{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,3,18]],"date-time":"2026-03-18T04:48:51Z","timestamp":1773809331571,"version":"3.50.1"},"reference-count":38,"publisher":"Oxford University Press (OUP)","issue":"2","license":[{"start":{"date-parts":[[2024,5,14]],"date-time":"2024-05-14T00:00:00Z","timestamp":1715644800000},"content-version":"vor","delay-in-days":74,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2024,7,12]]},"abstract":"<jats:title>Abstract<\/jats:title>\n               <jats:p>This paper focuses on interaction across and between the physical\/digital divide. We use blending theory to design for these situations, otherwise known as conceptual integration. Initially, this paper offers a discussion of the literature around blends. From this literature, we applied Benyon\u2019s (Benyon, 2014) proposition of conceptual integration in mixed reality spaces (Blended Spaces) to consider interactions with the digital that complement the physical. We investigated blended spaces in partnership with undergraduate students during a live theatre festival. Our collaborators designed applications that applied blending principles, employing techniques drawn from speculative design. Outputs consist of speculative, narrative storyboards that use data gathered directly from stakeholder interviews and over 380 festival visitors. Our work led us to propose reworking Blended Spaces into a model that novice designers could easily conceive and apply. The work we conducted highlighted the need to consider user transitions from physical to digital and back again and highlighted the experiential nature of this type of interaction.<\/jats:p>","DOI":"10.1093\/iwc\/iwae010","type":"journal-article","created":{"date-parts":[[2024,3,14]],"date-time":"2024-03-14T18:45:29Z","timestamp":1710441929000},"page":"126-140","source":"Crossref","is-referenced-by-count":1,"title":["Narratives of Blended Experience"],"prefix":"10.1093","volume":"36","author":[{"given":"Tom","family":"Flint","sequence":"first","affiliation":[{"name":"Edinburgh Napier University Merchiston Campus Colinton Road Edinburgh EH10 5DT UK"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Brian","family":"O\u2019Keefe","sequence":"additional","affiliation":[{"name":"Farmingdale State College 350 NY-110, Farmingdale, NY 11735,","place":["United States"]}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Mike","family":"Mastermaker","sequence":"additional","affiliation":[{"name":"Farmingdale State College 350 NY-110, Farmingdale, NY 11735,","place":["United States"]}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Miriam","family":"Sturdee","sequence":"additional","affiliation":[{"name":"University of St. Andrews St Andrews KY16 9AJ UK"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"David","family":"Benyon","sequence":"additional","affiliation":[{"name":"Edinburgh Napier University Merchiston Campus Colinton Road Edinburgh EH10 5DT UK"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"286","published-online":{"date-parts":[[2024,5,14]]},"reference":[{"key":"2025091002462556100_ref1","doi-asserted-by":"crossref","first-page":"11","DOI":"10.1080\/14626268.2013.767276","article-title":"Speculative design: crafting the speculation","volume":"24","author":"Auger","year":"2013","journal-title":"Digit. 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