{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,2,26]],"date-time":"2026-02-26T13:16:31Z","timestamp":1772111791588,"version":"3.50.1"},"reference-count":85,"publisher":"Emerald","issue":"3","license":[{"start":{"date-parts":[[2022,10,7]],"date-time":"2022-10-07T00:00:00Z","timestamp":1665100800000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/www.emerald.com\/insight\/site-policies"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["JD"],"published-print":{"date-parts":[[2023,4,4]]},"abstract":"<jats:sec><jats:title content-type=\"abstract-subheading\">Purpose<\/jats:title><jats:p>The purpose of this article\u00a0is to investigate digital public spaces and audiences and to explore the relationship of\u00a0digital public spaces\u00a0to both ideas of nationhood and physical public institutions.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-subheading\">Design\/methodology\/approach<\/jats:title><jats:p>The article investigates tensions arising from the conjuncture of public spaces and digital culture through the lens of the Digital Public Library of America (DPLA). This research uses qualitative content analysis of a range of data sources including semi-structured interviews, primary texts and secondary texts.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-subheading\">Findings<\/jats:title><jats:p>The construction of the public library space as a digital entity does not attract anticipated audiences. Additionally, the national framing of the DPLA is not compatible with how audiences engage with digital public spaces.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-subheading\">Originality\/value<\/jats:title><jats:p>Drawing on original, qualitative data, this article engages with the prevalent but undertheorized concept of digital public spaces. The article addresses unreflexive uses of the digital public and the assumptions connected to the imagined audiences for platforms like the DPLA.<\/jats:p><\/jats:sec>","DOI":"10.1108\/jd-04-2022-0079","type":"journal-article","created":{"date-parts":[[2022,10,7]],"date-time":"2022-10-07T12:29:57Z","timestamp":1665145797000},"page":"703-717","source":"Crossref","is-referenced-by-count":5,"title":["Negotiating digital public spaces: context, purpose and audiences"],"prefix":"10.1108","volume":"79","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-4593-562X","authenticated-orcid":false,"given":"Rhiannon Stephanie","family":"Bettivia","sequence":"first","affiliation":[]},{"given":"Elizabeth","family":"Stainforth","sequence":"additional","affiliation":[]}],"member":"140","published-online":{"date-parts":[[2022,10,7]]},"reference":[{"key":"key2023040305112228200_ref001","unstructured":"Akrich, M. 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