2026<\/jats:italic>, both with music by Constan\u00e7a Capdeville, enables an understanding of the processes in which documentation is relevant to preserving such a valuable cultural heritage.<\/jats:p>","DOI":"10.1017\/s1355771819000098","type":"journal-article","created":{"date-parts":[[2019,5,30]],"date-time":"2019-05-30T08:36:18Z","timestamp":1559205378000},"page":"96-108","update-policy":"https:\/\/doi.org\/10.1017\/policypage","source":"Crossref","is-referenced-by-count":4,"title":["Recovering Music-Theatre Works Involving Electronic Elements: The case of <i>Molly Bloom<\/i> and <i>FE\u2026DE\u2026RI\u2026CO\u2026<\/i>"],"prefix":"10.1017","volume":"24","author":[{"given":"Filipa","family":"Magalh\u00e3es","sequence":"first","affiliation":[]},{"given":"Isabel","family":"Pires","sequence":"additional","affiliation":[]}],"member":"56","published-online":{"date-parts":[[2019,5,30]]},"reference":[{"volume-title":"Constan\u00e7a Capdeville. Entre o Teatro e a M\u00fasica","year":"2006","author":"Serr\u00e3o","key":"S1355771819000098_ref12"},{"key":"S1355771819000098_ref10","unstructured":"Orio N. and Zattra L. 2007. Audio Matching for the Philological Analysis of Electro-Acoustic Music. Proceedings of the International Computer Music Conference, Copenhagen, Denmark."},{"key":"S1355771819000098_ref8","doi-asserted-by":"publisher","DOI":"10.1080\/09298215.2018.1486433"},{"volume-title":"Research Methods for the Digital Humanities","year":"2018","author":"Bressan","key":"S1355771819000098_ref3"},{"key":"S1355771819000098_ref1","doi-asserted-by":"publisher","DOI":"10.4324\/9780203938133"},{"key":"S1355771819000098_ref11","unstructured":"S.A. 1987. Programa do espet\u00e1culo FE\u2026DE\u2026RI\u2026CO\u2026. Encontro com Lorca. 10 e 17 de Janeiro. ACARTE. Funda\u00e7\u00e3o Calouste Gulbenkian, Lisboa."},{"key":"S1355771819000098_ref13","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771804000068"},{"key":"S1355771819000098_ref5","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771806001427"},{"key":"S1355771819000098_ref4","unstructured":"Castro P. F. 1992. Constan\u00e7a Capdeville um acto de aprendizagem. Programas dos 16. os Encontros Gulbenkian de M\u00fasica Contempor\u00e2nea, Arquivo L.91\/92 \u2013 Enc. Maio 92, Funda\u00e7\u00e3o Calouste Gulbenkian, Lisboa."},{"key":"S1355771819000098_ref6","first-page":"48","article-title":"Providing Access to Music-theatre Works with Electronic Sound on Tape: The Case of Constan\u00e7a Capdeville","volume":"47","author":"Magalh\u00e3es","year":"2017","journal-title":"Journal of the International Association of Sound and Audiovisual Archives"},{"key":"S1355771819000098_ref7","unstructured":"Nogueira A. 2018. Que Futuro para o Patrim\u00f3nio Musical Contempor\u00e2neo Nacional? Documentar para Preservar. Disserta\u00e7\u00e3o para obten\u00e7\u00e3o do Grau de Doutor em Conserva\u00e7\u00e3o e Restauro do Patrim\u00f3nio, Especialidade em Ci\u00eancias da Conserva\u00e7\u00e3o, Faculdade de Ci\u00eancias e Tecnologia, Universidade Nova de Lisboa."},{"key":"S1355771819000098_ref9","unstructured":"Rodrigues E. and Pomar J. 1982. Molly Bloom-1982. Programa da pe\u00e7a \u201cMolly Bloom\u201d\/C\u00aa de Teatro de Lisboa\/Teatro da Trindade. Companhia de Teatro de Lisboa, Lisboa. 1\u201317."},{"volume-title":"The Studio Di Fonologia: a musical journey 1954\u20131983, update 2008\u20132012","year":"2012","author":"Avanzini","key":"S1355771819000098_ref2"}],"container-title":["Organised Sound"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/www.cambridge.org\/core\/services\/aop-cambridge-core\/content\/view\/S1355771819000098","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2019,5,31]],"date-time":"2019-05-31T05:49:53Z","timestamp":1559281793000},"score":1,"resource":{"primary":{"URL":"https:\/\/www.cambridge.org\/core\/product\/identifier\/S1355771819000098\/type\/journal_article"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2019,4]]},"references-count":13,"journal-issue":{"issue":"1","published-print":{"date-parts":[[2019,4]]}},"alternative-id":["S1355771819000098"],"URL":"https:\/\/doi.org\/10.1017\/s1355771819000098","relation":{},"ISSN":["1355-7718","1469-8153"],"issn-type":[{"type":"print","value":"1355-7718"},{"type":"electronic","value":"1469-8153"}],"subject":[],"published":{"date-parts":[[2019,4]]},"assertion":[{"value":"\u00a9 Cambridge University Press, 2019\u00a0","name":"license","label":"License","group":{"name":"copyright_and_licensing","label":"Copyright and Licensing"}}]}}