{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,11,1]],"date-time":"2025-11-01T02:52:17Z","timestamp":1761965537912,"version":"build-2065373602"},"reference-count":14,"publisher":"Cambridge University Press (CUP)","issue":"2","license":[{"start":{"date-parts":[[2011,7,25]],"date-time":"2011-07-25T00:00:00Z","timestamp":1311552000000},"content-version":"unspecified","delay-in-days":0,"URL":"https:\/\/www.cambridge.org\/core\/terms"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Eighteenth Century Music"],"published-print":{"date-parts":[[2011,9]]},"abstract":"<jats:title>ABSTRACT<\/jats:title><jats:p>The elevation of the Portuguese Royal Chapel to the rank of Patriarchal Church in 1716 was part of a larger process of \u2018Romanization\u2019 \u2013 that is, of assimilation and adaptation of Roman models within Portuguese music and culture. This involved the training of numerous chaplain-singers and young Portuguese composers in Rome, as well as the importation of chant books, ministers, singers and even the maestro di cappella of the Cappella Giulia, Domenico Scarlatti. According to the anonymous \u2018Breve rezume de tudo o que se canta en cantocha\u00f5, e canto de orga\u00f5 pellos cantores na santa igreja patriarchal\u2019 (Brief summary of all that is sung in plainchant and polyphony by the singers at the holy Patriarchal Church) \u2013 a document written at some point between 1722 and 1724 \u2013 the repertory of the Patriarchal Church was a varied mixture of works by thirty-two identified composers, mostly Italian and Portuguese, from a period ranging from the sixteenth century to the early eighteenth century. Some of the repertory for Holy Week is also extant in three large choirbooks prepared by a copyist from the Patriarchal Church in 1735 and 1736 for use in the Ducal Chapel in Vila Vi\u00e7osa. These include \u2018modern\u2019 additions to late sixteenth-century and seventeenth-century pieces and also some curious reworkings, made with the purpose of adjusting older works to newly \u2018Romanized\u2019 performance conditions and aesthetic ideals. The sources examined in this article thus show that Portuguese \u2018Romanization\u2019, far from being a simple transplantation of ideas and practices from the centre to the periphery, was a dynamic process of acculturation and adaptation rooted in emerging forms of historical consciousness.<\/jats:p>","DOI":"10.1017\/s1478570611000042","type":"journal-article","created":{"date-parts":[[2011,7,25]],"date-time":"2011-07-25T10:36:05Z","timestamp":1311590165000},"page":"179-214","source":"Crossref","is-referenced-by-count":4,"title":["\u2018TO MAKE OF LISBON A NEW ROME\u2019: THE REPERTORY OF THE PATRIARCHAL CHURCH IN THE 1720S AND 1730S"],"prefix":"10.1017","volume":"8","author":[{"given":"JO\u00c3O PEDRO","family":"D'ALVARENGA","sequence":"first","affiliation":[]}],"member":"56","published-online":{"date-parts":[[2011,7,25]]},"reference":[{"volume-title":"Manuel Mendes: Asperges me a 8","year":"2008","author":"Nelson","key":"S1478570611000042_ref10"},{"key":"S1478570611000042_ref05","unstructured":"Dottori Maur\u00edcio , \u2018The Church Music of Davide Perez and Niccol\u00f2 Jommelli, with Special Emphasis on their Funeral Music\u2019 (PhD dissertation, Cardiff, University of Wales, 1997), 64\u201379"},{"key":"S1478570611000042_ref02","unstructured":"Pagano Roberto , \u2018Scarlatti, (Giuseppe) Domenico\u2019, in Grove Music Online <www.oxfordmusiconline.com> (20 June 2010)"},{"volume-title":"Opera in Portugal in the Eighteenth Century","year":"1989","author":"de Brito","key":"S1478570611000042_ref14"},{"key":"S1478570611000042_ref03","first-page":"321","volume-title":"Eighteenth-Century Music","volume":"2","author":"Clark","year":"2005"},{"key":"S1478570611000042_ref07","unstructured":"Nery Rui Vieira , \u2018The Music Manuscripts in the Library of King D. Jo\u00e3o IV of Portugal (1604\u20131656): A Study of Iberian Music Repertoire in the Sixteenth and Seventeenth Centuries\u2019 (PhD dissertation, University of Texas at Austin, 1990)"},{"key":"S1478570611000042_ref04","first-page":"23","volume-title":"Jo\u00e3o Rodrigues Esteves: Obras selectas","author":"Fernandes","year":"1980"},{"key":"S1478570611000042_ref11","unstructured":"Lopes Rui Cabral , \u2018O vilancico na Capela Real Portuguesa (1640\u20131716): o testemunho das fontes textuais\u2019 (PhD dissertation, Universidade de \u00c9vora, 2006"},{"key":"S1478570611000042_ref13","first-page":"217","volume-title":"Routes du Baroque: la contribution du Baroque \u00e0 la pens\u00e9e et \u00e0 l'art europ\u00e9ens","author":"Nery","year":"1990"},{"key":"S1478570611000042_ref08","first-page":"46","volume-title":"A m\u00fasica no ciclo da \u201cBibliotheca Lusitana\u201d","author":"Nery","year":"1984"},{"volume-title":"Osservazioni per ben regolare il coro de i cantori della Cappella Pontificia","author":"da Bolsena","key":"S1478570611000042_ref06"},{"key":"S1478570611000042_ref12","first-page":"193","volume-title":"La \u00f3pera en el templo: Estudios sobre el compositor Francisco Javier Garc\u00eda Fajer","author":"Torrente","year":"2010"},{"key":"S1478570611000042_ref01","first-page":"69","article-title":"\u2018A m\u00fasica na sociedade joanina nos relat\u00f3rios da Nunciatura Apost\u00f3lica em Lisboa (1706\u20131750)\u2019","volume":"3","author":"Doderer","year":"1993","journal-title":"Revista Portuguesa de Musicologia"},{"key":"S1478570611000042_ref09","first-page":"123","volume-title":"Estudos de hist\u00f3ria da m\u00fasica em Portugal","author":"de Brito","year":"1989"}],"container-title":["Eighteenth Century Music"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/www.cambridge.org\/core\/services\/aop-cambridge-core\/content\/view\/S1478570611000042","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2019,4,27]],"date-time":"2019-04-27T05:52:55Z","timestamp":1556344375000},"score":1,"resource":{"primary":{"URL":"https:\/\/www.cambridge.org\/core\/product\/identifier\/S1478570611000042\/type\/journal_article"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2011,7,25]]},"references-count":14,"journal-issue":{"issue":"2","published-print":{"date-parts":[[2011,9]]}},"alternative-id":["S1478570611000042"],"URL":"https:\/\/doi.org\/10.1017\/s1478570611000042","relation":{},"ISSN":["1478-5706","1478-5714"],"issn-type":[{"type":"print","value":"1478-5706"},{"type":"electronic","value":"1478-5714"}],"subject":[],"published":{"date-parts":[[2011,7,25]]}}}