{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,10,21]],"date-time":"2026-10-21T00:39:02Z","timestamp":1792543142196,"version":"4.5.0"},"reference-count":75,"publisher":"The Royal Society","issue":"10","license":[{"start":{"date-parts":[[2026,10,21]],"date-time":"2026-10-21T00:00:00Z","timestamp":1792540800000},"content-version":"vor","delay-in-days":14,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"funder":[{"DOI":"10.13039\/501100005416","name":"Research Council of Norway","doi-asserted-by":"publisher","award":["262762"],"award-info":[{"award-number":["262762"]}],"id":[{"id":"10.13039\/501100005416","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2026,10,7]]},"abstract":"<jats:title>Abstract<\/jats:title>\n                  <jats:p>When listening to novel music, extra-musical information about the musician may influence a listener's evaluations of the music. Here, we studied the extent to which information about the musicians\u2019 Humanness, Morality and Sex, conveyed by their vocal timbre and tessitura, affected listeners\u2019 emotional and aesthetic responses to their music. This online, pre-registered experiment followed a 2 (Humanness: Human vs. AI model) \u00d7 2 (Vocalist Sex: Male vs. Female) \u00d7 3 (Morality: Moral, Immoral, Neutral) mixed factorial design. Participants (n = 400) were randomly assigned to one of four groups, differing in Humanness and Vocalist Sex. Participants read three descriptions depicting a Moral, Immoral and Neutral behaviour and listened to three unfamiliar songs pseudorandomly paired with a description. Emotional and aesthetic responses to each song were measured using validated measures (GEMS-9 scale) and additional items assessing feelings of being Moved, Connected, perceived Beauty, Liking and perceived Creativity. As predicted, linear mixed-effects models revealed significant main effects of Morality for all dependent variables, with Immoral descriptions consistently yielding more negative ratings. Contrary to predictions, we observed no differences in responses to songs based on Humanness, no significant interaction between Morality and Humanness and no effect of Vocalist Sex on responses.<\/jats:p>","DOI":"10.1098\/rsos.252167","type":"journal-article","created":{"date-parts":[[2026,10,21]],"date-time":"2026-10-21T00:07:35Z","timestamp":1792541255000},"source":"Crossref","is-referenced-by-count":0,"title":["Moral echoes: do morality and humanness affect emotional and aesthetic responses to music?"],"prefix":"10.1098","volume":"13","author":[{"ORCID":"https:\/\/orcid.org\/0009-0003-1835-2098","authenticated-orcid":false,"given":"Abbigail M.","family":"Fleckenstein","sequence":"first","affiliation":[{"name":"Department of Psychology, University of Oslo, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion 1 , Oslo, Norway"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Mariola","family":"Paruzel-Czachura","sequence":"additional","affiliation":[{"name":"Penn Center for Neuroaesthetics, University of Pennsylvania 3 , Philadelphia, USA"},{"name":"Institute of Psychology, University of Silesia in Katowice 4 , Katowice, Silesian Voivodeship, Poland"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Katarzyna","family":"Pypno-Blajda","sequence":"additional","affiliation":[{"name":"Department of Psychology, University College of Professional Education 5 , Wroc\u0142aw, Poland"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Henna-Riikka","family":"Peltola","sequence":"additional","affiliation":[{"name":"Department of Music, Art and Culture Studies, Finnish Centre of Excellence in Music, Mind, Body and Brain, University of Jyv\u00e4skyl\u00e4 6 , Jyv\u00e4skyl\u00e4, Finland"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Jonna K.","family":"Vuoskoski","sequence":"additional","affiliation":[{"name":"Department of Musicology & Psychology, University of Oslo, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion 2 , Oslo, Norway"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"175","published-online":{"date-parts":[[2026,10,21]]},"reference":[{"key":"2026102020073299700_RSOS252167C1","doi-asserted-by":"crossref","first-page":"115025","DOI":"10.1016\/j.jbusres.2024.115025","article-title":"#Canceled! exploring the phenomenon of canceling","volume":"186","author":"Cummings","year":"2025","journal-title":"J. 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