{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2024,12,10]],"date-time":"2024-12-10T05:03:46Z","timestamp":1733807026567,"version":"3.30.1"},"reference-count":50,"publisher":"Informa UK Limited","issue":"4-5","license":[{"start":{"date-parts":[[2024,2,8]],"date-time":"2024-02-08T00:00:00Z","timestamp":1707350400000},"content-version":"vor","delay-in-days":0,"URL":"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/"}],"content-domain":{"domain":["www.tandfonline.com"],"crossmark-restriction":true},"short-container-title":["Critical Arts"],"published-print":{"date-parts":[[2024,9,2]]},"DOI":"10.1080\/02560046.2024.2312434","type":"journal-article","created":{"date-parts":[[2024,2,9]],"date-time":"2024-02-09T06:08:38Z","timestamp":1707458918000},"page":"140-158","update-policy":"https:\/\/doi.org\/10.1080\/tandf_crossmark_01","source":"Crossref","is-referenced-by-count":0,"title":["Unlearning Imperialism Through Artistic Remediation: A Critical Pedagogy Approach"],"prefix":"10.1080","volume":"38","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-3596-0701","authenticated-orcid":false,"given":"Ana Cristina","family":"Mendes","sequence":"first","affiliation":[{"name":"School of Arts and Humanities, University of Lisbon, Lisbon, Portugal"}]}],"member":"301","published-online":{"date-parts":[[2024,2,8]]},"reference":[{"key":"e_1_3_3_2_1","volume-title":"What is an Apparatus? And Other Essays.","author":"Agamben Giorgio.","year":"2009","unstructured":"Agamben, Giorgio. 2009. What is an Apparatus? And Other Essays. Trans. David Kishik and Stefan Pedatella. Stanford, CA: Stanford University Press."},{"key":"e_1_3_3_3_1","doi-asserted-by":"publisher","DOI":"10.1515\/9783110207262.2.97"},{"key":"e_1_3_3_4_1","volume-title":"Potential History: Unlearning Imperialism","author":"Azoulay Ariella A\u00efsha.","year":"2019","unstructured":"Azoulay, Ariella A\u00efsha. 2019. Potential History: Unlearning Imperialism. London: Verso."},{"key":"e_1_3_3_5_1","volume-title":"Camera Lucida","author":"Barthes Roland.","year":"1981","unstructured":"Barthes, Roland. 1981. Camera Lucida. Trans. Richard Howard. New York: Hill and Wang."},{"key":"e_1_3_3_6_1","first-page":"251","volume-title":"Walter Benjamin: Selected Writings, Vol. 4: 1938-1940","author":"Benjamin Walter.","year":"2003","unstructured":"Benjamin, Walter. 2003. \u201cThe Work of Art in the Age of its Technological Reproducibility (1939).\u201d Trans. Howard Eiland. In Walter Benjamin: Selected Writings, Vol. 4: 1938-1940, edited by Howard Eiland and Michael W. Jennings, 251\u2013283. Cambridge, MA: The Belknap Press of Harvard University Press."},{"key":"e_1_3_3_7_1","volume-title":"Ways of Seeing","author":"Berger John.","year":"1972","unstructured":"Berger, John. 1972. Ways of Seeing. London: British Broadcasting Corporation and Penguin Books."},{"key":"e_1_3_3_8_1","volume-title":"Remediation: Understanding New Media","author":"Bolter Jay","year":"2000","unstructured":"Bolter, Jay, and Richard Grusin. 2000. Remediation: Understanding New Media. Cambridge, MA: MIT Press."},{"key":"e_1_3_3_9_1","doi-asserted-by":"publisher","DOI":"10.1177\/0090591793021003003"},{"key":"e_1_3_3_10_1","doi-asserted-by":"publisher","DOI":"10.1215\/9780822373582"},{"key":"e_1_3_3_11_1","doi-asserted-by":"publisher","DOI":"10.7228\/manchester\/9780719099564.003.0002"},{"issue":"2","key":"e_1_3_3_12_1","first-page":"336","article-title":"Inter-Imperiality and Literary Studies in the Longer Dur\u00e9e","volume":"130","author":"Doyle Laura.","year":"2015","unstructured":"Doyle, Laura. 2015. \u201cInter-Imperiality and Literary Studies in the Longer Dur\u00e9e.