{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,9]],"date-time":"2025-10-09T20:52:19Z","timestamp":1760043139577,"version":"3.41.2"},"reference-count":90,"publisher":"Emerald","issue":"3","license":[{"start":{"date-parts":[[2016,5,9]],"date-time":"2016-05-09T00:00:00Z","timestamp":1462752000000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/www.emerald.com\/insight\/site-policies"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2016,5,9]]},"abstract":"<jats:sec><jats:title content-type=\"abstract-heading\">Purpose<\/jats:title><jats:p>\u2013 The purpose of this paper is to explore how both producers and consumers of user-created music videos on YouTube communicate emotional information.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-heading\">Design\/methodology\/approach<\/jats:title><jats:p>\u2013 In total, 150 filmic documents containing fan-generated versions of U2\u2019s \u201cSong for Someone\u201d were purposively collected. The author used discourse analysis to understand the types of videos created, the communication of emotional information from both the producers and the consumers, the social construction of emotion in the filmic documents, and elements of intertextuality that represented emotion.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-heading\">Findings<\/jats:title><jats:p>\u2013 Fans created videos containing cover versions, original versions of the song with new visual content, and tutorials about how to play the song. Producers of cover versions communicated emotional information, especially tenderness, through facial expression, their surroundings, and corresponding musical elements. Producers\u2019 visual content expressed emotion through meaningful photographs and sad stories. Producers\u2019 descriptions revealed emotion as well. Emotions were individually experienced and socially constructed. Consumers conveyed emotion through likes, dislikes, and expressive positive comments. Intertextuality communicated passion for U2 through tour references, paraphernalia displays, band photographs, imitating the band, and musical mashups.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-heading\">Practical implications<\/jats:title><jats:p>\u2013 Information science can work towards a new generation of multimedia information retrieval systems that incorporate emotion in order to help users discover documents in meaningful ways that move beyond keyword and bibliographic searches.<\/jats:p><\/jats:sec><jats:sec><jats:title content-type=\"abstract-heading\">Originality\/value<\/jats:title><jats:p>\u2013 This is one of the earliest research papers in the area of emotional information retrieval (EmIR).<\/jats:p><\/jats:sec>","DOI":"10.1108\/jd-07-2015-0086","type":"journal-article","created":{"date-parts":[[2016,4,11]],"date-time":"2016-04-11T09:34:15Z","timestamp":1460367255000},"page":"569-590","source":"Crossref","is-referenced-by-count":10,"title":["\u201cThe most passionate cover I\u2019ve seen\u201d: emotional information in fan-created U2 music videos"],"prefix":"10.1108","volume":"72","author":[{"given":"Diane","family":"Rasmussen Pennington","sequence":"first","affiliation":[]}],"member":"140","reference":[{"key":"key2020121602470880600_b1","unstructured":"Aljanaki, A. , Wiering, F. and Veltkamp, R. (2014), \u201cComputational modelling of induced emotion using GEMS\u201d, Proceedings of the 15th Conference of the International Society for Music Information Retrieval (ISMIR 2014), pp. 373-378."},{"key":"key2020121602470880600_b2","unstructured":"Barthes, R. (1967), \u201cDeath of the author\u201d, Aspen, Nos 5-6, available at: www.ubu.com\/aspen\/aspen5and6\/threeEssays.html#barthes (accessed 2 July 2015)."