{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,2,22]],"date-time":"2026-02-22T02:00:56Z","timestamp":1771725656448,"version":"3.50.1"},"reference-count":70,"publisher":"Informa UK Limited","issue":"3","license":[{"start":{"date-parts":[[2024,5,29]],"date-time":"2024-05-29T00:00:00Z","timestamp":1716940800000},"content-version":"vor","delay-in-days":0,"URL":"http:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"funder":[{"DOI":"10.13039\/501100001871","name":"Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia","doi-asserted-by":"publisher","award":["2021.07216.BD"],"award-info":[{"award-number":["2021.07216.BD"]}],"id":[{"id":"10.13039\/501100001871","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":["www.tandfonline.com"],"crossmark-restriction":true},"short-container-title":["International Journal of Performance Arts and Digital Media"],"published-print":{"date-parts":[[2024,9]]},"DOI":"10.1080\/14794713.2024.2357826","type":"journal-article","created":{"date-parts":[[2024,5,29]],"date-time":"2024-05-29T16:11:55Z","timestamp":1716999115000},"page":"421-445","update-policy":"https:\/\/doi.org\/10.1080\/tandf_crossmark_01","source":"Crossref","is-referenced-by-count":1,"title":["An essay on the dimensions of generative dance"],"prefix":"10.1080","volume":"20","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-8186-2627","authenticated-orcid":false,"given":"Ana Maria","family":"Leit\u00e3o","sequence":"first","affiliation":[{"name":"University of Lisbon","place":["Lisbon, Portugal"]},{"name":"FMH branch","place":["Lisbon, Portugal"]},{"name":"University of Lisbon","place":["Lisbon, Portugal"]},{"name":"University of Minho","place":["Braga, Portugal"]}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-0934-5561","authenticated-orcid":false,"given":"Maria Jo\u00e3o","family":"Alves","sequence":"additional","affiliation":[{"name":"University of Lisbon","place":["Lisbon, Portugal"]},{"name":"FMH branch","place":["Lisbon, Portugal"]}]}],"member":"301","published-online":{"date-parts":[[2024,5,29]]},"reference":[{"key":"e_1_3_4_2_1","volume-title":"The Knowledge Evolution: Expanding Organizational Intelligence","author":"Allee Verna.","year":"1997","unstructured":"Allee, Verna. 1997. The Knowledge Evolution: Expanding Organizational Intelligence. Boston, MA: Routledge."},{"key":"e_1_3_4_3_1","doi-asserted-by":"publisher","DOI":"10.3389\/fpsyg.2016.01449"},{"key":"e_1_3_4_4_1","unstructured":"Arquivo Digital da PO.EX. 2008. \u201c.txt.\u201d Arquivo Digital Po.Ex. Accessed 16 September 2022. https:\/\/po-ex.net\/taxonomia\/materialidades\/performativas\/nabais-galrito-jurgens-ponto-txt\/."},{"key":"e_1_3_4_5_1","unstructured":"Bold Esther. n.d. \u201cCollectivity in Dance: The Possibilities of Togetherness.\u201d Accessed 30 August 2022. https:\/\/www.goethe.de\/en\/kul\/tut\/gen\/tan\/20363531.html."},{"issue":"1","key":"e_1_3_4_6_1","first-page":"1","article-title":"Making Sense of Collective Events: The Co-creation of a Research-based Dance","volume":"12","author":"Boydell Katherine. M.","year":"2011","unstructured":"Boydell, Katherine. M. 2011. \u201cMaking Sense of Collective Events: The Co-creation of a Research-based Dance.