\u201d PMLA 130 (2): 336\u2013347.","journal-title":"PMLA"},{"key":"e_1_3_3_13_1","doi-asserted-by":"publisher","DOI":"10.1215\/9780822390169-018"},{"key":"e_1_3_3_14_1","doi-asserted-by":"publisher","DOI":"10.4324\/9780203996645"},{"key":"e_1_3_3_15_1","volume-title":"Pedagogy of the Oppressed","author":"Freire Paulo.","year":"2005","unstructured":"Freire, Paulo. 2005. Pedagogy of the Oppressed. Trans. Myra Bergman Ramos. New York: Continuum."},{"key":"e_1_3_3_16_1","doi-asserted-by":"publisher","DOI":"10.1093\/acprof:oso\/9780198237907.001.0001"},{"key":"e_1_3_3_17_1","doi-asserted-by":"publisher","DOI":"10.4324\/9780429056963-12"},{"key":"e_1_3_3_18_1","doi-asserted-by":"publisher","DOI":"10.1080\/09502380601162514"},{"key":"e_1_3_3_19_1","first-page":"79","volume-title":"Photographies East: The Camera and its Histories in East and Southeast Asia","author":"Havia James.","year":"2009","unstructured":"Havia, James. 2009. \u201cThe Photographic Complex.\u201d In Photographies East: The Camera and its Histories in East and Southeast Asia, edited by Rosalind C. Morris, 79\u2013119. Durham: Duke University Press."},{"key":"e_1_3_3_20_1","doi-asserted-by":"publisher","DOI":"10.1080\/03087298.1995.10443586"},{"key":"e_1_3_3_21_1","first-page":"320","volume-title":"Originalcopy: Post-Digital Strategies of Appropriation","author":"Jutz Gabriele.","year":"2019","unstructured":"Jutz, Gabriele. 2019. \u201c\u2018Retrograde Remediation\u2019: Cross-Media Translations in Contemporary Film-Related Art.\u201d In Originalcopy: Post-Digital Strategies of Appropriation, edited by Michael Kargl and Franz Thalmair, 320\u2013325. Berlin: Walter de Gruyter."},{"key":"e_1_3_3_22_1","doi-asserted-by":"publisher","DOI":"10.1386\/maska.28.159-160.29_1"},{"key":"e_1_3_3_23_1","doi-asserted-by":"publisher","DOI":"10.1080\/13562511003619953"},{"key":"e_1_3_3_24_1","volume-title":"Cinema by Other Means","author":"Levi Pavle.","year":"2012","unstructured":"Levi, Pavle. 2012. Cinema by Other Means. Oxford: Oxford University Press."},{"key":"e_1_3_3_25_1","doi-asserted-by":"publisher","DOI":"10.2307\/j.ctv24cnspz.16"},{"key":"e_1_3_3_26_1","doi-asserted-by":"publisher","DOI":"10.1177\/1474022215618513"},{"key":"e_1_3_3_27_1","doi-asserted-by":"publisher","DOI":"10.3366\/jbctv.2018.0441"},{"key":"e_1_3_3_28_1","doi-asserted-by":"publisher","DOI":"10.1515\/9781474452885-009"},{"key":"e_1_3_3_29_1","doi-asserted-by":"publisher","DOI":"10.1080\/25785273.2022.2076857"},{"key":"e_1_3_3_30_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-031-20286-5"},{"key":"e_1_3_3_31_1","doi-asserted-by":"publisher","DOI":"10.1515\/9781400845064"},{"key":"e_1_3_3_32_1","doi-asserted-by":"publisher","DOI":"10.1017\/S0010417500015802"},{"key":"e_1_3_3_33_1","doi-asserted-by":"publisher","DOI":"10.7208\/chicago\/9780226245904.001.0001"},{"key":"e_1_3_3_34_1","doi-asserted-by":"publisher","DOI":"10.1525\/aft.1992.20.1.14"},{"key":"e_1_3_3_35_1","volume-title":"Safe Spaces, Brave Spaces: Diversity and Free Expression in Education","author":"Palfrey John.","year":"2017","unstructured":"Palfrey, John. 2017. Safe Spaces, Brave Spaces: Diversity and Free Expression in Education. Cambridge, MA: MIT Press."},{"key":"e_1_3_3_36_1","doi-asserted-by":"publisher","DOI":"10.1093\/oso\/9780199253920.001.0001"},{"key":"e_1_3_3_37_1","volume-title":"The Emancipated Spectator","author":"Ranci\u00e8re Jacques.","year":"2009","unstructured":"Ranci\u00e8re, Jacques. 2009. The Emancipated Spectator. Trans. Gregory Elliott. London: Verso."},{"key":"e_1_3_3_38_1","volume-title":"O que \u00e9: Lugar de fala?","author":"Ribeiro Djamila.","year":"2017","unstructured":"Ribeiro, Djamila. 2017. O que \u00e9: Lugar de fala? Belo Horizonte: Letramento."},{"key":"e_1_3_3_39_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.tsc.2021.100991"},{"key":"e_1_3_3_40_1","volume-title":"Orientalism","author":"Said Edward W.","year":"1978","unstructured":"Said, Edward W. 1978. Orientalism. New York: Pantheon."