},{"key":"key2020121602470880600_b3","unstructured":"Barthes, R. (1977), Image-Music-Text (Translated and edited by S. Heath), Fontana, London."},{"key":"key2020121602470880600_b4","unstructured":"Baym, N.K. (2007), \u201cThe new shape of online community: the example of Swedish independent music fandom\u201d, First Monday , Vol. 12 No. 8, available at: http:\/\/128.248.156.56\/ojs\/index.php\/fm\/article\/view\/1978\/1853 (accessed 2 July 2015)."},{"key":"key2020121602470880600_b5","unstructured":"Berg, M.J. (2008), \u201cExperiential knowledge\u201d, in Given, L.M. (Ed.), The SAGE Encyclopedia of Qualitative Research Methods , SAGE Publications, Thousand Oaks, CA, pp. 322-323."},{"key":"key2020121602470880600_b6","doi-asserted-by":"crossref","unstructured":"Bennett, L. (2014), \u201cTracing textual poachers: reflections on the development of fan studies and digital fandom\u201d, Journal of Fandom Studies , Vol. 2 No. 1, pp. 5-20.","DOI":"10.1386\/jfs.2.1.5_1"},{"key":"key2020121602470880600_b201","doi-asserted-by":"crossref","unstructured":"Boulaire, C. , Hervet, G. and Graf, R. (2010), \u201cCreativity chains and playing in the crossfire on the video-sharing site YouTube\u201d, Journal of Research in Interactive Marketing , Vol. 4 No. 2, pp. 111-141.","DOI":"10.1108\/17505931011051669"},{"key":"key2020121602470880600_b8","unstructured":"Brodsky, A.E. (2008), \u201cResearcher as instrument\u201d, in Given, L.M. (Ed.), The SAGE Encyclopedia of Qualitative Research Methods , SAGE Publications, Thousand Oaks, CA, pp. 767-768."},{"key":"key2020121602470880600_b9","doi-asserted-by":"crossref","unstructured":"Budd, J.M. and Raber, D. (1996), \u201cDiscourse analysis: method and application in the study of information\u201d, Information Processing & Management , Vol. 32 No. 2, pp. 217-226.","DOI":"10.1016\/S0306-4573(96)85007-2"},{"key":"key2020121602470880600_b10","unstructured":"Burgess, J. and Green, J. (2009), YouTube: Online Video and Participatory Culture , Polity Press, Cambridge."},{"key":"key2020121602470880600_b11","unstructured":"Clark, L.S. (2008), \u201cMultimedia in qualitative research\u201d, in Given, L.M. (Ed.), The SAGE Encyclopedia of Qualitative Research Methods , SAGE Publications, Thousand Oaks, CA, pp. 533-535."},{"key":"key2020121602470880600_b12","unstructured":"Davies, S. (2010), \u201cEmotions expressed and aroused by music: philosophical perspectives\u201d, in Juslin, P.N. and Sloboda, J.A. (Eds), Handbook of Music and Emotion , Oxford University Press, New York, NY, pp. 15-43."},{"key":"key2020121602470880600_b202","unstructured":"Derrida, J. (1997), Of Grammatology , Johns Hopkins University Press, Baltimore, MD."},{"key":"key2020121602470880600_b14","unstructured":"Doyle, T. (2014), \u201cU2\u2019s Songs of Innocence: first review!\u201d, available at: www.mojo4music.com\/16463\/u2-songs-of-innocence\/ (accessed 3 July 2015)."},{"key":"key2020121602470880600_b15","doi-asserted-by":"crossref","unstructured":"Ekman, P. (1992), \u201cAn argument for basic emotions\u201d, Cognition and Emotion , Vol. 6 Nos 3-4, pp. 169-200.","DOI":"10.1080\/02699939208411068"},{"key":"key2020121602470880600_b16","doi-asserted-by":"crossref","unstructured":"Fehr, B. and Russell, A. (1984), \u201cConcept of emotion viewed from a prototype perspective\u201d, Journal of Experimental Psychology: General , Vol. 113 No. 3, pp. 464-486.","DOI":"10.1037\/0096-3445.113.3.464"},{"key":"key2020121602470880600_b17","unstructured":"Feinauer, J.J. (2014), \u201cThe passion of Bono and U2: biggest band in the world is also one of the most spiritual\u201d, available at: www.washingtontimes.com\/news\/2014\/sep\/11\/the-biggest-band-in-the-world-is-also-one-of-the-m\/?page=all (accessed 3 July 2015)."