\u201d Forum: Qualitative Social Research 12 (1): 1\u201320.","journal-title":"Forum: Qualitative Social Research"},{"key":"e_1_3_4_7_1","doi-asserted-by":"publisher","DOI":"10.1186\/s40798-020-00253-y"},{"key":"e_1_3_4_8_1","doi-asserted-by":"publisher","DOI":"10.1515\/9780691212920"},{"key":"e_1_3_4_9_1","unstructured":"Cambridge University Press. n.d. \u201cHigh-tech\u201d Cambridge Business English Dictionary. Accessed 21 September 2022. https:\/\/dictionary.cambridge.org\/dictionary\/english\/high-tech."},{"key":"e_1_3_4_10_1","doi-asserted-by":"publisher","DOI":"10.4324\/9780203132326-15"},{"issue":"1","key":"e_1_3_4_11_1","first-page":"93","article-title":"Goodbye to the Self: The Enunciation of Othering Oneself","volume":"1","author":"Costa Jos\u00e9 Ney Gomes.","year":"2005","unstructured":"Costa, Jos\u00e9 Ney Gomes. 2005. \u201cGoodbye to the Self: The Enunciation of Othering Oneself\u201d [Adeus ao eu: A enuncia\u00e7\u00e3o do outrar-se]. Kal\u00edope 1 (1): 93\u2013109.","journal-title":"Kal\u00edope"},{"key":"e_1_3_4_12_1","doi-asserted-by":"publisher","DOI":"10.1016\/S0065-3454(03)01001-5"},{"key":"e_1_3_4_13_1","volume-title":"Flow \u2013 The Psychology of Optimal Experience","author":"Csikszentmihalyi Mihaly.","year":"1990","unstructured":"Csikszentmihalyi, Mihaly. 1990. Flow \u2013 The Psychology of Optimal Experience. Pymble, NSW: HarperCollins."},{"key":"e_1_3_4_14_1","unstructured":"Culture.pl. 2015. \u201cThere Might Be Others \u2013 Rebecca Lazier.\u201d Last modified June 2015. Accessed 15 August 2022. https:\/\/culture.pl\/en\/work\/there-might-be-others-rebecca-lazier."},{"key":"e_1_3_4_15_1","volume-title":"A Thousand Plateaus: Capitalism and Schizophrenia","author":"Deleuze Gilles","year":"1987","unstructured":"Deleuze, Gilles, and F\u00e9lix Guattari. 1987. A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis, MN: University of Minnesota Press."},{"key":"e_1_3_4_16_1","unstructured":"Despr\u00e9s Aurore. 1998. \u201cTravail des sensations dans la pratique de la danse contemporaine: Logique du geste esth\u00e9tique\u201d [Working with Sensations in Contemporary Dance Practice: Logic of the Aesthetic Gesture]. PhD thesis Universit\u00e9 Paris VIII. https:\/\/hal.archives-ouvertes.fr\/tel-02544811."},{"key":"e_1_3_4_17_1","first-page":"413","volume-title":"Performance im Medialen Wandel","author":"Duscher Tom.","year":"2006","unstructured":"Duscher, Tom. 2006. \u201cGenerative Medien und Performativer Prozess\u201d In Performance im Medialen Wandel [Performance in Media Transition], edited by P. M. Meyer, 413\u2013426. M\u00fcnchen: Wilhelm Fink Verlag."},{"key":"e_1_3_4_18_1","first-page":"243","volume-title":"Componer el plural Escena, cuerpo, pol\u00edtica","author":"Fern\u00e1ndez-Savater Amador.","year":"2016","unstructured":"Fern\u00e1ndez-Savater, Amador. 2016. \u201cLa asamblea y el campamento. Sobre la autoorganizaci\u00f3n de lo com\u00fan\u201d [The Assembly and the Camp. On the Self-organisation of the Common].\u201d In Componer el plural Escena, cuerpo, pol\u00edtica, 6th ed., edited by V. P. Royo, 243\u2013271. Barcelona: Cuerpo de letra.","edition":"6"},{"key":"e_1_3_4_19_1","unstructured":"Forsythe William. n.d.a. \u201cLectures from Improvisation Technologies.\u201d Choreographic Objects Films Artworks William Forsythe. Accessed 21 September 2022. https:\/\/www.williamforsythe.com\/filmspaces.html?