},{"key":"e_1_3_3_41_1","volume-title":"Culture and Imperialism","author":"Said Edward W.","year":"1994","unstructured":"Said, Edward W. 1994. Culture and Imperialism. New York: Vintage."},{"key":"e_1_3_3_42_1","doi-asserted-by":"publisher","DOI":"10.1215\/9781478002000"},{"key":"e_1_3_3_43_1","first-page":"37","volume-title":"The Visual Culture Reader","author":"Shohat Ella","year":"2002","unstructured":"Shohat, Ella, and Robert Stam. 2002. \u201cNarrativizing Visual Culture: Towards a Polycentric Aesthetics.\u201d In The Visual Culture Reader, edited by Nicholas Mirzoeff, 37\u201359. London: Routledge."},{"key":"e_1_3_3_44_1","doi-asserted-by":"publisher","DOI":"10.4324\/9781315771441"},{"key":"e_1_3_3_45_1","doi-asserted-by":"publisher","DOI":"10.1080\/13562517.2016.1273214"},{"key":"e_1_3_3_46_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-1-349-19059-1_20"},{"key":"e_1_3_3_47_1","volume-title":"Film Theory: An Introduction","author":"Stam Robert.","year":"2000","unstructured":"Stam, Robert. 2000. Film Theory: An Introduction. Malden, MA: Blackwell."},{"key":"e_1_3_3_48_1","volume-title":"The Disciplinary Frame: Photographic Truths and the Capture of Meaning","author":"Tagg John.","year":"2009","unstructured":"Tagg, John. 2009. The Disciplinary Frame: Photographic Truths and the Capture of Meaning. Minneapolis, MN: University of Minnesota Press."},{"issue":"1","key":"e_1_3_3_49_1","first-page":"121","article-title":"Do Artifacts Have Politics?","volume":"109","author":"Winner Langdon.","year":"1980","unstructured":"Winner, Langdon. 1980. \u201cDo Artifacts Have Politics?\u201d Daedalus 109 (1): 121\u2013136.","journal-title":"Daedalus"},{"key":"e_1_3_3_50_1","volume-title":"Colonial Desire: Hybridity in Theory, Culture and Race","author":"Young Robert J. C.","year":"1995","unstructured":"Young, Robert J. C. 1995. Colonial Desire: Hybridity in Theory, Culture and Race. New York: Routledge."},{"key":"e_1_3_3_51_1","unstructured":"Zuroski Eugenia. 2020. \u201c\u2018Where Do You Know From?\u2019: An Exercise in Placing Ourselves Together in the Classroom.\u201d MAI: Feminism & Visual Culture. January 27. https:\/\/maifeminism.com\/where-do-you-know-from-an-exercise-in-placing-ourselves-together-in-the-classroom."}],"container-title":["Critical Arts"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/www.tandfonline.com\/doi\/pdf\/10.1080\/02560046.2024.2312434","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,12,9]],"date-time":"2024-12-09T06:26:46Z","timestamp":1733725606000},"score":1,"resource":{"primary":{"URL":"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/02560046.2024.2312434"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2024,2,8]]},"references-count":50,"journal-issue":{"issue":"4-5","published-print":{"date-parts":[[2024,9,2]]}},"alternative-id":["10.1080\/02560046.2024.2312434"],"URL":"https:\/\/doi.org\/10.1080\/02560046.2024.2312434","relation":{},"ISSN":["0256-0046","1992-6049"],"issn-type":[{"type":"print","value":"0256-0046"},{"type":"electronic","value":"1992-6049"}],"subject":[],"published":{"date-parts":[[2024,2,8]]},"assertion":[{"value":"The publishing and review policy for this title is described in its Aims & Scope.","order":1,"name":"peerreview_statement","label":"Peer Review Statement"},{"value":"http:\/\/www.tandfonline.com\/action\/journalInformation?show=aimsScope&journalCode=rcrc20","URL":"http:\/\/www.tandfonline.com\/action\/journalInformation?show=aimsScope&journalCode=rcrc20","order":2,"name":"aims_and_scope_url","label":"Aim & Scope"},{"value":"2024-02-08","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}