{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,12,29]],"date-time":"2025-12-29T20:28:20Z","timestamp":1767040100852,"version":"3.48.0"},"reference-count":18,"publisher":"Emerald Publishing Limited","isbn-type":[{"type":"print","value":"9781800438972"},{"type":"electronic","value":"9781800438965"},{"type":"electronic","value":"9781800438989"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2021,3,2]]},"abstract":"<jats:title>Abstract<\/jats:title>\n                  <jats:p>This chapter analyzes a specific form of contemporary art, the one that is created and exhibited in the community, conceived and visualized outside of the art market and independent of the agenda of creative industries and art galleries. The motivation, purpose and meaning of such art practices, for both the artists and the community, are discussed and examples of community art projects are analyzed in order to understand how art became, in this first quarter of the twenty-first century, such a valued collective asset, so accessible and present in the daily life of the common man. Two Portuguese case studies have been chosen as illustrations: the first one is a funding programme of projects focussed on artistic practices for inclusion (the PARTIS programme, by the Calouste Gulbenkian Foundation) and the second is a self-financed and self-curated artistic collective, Pescada n\u00ba 5.<\/jats:p>","DOI":"10.1108\/978-1-80043-896-520211010","type":"book-chapter","created":{"date-parts":[[2021,2,21]],"date-time":"2021-02-21T04:07:24Z","timestamp":1613880444000},"page":"157-184","source":"Crossref","is-referenced-by-count":0,"title":["Art and the Community"],"prefix":"10.1108","author":[{"given":"Susana","family":"Gon\u00e7alves","sequence":"first","affiliation":[]}],"member":"140","reference":[{"volume-title":"Non-Places: Introduction to an anthropology of supermodernity","year":"1995","author":"Auge","key":"2025122915245726200_i978-1-80043-896-520211010_16.bib1"},{"key":"2025122915245726200_i978-1-80043-896-520211010_16.bib2","article-title":"Artists assemble! How collectives took over the art world","author":"Basciano","year":"2019,  10","journal-title":"The Guardian"},{"key":"2025122915245726200_i978-1-80043-896-520211010_16.bib3","unstructured":"Best, M. (2020, January 15). Teaching with contemporary art, teaching with community. Retrieved from\u2008https:\/\/art21.org\/read\/teaching-with-community\/"},{"key":"2025122915245726200_i978-1-80043-896-520211010_16.bib4","article-title":"Creative placemaking: Arts and culture as a partner in community revitalization","volume-title":"Fundamentals of arts management","author":"Borrup","year":"2016"},{"volume-title":"The creative community builder's handbook: How to transform communities using local assets, arts, and culture","year":"2006","author":"Borrup","key":"2025122915245726200_i978-1-80043-896-520211010_16.bib5"},{"key":"2025122915245726200_i978-1-80043-896-520211010_16.bib6","unstructured":"Botton, A. (2014). Lecture: Alain de Botton on art as therapy. The School of Life. Retrieved from\u2008Https:\/\/www.youtube.com\/watch?v=qFnNgTSkHPM"},{"key":"2025122915245726200_i978-1-80043-896-520211010_16.bib7","unstructured":"Botton, A. (2015, November 6). So, Alain de Botton, what is art for? Interview by B. Bethune. Maclean's. Retrieved from\u2008https:\/\/www.macleans.ca\/culture\/arts\/so-alain-de-botton-what-is-art-for\/"},{"volume-title":"Creative placemaking research: Theory and practice","year":"2019","author":"Courage","key":"2025122915245726200_i978-1-80043-896-520211010_16.bib8"},{"volume-title":"Arte e Esperan\u00e7a. Percursos da Iniciativa PARTIS 2014-2018","year":"2019","author":"Cruz","key":"2025122915245726200_i978-1-80043-896-520211010_16.bib9"},{"key":"2025122915245726200_i978-1-80043-896-520211010_16.bib10","first-page":"8","article-title":"Breve introdu\u00e7\u00e3o ou o porqu\u00ea de refletir hoje","volume-title":"Arte e Esperan\u00e7a. Percursos da Iniciativa PARTIS 2014-2018","author":"Cruz","year":"2019"},{"key":"2025122915245726200_i978-1-80043-896-520211010_16.bib11","doi-asserted-by":"publisher","first-page":"414","DOI":"10.1093\/cdj\/35.4.414https:\/\/academic.oup.com\/cdj\/article-abstract\/35\/4\/414\/282797","article-title":"Art and community development: The role the arts have in regenerating communities","volume":"35","author":"Kay","year":"2000","journal-title":"Community Development Journal"},{"volume-title":"Creative placemaking","year":"2010","author":"Markusen","key":"2025122915245726200_i978-1-80043-896-520211010_16.bib12"},{"key":"2025122915245726200_i978-1-80043-896-520211010_16.bib13","first-page":"8","article-title":"Pref\u00e1cio","volume-title":"Arte e Esperan\u00e7a. Percursos da Iniciativa PARTIS 2014-2018","author":"Matarasso","year":"2019"},{"volume-title":"A restless art: How participation won, and why it matters","year":"2019","author":"Matarasso","key":"2025122915245726200_i978-1-80043-896-520211010_16.bib14"},{"key":"2025122915245726200_i978-1-80043-896-520211010_16.bib15","first-page":"105","article-title":"Resist\u00eancias criativas: Os coletivos art\u00edsticos e ativistas no Brasil","volume":"N\u00ba25\u201326","author":"Mazetti","year":"2008","journal-title":"Lugar Comum"},{"key":"2025122915245726200_i978-1-80043-896-520211010_16.bib16","unstructured":"McIntosh, R. (2020, March). 30 famous contemporary artists and their art. Virtosu Art Gallery. Retrieved from\u2008https:\/\/www.virtosuart.com\/blog\/30-most-influential-contemporary-artists"},{"volume-title":"Art in the 21st century","year":"2020","author":"Robertson","key":"2025122915245726200_i978-1-80043-896-520211010_16.bib17"},{"volume-title":"Re|shaping cultural policies: Advancing creativity for development","year":"2017","author":"UNESCO, Director-General","key":"2025122915245726200_i978-1-80043-896-520211010_16.bib18"}],"container-title":["Art in Diverse Social Settings"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/www.emerald.com\/insight\/content\/doi\/10.1108\/978-1-80043-896-520211010\/full\/xml","content-type":"application\/xml","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/www.emerald.com\/books\/edited-volume\/chapter-pdf\/9232171\/978-1-80043-896-520211010.pdf","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,12,29]],"date-time":"2025-12-29T20:25:39Z","timestamp":1767039939000},"score":1,"resource":{"primary":{"URL":"https:\/\/www.emerald.com\/books\/book\/14342\/chapter\/85296028\/Art-and-the-Community"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2021,3,2]]},"ISBN":["9781800438972","9781800438965","9781800438989"],"references-count":18,"URL":"https:\/\/doi.org\/10.1108\/978-1-80043-896-520211010","relation":{},"subject":[],"published":{"date-parts":[[2021,3,2]]}}}