{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,10,6]],"date-time":"2026-10-06T16:51:30Z","timestamp":1791305490374,"version":"4.3.1"},"reference-count":150,"publisher":"Oxford University Press (OUP)","issue":"10","license":[{"start":{"date-parts":[[2026,10,6]],"date-time":"2026-10-06T00:00:00Z","timestamp":1791244800000},"content-version":"vor","delay-in-days":5,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"funder":[{"name":"Max Planck"},{"DOI":"10.13039\/501100003554","name":"Lundbeck Foundation","doi-asserted-by":"publisher","award":["R469-2024-1573"],"award-info":[{"award-number":["R469-2024-1573"]}],"id":[{"id":"10.13039\/501100003554","id-type":"DOI","asserted-by":"publisher"}]},{"name":"K\u00f8bmand Herman Sallings Fond"},{"DOI":"10.13039\/501100000780","name":"European Union","doi-asserted-by":"publisher","award":["101041885"],"award-info":[{"award-number":["101041885"]}],"id":[{"id":"10.13039\/501100000780","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2026,10,6]]},"abstract":"<jats:title>Abstract<\/jats:title>\n                  <jats:p>Why is human music rhythmically structured the way it is? One hypothesis is that the human brain is intrinsically wired to favor specific rhythmic organizations. To test this, we collected diffusion and resting-state functional MRI (fMRI) data from musically untrained participants and, weeks later, asked them to imitate randomly generated drumming sequences using finger taps. These imitations exhibited systematic biases toward temporal structures widespread in human music: predictable patterns characterized by isochronous organization (1:1) and other small integer ratios (2:1 and 3:1). Functional connectome analyses linked the increased rhythmic predictability of reproduced rhythms to intrinsic interactions between networks implicated in auditory timing (auditory basal ganglia) and executive control (task-positive and task-negative networks). Notably, the tendency toward isochrony\u2014a feature highly conserved across species\u2014was selectively associated with increased fiber density within a cortico-basal ganglia-thalamo-cortical network previously implicated in the perception and production of a metronomic pulse from music (the \u201cbeat\u201d). Our findings reveal how stable neural architecture predisposes humans to produce rhythmically structured patterns. This evidence links intrinsic brain circuitry to individual cultural expressions, supporting the account of human symbolic systems, including music, as biocultural hybrids.<\/jats:p>","DOI":"10.1093\/cercor\/bhag091","type":"journal-article","created":{"date-parts":[[2026,6,30]],"date-time":"2026-06-30T22:29:34Z","timestamp":1782858574000},"source":"Crossref","is-referenced-by-count":0,"title":["Cortico-striatal network architecture shapes rhythmic biases in music"],"prefix":"10.1093","volume":"36","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-3432-3911","authenticated-orcid":false,"given":"Massimo","family":"Lumaca","sequence":"first","affiliation":[{"name":"Center for Music in the Brain, Aarhus University & The Royal Academy of Music Aarhus\/Aalborg , Universitetsbyen 3, Building 1710, 8000 Aarhus C ,","place":["Denmark"]}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Jelle","family":"van der Werff","sequence":"additional","affiliation":[{"name":"Department of Human Neurosciences, Sapienza University of Rome , Viale dell'Universit\u00e0 30, 00185 Rome ,","place":["Italy"]}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Peter E","family":"Keller","sequence":"additional","affiliation":[{"name":"Center for Music in the Brain, Aarhus University & The Royal Academy of Music Aarhus\/Aalborg , Universitetsbyen 3, Building 1710, 8000 Aarhus C ,","place":["Denmark"]},{"name":"The MARCS Institute for Brain, Behaviour and Development, Western Sydney University , Locked Bag 1797, Penrith NSW 2751 ,","place":["Australia"]}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Sonja A","family":"Kotz","sequence":"additional","affiliation":[{"name":"Faculty of Psychology and Neuroscience, Department of Neuropsychology and Psychopharmacology, Maastricht University , Universiteitssingel 40, 6229 ER Maastricht ,","place":["The Netherlands"]},{"name":"Department of Neurology, Max Planck Institute for Human Cognitive and Brain Sciences , Stephanstra\u00dfe 1a, 04103 Leipzig ,","place":["Germany"]}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-5086-0365","authenticated-orcid":false,"given":"Giosu\u00e8","family":"Baggio","sequence":"additional","affiliation":[{"name":"Language Acquisition and Language Processing Lab, Norwegian University of Science and Technology , Edvard Bulls veg 1, 7491 Trondheim ,","place":["Norway"]}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Mattia","family":"Rosso","sequence":"additional","affiliation":[{"name":"Center for Music in the Brain, Aarhus University & The Royal Academy of Music Aarhus\/Aalborg , Universitetsbyen 3, Building 1710, 8000 Aarhus C ,","place":["Denmark"]},{"name":"PEM Institute for Systematic Musicology, Ghent University , Miriam Makebaplein 1, 9000 Ghent 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