},{"key":"key2020121602470880600_b18","unstructured":"Flanagan, B. (1995), U2 at the End of the World , Dell Publishing, New York, NY."},{"key":"key2020121602470880600_b19","doi-asserted-by":"crossref","unstructured":"Frederickson, B.L. (1988), \u201cWhat good are positive emotions?\u201d, Review of General Psychology , Vol. 2 No. 3, pp. 300-319.","DOI":"10.1037\/1089-2680.2.3.300"},{"key":"key2020121602470880600_b20","doi-asserted-by":"crossref","unstructured":"Frohmann, B. (1994), \u201cDiscourse analysis as a research method in library and information science\u201d, Library and Information Science Research , Vol. 16 No. 2, pp. 119-138.","DOI":"10.1016\/0740-8188(94)90004-3"},{"key":"key2020121602470880600_b21","doi-asserted-by":"crossref","unstructured":"Gabrielsson, A. and Juslin, P.N. (1996), \u201cEmotional expression in music performance: between the performer\u2019s intention and the listener\u2019s experience\u201d, Psychology of Music , Vol. 24 No. 1, pp. 68-91.","DOI":"10.1177\/0305735696241007"},{"key":"key2020121602470880600_b22","doi-asserted-by":"crossref","unstructured":"Galbraith, D. (2014), \u201cMeeting god in the sound: the seductive dimension of U2\u2019s future hymns\u201d, in Grimshaw, M. (Ed.), The Counter-Narratives of Radical Theology and Popular Music: Songs of Fear and Trembling , Palgrave Macmillan, Basingstoke, pp. 119-134.","DOI":"10.1057\/9781137394118_9"},{"key":"key2020121602470880600_b23","unstructured":"Gibson, B.E. (2008), \u201cVideorecording\u201d, in Given, L.M. (Ed.), The SAGE Encyclopedia of Qualitative Research Methods , SAGE Publications, Thousand Oaks, CA, pp. 917-919."},{"key":"key2020121602470880600_b24","unstructured":"Gray, J. (2010), Show Sold Separately: Promos, Spoilers, and Other Media Paratexts , New York University Press, New York, NY."},{"key":"key2020121602470880600_b25","doi-asserted-by":"crossref","unstructured":"Greenberg, J. , Trujillo, S. and Mayer-Patel, K. (2012), \u201cYouTube: applying FRBR and the multiple description coding compression model\u201d, Cataloging & Classification Quarterly , Vol. 50 Nos 5-7, pp. 742-762.","DOI":"10.1080\/01639374.2012.681273"},{"key":"key2020121602470880600_b26","unstructured":"Grow, K. (2015), \u201cSee Bono grab a star in U2\u2019s new \u2018Song for Someone\u2019 video\u201d, available at: www.rollingstone.com\/music\/news\/see-bono-grab-a-star-in-u2s-new-song-for-someone-video-20150827 (accessed 23 October 2015)."},{"key":"key2020121602470880600_b27","unstructured":"Hanser, S.B. (2010), \u201cMusic, health, and well-being\u201d, in Juslin, P.N. and Sloboda, J.A. (Eds), Handbook of Music and Emotion , Oxford University Press, Oxford, pp. 849-877."},{"key":"key2020121602470880600_b28","unstructured":"Helme, D. (2004), A Powerful Voice: The Story of Bono from U2 , Religious and Moral Education Press, London."},{"key":"key2020121602470880600_b29","unstructured":"Hertz, R. (1997), \u201cReflexivity and voice\u201d, in Hertz, R. (Ed.), Reflexivity and Voice , SAGE Publications, Thousand Oaks, CA, pp. vii-xviii."},{"key":"key2020121602470880600_b30","doi-asserted-by":"crossref","unstructured":"Iedema, R. (2003), \u201cMultimodality, resemiotization: extending the analysis of discourse as multi-semiotic practice\u201d, Visual Communication , Vol. 2 No. 1, pp. 29-57.","DOI":"10.1177\/1470357203002001751"},{"key":"key2020121602470880600_b31","doi-asserted-by":"crossref","unstructured":"Ito, M. (2010), \u201cThe rewards of non-commercial production: distinctions and status in the anime music video scene\u201d, First Monday , Vol. 15 No. 5, available at: http:\/\/firstmonday.org\/ojs\/index.php\/fm\/article\/view\/2968\/2528 (accessed 2 July 2015).","DOI":"10.5210\/fm.v15i5.2968"},{"key":"key2020121602470880600_b32","unstructured":"Jenkins, H. (2006), Convergence Culture: Where Old and New Media Collide , Routledge, New York, NY."