&no_cache=1&detail=1&uid=42."},{"key":"e_1_3_4_20_1","unstructured":"Forsythe William. n.d.b. \u201cThe Fact of Matter.\u201d Choreographic Objects William Forsythe. Accessed 21 September 2022. https:\/\/www.williamforsythe.com\/installations.html?&pid=4&count=34&no_cache=1&detail=1&uid=29."},{"key":"e_1_3_4_21_1","unstructured":"Forsythe William. n.d.c. \u201cNowhere and Neverywhere at the Same Time No.3.\u201d Choreographic Objects William Forsythe. Accessed 21 September 2022. https:\/\/www.williamforsythe.com\/installations.html?&pide=4&count=17&no_cache=1&detail=1&uid=65."},{"key":"e_1_3_4_22_1","unstructured":"Fuller Richard Buckminster. 1962. \u201cTensile-Integrity Structures.\u201d United States Patent No. 3063521. United States Patent Office."},{"key":"e_1_3_4_23_1","first-page":"1","volume-title":"GA2003\u20136th Generative Art Conference","author":"Galanter Philip.","year":"2003","unstructured":"Galanter, Philip. 2003. \u201cWhat is Generative Art? Complexity theory as a context for art theory.\u201d In GA2003\u20136th Generative Art Conference, 1\u201321."},{"key":"e_1_3_4_24_1","first-page":"151","volume-title":"GA2008, 11th Generative Art Conference References","author":"Galanter Philip.","year":"2008","unstructured":"Galanter, Philip. 2008. \u201cWhat is Complexism? Generative art and the Cultures of Science and the Humanities.\u201d In GA2008, 11th Generative Art Conference References, 151\u2013167."},{"key":"e_1_3_4_25_1","doi-asserted-by":"publisher","DOI":"10.1002\/9781118475249"},{"key":"e_1_3_4_26_1","unstructured":"Haacke Hans. 2022. \u201cSystems Work.\u201d Hans Haacke. Accessed 21 September 2022. https:\/\/blogs.uoregon.edu\/hanshaacke\/category\/systems-work\/."},{"key":"e_1_3_4_27_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-540-73849-7_21"},{"key":"e_1_3_4_28_1","unstructured":"Halprin Anna. 2016. \u201cPerformances.\u201d Anna Halprin. Accessed 30 August 2022. https:\/\/www.annahalprin.org\/performances."},{"key":"e_1_3_4_29_1","doi-asserted-by":"publisher","DOI":"10.1177\/0305735613502374"},{"key":"e_1_3_4_30_1","doi-asserted-by":"publisher","DOI":"10.1371\/journal.pone.0087213"},{"key":"e_1_3_4_31_1","doi-asserted-by":"publisher","DOI":"10.3390\/bs8020023"},{"key":"e_1_3_4_32_1","volume-title":"Homo Ludens","author":"Huizinga Johan.","year":"2000","unstructured":"Huizinga, Johan. 2000. Homo Ludens. S\u00e3o Paulo: Perspectiva Editora."},{"key":"e_1_3_4_33_1","doi-asserted-by":"publisher","DOI":"10.1038\/scientificamerican0198-48"},{"key":"e_1_3_4_34_1","unstructured":"Jonh Cage Trust. 2016. \u201cMusic of Changes.\u201d Database of works John Cage. Accessed 30 August 2022. https:\/\/johncage.org\/pp\/John-Cage-Work-Detail.cfm?work_ID=134."},{"key":"e_1_3_4_35_1","unstructured":"J\u00fcrgens Stephan Ferdinand. 2011. \u201cUma metodologia de transfer\u00eancias bidireccionais entre a dan\u00e7a contempor\u00e2nea e as tecnologias multimedia\u201d [A Methodology for Bi-directional Transfer between Contemporary Dance and New Media Technologies]. Unpublished doctoral dissertation Faculdade de Motricidade Humana Universidade T\u00e9cnica de Lisboa. http:\/\/hdl.handle.net\/10400.5\/3775."},{"key":"e_1_3_4_36_1","unstructured":"K-Danse. 2018. \u201cBodyFail.\u201d Accessed 30 August 2022. https:\/\/www.k-danse.net\/en\/portfolio\/bodyfail\/."