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Previous work showed that variations in microsaccadic rates underlie the perceptual vanishing and intensification of simple stimuli, such as Gabor patches. Here, we demonstrate that microsaccade dynamics also contribute to Troxler fading and intensification during the viewing of representational art. Participants fixated a small spot while viewing either a Gabor patch on a blank background, or Monet\u2019s painting \u201cImpression, Sunrise.\u201d They continuously reported, via button press\/release, whether the Gabor patch, or the sun in Monet\u2019s painting, was fading versus intensifying, while their eye movements were recorded with high precision. Microsaccade rates peaked before reports of increased visibility, and dropped before reports of decreased visibility or fading, both when viewing Gabor patches and Monet\u2019s sun. These results reveal\u00a0that the relationship between microsaccade production and the reversal and prevention of Troxler fading applies not only to the viewing of contrived stimuli, but also to the observation of \u201cImpression, Sunrise.\u201d Whether or not perceptual fading was consciously intended by Monet, our findings indicate that observers\u2019 oculomotor dynamics are a contributor to the cornerstone of Impressionism.<\/jats:p>","DOI":"10.1038\/s41598-021-82222-3","type":"journal-article","created":{"date-parts":[[2021,2,11]],"date-time":"2021-02-11T11:03:58Z","timestamp":1613041438000},"update-policy":"https:\/\/doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":10,"title":["Microsaccades mediate perceptual alternations in Monet\u2019s \u201cImpression, sunrise\u201d"],"prefix":"10.1038","volume":"11","author":[{"given":"Robert G.","family":"Alexander","sequence":"first","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Ashwin","family":"Venkatakrishnan","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Jordi","family":"Chanovas","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Stephen L.","family":"Macknik","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Susana","family":"Martinez-Conde","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"297","published-online":{"date-parts":[[2021,2,11]]},"reference":[{"key":"82222_CR1","volume-title":"Vision and Art: The Biology of Seeing","author":"MS Livingstone","year":"2002","unstructured":"Livingstone, M. 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