},{"key":"key2020121602470880600_b33","doi-asserted-by":"crossref","unstructured":"Jenkins, H. (2013), Textual Poachers: Television Fans and Participatory Culture , Routledge, New York, NY.","DOI":"10.4324\/9780203114339"},{"key":"key2020121602470880600_b34","unstructured":"Jenkins, H. , Ford, S. and Green, J. (2013), Spreadable Media: Creating Value and Meaning in a Networked Culture , New York University Press, New York, NY."},{"key":"key2020121602470880600_b35","doi-asserted-by":"crossref","unstructured":"Juslin, P.N. and Laukka, P. (2003), \u201cCommunication of emotions in vocal and expression in music performance: different channels, same code?\u201d, Psychological Bulletin , Vol. 129 No. 5, pp. 770-814.","DOI":"10.1037\/0033-2909.129.5.770"},{"key":"key2020121602470880600_b37","unstructured":"Juslin, P.N. and Timmers, R. (2010), \u201cExpression and communication of emotion in music performance\u201d, in Juslin, P.N. and Sloboda, J.A. (Eds), Handbook of Music and Emotion , Oxford University Press, Oxford, pp. 453-489."},{"key":"key2020121602470880600_b36","unstructured":"Juslin, P.N. , Liljestr\u00f6m, S. , V\u00e4stfj\u00e4ll, D. and Lundqvist, L.-O. (2010), \u201cHow does music evoke emotions? Exploring the underlying mechanisms\u201d, in Juslin, P.N. and Sloboda, J.A. (Eds), Handbook of Music and Emotion , Oxford University Press, Oxford, pp. 605-642."},{"key":"key2020121602470880600_b38","doi-asserted-by":"crossref","unstructured":"Karpovich, A.I. (2007), \u201cReframing fan videos\u201d, in Sexton, J. (Ed.), Music, Sound and Multimedia: From the Live to the Virtual , Edinburgh University Press, Edinburgh, pp. 17-28.","DOI":"10.3366\/edinburgh\/9780748625338.003.0002"},{"key":"key2020121602470880600_b42","doi-asserted-by":"crossref","unstructured":"Knautz, K. (2012), \u201cEmotion felt and depicted: consequences for multimedia retrieval\u201d, in Rasmussen Neal, D. (Ed.), Indexing and Retrieval of Non-Text Information , De Gruyter Saur, Berlin, pp. 343-375.","DOI":"10.1515\/9783110260588.343"},{"key":"key2020121602470880600_b41","doi-asserted-by":"crossref","unstructured":"Knautz, K. and Stock, W.G. (2011), \u201cCollective indexing of emotions in videos\u201d, Journal of Documentation , Vol. 67 No. 6, pp. 975-994.","DOI":"10.1108\/00220411111183555"},{"key":"key2020121602470880600_b39","doi-asserted-by":"crossref","unstructured":"Knautz, K. , Siebenlist, T. and Stock, W.G. (2010), \u201cMEMOSE. Search engine for emotions in multimedia documents\u201d, Proceedings of the 33rd International ACM SIGIR Conference on Research and Development in Information Retrieval, New York, NY, 19-23 July.","DOI":"10.1145\/1835449.1835618"},{"key":"key2020121602470880600_b40","doi-asserted-by":"crossref","unstructured":"Knautz, K. , Rasmussen Neal, D. , Schmidt, S. , Siebenlist, T. and Stock, W.G. (2011), \u201cFinding emotional-laden resources on the world wide web\u201d, Information , Vol. 2 No. 1, pp. 217-246, available at: www.mdpi.com\/2078-2489\/2\/1\/217 (accessed 1 July 2015).","DOI":"10.3390\/info2010217"},{"key":"key2020121602470880600_b43","unstructured":"Knobloch, S. and Mundorf, N. (2003), \u201cCommunication and emotion in the context of music and music television\u201d, in Bryant, J. , Roskos-Ewoldsen, D. and Cantor, J. (Eds), Communication and Emotion: Essays in Honor of Dolf Zillman , Erlbaum, Mahwah, NJ, pp. 491-510."