{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,8,2]],"date-time":"2025-08-02T17:51:01Z","timestamp":1754157061144,"version":"3.41.2"},"reference-count":22,"publisher":"Emerald","issue":"7\/8","license":[{"start":{"date-parts":[[2011,8,9]],"date-time":"2011-08-09T00:00:00Z","timestamp":1312848000000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/www.emerald.com\/insight\/site-policies"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2011,8,9]]},"abstract":"<jats:sec><jats:title content-type=\"abstract-heading\">Purpose<\/jats:title><jats:p>The purpose of this paper is to present an embodied view on human\/machine co\u2010creation in general, and musical improvisation in particular.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-heading\">Design\/methodology\/approach<\/jats:title><jats:p>Questions and propositions are formed by examining personal work in intelligent, interactive system design.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-heading\">Findings<\/jats:title><jats:p>Proper consideration of gestural representation and intentionality leads to enhanced potential for collective expression in human\/machine interaction.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-heading\">Originality\/value<\/jats:title><jats:p>This approach extends ideas of conversation theory to improvisational contexts based on spontaneous, collective expression.<\/jats:p><\/jats:sec>","DOI":"10.1108\/03684921111160403","type":"journal-article","created":{"date-parts":[[2011,9,10]],"date-time":"2011-09-10T07:27:39Z","timestamp":1315639659000},"page":"1179-1188","source":"Crossref","is-referenced-by-count":3,"title":["Human:machine:human: Gesture, Sound and Embodiment"],"prefix":"10.1108","volume":"40","author":[{"given":"Doug","family":"Van Nort","sequence":"first","affiliation":[],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"140","reference":[{"key":"key2022021320282586400_b1","unstructured":"Bailey, D. (1993), Improvisation: It's Nature and Practice in Music, Da Capo Press, New York, NY."},{"key":"key2022021320282586400_b3","unstructured":"Cadoz, C. and Wanderley, M.M. (2000), \u201cGesture\u2010music\u201d, in Wanderley, M.M. and Battier, M. (Eds), Trends in Gestural Control of Music, IRCAM\u2010Centre Pompidou, Paris, pp. 315\u201034."},{"key":"key2022021320282586400_b2","doi-asserted-by":"crossref","unstructured":"Ch\u00e2telet, G. (2000), Figuring Space: Philosophy, Mathematics, and Physics, Kluwer Academic, Dordrecht.","DOI":"10.1007\/978-94-017-1554-6"},{"key":"key2022021320282586400_b4","doi-asserted-by":"crossref","unstructured":"Godoy, R.I. (2003), \u201cMotor\u2010mimetic music cognition\u201d, Leonardo, Vol. 36 No. 4, pp. 317\u201019.","DOI":"10.1162\/002409403322258781"},{"key":"key2022021320282586400_b5","doi-asserted-by":"crossref","unstructured":"Leman, M. (2007), Embodied Music Cognition and Mediation Technology, MIT Press, Cambridge, MA.","DOI":"10.7551\/mitpress\/7476.001.0001"},{"key":"key2022021320282586400_b6","doi-asserted-by":"crossref","unstructured":"Liberman, A. and Mattingly, I. (1985), \u201cThe motor theory of speech perception revised\u201d, Cognition, Vol. 21, pp. 1\u201036.","DOI":"10.1016\/0010-0277(85)90021-6"},{"key":"key2022021320282586400_b7","doi-asserted-by":"crossref","unstructured":"Maturana, H. and Varela, F. (1980), Autopoiesis and Cognition: The Realization of the Living, Reidel, Boston, MA.","DOI":"10.1007\/978-94-009-8947-4"},{"key":"key2022021320282586400_b8","doi-asserted-by":"crossref","unstructured":"Mazzola, G. (2009), Flow, Gesture, and Spaces in Free Jazz: Towards a Theory of Collaboration, Springer, Berlin.","DOI":"10.1007\/978-3-540-92195-0"},{"key":"key2022021320282586400_b9","unstructured":"Oliveros, P. (2008), \u201cThe expanded instrument system: introduction and brief history\u201d, The Future of Creative Technologies Symposium, De Montfort University, Leicester, pp. 21\u20103."