{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,22]],"date-time":"2026-04-22T16:36:20Z","timestamp":1776875780607,"version":"3.51.2"},"reference-count":41,"publisher":"Oxford University Press (OUP)","issue":"Supplement_1","license":[{"start":{"date-parts":[[2025,10,1]],"date-time":"2025-10-01T00:00:00Z","timestamp":1759276800000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"funder":[{"DOI":"10.13039\/501100002428","name":"Austrian Science Fund","doi-asserted-by":"publisher","award":["10.55776\/P34664"],"award-info":[{"award-number":["10.55776\/P34664"]}],"id":[{"id":"10.13039\/501100002428","id-type":"DOI","asserted-by":"publisher"}]},{"name":"University of Music and Performing Arts Vienna"},{"name":"University for Continuing Education Krems"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2026,4,1]]},"abstract":"<jats:title>Abstract<\/jats:title>\n                  <jats:p>Johann Strauss Jr.\u2019s famous Kaiser-Walzer (Emperor Waltz) has provoked frequent study. Questions about its character, in light of the \u2018serious\u2019 versus \u2018art\u2019 music debate, have persisted over time since its inception in 1889. It still straddles both definitions in scholarship and popular understanding, and is among the most widely recognized works of the Strauss dynasty, frequently performed within the Vienna Philharmonic Orchestra\u2019s New Year\u2019s Concert (NYC) series. Interpretative choices made by orchestras associated with this music influence the conception of Vienna\u2019s \u2018signature sound\u2019, and differentiate Vienna\u2019s orchestras from national and international counterparts. The waltz\u2019s (intentionally) ambiguous naming presents a further mystery, long prompting discussion as to which Emperor was truly intended, Kaiser Franz Joseph I of Austria or the German Kaiser Wilhelm II. We approach these long-standing musicological questions using digital methods within \u2018Signature Sound Vienna\u2019, a research project funded by the Austrian Science Fund (FWF P 34664-G). Our interdisciplinary investigation of the NYC series combines historical and systematic musicology, performance science, music informatics, and Web science. Our data, organized according to FAIR principles as a Linked Data corpus, support machine-readable references underlying our assertions via publishable URIs. This article presents a case study, both of our musicological research (exemplified using the Kaiser-Walzer), and of this novel approach to scholarly publication (using URIs included within the reporting).<\/jats:p>","DOI":"10.1093\/llc\/fqaf093","type":"journal-article","created":{"date-parts":[[2025,9,18]],"date-time":"2025-09-18T11:51:53Z","timestamp":1758196313000},"page":"i294-i306","source":"Crossref","is-referenced-by-count":0,"title":["<i>Hand in Hand<\/i>\n                    ; Strauss\u2019\n                    <i>Kaiser-Walzer<\/i>\n                    as a case study of interdisciplinary collaboration in digital musicology"],"prefix":"10.1093","volume":"41","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-2055-273X","authenticated-orcid":false,"given":"Chanda","family":"VanderHart","sequence":"first","affiliation":[{"name":"Department of Music Acoustics \u2013 Wiener Klangstil, mdw \u2013 University of Music and Performing Arts Vienna , Anton-von-Webern-Platz 1 , A-1030 Vienna,","place":["Austria"]},{"name":"Center for Applied Music Research, University for Continuing Education Krems , Dr.-Karl-Dorrek-Stra\u00dfe 30 , 3500 Krems an der Donau,","place":["Austria"]}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"David M","family":"Weigl","sequence":"additional","affiliation":[{"name":"Department of Music Acoustics \u2013 Wiener Klangstil, mdw \u2013 University of Music and Performing Arts Vienna , Anton-von-Webern-Platz 1 , A-1030 Vienna,","place":["Austria"]}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"286","published-online":{"date-parts":[[2025,10,1]]},"reference":[{"key":"2026042211365050200_fqaf093-B1","author":"Adorno","year":"1941"},{"key":"2026042211365050200_fqaf093-B2","first-page":"281","volume-title":"Die Fledermaus, Wiener Institut f\u00fcr Strau\u00df-Forschung","author":"Aigner","year":"2003"},{"key":"2026042211365050200_fqaf093-B3","article-title":"Vibration Patterns and Sound Analysis of the Viennese timpani\u2019","author":"Bertsch","year":"2001","journal-title":"Proceedings ISMA"},{"key":"2026042211365050200_fqaf093-B4","volume-title":"CD-Dokumentation des Forums Acusticum Sevilla","author":"Bertsch","year":"2002"},{"key":"2026042211365050200_fqaf093-B5","author":"Bertsch","year":"2003"},{"key":"2026042211365050200_fqaf093-B6","author":"Br\u00fcstle","year":"1995"},{"key":"2026042211365050200_fqaf093-B7","volume-title":"Beyond the Score: Music as Performance","author":"Cook","year":"2013"},{"key":"2026042211365050200_fqaf093-B8","doi-asserted-by":"crossref","DOI":"10.2307\/431491","volume-title":"The Idea of Absolute Music","author":"Dahlhaus","year":"1991"},{"key":"2026042211365050200_fqaf093-B9","author":"Dahlhaus","year":"1967"},{"key":"2026042211365050200_fqaf093-B10","volume-title":"Wiens Goldener Klang: Geschichten um die Wiener Philharmoniker und Ihr Neujahrskonzert","author":"Dieman-Dichtl","year":"1996"},{"key":"2026042211365050200_fqaf093-B11","doi-asserted-by":"crossref","DOI":"10.1093\/actrade\/9780198809081.001.0001","volume-title":"Dynasty: A Very Short Introduction","author":"Duindam","year":"2019"},{"key":"2026042211365050200_fqaf093-B12","volume-title":"Zwischen Kunstanspruch und Volksvergn\u00fcgen. 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