},{"key":"key2020121602470880600_b44","unstructured":"Kone\u0109ni, V.J. (2010), \u201cThe influence of affect on music choice\u201d, in Juslin, P.N. and Sloboda, J.A. (Eds), Handbook of Music and Emotion , Oxford University Press, Oxford, pp. 697-723."},{"key":"key2020121602470880600_b45","doi-asserted-by":"crossref","unstructured":"Lee, H.-J. and Neal, D. (2007), \u201cToward Web 2.0 music information retrieval: utilizing emotion-based, user-assigned descriptors\u201d, Proceedings of the 2007 Annual Meeting of the American Society for Information Science and Technology, Milwaukee, WI, 19-24 October.","DOI":"10.1002\/meet.1450440391"},{"key":"key2020121602470880600_b49","doi-asserted-by":"crossref","unstructured":"McKenzie, P.J. (2003), \u201cJustifying cognitive authority decisions: discursive strategies of information seekers\u201d, The Library Quarterly , Vol. 73 No. 3, pp. 261-288.","DOI":"10.1086\/603418"},{"key":"key2020121602470880600_b46","doi-asserted-by":"crossref","unstructured":"Madden, A. , Ruthven, I. and McMenemy, D. (2013), \u201cA classification scheme for content analyses of YouTube comments\u201d, Journal of Documentation , Vol. 69 No. 5, pp. 693-714.","DOI":"10.1108\/JD-06-2012-0078"},{"key":"key2020121602470880600_b47","unstructured":"Markham, A.N. (2008), \u201cInternet in qualitative research\u201d, in Given, L.M. (Ed.), The SAGE Encyclopedia of Qualitative Research Methods , SAGE Publications, Thousand Oaks, CA, pp. 455-459."},{"key":"key2020121602470880600_b50","unstructured":"Mithen, S. (2006), The Singing Neanderthals: The Origins of Music, Language, Mind, and Body , Harvard University Press, Cambridge, MA."},{"key":"key2020121602470880600_b51","doi-asserted-by":"crossref","unstructured":"Murphy, H. and Rafferty, P. (2015), \u201cIs there nothing outside the tags?\u201d, Journal of Documentation , Vol. 71 No. 3, pp. 477-502.","DOI":"10.1108\/JD-02-2013-0026"},{"key":"key2020121602470880600_b52","unstructured":"Neal, D. , Campbell, A. , Neal, J. , Little, C. , Stroud-Mathews, A. , Hill, S. and Bouknight-Lyons, C. (2009), \u201cMusical facets, tags, and emotion: can we agree?\u201d, Proceedings of the 2009 iConference, Chapel Hill, NC, 8-11 February."},{"key":"key2020121602470880600_b53","doi-asserted-by":"crossref","unstructured":"Neal, D.M. (2010a), \u201cEmotion-based tags in photographic documents: the interplay of text, image, and social influence\u201d, Canadian Journal of Information and Library Science , Vol. 34 No. 3, pp. 329-353.","DOI":"10.1353\/ils.2010.0000"},{"key":"key2020121602470880600_b54","unstructured":"Neal, D.M. (2010b), \u201cBreaking in and out of the silos: what makes for a happy photograph cluster?\u201d, paper presented at the Document Academy Conference (DOCAM), Denton, TX."},{"key":"key2020121602470880600_b55","doi-asserted-by":"crossref","unstructured":"Neal, D.M. and McKenzie, P.J. (2011), \u201cPutting the pieces together: endometriosis blogs, cognitive authority, and collaborative information behavior\u201d, Journal of the Medical Library Association , Vol. 99 No. 2, pp. 127-134.","DOI":"10.3163\/1536-5050.99.2.004"},{"key":"key2020121602470880600_b56","doi-asserted-by":"crossref","unstructured":"Ng, E. (2008), \u201cReading the romance of fan cultural production: music videos of a television lesbian couple\u201d, Popular Communication: The International Journal of Media and Culture , Vol. 6 No. 2, pp. 103-121.","DOI":"10.1080\/15405700701746525"},{"key":"key2020121602470880600_b57","doi-asserted-by":"crossref","unstructured":"O\u2019Connor, B.C. (1993), \u201cBrowsing: