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                  <titles>
                    <title>Current Issues in Linguistic Theory</title>
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                  <issn media_type="print">0304-0763</issn>
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                    <doi>10.1075/cilt</doi>
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                    <given_name>Luisella</given_name>
                    <surname>Caon</surname>
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                      <!--rid:aff1-->
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                        <institution_name>Leiden University</institution_name>
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                  <person_name sequence="additional" contributor_role="editor">
                    <given_name>Moragh S.</given_name>
                    <surname>Gordon</surname>
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                      <!--rid:aff1-->
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                        <institution_name>Leiden University</institution_name>
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                    <given_name>Thijs</given_name>
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                        <institution_name>Leiden University</institution_name>
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                    <ORCID authenticated="true">https://orcid.org/0000-0002-8537-6909</ORCID>
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                <titles>
                  <title>Unlocking the History of English</title>
                  <subtitle>Pragmatics, prescriptivism and text typesSelected papers from the 21st ICEHL</subtitle>
                </titles>
                <jats:abstract xmlns:jats="http://www.ncbi.nlm.nih.gov/JATS1">
                  <jats:p>This volume brings together contributions selected from papers delivered at the 21st International Conference on English Historical Linguistics (ICEHL, Leiden 2021). The chapters deal with aspects of language use throughout the history of English, including efforts to prescribe and regulate language in texts that share specific forms, functions and audiences. They feature both quantitative and qualitative analyses of changing language use, often in relation to trends of language advice in such metalinguistic works as grammars, spelling books and usage guides. The authors showcase work on pragmatics and prescriptivism (understatement between Middle and Late Modern English, capitalization of common nouns from Early to Late Modern English and the use of stigmatized grammatical variants in eighteenth-century plays), specific text types (case studies of political, legal and medical English) and the language of late modern letters (diachronic stylistic changes, letter-copying practices, the role of letter-writing manuals and changing spelling practices). This volume will be of interest to those working on pragmatics, prescriptivism and sociolinguistics of English, historical linguistics, language change, computational historical linguistics and related sub-disciplines.</jats:p>
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                <volume>364</volume>
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                  <day>4</day>
                  <year>2024</year>
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                  <month>3</month>
                  <day>23</day>
                  <year>2024</year>
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                <isbn media_type="electronic">9789027246998</isbn>
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                  <publisher_name>John Benjamins Publishing Company</publisher_name>
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                    <given_name>James</given_name>
                    <surname>Hyett</surname>
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                    <given_name>Carol</given_name>
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                  <title>Gender, genre, and prescriptivism</title>
                  <subtitle>Eighteenth-century female playwrights’ use of you was and you were</subtitle>
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                  <jats:title>Abstract</jats:title>
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                    This paper extends our previous study of
                    <jats:sc>you was</jats:sc>
                    and
                    <jats:sc>you were</jats:sc>
                    in eighteenth-century English drama, examining trends following Robert Lowth’s proscription of
                    <jats:sc>you was</jats:sc>
                    in his grammar (
                    <jats:xref>1762</jats:xref>
                    ) and complementing
                    <jats:xref>Tieken-Boon van Ostade’s (2002)</jats:xref>
                    and
                    <jats:xref>Laitinen’s (2009)</jats:xref>
                    studies of different genres. Comparing close readings of plays by four female playwrights to the same writers’ novels, we find
                    <jats:sc>you was</jats:sc>
                    used increasingly after 1762 to indicate negative emotion and moments of dramatic significance, not unlike contemporary theatrical
                    <jats:sc>thou</jats:sc>
                    (
                    <jats:xref>Nonomiya 2021</jats:xref>
                    ). Qualitatively, we confirm that
                    <jats:sc>you was</jats:sc>
                    had specifically theatrical functions, signalling deception and provocation (often by younger characters) and loss of control (often by older characters). We identify these disparate but recurrent meanings and personae with
                    <jats:xref>Eckert’s (2008)</jats:xref>
                    concept of the indexical field.
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                  <day>4</day>
                  <year>2024</year>
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                  <day>23</day>
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