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Information about the actor also indirectly affects the enjoyment of watching the film. We discuss these effects using the concepts of mental models, priming, and the fundamental attribution error as well as transportation theory. <\/jats:p>","DOI":"10.1027\/1864-1105\/a000293","type":"journal-article","created":{"date-parts":[[2021,4,15]],"date-time":"2021-04-15T12:30:03Z","timestamp":1618489803000},"page":"155-164","source":"Crossref","is-referenced-by-count":4,"title":["Does What We Know About Actors\u2019 Real Lives"],"prefix":"10.1027","volume":"33","author":[{"ORCID":"https:\/\/orcid.org\/0000-0001-5643-0745","authenticated-orcid":true,"given":"Nurit","family":"Tal-Or","sequence":"first","affiliation":[{"name":"Department of Communication, University of Haifa, \t\t\t\t\t\tIsrael"}]},{"given":"Shani","family":"Sela","sequence":"additional","affiliation":[{"name":"University of Haifa, Israel"}]},{"given":"Israel","family":"Igumnov","sequence":"additional","affiliation":[{"name":"University of Haifa, Israel"}]},{"given":"Hanoch Dov","family":"Milwidsky","sequence":"additional","affiliation":[{"name":"University of Haifa, Israel"}]},{"given":"Benjamin","family":"Rafaeli","sequence":"additional","affiliation":[{"name":"University of Haifa, Israel"}]},{"given":"Michael","family":"Sanilevich","sequence":"additional","affiliation":[{"name":"University of Haifa, Israel"}]}],"member":"101","reference":[{"key":"c1","doi-asserted-by":"publisher","DOI":"10.1080\/02650487.2008.11073052"},{"key":"c2","doi-asserted-by":"publisher","DOI":"10.1515\/comm.2011.002"},{"key":"c3","doi-asserted-by":"publisher","DOI":"10.1111\/comt.12053"},{"key":"c4","doi-asserted-by":"publisher","DOI":"10.1111\/j.1468-2885.2008.00322.x"},{"key":"c5","doi-asserted-by":"publisher","DOI":"10.1080\/15213260903287259"},{"key":"c6","doi-asserted-by":"publisher","DOI":"10.1207\/S15327825MCS0403_01"},{"key":"c7","unstructured":"Cohen,\n\t\t\t\t\t\t\tJ. \t\t\t\t\t\t(2006). Audience identification with media \t\t\t\t\t\tcharacters. In J. Bryant, & \t\t\t\t\t\t\t\tP. Vorderer \t\t\t\t\t\t(Eds.), The psychology of \t\t\t\t\t\t\tentertainment (pp. \t\t\t\t\t\t183\u2013197). Lawrence \t\t\t\t\t\tErlbaum."},{"key":"c8","unstructured":"Cohen,\n\t\t\t\t\t\t\tJ. \t\t\t\t\t\t(2009). Mediated relationships and media \t\t\t\t\t\teffects: Parasocial interaction and identification. In \t\t\t\t\t\tR. Nabi, & \t\t\t\t\t\t\t\tM. B. Oliver \t\t\t\t\t\t(Eds.), The Sage handbook of \t\t\t\t\t\t\tmedia processes and effects (pp. \t\t\t\t\t\t223\u2013236). \t\t\t\t\t\tSage."},{"key":"c9","doi-asserted-by":"crossref","unstructured":"Cohen,\n\t\t\t\t\t\t\tJ. \t\t\t\t\t\t(2014). Mediated relationships and social life: \t\t\t\t\t\tCurrent research on fandom, parasocial relationships, and \t\t\t\t\t\tidentification. In M. B. Oliver, & \t\t\t\t\t\t\t\tA. A. 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