a framework for seeking functional information\u201d, Knowledge: Creation, Diffusion, Utilization , Vol. 15 No. 2, pp. 211-232.","DOI":"10.1177\/107554709301500206"},{"key":"key2020121602470880600_b58","doi-asserted-by":"crossref","unstructured":"Ott, B. and Walter, C. (2000), \u201cIntertextuality: interpretive practice and textual strategy\u201d, Critical Studies in Media Communication , Vol. 17 No. 4, pp. 429-445.","DOI":"10.1080\/15295030009388412"},{"key":"key2020121602470880600_b59","unstructured":"Potter, J. (2008), \u201cDiscourse analysis\u201d, in Given, L.M. (Ed.), The SAGE Encyclopedia of Qualitative Research Methods , SAGE Publications, Thousand Oaks, CA, pp. 218-221."},{"key":"key2020121602470880600_b60","doi-asserted-by":"crossref","unstructured":"Power, M.J. (2006), \u201cThe structure of emotion: an empirical comparison of six models\u201d, Cognition & Emotion , Vol. 20 No. 5, pp. 694-713.","DOI":"10.1080\/02699930500367925"},{"key":"key2020121602470880600_b61","unstructured":"Powers, A. (2014), \u201cThe dream of ridiculous men\u201d, available at: www.npr.org\/sections\/therecord\/2014\/10\/08\/354096944\/the-dream-of-ridiculous-men (accessed 3 July 2015)."},{"key":"key2020121602470880600_b62","doi-asserted-by":"crossref","unstructured":"Rieh, S.Y. (2002), \u201cJudgment of information quality and cognitive authority in the web\u201d, Journal of the American Society for Information Science and Technology , Vol. 53 No. 2, pp. 145-161.","DOI":"10.1002\/asi.10017"},{"key":"key2020121602470880600_b63","unstructured":"Rolling Stone (2014), \u201cU2\u2019s \u2018Songs of Innocence\u2019: a track-by-track guide\u201d, Rolling Stone, 9 September, available at: www.rollingstone.com\/music\/features\/u2-songs-of-innocence-surprise-album-guide-20140909 (accessed 3 July 2015)."},{"key":"key2020121602470880600_b64","doi-asserted-by":"crossref","unstructured":"Rosch, E. (1975), \u201cCognitive reference points\u201d, Cognitive Psychology , Vol. 7 No. 4, pp. 532-547.","DOI":"10.1016\/0010-0285(75)90021-3"},{"key":"key2020121602470880600_b65","unstructured":"Rossi, S. and Lee, J.H. (2015), \u201cVideo game mood taxonomy\u201d, IA Summit, Minneapolis, MN, 22-26 April."},{"key":"key2020121602470880600_b66","unstructured":"Rubin, V. , Stanton, J.M. and Liddy, E.D. (2004), \u201cDiscerning emotions in texts\u201d, The AAAI Symposium on Exploring Attitude and Affect in Text (AAAI-EAAT), Palo Alto, CA, 22-24 March."},{"key":"key2020121602470880600_b203","doi-asserted-by":"crossref","unstructured":"Russell, J. and Mehrabian, A. (1977), \u201cEvidence for a three-factor theory of emotions\u201d, Journal of Research in Personality , Vol. 11 No. 3, pp. 273-294.","DOI":"10.1016\/0092-6566(77)90037-X"},{"key":"key2020121602470880600_b68","unstructured":"Sawyers, J.S. (2000), The Complete Guide to Celtic Music: From the Highland Bagpipe and Riverdance to U2 and Enya , Aurum Press, London."},{"key":"key2020121602470880600_b69","doi-asserted-by":"crossref","unstructured":"Schmidt, S. and Stock, W.G. (2009), \u201cCollective indexing of emotions in images: a study in emotional information retrieval\u201d, Journal of the American Society for Information Science and Technology , Vol. 60 No. 5, pp. 863-876.","DOI":"10.1002\/asi.21043"},{"key":"key2020121602470880600_b70","doi-asserted-by":"crossref","unstructured":"Schuller, B. , Hage, C. , Schuller, D. and Rigoll, G. (2010), \u201c\u2018Mister D.J., cheer me up!