},{"key":"e_1_3_4_37_1","first-page":"77","volume-title":"Learning to Live Together: Promoting Social Harmony","author":"Kelso J. A. Scott.","year":"2018","unstructured":"Kelso, J. A. Scott. 2018. \u201cWalls and Borders and Strangers on the Shore: On Learning to Live Together from the Perspective of the Science of Coordination and the Complementary Nature\u201d In Learning to Live Together: Promoting Social Harmony, edited by J. A. Scott Kelso, 77\u201393. Cham, Switzerland: Springer."},{"key":"e_1_3_4_38_1","doi-asserted-by":"publisher","DOI":"10.3390\/bs8060052"},{"key":"e_1_3_4_39_1","doi-asserted-by":"publisher","DOI":"10.1057\/978-1-137-59194-4"},{"key":"e_1_3_4_40_1","volume-title":"Tanzimprovisation","author":"Lampert Friederike.","year":"2007","unstructured":"Lampert, Friederike. 2007. Tanzimprovisation [Dance Improvisation]. Bielefeld: Transcript Verlag."},{"key":"e_1_3_4_41_1","doi-asserted-by":"publisher","DOI":"10.1109\/ACC.2012.6315402"},{"key":"e_1_3_4_42_1","first-page":"112","volume-title":"A terra do n\u00e3o-lugar | Di\u00e1logos entre antropologia e performance","author":"Lepecki Andr\u00e9.","year":"2010","unstructured":"Lepecki, Andr\u00e9. 2010. \u201cPlanos de composi\u00e7\u00e3o: Dan\u00e7a, Pol\u00edtica e Movimento\u201d [Composition Plans: Dance, Politics, and Movement]. In A terra do n\u00e3o-lugar | Di\u00e1logos entre antropologia e performance, edited by Patr\u00edcia Raposo, Vera Cardoso, Jo\u00e3o Fradique, and Tiago Dawsey, 112\u2013120. Florian\u00f3polis-SC: Editora da UFSC."},{"key":"e_1_3_4_43_1","unstructured":"Leste Thembi Rosa. 2010. \u201cDan\u00e7a: Modos de estar princ\u00edpios organizativos em dan\u00e7a contempor\u00e2nea\u201d [Dance: Ways of Being Organizational Principles in Contemporary Dance]. Unpublished Master's thesis Universidade Federal da Bahia. http:\/\/www.repositorio.ufba.br\/ri\/handle\/ri\/8076."},{"key":"e_1_3_4_44_1","first-page":"203","volume-title":"Pesquisas em anima\u00e7\u00e3o: Cinema & po\u00e9ticas tecnol\u00f3gicas","author":"Leste Thembi Rosa.","year":"2019","unstructured":"Leste, Thembi Rosa. 2019. \u201cParquear Bando _objetos coreogr\u00e1ficos\u201d [Parquear Bando _Choreographic Objects]. In Pesquisas em anima\u00e7\u00e3o: Cinema & po\u00e9ticas tecnol\u00f3gicas, edited by \u00c1 Gentil, 203\u2013216. Belo Horizonte: Editora Ramalhete."},{"key":"e_1_3_4_45_1","doi-asserted-by":"publisher","DOI":"10.1080\/14647893.2020.1746259"},{"key":"e_1_3_4_46_1","unstructured":"Martin Nina. 2013. \u201cEmergent choreography: Spontaneous ensemble dance composition in improvised performance.\u201d Doctoral dissertation Texas Woman's University Arts-School of the Arts-Dance. https:\/\/twu-ir.tdl.org\/handle\/11274\/330."},{"key":"e_1_3_4_47_1","unstructured":"Merce Cunningham Trust. 2021. \u201cSolo Suite in Space and Time.\u201d Choreography Merce Cunningham Trust. Accessed 30 August 2022. https:\/\/www.mercecunningham.org\/the-work\/choreography\/solo-suite-in-space-and-time\/."},{"key":"e_1_3_4_48_1","unstructured":"Merriam-Webster. n.d. \u201cGenerate.\u201d In Merriam-Webster.com dictionary. Accessed 14 September 2022. https:\/\/www.merriam-webster.com\/dictionary\/generate."},{"key":"e_1_3_4_49_1","unstructured":"The Metropolitan Museum of Art. 2016. \u201cIncomplete Open Cubes.