},{"key":"key2022021320282586400_b10","doi-asserted-by":"crossref","unstructured":"Parncutt, R. and McPherson, G. (Eds) (2002), The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning, Oxford University Press, Oxford.","DOI":"10.1177\/1321103X020190010803"},{"key":"key2022021320282586400_b11","unstructured":"Pask, P. (1971), \u201cA comment, a case history, a plan\u201d, in Reichardt, J. (Ed.), Cybernetics, Art and Ideas, Studio Vista, London, pp. 76\u201099."},{"key":"key2022021320282586400_b12","unstructured":"Pask, P. (1975), The Cybernetics of Human Learning and Performance, Hutchison, London."},{"key":"key2022021320282586400_b13","unstructured":"Schaeffer, P. (1966), Trait\u00e9 des Objets Musicaux: Essai Interdisciplines, \u00c9ditions du Seuil, Paris."},{"key":"key2022021320282586400_b14","doi-asserted-by":"crossref","unstructured":"Sluming, V., Brooks, J., Howard, M., Downes, J. and Roberts, N. (2007), \u201cBroca's area supports enhanced visuospatial cognition in orchestral musicians\u201d, The Journal of Neuroscience, Vol. 27 No. 14, pp. 3799\u2010806.","DOI":"10.1523\/JNEUROSCI.0147-07.2007"},{"key":"key2022021320282586400_b15","doi-asserted-by":"crossref","unstructured":"Smalley, D. (1997), \u201cSpectromorphology: explaining sound\u2010shapes\u201d, Organised Sound, Vol. 2 No. 2, pp. 107\u201026.","DOI":"10.1017\/S1355771897009059"},{"key":"key2022021320282586400_b19","doi-asserted-by":"crossref","unstructured":"Van Nort, D. (2010), \u201cMultidimensional scratching, sound shaping and Triple Point\u201d, Leonardo Music Journal, Vol. 20.","DOI":"10.1162\/LMJ_a_00005"},{"key":"key2022021320282586400_b18","unstructured":"Van Nort, D., Braasch, J. and Oliveros, P. (2009), \u201cA system for musical improvisation combining sonic gesture recognition and genetic algorithms\u201d, Proceedings of the 6th Sound and Music Computing Conference (SMC), Porto, Portugal, pp. 131\u20106."},{"key":"key2022021320282586400_b17","unstructured":"Van Nort, D., Oliveros, P. and Braasch, J. (2010), \u201cDeveloping systems for improvisation based on listening\u201d, Proceedings of the 2010 International Computer Music Conference (ICMC 2010), New York, NY."},{"key":"key2022021320282586400_b20","doi-asserted-by":"crossref","unstructured":"Varela, F., Thompson, E. and Rosch, E. (1991), The Embodied Mind: Cognitive Science and Human Experience, MIT Press, Cambridge, MA.","DOI":"10.7551\/mitpress\/6730.001.0001"},{"key":"key2022021320282586400_b21","doi-asserted-by":"crossref","unstructured":"Ziemke, T. (2005), \u201cCybernetics and embodied cognition: on the construction of realities in organisms and robots\u201d, Kybernetes: The International Journal of Systems & Cybernetics, Vol. 34, pp. 1\u20102.","DOI":"10.1108\/03684920510575771"},{"key":"key2022021320282586400_b22","doi-asserted-by":"crossref","unstructured":"Z\u00f6lzer, U. (Ed.) (2002), DAFx: Digital Audio Effects, Wiley, New York, NY.","DOI":"10.1002\/0470846046"},{"key":"key2022021320282586400_frd1","unstructured":"Triple Point and Dempster, S. (2009), \u201cSound shadows\u201d, Deep Listening DL\u2010DD1."}],"container-title":["Kybernetes"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/www.emerald.com\/insight\/content\/doi\/10.1108\/03684921111160403\/full\/xml","content-type":"application\/xml","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/www.emerald.com\/insight\/content\/doi\/10.1108\/03684921111160403\/full\/html","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,7,24]],"date-time":"2025-07-24T23:27:22Z","timestamp":1753399642000},"score":1,"resource":{"primary":{"URL":"http:\/\/www.emerald.com\/k\/article\/40\/7-8\/1179-1188\/440834"}},"subtitle":[],"editor":[{"given":"Ranulph","family":"Glanville","sequence":"first","affiliation":[],"role":[{"role":"editor","vocabulary":"crossref"}]}],"short-title":[],"issued":{"date-parts":[[2011,8,9]]},"references-count":22,"journal-issue":{"issue":"7\/8","published-print":{"date-parts":[[2011,8,9]]}},"alternative-id":["10.1108\/03684921111160403"],"URL":"https:\/\/doi.org\/10.1108\/03684921111160403","relation":{},"ISSN":["0368-492X"],"issn-type":[{"type":"print","value":"0368-492X"}],"subject":[],"published":{"date-parts":[[2011,8,9]]}}}