\u2019: musical and textual features for automatic mood classification\u201d, Journal of New Music Research , Vol. 39 No. 1, pp. 13-34.","DOI":"10.1080\/09298210903430475"},{"key":"key2020121602470880600_b71","doi-asserted-by":"crossref","unstructured":"Shaver, P. , Schwartz, J. , Kirson, D. and O\u2019Connor, C. (1987), \u201cEmotion knowledge: further exploration of a prototype approach\u201d, Journal of Personality and Social Psychology , Vol. 52 No. 6, pp. 106-1086.","DOI":"10.1037\/0022-3514.52.6.1061"},{"key":"key2020121602470880600_b72","doi-asserted-by":"crossref","unstructured":"Siebenlist, T. and Knautz, K. (2012), \u201cThe critical role of the cold-start problem and incentive systems in emotional Web 2.0 services\u201d, in Rasmussen Neal, D. (Ed.), Indexing and Retrieval of Non-Text Information , De Gruyter Saur, Berlin, pp. 376-405.","DOI":"10.1515\/9783110260588.376"},{"key":"key2020121602470880600_b73","doi-asserted-by":"crossref","unstructured":"Stein, L. and Busse, K. (2009), \u201cLimit play: fan authorship between source text, intertext, and context\u201d, Popular Communication: The International Journal of Media and Culture , Vol. 7 No. 4, pp. 192-207.","DOI":"10.1080\/15405700903177545"},{"key":"key2020121602470880600_b74","unstructured":"Stockman, S. (2001), Walk on: The Spiritual Journey of U2 , Relevant Media Group, Lake Mary, FL."},{"key":"key2020121602470880600_b75","unstructured":"SundanceTV (2015), \u201cNow online: U2 short film \u2018Song for Someone\u2019 with Woody Harrelson\u201d, available at: www.sundance.tv\/series\/rectify\/blog\/2015\/07\/watch-the-full-short-film-song-for-someone-featuring-music-by-u2-starring-woody-harrelson (accessed 14 July 2015)."},{"key":"key2020121602470880600_b76","doi-asserted-by":"crossref","unstructured":"Thayer, R.E. (1990), The Biopsychology of Mood and Arousal , Oxford University Press, Oxford.","DOI":"10.1093\/oso\/9780195068276.001.0001"},{"key":"key2020121602470880600_b78","doi-asserted-by":"crossref","unstructured":"Thelwall, M. and Buckley, K. (2013), \u201cTopic-based sentiment analysis for the social web: the role of mood and issue-related works\u201d, Journal of the American Society for Information Science and Technology , Vol. 64 No. 8, pp. 1608-1617.","DOI":"10.1002\/asi.22872"},{"key":"key2020121602470880600_b79","doi-asserted-by":"crossref","unstructured":"Timmers, R. and Ashley, R. (2007), \u201cEmotional ornamentation in performances of a Handel sonata\u201d, Music Perception: An Interdisciplinary Journal , Vol. 25 No. 2, pp. 117-134.","DOI":"10.1525\/mp.2007.25.2.117"},{"key":"key2020121602470880600_b80","doi-asserted-by":"crossref","unstructured":"Turk, T. and Johnson, J. (2012), \u201cToward an ecology of vidding\u201d, Transformative Works and Cultures , Vol. 9, available at: http:\/\/journal.transformativeworks.org\/index.php\/twc\/article\/view\/326\/294 (accessed 2 July 2015).","DOI":"10.3983\/twc.2012.0326"},{"key":"key2020121602470880600_b81","doi-asserted-by":"crossref","unstructured":"Tzanetakis, G. and Cook, P. (2002), \u201cMusical genre classification of audio signals\u201d, IEEE Transactions on Speech and Audio Processing , Vol. 10 No. 5, pp. 293-302.","DOI":"10.1109\/TSA.2002.800560"},{"key":"key2020121602470880600_b82","doi-asserted-by":"crossref","unstructured":"Vernallis, C. (2013), Unruly Media: YouTube, Music Video, and the New Digital Cinema , Oxford University Press, Oxford.","DOI":"10.1093\/acprof:oso\/9780199766994.001.0001"},{"key":"key2020121602470880600_b83","unstructured":"Weintraub, D. (2009), \u201cEverything you wanted to know, but were powerless to ask\u201d, in Kenney, K. (Ed.), Visual Communication Research Designs , Routledge, New York, NY, pp. 198-222."