\u201d The Collection Modern and Contemporary Art Met museum. Accessed 14 September 2022. https:\/\/www.metmuseum.org\/art\/collection\/search\/691091."},{"key":"e_1_3_4_50_1","first-page":"45","article-title":"What\u2019s the score?: Using scores in dance improvisation","volume":"40","author":"Millard Olivia.","year":"2015","unstructured":"Millard, Olivia. 2015. \u201cWhat\u2019s the score?: Using scores in dance improvisation.\u201d Brolga: An Australian Journal about Dance 40:45\u201356.","journal-title":"Brolga: An Australian Journal about Dance"},{"key":"e_1_3_4_51_1","volume-title":"Ci\u00eancia com Consci\u00eancia","author":"Morin Edgar.","year":"2005","unstructured":"Morin, Edgar. 2005. Ci\u00eancia com Consci\u00eancia [Science avec Conscience]. 5th ed. Rio de Janeiro: Bertrand Brasil.","edition":"5"},{"key":"e_1_3_4_52_1","doi-asserted-by":"publisher","DOI":"10.1260\/026635103769518198"},{"key":"e_1_3_4_53_1","unstructured":"Neves Heloisa. 2008. \u201cO Mapa [ou] Um Estudo sobre Representa\u00e7\u00f5es Complexas\u201d [Mapping: A Study on Complex Representations]. Vis\u00f5es Urbanas \u2013 Cadernos PPG-AU\/FAUFBA 5: 1\u201321. Accessed 30 June 2022. http:\/\/www.atlas.ufba.br\/visoes_urbanas_2008\/Cadernos_atlas_heloisaneves.pdf."},{"key":"e_1_3_4_54_1","unstructured":"Onformative. n.d. \u201cPathfinder.\u201d Accessed 16 September 2022. https:\/\/onformative.com\/work\/pathfinder\/."},{"key":"e_1_3_4_55_1","doi-asserted-by":"publisher","DOI":"10.1007\/s11097-013-9329-8"},{"key":"e_1_3_4_56_1","unstructured":"Parra Denise Vendrami. 2021. \u201cComposi\u00e7\u00f5es instant\u00e2neas: cartografias de um ensino em dan\u00e7a\u201d [Instant Compositions: Cartographies of a Dance Education]. Unpublished doctoral dissertation Faculdade de Motricidade Humana Universidade T\u00e9cnica de Lisboa. http:\/\/hdl.handle.net\/10400.5\/24651."},{"key":"e_1_3_4_57_1","doi-asserted-by":"publisher","DOI":"10.1186\/s40798-020-00256-9"},{"key":"e_1_3_4_58_1","doi-asserted-by":"publisher","DOI":"10.1037\/0096-1523.33.4.845"},{"key":"e_1_3_4_59_1","doi-asserted-by":"publisher","DOI":"10.1080\/14794713.2021.1885191"},{"key":"e_1_3_4_60_1","doi-asserted-by":"publisher","DOI":"10.1007\/s11097-016-9465-z"},{"key":"e_1_3_4_61_1","volume-title":"Group Creativity: Music, Theater, Collaboration","author":"Sawyer R. Keith.","year":"2003","unstructured":"Sawyer, R. Keith. 2003. Group Creativity: Music, Theater, Collaboration. Mahwah, New Jersey: Lawrence Erlbaum Associates Publishers."},{"key":"e_1_3_4_62_1","volume-title":"Biotensegrity: The Structural Basis of Life","author":"Scarr Graham.","year":"2014","unstructured":"Scarr, Graham. 2014. Biotensegrity: The Structural Basis of Life. Scotland: Handspring Publishing."},{"key":"e_1_3_4_63_1","unstructured":"Schiphorst Thecla. 1993. \u201cA Case Study of Merce Cunningham\u2019s Use of the Lifeforms Computer Choreographic System.\u201d Master\u2019s thesis. Simon Fraser University. National Library of Canada. https:\/\/bac-lac.on.worldcat.org\/oclc\/46532965."},{"key":"e_1_3_4_64_1","doi-asserted-by":"publisher","DOI":"10.1075\/aicr.82"},{"key":"e_1_3_4_65_1","unstructured":"Sicchio Kate. 2021. \u201cDance and Choreography works: Feeling Distance.