{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,5]],"date-time":"2025-10-05T20:00:18Z","timestamp":1759694418612,"version":"3.41.2"},"reference-count":25,"publisher":"Emerald","issue":"4\/5","license":[{"start":{"date-parts":[[2010,7,8]],"date-time":"2010-07-08T00:00:00Z","timestamp":1278547200000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/www.emerald.com\/insight\/site-policies"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2010,7,8]]},"abstract":"<jats:sec><jats:title content-type=\"abstract-heading\">Purpose<\/jats:title><jats:p>The purpose of this paper is to examine and discuss the classification of commercial popular music when large digital collections are organised for use in films.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-heading\">Design\/methodology\/approach<\/jats:title><jats:p>A range of systems are investigated and their organization is discussed, focusing on an analysis of the metadata used by the systems and choices given to the end\u2010user to construct a query. The indexing of the music is compared with a check\u2010list of music facets which has been derived from recent musicological literature on semiotic analysis of popular music. These facets include aspects of communication, cultural and musical expression, codes and competences.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-heading\">Findings<\/jats:title><jats:p>In addition to bibliographic detail, descriptive metadata are used to organise music in these systems. Genre, subject and mood are used widely; some musical facets also appear. The extent to which attempts are being made to reflect these facets in the organization of these systems is discussed. A number of recommendations are made which may help to improve this process.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-heading\">Originality\/value<\/jats:title><jats:p>The paper discusses an area of creative music search which has not previously been investigated in any depth and makes recommendations based on findings and the literature which may be used in the development of commercial systems as well as making a contribution to the literature.<\/jats:p><\/jats:sec>","DOI":"10.1108\/00012531011074726","type":"journal-article","created":{"date-parts":[[2010,8,21]],"date-time":"2010-08-21T07:18:01Z","timestamp":1282375081000},"page":"489-501","source":"Crossref","is-referenced-by-count":4,"title":["Organising music for movies"],"prefix":"10.1108","volume":"62","author":[{"given":"Charles","family":"Inskip","sequence":"first","affiliation":[]},{"given":"Andy","family":"MacFarlane","sequence":"additional","affiliation":[]},{"given":"Pauline","family":"Rafferty","sequence":"additional","affiliation":[]}],"member":"140","reference":[{"key":"key2022020720392770900_b1","unstructured":"Abrahamson, K.T. (2003), \u201cIndexing of musical genres: an epistemological perspective\u201d, Knowledge Organization, Vol. 30 Nos 3\/4, pp. 144\u201069."},{"key":"key2022020720392770900_b2","unstructured":"Buckland, M., Jiang, H., Kim, Y. and Petras, V. (2001), \u201cDomain\u2010based indexes: indexing for communities of users\u201d, 3e Congr\u00e8s du Chapitre fran\u00e7ais de L'ISKO, 506 juillet 2001. Filtrage et r\u00e9sum\u00e9 informatique de l'information sur les r\u00e9seaux, Universit\u00e9 Nanterre Paris X, Paris, pp. 181\u20105."},{"key":"key2022020720392770900_b4","unstructured":"Corthaut, N., Govaerts, S., Verbert, K. and Duval, E. (2008), \u201cConnecting the dots: music metadata generation, schemas and applications\u201d, in Bello, J., Chew, E. and Turnbull, D. (Eds), Proceedings of the 9th International Conference on Music Information Retrieval, ISMIR, Philadelphia, PA, 14\u201018 September 2008, pp. 249\u201054, available at: http:\/\/ismir2008.ismir.net\/papers\/ISMIR2008_213.pdf (accessed 15 April 2010)."},{"key":"key2022020720392770900_b5","unstructured":"EMI (2009), \u201cSong search and license\u201d, available at: www.emimusicpub.com\/worldwide\/around_the_world\/united\u2010kingdom_home.html (accessed 21 April 2009)."},{"key":"key2022020720392770900_b6","unstructured":"Fabbri, F. (1981), \u201cA theory of musical genres: two applications\u201d, in Horn, P. and Tagg, P. (Eds), Popular Music Perspectives, International Association for the Study of Popular Music, Goteborg and Exeter, pp. 52\u201081."},{"key":"key2022020720392770900_b7","doi-asserted-by":"crossref","unstructured":"Hj\u00f8rland, B. 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(1990), Studying Popular Music, Open University Press, Buckingham."},{"key":"key2022020720392770900_b15","unstructured":"Music Brief (2009a), Personal communications, March 2009."},{"key":"key2022020720392770900_b16","unstructured":"Music Brief (2009b), Personal communications, March 2009."},{"key":"key2022020720392770900_b17","unstructured":"Music Brief (2009c), Personal communications, March 2009."},{"key":"key2022020720392770900_b18","unstructured":"NISO (2005), Guidelines for the Construction, Format, and Management of Monolingual Controlled Vocabularies ANSI\/NISO Z39.19\u20102005, NISO Press, Bethesda, MD, available at: <\u2009www.niso.org> (accessed 27 April 2009).."},{"key":"key2022020720392770900_b19","unstructured":"Ricall (2009), Ricall Music Licensing, available at: www.ricall.com\/home\/home.seam (accessed 21 April 2009)."},{"key":"key2022020720392770900_b21","unstructured":"Stefani, G. 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