},{"key":"key2020121602470880600_b84","doi-asserted-by":"crossref","unstructured":"Werner, A. (2014), \u201cGetting bodied with Beyonc\u00e9 on YouTube\u201d, in Bennett, A. and Robards, B. (Eds), Mediated Youth Cultures: The Internet, Belonging, and New Cultural Configurations , Palgrave Macmillan, London, pp. 182-196.","DOI":"10.1057\/9781137287021_12"},{"key":"key2020121602470880600_b85","unstructured":"Wilson, P. (1983), Second Hand Knowledge: An Inquiry into Cognitive Authority , Greenwood, Westport, CT."},{"key":"key2020121602470880600_b86","doi-asserted-by":"crossref","unstructured":"W\u00f6llmer, M. , Weninger, F. , Knaup, T. , Schuller, B. , Sun, C. , Sagae, K. and Morency, L.-P. (2013), \u201cYouTube movie reviews: sentiment analysis in an audio-visual context\u201d, IEEE Intelligent Systems , Vol. 28 No. 3, pp. 46-53.","DOI":"10.1109\/MIS.2013.34"},{"key":"key2020121602470880600_b87","unstructured":"Woody, R.H. and McPherson, G.E. (2010), \u201cEmotion and motivation in the lives of performers\u201d, in Juslin, P.N. and Sloboda, J.A. (Eds), Handbook of Music and Emotion , Oxford University Press, Oxford, pp. 401-424."},{"key":"key2020121602470880600_b88","doi-asserted-by":"crossref","unstructured":"Yazdani, A. , Lee, J.-S. and Ebrahimi, T. (2013), \u201cToward emotional annotation of multimedia contents\u201d, in Ramzan, N. , van Zwol, R. , Lee, J.-S. , Cl\u00fcver, K. and Hua, X.-S. (Eds), Social Media Retrieval , Springer, London, pp. 239-259.","DOI":"10.1007\/978-1-4471-4555-4_11"},{"key":"key2020121602470880600_b89","doi-asserted-by":"crossref","unstructured":"Yang, Y.-H. , Liu, C.-C. and Chen, H.H. (2006), \u201cMusic emotion classification: a fuzzy approach\u201d, Proceedings of the 14th Annual ACM International Conference on Multimedia, Santa Barbara, CA, pp. 81-84.","DOI":"10.1145\/1180639.1180665"},{"key":"key2020121602470880600_b90","doi-asserted-by":"crossref","unstructured":"Yoon, J. and O ' Connor, B. (2010), \u201cEngineering an image-browsing environment: repurposing existing denotative descriptors\u201d, Journal of Documentation , Vol. 66 No. 5, pp. 750-774.","DOI":"10.1108\/00220411011066826"},{"key":"key2020121602470880600_frd1","unstructured":"Martin, C. (n.d.), \u201cU2\u201d, available at: www.rollingstone.com\/music\/lists\/100-greatest-artists-of-all-time-19691231\/u2-20110420 (accessed 3 July 2015)."},{"key":"key2020121602470880600_frd2","unstructured":"The U2 Conference (2015), \u201cU2: the hype and the feedback \u2013 a conference exploring the music, work, and influence of U2\u201d, available at: www.u2conference.com (accessed 3 July 2015)."}],"container-title":["Journal of Documentation"],"original-title":[],"language":"en","link":[{"URL":"http:\/\/www.emeraldinsight.com\/doi\/full-xml\/10.1108\/JD-07-2015-0086","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/www.emerald.com\/insight\/content\/doi\/10.1108\/JD-07-2015-0086\/full\/xml","content-type":"application\/xml","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/www.emerald.com\/insight\/content\/doi\/10.1108\/JD-07-2015-0086\/full\/html","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,7,24]],"date-time":"2025-07-24T22:34:27Z","timestamp":1753396467000},"score":1,"resource":{"primary":{"URL":"http:\/\/www.emerald.com\/jd\/article\/72\/3\/569-590\/205087"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2016,5,9]]},"references-count":90,"journal-issue":{"issue":"3","published-print":{"date-parts":[[2016,5,9]]}},"alternative-id":["10.1108\/JD-07-2015-0086"],"URL":"https:\/\/doi.org\/10.1108\/jd-07-2015-0086","relation":{},"ISSN":["0022-0418"],"issn-type":[{"type":"print","value":"0022-0418"}],"subject":[],"published":{"date-parts":[[2016,5,9]]}}}