\u201d School of the Arts Dept. of Dance and Choreography Works Vcu Scholars Compass. https:\/\/scholarscompass.vcu.edu\/danc_works\/1\/."},{"key":"e_1_3_4_66_1","unstructured":"Sicchio Kate. n.d. \u201cHacking Choreography.\u201d Work Kate Sicchio. Accessed 16 September 2022. https:\/\/www.sicchio.com\/work-1\/hacking-choreography."},{"key":"e_1_3_4_67_1","unstructured":"Souza Severino and Ana L\u00facia Francisco. 2016. \u201cM\u00e9todos da Cartografia em Pesquisa Qualitativa: Estabelecendo Princ\u00edpios\u2009\u2026\u2009Desenhando Caminhos\u2009\u2026\u2009\u201d [Methods of Cartography in Qualitative Research: Establishing Principles\u2009\u2026\u2009Charting Paths\u2009\u2026]. Livro de Atas do 5\u00b0 Congresso Ibero-Americano em Investiga\u00e7\u00e3o Qualitativa Vol. 2 (Sa\u00fade) Atas CIAIQ2016 2: 811\u2013820. https:\/\/ludomedia.org\/publicacoes\/livro-de-atas-ciaiq2016-vol-2-saude\/."},{"key":"e_1_3_4_68_1","unstructured":"Studio Wayne McGregor. n.d. \u201cChoreographic Language Agent.\u201d Accessed 16 September 2022. https:\/\/waynemcgregor.com\/research\/choreographic-language-agent."},{"key":"e_1_3_4_69_1","doi-asserted-by":"publisher","DOI":"10.33607\/bjshs.v1i80.344"},{"key":"e_1_3_4_70_1","doi-asserted-by":"publisher","DOI":"10.1111\/jpr.12330"},{"key":"e_1_3_4_71_1","unstructured":"Vit\u00f3ria Dannyeli dos Santos. 2019. \u201cPedagogia da empatia: A import\u00e2ncia do professor Outrar-se\u201d [Pedagogy of Empathy: The Importance of the Teacher\u2019s Otherness]. Unpublished undergraduate honors thesis Universidade Federal Fluminense Faculdade de Educa\u00e7\u00e3o Pedagogia. https:\/\/app.uff.br\/riuff\/handle\/1\/15392."}],"container-title":["International Journal of Performance Arts and Digital Media"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/www.tandfonline.com\/doi\/pdf\/10.1080\/14794713.2024.2357826","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,3,19]],"date-time":"2025-03-19T09:15:07Z","timestamp":1742375707000},"score":1,"resource":{"primary":{"URL":"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/14794713.2024.2357826"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2024,5,29]]},"references-count":70,"journal-issue":{"issue":"3","published-print":{"date-parts":[[2024,9]]}},"alternative-id":["10.1080\/14794713.2024.2357826"],"URL":"https:\/\/doi.org\/10.1080\/14794713.2024.2357826","relation":{},"ISSN":["1479-4713","2040-0934"],"issn-type":[{"value":"1479-4713","type":"print"},{"value":"2040-0934","type":"electronic"}],"subject":[],"published":{"date-parts":[[2024,5,29]]},"assertion":[{"value":"The publishing and review policy for this title is described in its Aims & Scope.","order":1,"name":"peerreview_statement","label":"Peer Review Statement"},{"value":"http:\/\/www.tandfonline.com\/action\/journalInformation?show=aimsScope&journalCode=rpdm20","URL":"http:\/\/www.tandfonline.com\/action\/journalInformation?show=aimsScope&journalCode=rpdm20","order":2,"name":"aims_and_scope_url","label":"Aim & Scope"},{"value":"2023-09-27","order":0,"name":"received","label":"Received","group":{"name":"publication_history","label":"Publication History"}},{"value":"2024-05-15","order":2,"name":"accepted","label":"Accepted","group":{"name":"publication_history","label":"Publication History"}},{"value":"2024-05-29","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}